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Item Ships From: San Francisco
Winter Moon Rising - large scale photograph of nocturnal California sky
By Frank Schott
Located in San Francisco, CA
Winter Moon Rising by Frank Schott, from a series or works capturing the sky's ethereal color palette between dusk and dawn
32 x 40 inches / 81cm x 102cm
edition of 25
60 x 48 inc...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Ink, Archival Paper, Giclée
A Festive Occasion
By Alan Maley
Located in San Francisco, CA
This artwork titled "Festive Occasion" 1989 is a color offset lithograph by noted British artist Alan Maley, 1931-1995. It is hand signed, titled and numbered 21/750 in pencil by the...
Category
Late 20th Century Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
Untitled. Very large original screen print
By Robert Natkin
Located in San Francisco, CA
This artwork "Untitled" 1986 is a large original color screen print on Wove paper by noted American abstract expressionist artist Robert Natkin, 1930-2010. IOt is hand signed, dated ...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Screen
Stardust - extra large format photograph of Marfa Sign and Horizon
By Frank Schott
Located in San Francisco, CA
Stardust by Frank Schott
48 x 48 inches / 122cm x 122cm
signed edition of 7
40 x 40 inches / 102cm x 102cm
signed edition of 25
archival quality fine art pigment print
limited ar...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Landscape
By Robert Kipniss
Located in San Francisco, CA
This artwork "Landscape" c.1980 is an original color lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand signed and numbered 168/200 in pencil by the...
Category
Late 20th Century American Modern San Francisco - Prints and Multiples
Materials
Lithograph
Cloud Forest II -large format photograph of fantastical tropical rainforest
By Erik Pawassar
Located in San Francisco, CA
large scale photograph of lush tropical rainforest botanical tableau, from a series of highly detailed large format nature observations, an homage to the fantastical jungle paintings by artist Henri Rousseau
Cloud Forest...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Ink, Giclée, Archival Pigment
Blue Bird
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork titled "Blue Bird' c.1990 is a dye sublimation print on aluminium by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and number...
Category
Late 20th Century Surrealist San Francisco - Prints and Multiples
Materials
Other Medium
Tulips in a Round Vase
By Gary Bukovnik
Located in San Francisco, CA
This artwork, titled "Tulips in a Round Vase" and dated 2000, is an original color lithograph on Arches paper by noted American artist Gary Bukovnik, born 1947. It is signed and numb...
Category
Early 2000s American Realist San Francisco - Prints and Multiples
Materials
Lithograph
Rome (Campidoglio) - large scale photograph of urban textures and color palette
By Frank Schott
Located in San Francisco, CA
Rome (Campidoglio), a large format photograph of Michelangelo's famous Roman square, from a series of works capturing Rome's urban surfaces and wallscape color palettes
40 x 27 inch...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Ink, Archival Paper, Giclée
Cityscape
Located in San Francisco, CA
This artwork titled "Cityscape" c.1930 is an original color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist. The image (plate mark) size is 12.75 x 9.15 inches, framed size is 19.35 x 15.25 inches. Custom framed in a silver with brown patina frame, with light grey matting and green and red filet. It is in excellent condition,
About the artist:
Tanna Kasimir...
Category
Mid-20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Singing in the Bath, Tenakee Springs
Located in San Francisco, CA
This artwork titled "Singing in the Bath, Tenakee Springs" 1996 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 1077/1100 in pencil by the artist. The image size is 13.5 x 10 inches, sheet size is 16 x 12.35 inches. It is in excellent condition, has never been framed.
About the artist:
Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska.
Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau.
Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play.
Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast.
For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps.
Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine.
In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints.
From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250.
Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C.
Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...
Category
Late 20th Century Folk Art San Francisco - Prints and Multiples
Materials
Lithograph
The Three of Us, Hawaii
Located in San Francisco, CA
This artwork titled "The Three of Us, Hawaii" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed, tit...
Category
21st Century and Contemporary Abstract San Francisco - Prints and Multiples
Materials
Monotype
Iris
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Iris" 1996 is a original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 131/135 in penci...
Category
Mid-20th Century American Realist San Francisco - Prints and Multiples
Materials
Lithograph
Bacchanale
By (after) Pablo Picasso
Located in San Francisco, CA
This artwork titled "Bacchanale" 1955 from the portfolio "La Flute Double" published in 1967 is a colors lithograph, with pochoir on cream Moulin Richa...
