Paris - Contemporary Art

Raphael Fenice infinity mirror in Lucite and led technology When the mirror is off looks like a real mirror. Mirror can be controlled ...

Original vintage still life painting by listed Swedish artist Eric Cederberg (1897-1984). Signed E Cederberg to the top right. In excellent original condition and presented in a gilt...

Infiny mirror with LED light, smoked tempered mirror glass. With LED light color changing. Exceptional piece. Made in France in 2019 by Raphael Fenice...

Mirror: " Rêve astral" Number of stones : 306 Semi precious stones Type of stones: Malachite, Obsidian, Black onyx, Tiger eye, Shungite, Labradorite, Black tourmaline, Tourmaline q...

Portraits of Landscapes by Marc Quinn, 2007 pigment print signed and numbered 51/59 doom 100 cmX 75 cm framed with white border with an acrylic protective glass. Good condition 3 ...

THIS ITEM CAN BE PICKED UP FROM LONDON OR PARIS OR SHIPPED FOR FREE IN THE TWO CITIES. "Interiorite" by French contemporary artist Andie Grande. Beautiful mixed media painting, oil ...

multiple on metal by Victor Vasarely Geometric composition Signed France 1970 Geometric composition on metal engraved signature and numbered 45/160 Good condition, some light scratch...

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

Miyanaga Rikichi, Miyanaga Tozan III, The Blue Corridor, 1992 This rare wall plaque, titled The Blue Corridor and created in 1992 by Miyanaga Tozan III (Rikichi), reflects the artis...

Marc Quinn Portraits of Landscapes, 2007 London, Signed and numbered 51/59 Pigment print on 330g Somerset Velvet Enhanced paper 39 2/5 × 29 1/2 in 100 × 75 cm Edition of 59 4 Pre owned Portraits each framed with white wood with a protection glass. Price for 1 item/ print Since his first exhibitions in the early 1990s, Marc Quinn has forged a rich and complex art practice exploring themes including nature, beauty, hybridity and genetic manipulation. In 2000, Quinn's Garden...

"Interstellar" by Denis Perrollaz : Glycero paint, liquid tqr and resine on an old steel traffic sign. 2013, signed by the artist. "Certificate of Aut...

Organic mirrored tray adorned with Dalmatian jasper and Black onyx Number of stones: 1 Dalmatian jasper, 30 black onyx Limited and numbered and signed edition Each mirror is unique,...

"Kamut" by Bruno Chavanne (1957), 2012: Oil on canvas. Certificate of Authenticity provided by the gallery. Measures: 97 x 130 cm 38.2 x 51.2 inches ...

"Luna IV" by Jean François Reboul, colored concrete sculpture with gold leaf finishing for wall. This creation expresses simplicity, moderation and harmony. "Certificate of Authenti...

Portraits of Landscapes by Marc Quinn, 2007 pigment print signed and numbered 51/59 doom 100 cmX 75 cm framed with white border with an acrylic protective glass. Good condition 3 o...

Lars Grönfelt, oil on canvas, signed and dated 69. Surrealist composition, 60x80 cm dimension with frame 65X85 cm LARS GRÖNFELT (1926-1982) Good condition

Portraits of Landscapes by Marc Quinn, 2007 pigment print signed and numbered 51/59 doom 100 cmX 75 cm framed with white border with an acrylic protective glass. Good condition 3 o...

Portraits of Landscapes by Marc Quinn, 2007 pigment print signed and numbered 51/59 doom 100 cmX 75 cm framed with white border with an acrylic protective glass. Good condition 3 o...

We are pleased to present this wall ceramic artwork by Asano Masaru. This ceramic plaque shiws remarkable craftsmanship: the clay is hand-formed, carved, and then painted, resulting...

Mirror: " A la folie" Number of stones : 283 green aventurine Each mirror is unique, just like the people who will own them. They are distinguished by the unpredictable and harmo...

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

Mirror: " Destinazione Paradiso " Number of stones : 17 engraved river stones. Each mirror is unique, just like the people who will own them. They are distinguished by the unpredi...

Mirror: " By your side " Number of stones : 228 Lapis-Lazuli Each mirror is unique, just like the people who will own them. They are distinguished by the unpredictable and harmoniou...

Decorative mask in grey clay , handmade by French ceramicists Dalo. One of a kind, signed by Dalo 2025        

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

César (1921 - 1998) ‘‘Expansion n° 55’’, 1975 Resin, glass wool and acrylic lacquer 108 x 58 x 18 cm Certificate from the Durand-Ruel archives N° 2.198 (César archives) César Baldac...