Category
Mid-20th Century Cubist San Francisco - Prints and Multiples
Materials
Lithograph
Midnight Reach
By Pia Stern
Located in San Francisco, CA
This artwork titled "Midnight Reach" c.1990 is in an original color monoprint on Wove paper by noted American artist Pia Stern, b. 1953. It is hand signed, t...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Monoprint
Listen
Located in San Francisco, CA
This artwork titled "Listen" 1998 is an original color lithograph on paper by noted American artist David Hollowell, b.1951. It is hand signed and num...
Category
Late 20th Century Surrealist San Francisco - Prints and Multiples
Materials
Lithograph
Wild West II - large scale photograph of iconic Navajo Americana landscape
By Frank Schott
Located in San Francisco, CA
large format photograph from a series of photographic observances of iconic Wild West red desert Navajo landscape in Monument Valley, Arizona
Wild West II by Frank Schott
48 x 71 i...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Archival Ink, Archival Paper, Archival Pigment, Giclée
Cheveaux Tirant une Peniche (Horses pulling a Barge)
Located in San Francisco, CA
This artwork "Cheveaux Tirant une Peniche (Horses pulling a Barge)" c.1920 is an original color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943...
Category
Early 20th Century Impressionist San Francisco - Prints and Multiples
Materials
Aquatint, Etching
Winter Sunrise - large format photograph of ethereal abstract dawn landscape
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from the artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Winter Sunrise by Frank Schott
48 x 72 inches / 122cm x 183cm
signed edition of 7
27 x 40 inches / 69cm x 101cm
signed edition of 25
archival quality fine art pigment print
limited art edition published by Edition EKTAlux...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Archival Paper, Giclée, Archival Ink, Photographic Paper, Archival Pigment
City 368
By Risaburo Kimura
Located in San Francisco, CA
Artist: Risaburo Kimura– Japanese/American (1924-2014 )
Title: City 368
Year: circa 1972
Medium: Serigraph
Sight size: 25 x 19.75 inches.
Sheet size: 28.75 x 22.75 inches.
Signatur...
Category
1970s Abstract Geometric San Francisco - Prints and Multiples
Materials
Paper, Screen
Magical City
Located in San Francisco, CA
This artwork "Magical City" 1979 is an original color serigraph by Spanish artist Juan Romero Fernandez, 1932-1996. It is hand signed, dated and numbered 6...
Category
Late 20th Century Other Art Style San Francisco - Prints and Multiples
Materials
Screen
Island Jewels Hawaii
Located in San Francisco, CA
This artwork titled "Island Jewels Hawaii" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed, titled...
Category
21st Century and Contemporary Abstract San Francisco - Prints and Multiples
Materials
Monotype
Dancing Ducks in Red, Yellow, Green, Blue,
By George Chemeche
Located in San Francisco, CA
Artist: George Chemeche – Iraqi/American (1934-2022)
Title: Dancing Ducks in Red, Yellow, Green, Blue
Year: circa 1980
Medium: Screen Print
Image size: 19 x 27 inches.
Sheet size: 22 x 29 inches.
Signature: Signed lower right
Edition: 260 This one: 87/260
Condition: Very good
Unframed
This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube.
George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful.
George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist.
Selected Biography
1934 Born in Basra, Iraq
1947 Fled Iraq with his family
1947-49 Lives and attends school in Tehran
1949 Immigrates to Israel
1956-59 Studies art in Avni Art School, Tel-Aviv
1959 Gets American-Israeli Culture Foundation grant to study art in Paris
1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris
1961- Gets two years grant from Lady Francis Fergusson, Scotland
1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris
1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum
1972 Travels to New York, checks in the Hotel Chelsea
1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe.
1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY
2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy
2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins
2005 Reads his poems at the Bowery Poetry Club, New York
2010 Lectures about Ibeji art and cult at Iowa University
2011 Lectures about Ibeji Art and cult at Neuberger Museum
2011 Publishes, The Horse Rider in African Art” ACC, UK
INDIVIDUAL EXHIBITIONS
1978 Goldman Art Gallery, Haifa, Israel
1977 Louis K. Meisel Gallery, New York
1977 Alexandra Monett Gallery, Brussels
1977 Givon Art GaJIery, Tel Aviv
1974 South Houston Gallery, New York
1974 Ray Landis Gallery, East Brunswick, New Jersey
1973 Gala Gallery, Key Biscayne, Florida
1973 Art Asia Gallery...
Category
1980s Other Art Style San Francisco - Prints and Multiples
Materials
Paper, Screen
Faune et Femme Nue
By (after) Pablo Picasso
Located in San Francisco, CA
This artwork titled "Faune et Femme Nue" 1936 from the portfolio "La Flute Double" published in 1967 is a lithograph on Moulin Richard De Bas paper after art...
Category
Mid-20th Century Cubist San Francisco - Prints and Multiples
Materials
Lithograph
Faculty Meeting
Located in San Francisco, CA
This artwork titled "Faculty Meeting" c.1990 in an original etching with intensive hand coloring on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered E.V 5/8 in pencil by the artist. The image size is 16 x 15.65 inches, sheet size is 24.35 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist:
Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California.
Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...
Category
Late 20th Century American Modern San Francisco - Prints and Multiples
Materials
Etching
Mascara Roja
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category
Mid-20th Century Modern San Francisco - Prints and Multiples
Materials
Lithograph
Woman Sitting
By Barbara A. Wood
Located in San Francisco, CA
This artwork "Woman Sitting" c.1990 is an offset lithograph by American artist Barbara A. wood, born 1926. It is hand signed and numbered 222/975 in penc...
Category
Late 20th Century Modern San Francisco - Prints and Multiples
Materials
Lithograph
Ceramics II
By Richard Thomas Davis
Located in San Francisco, CA
This artwork titled "Ceramics II" 1981 is an original colors screen print by Canadian artist Richard Thomas Davis, b.1947. It is hand signed, titled, date...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Screen
Paroles Dans un Parc
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Paroles Dans un Parc (Words in the Park)" 1989 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E.A. (Artist Proof in French) in pencil by the artist. The image size is 22.15 x 30.25 inches, sheet size is 24.75 x 32.85 inches. It is in excellent condition, has never been framed.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
Les Petit Rats, Ballerinas VI
By Graciela Rodo Boulanger
Located in San Francisco, CA
This artwork titled "Les Petit Rats, Ballerinas VI" c.1980 is an original color lithograph on Japan paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered XLII/C in pencil by the artist. The image size is 22.75 x 18 inches, sheet size is 30 x 22.15 inches.
About the artist:
Born in La Paz, Bolivia in 1935, Graciela Rodo Boulanger was raised in an artistic environment. Her mother, a concert pianist, and her father, a businessman and art connoisseur, nurtured her talents. She studied the piano and at age 11 enrolled in the School of Fine Arts. At 17 she went to Vienna to study both art and music, and at 22 shetravelled to Argentina for the stimulating artistic environment of Buenos Aires. Continuing to study both piano and painting...
Category
Late 20th Century Modern San Francisco - Prints and Multiples
Materials
Lithograph
Un Longue Apres Midi
Located in San Francisco, CA
This artwork titled "Un Longue Apres Midi" 1984 is an original color etching with aquatint on Arches paper by French artist Jean Solombre, 1948-2005. It ...
Category
Late 20th Century Surrealist San Francisco - Prints and Multiples
Materials
Aquatint, Etching
Sunrise Dahlia
By Gatja Helgart Rothe
Located in San Francisco, CA
This artwork titled "Sunrise Dahlia" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbered 64/...
Category
Late 20th Century American Realist San Francisco - Prints and Multiples
Materials
Mezzotint
Topiary II - large format photograph of ornamental shaped sidewalk trees
By Frank Schott
Located in San Francisco, CA
large scale photogaph from a series of photographic observances capturing the antics of urban gardening and whimsical botanical art of topiaries' green minimalism
TOPIARY II by Fran...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
The Protectress
Located in San Francisco, CA
This artwork titled "The protectress" 1997 is a original stone cut with stencil on thin paper by noted Canadian Inuit artist Kakulu Saggiaktok, 1940-2020. It is hand signed, titled, ...
Category
Late 20th Century Other Art Style San Francisco - Prints and Multiples
Materials
Stencil
Some of 48 Tulips
By Gatja Helgart Rothe
Located in San Francisco, CA
This artwork titled "Some of the 48 Tulips" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbe...
Category
Late 20th Century American Realist San Francisco - Prints and Multiples
Materials
Mezzotint
Marfa { The Road } - large scale photograph of endless road and horizon sunset
By Frank Schott
Located in San Francisco, CA
The Road by Frank Schott
country road outside of town, from a series of impressions captured in and around the artist community of Marfa, Texas, longtime residence of minimalist art...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Photographic Paper, Archival Pigment, Archival Paper
Flowers, very large lithograph
By Gary Bukovnik
Located in San Francisco, CA
This artwork "Flowers" .1996 is a large original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, dated and numbered 13/200 in whi...