"Derrière le Miroir" is a French art magazine created in 1946 and published by the Maeght Gallery until 1982. "Derrière le Miroir Miro Sculptur...

Tag wall tile composition by Mydriaz Dimensions: D 2 x W 75 x H 150 cm (15 x 15 cm each tile) Materials: Glazed porcelain tile. Our products are handmade in our workshop. Dimens...

Very beautiful contemporary painting, abstract in the style of Jackson Pollock and Larry Poons. . Unsigned, unidentified but very beautiful. . Superb colors and beautiful materials that are not necessarily seen in the images. . Painting on wood which gives a sublime appearance and superb reliefs of material. . Quite good state. . Frame edges not provided. . Slight lacks and misses. . Dimensions : 194 cm X 114 cm Thickness : 3.5 cm . We offer the shipping with insurance for cities in France. . To give you some art informations, Jackson Pollock, born January 28, 1912 in Cody, Wyoming and died August 11, 1956 in Springs, New York, was an American painter of abstract expressionism, known worldwide during his lifetime. Jackson Pollock made more than 700 works, completed paintings, painted or sculpted essays and drawings as well as some engravings. He had a decisive influence on the course of contemporary art. To give you some art informations on Larry Poons (b.1937 in Tokyo, Japan) is an American artist known for his pursuit of painting, which began in 1959 and continues apace today. From 1955 to 1957 Poons studied composition at the New England Conservatory of Music in Boston. In 1959, he saw Barnett Newman’s exhibition at French & Company in New York and subsequently relinquished music studies to enroll at the School of the Museum of Fine Arts, Boston. After graduation, he moved to New York where he had his first solo exhibition in 1963 at Richard Bellamy’s Green Gallery. In 1965, MoMA curator William Seitz included Poons in “The Responsive Eye” along with Josef Albers, Larry Bell, Ellsworth Kelly, and Ad Reinhardt. In 1969, Poons was the youngest artist to participate in "New York Painting and Sculpture, 1940–1970,” curated by Henry Geldzahler at the Metropolitan Museum of Art. Other artists included in the landmark survey were Hans Hoffman, Jackson Pollock, Willem de Kooning, and Jules Olitski. In the early 1960s Poons was the guitarist for The Druds, a short-lived avant-garde band, which featured Walter de Maria...

Wall decoration mirror life is beautyful infiny made with mirrored LED lights with glass and plexiglass creating an infiny mirrored effect. With neon lig...

A very rare and beautiful portrait of a Saint, a polychrome ceramic signed hand on the reverse Marc Roussel. Marc Roussel is the father in Law of François Lembo, as his son-in-law h...

Wall decoration mirror revolver infiny made with mirrored LED lights with glass and plexiglass creating an infiny mirrored effect. With a real exceptional hand carved colt 45...

Aluminum wall sculpture by Swedish artist Arne Jones dating from the 1970s. Composed of 9 aluminum plates stacked and attached to each other by four rivets....

Gunnar Greiber, painting oil on canvas signed dimension 65X 81 cm with frame 80X96 cm Good condition Gunnar Fredrik Greiber, born 1919 in Stockholm, died 2011 in Stockholm, was a Sw...

Organic mirrored tray adorned with tiger eyes. Number of stones: 42 tiger eyes Limited and numbered and signed edition Each mirror is unique, just like the people who will own them....