Category
Mid-20th Century American Realist San Francisco - Prints and Multiples
Materials
Lithograph
City 365
By Risaburo Kimura
Located in San Francisco, CA
Artist: Risaburo Kimura– Japanese/American (1924-2014 )
Title: City 365
Year: circa 1972
Medium: Serigraph
Sight size: 25 x 19.75 inches.
Sheet size: 28.75 x 22.75 inches.
Signatur...
Category
1970s Abstract Geometric San Francisco - Prints and Multiples
Materials
Paper, Screen
Untitled
Located in San Francisco, CA
This artwork "Utitled" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed and numbered 1/1 in pencil...
Category
21st Century and Contemporary Abstract San Francisco - Prints and Multiples
Materials
Monotype
Landscape with Trees
By Robert Kipniss
Located in San Francisco, CA
This artwork "Landscape with Trees" c.1980 is an original lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand si...
Category
Late 20th Century American Modern San Francisco - Prints and Multiples
Materials
Lithograph
Untitled #2
Located in San Francisco, CA
This artwork "Untitled #2" is a colors monotype on Arches paper by Dutch artist Frans Horbach. It is hand signed and dated in pencil by the artist. The image (plate mark) is 19.5 x 15.5 inches, sheet size is 30 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist:
Born in Holland, Dutch artist Frans Horbach first visited New York when he was 17 years old, traveling on a cargo ship from Rotterdam, just as his fellow country man Willem de Kooning had done years before. Two years later he left Holland and emigrated to California.
During the years that he lived and worked as a professional artist in America, one of the main sources of artistic influence came from artists belonging to what is now known as the New York school of American lyrical abstract expressionist art - Rothko, Pollock, De Kooning... He was attracted by their ideas, style of work, and more importantly, by their vital energy and uninhibited self-confidence.
Horbach's work also was influenced, more subtely perhaps, by his contact with indigeneous Indian people during his journeys in the American South-West and Mexico. These encounters were a rich source of inspiration - they became integral to a philosophical framework which involved the appreciation of physical space in a poetic and artistic sense. In later years, as the result of his long-time interest in oriental art and philosophy, some of his work show a distinct affinity with the aesthetic sensibilities of traditional Japanse...
Category
Late 20th Century Abstract San Francisco - Prints and Multiples
Materials
Monotype
Untitled #1
Located in San Francisco, CA
This artwork "Untitled #1" is a colors monotype on Arches paper by Dutch artist Frans Horbach. It is hand signed and dated in pencil by the artist. The image (plate mark) is 19.65 x 19.65 inches, sheet size is 35.5 x 24.75 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist:
Born in Holland, Dutch artist Frans Horbach first visited New York when he was 17 years old, traveling on a cargo ship from Rotterdam, just as his fellow country man Willem de Kooning had done years before. Two years later he left Holland and emigrated to California.
During the years that he lived and worked as a professional artist in America, one of the main sources of artistic influence came from artists belonging to what is now known as the New York school of American lyrical abstract expressionist art - Rothko, Pollock, De Kooning... He was attracted by their ideas, style of work, and more importantly, by their vital energy and uninhibited self-confidence.
Horbach's work also was influenced, more subtely perhaps, by his contact with indigeneous Indian people during his journeys in the American South-West and Mexico. These encounters were a rich source of inspiration - they became integral to a philosophical framework which involved the appreciation of physical space in a poetic and artistic sense. In later years, as the result of his long-time interest in oriental art and philosophy, some of his work show a distinct affinity with the aesthetic sensibilities of traditional Japanse...
Category
Late 20th Century Abstract San Francisco - Prints and Multiples
Materials
Monotype
Dancing Ducks in Red, Green, Blue, Purple
By George Chemeche
Located in San Francisco, CA
Artist: George Chemeche – Iraqi/American (1934-2022)
Title: Dancing Ducks in Red, Green, Blue, Purple
Year: circa 1980
Medium: Screen Print
Image size: 19 x 27 inches.
Sheet size: 22 x 29 inches.
Signature: Signed lower right
Edition: 260 This one: 77/260
Condition: Very good
Unframed
This exceptional geometric abstract serigraph is by the noted Iraqi/American artist George Chemeche (1934-2022 ). He is a master of serigraph printing, but this print has more than technical excellence. It is a wonderful, rhythmic abstract composition. I believe Chemeche might have been a proponent of and/or influenced by the Pattern and Decoration Movement which was happening in New York in the 1970s and 1980s. The print has never been framed and is in very good condition. I will ship the print rolled in a heavyweight tube.