Exceptional limited edition 1/2 tapestry "Pelops" with certificate from a private collection, 1964. Ateliers Pinton brothers in Felletin, under the supervision of Pierre Baudouin 2ex + 1EA Editor Aram Iynedjian. The tapestry will be sold with its certificate of authenticity from the gallery. From the 15th century, the name of Pinton was associated with the Aubusson tapestry. Since then, over the generations, the Pinton family has largely contributed to the development of this fabulous cultural heritage until the creation in the 19th century, of the Felletin factory, in the department of Creuse. Even today, in these workshops, the craftsmen execute the same correct gestures with the same attention to detail and thus extend the chain of the history of the tapestry of tradition but also contemporary. The hand of specialists, the eye of designers and dyers and the taste of the most demanding clientele find their meaning in the fabric of the carpets. The excellence of French know-how, a living heritage society and custodian of Aubusson's cultural heritage, has always collaborated with great artists. The works of Charles Le Brun, Charles Lapicque, Pablo Picasso, Jean-Michel Othoniel, and many other big names in the world of painting, architecture, design, fell into the looms and know-how ancestral of this unique Creuse creator. Editor Aram Iynedjian Aram Iynedjian, Lausanne gallery owner and editor of tapestries from Braque, Estève and Lapicque, the latter meets Pierre Baudouin, the most famous of the cardboard painters of the time. The one who translated the works of Le Corbusier, Calder or Picasso into tapestry then collaborates with Charles Lapicque and they will develop a work of great richness. Lapicque came to realize these two summits which are "Pélops" and "Diane et Actéon". I realize that you should never try to describe a work of art Let’s look at it. Let us admire the science of composition, linear purity, technical perfection, the beauty of color, the truth of the drama. Let us see, if we can, the implacable presence of genius. "We will now understand that after having based a painting on the love of tapestry, it was relatively easy, and very tempting, to build a tapestry faithful to my painting," explained the artist in the exhibition catalog. of the Galerie Verrière in 1970. It was not until 1961 that he began to produce cardboards both for the tapestry of the Lisse in Aubusson, but also at the Mobilier National, with the help of Pierre Baudouin Charles Lapicque (1898-1988) Born in 1898 in Theizé (Rhône) in a family practicing both the arts and the sciences, Charles Lapicque is no exception to the rule: gifted for music and drawing, he graduated from the École Centrale in 1921, works as engineer until 1928 before integrating in 1931 a laboratory at the Faculty of Sciences of Paris, where he carried out research on the perception of colors, crowned by the title of Doctor of Physical Sciences in 1938. He thus studies the reactions of the eye in front of an intense light source, at the origin of the formation of starry images which he will use in his works, and defines a theory of the staggering of colors in space which overturns the rules of the Renaissance: "I had shown that the Classic rule, that of Vinci, advocating placing the blues in the distance, the reds, oranges and yellows in the foreground, is a nonsense; it makes more sense, more favorable to do the opposite. "(In Red and blue in the arts, 1936) It was around 1920 that Charles Lapicque began to paint in Brittany where he spent every summer since his childhood, first on the motif and then in a workshop that his stepfather Jean Perrin, Nobel Prize in Physics, had him build in 1927 ; he then definitively adopted the work of memory, in accordance with the art of music which he deeply loved and the Bergsonian philosophy of knowledge: "It is up to us to give reality an appearance that it has no itself, a form, a figure (...). " His youthful production immediately reveals a great originality, oscillating between figuration and abstraction which sometimes intertwine: alongside synthetic paintings by their simplified drawing and their flat colors, he designs an Homage to Palestrina (1925), composed of a grid derived from Cubism, entirely abstract, relayed by a Christ with Thorns (1939), according to a principle that he will develop after 1939, in line with his optical discoveries. In fact, during the war years, an almost abstract period began, that of the tight blue framework, applied to backgrounds ranging from yellow to red and revealing a more or less identifiable world (Jeanne d'Arc crossing the Loire, 1940; Rencontres series, 1940-1945). Exhibited in 1929 by the gallery owner Jeanne Bucher, Lapicque abandoned his scientific career in 1943 to devote himself entirely to painting. He continued his work which resulted in 1946-1953 in white-frame structures; their much softer lines lead him to the system of either black or white interlacing which encloses areas of pure color, most often in solid color. With The Battle of Waterloo in 1949, Lapicque still uses optics - zooming in on a given area - to depict spaces with multiple perspectives and decomposed times. This new interest in the liveliness of color developed in the following period, which can be described as flamboyant or Baroque (1954-1963): illustrated in particular by the series of Breton lagoons and twilight or nocturnal views of Venice in the light. Stars, which the artist himself describes as “daring sweets”, it begins with the Raoul Dufy Prize of the Venice Biennale, awarded in 1953 to the artist who took the opportunity to give free rein to his passion for the Serenissima until July 1956. Another point in common with his elder brother is the expression of movement. Begun in 1949 in The Battle of Waterloo then in 1952 with Dimanche aux regates, it became an obsession from 1964, in the exploration of new themes, such as the different shots of tennis players captured on the fly (1965), the mythological scenes and sea storms. These dizzying years precede the artist's last period: as he comes of age, he discovers serenity, revealed by a painting now with acrylic paint, much more peaceful from 1974, which even borders on a childish naivety at the end. of his life. All of his work includes an astonishing diversity of themes, also nourished by his travels (Rome in 1957, Greece in 1964, Holland in 1974 ...), with a predilection for the sea, rocks, sailboats, music, tennis, horses, wild beasts, but also for history and mythology, as evidenced by knights, kings and ancient gods. It also deploys, in total creative freedom, a wide variety of styles and orientations. Having been one of the pioneers of non-figurative art, thus paving the way for artists like Manessier, Bazaine, Vieira da Silva, De Staël, etc. Owners of the new non-figurative Paris School of the Postwar period, Charles Lapicque then returned to figuration, in a "new interpretation" of appearance, even if he continued to rub shoulders with abstraction at times. "Drawing runs after color and color after drawing. " Heir to the Fauves, Charles Lapicque plays like them on pure colors, whose dissonances, associated with a totally free design and an overloaded composition in a multiple space, make him a precursor of the New Figuration in all its forms: the Narrative Figuration born in France in the early 1960s, represented in particular by Gérard Fromanger, Erró, Bernard Rancillac and Gérard Guyomard; Free Figuration born in the early 1980s, marked by Robert Combas, Hervé and Richard Di Rosa, Louis Jammes and François Boisrond, and which, in turn, influenced the American Bad Painting of a Jean-Michel Basquiat or a Keith Haring, deliberately neglected and Expressionist; Lapicque's “Classic subjects” were able to feed Cultivated Painting, which also appeared in the early 1980s with Jean-Michel Alberola, Patrice Giorda and Gérard Garouste...

White and klein Blue wooden compostion One of a Kind Signed and certificated by the artist Frederik Smits

Kirsi Neuvonen, work on paper dated 87, n°17*90, framed with protective glass dim 70 cm X 85 cm dimension of the paper 67x82 Kirsi Hannele Neuvonen (b. 1960 in Keuruu) graduated f...

Mirror: " The time is now" Number of stones: 146 red jasper Each mirror is unique, just like the people who will own them. They are distinguished by the unpredictable and harmoni...

"Starry Night " by Jean François Reboul, pigmented concrete sculpture with paper details for wall. This creation expresses simplicity, moderation ...

Organic mirrored tray adorned with pink quartz Number of stones: 48 pink quartz Limited and numbered and signed edition Each mirror is unique, just like the people who will own them...

"Apparition" by Vadim Garine (1970), 2018 : Mixed technique art piece using cardboard for a contemporary weaved style result and surface. The cardboard is gilded with gold leaf. Cert...

Mirror: " I’ll be around " Number of stones : 12 Black Onyx engraved with the constellations of the zodiac Each mirror is unique, just like the people who will own them. They are ...

Organic mirrored tray adorned with Green aventurines Number of stones: 33 Green aventurines Limited and numbered and signed edition Each mirror is unique, just like the people who w...

"Luna VI" by Jean François Reboul, colored concrete sculpture with gold leaf finishing for wall. This creation expresses simplicity, moderation an...

"Luna I" by Jean François Reboul : Coloured concrete sculpture for wall. Dimensions: D 53 cm x H 16 cm D 21 inches x H 6,3 inches Jean-François Reboul is a f...

"Panneau" by Denis Perollaz (1965): Mixed-media on metal. A circular recycled road sign on which the original painting has been blowtorched and manipulated creating a textured surfac...

"Youngster" Ink on paper 2003 Born in 1939 in Leningrad in the former Soviet Union, Alexander Ney lives and works in New York. The artist's early childhood was immersed in surv...

"Empreinte" by Reda Amalou, 2019 Dimension of the artwork 800 x 1200 mm H Silkscreen print with 2 colors on Arches vellum rag paper, 400g (Black ink and blue ink) 1st Edition. Limite...

Mario Picardo 'Saludos Amigos #14' 2020. Graffiti / Spray Paint work that is signed and titled on the back.

Silk paper, crepe paper Signed & dated by the artist in the bottom-right corner.

Mirror: " Equilibrium" Number of stones: 503 amethysts Limited and numbered and signed edition Each mirror is unique, just like the people who will own them. They are distinguis...

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

Mirror: " Cloudless" Number of stones : 144 mochaite jasper and 33 yellow onyx Each mirror is unique, just like the people who will own them. They are distinguished by the unpred...

Mirror: " Count your blessing" Number of stones : 88 Lapis-Lazuli and 280 Labradorite Each mirror is unique, just like the people who will own them. They are distinguished by the...

Mirror: " Time for me to fly" Number of stones : 258 Red Jasper, 181 Labradorite, 8 Bloodstone Each mirror is unique, just like the people who will own them. They are distinguish...

Mirror: " Nothing's gonna stop us now" Number of stones: 635 amethysts Each mirror is unique, just like the people who will own them. They are distinguished by the unpredictable ...

Composition 1723 by Matière 28°, acrylic on plexiglas, 2016. Matière 28° is the pseudonym of a Paris-based artist who was born in St. Petersburg and has lived in Europe for 30 years...

Rita Alaoui seeks to explore and rethink our relationship with the wild world and to imagine connections with the extraordinary. Fascinated by the power of nature and concerned about...

Large oil on canvas painting titled "The Revelation" or "The Vision," dated 1989 and signed by Victor Urgadumou, citizen of the Soviet Republic of Kalmykia, in Cyrillic. Represents Z...