George Chemeche was born in 1934 and studied at the Avni Art School in Tel Aviv and the Ecole des Beaux Arts in Paris. The style with which he is intimately associated, pattern painting, The most serviceable definition is that pattern is the systematic repetition of a motif or motifs used to cover a surface uniformly. The spaces between motifs are either other motifs or are an integral part of the repeat. Usually, patterning intentionally acknowledges the decorative function of art, reconciling both the decorative and the meaningful.
George Chemeche’s work hangs in the lobby of the Hotel Chelsea where many have admired it for years. Please search online for more biographical information by this fine artist.
Selected Biography
1934 Born in Basra, Iraq
1947 Fled Iraq with his family
1947-49 Lives and attends school in Tehran
1949 Immigrates to Israel
1956-59 Studies art in Avni Art School, Tel-Aviv
1959 Gets American-Israeli Culture Foundation grant to study art in Paris
1959-1962 Studies at Ecole Supérieure des Beaux Arts, Paris
1961- Gets two years grant from Lady Francis Fergusson, Scotland
1962 Gets one year grant from Alex de Rothschild, Paris First man show at Gallery Transposition, Paris
1965-72 Exhibits his work in numerous art galleries in Israel including one man show at Haifa Museum
1972 Travels to New York, checks in the Hotel Chelsea
1977-- First one-man show in USA at Louis K. Meisel Gallery, New York, followed by other shows around the country and Europe.
1995 Travels to Iceland to publish the Aya Series book. Text by Donald Kuspit; Art Resourses & Technologies, New York, NY
2002 Publishes, Ibejis: “The Cult of Yoruba Twins” 5 Continents Edition, Milan, Italy
2003 Curates a show at Museum of African Art, NYC Ibejis: The Doubly Blessed Twins
2005 Reads his poems at the Bowery Poetry Club, New York
2010 Lectures about Ibeji art and cult at Iowa University
2011 Lectures about Ibeji Art and cult at Neuberger Museum
2011 Publishes, The Horse Rider in African Art” ACC, UK
INDIVIDUAL EXHIBITIONS
1978 Goldman Art Gallery, Haifa, Israel
1977 Louis K. Meisel Gallery, New York
1977 Alexandra Monett Gallery, Brussels
1977 Givon Art GaJIery, Tel Aviv
1974 South Houston Gallery, New York
1974 Ray Landis Gallery, East Brunswick, New Jersey
1973 Gala Gallery, Key Biscayne, Florida
1973 Art Asia Gallery...
Category
1980s Other Art Style San Francisco - Prints and Multiples
Materials
Paper, Screen
Maroon Lake, Colorado
By Adolf Arthur Dehn
Located in San Francisco, CA
This artwork titled "Maroon Lake, Colorado" 1945 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed, dated, titled, numbered ...
Category
Mid-20th Century American Realist San Francisco - Prints and Multiples
Materials
Lithograph
One Horse Night Hawaii
Located in San Francisco, CA
This artwork titled "One Night Horse Hawaii" c.2000 is a colors monotype on B.F.K Rives paper by American artist Phil Gallagher. It is hand signed, titl...
Category
21st Century and Contemporary Abstract San Francisco - Prints and Multiples
Materials
Monotype
Calla Lily
By Gary Bukovnik
Located in San Francisco, CA
This artwork titled "Calla Lily" 1998 is an original color lithograph on Wove paper by noted American artist Gary Bukovnik, born 1947. It is hand signed, ...
Category
Mid-20th Century American Realist San Francisco - Prints and Multiples
Materials
Lithograph
Opening
By Joseph Goldyne
Located in San Francisco, CA
Artist: Joseph Goldyne American (1942 - )
Title: Opening
Year: 1984
Medium: 14-color lithograph printed offset from 8 plates
Image Size: 23.75 x 18 inches
Sheet size: 31 x 22.5 i...
Category
1980s Realist San Francisco - Prints and Multiples
Materials
Paper, Lithograph
"And Put on the Eyes of Zedekiah" From the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "And Put on the Eyes of Zedekiah" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman, 1897-198...
Category
Mid-20th Century Expressionist San Francisco - Prints and Multiples
Materials
Etching
The Slot #9
By Stephen McMillan
Located in San Francisco, CA
Artist: Stephen McMillan – American (1949- )
Title: The Slot #9
Year: 1981
Medium: 3 plate aquatint etching
Sight size: 36 x 24”
Sheet size: 41.5 x 29.5 inches on Arches paper
Signat...
Category
1980s Realist San Francisco - Prints and Multiples
Materials
Aquatint, Paper
Lise
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Lise" 1991 is an original color lithograph on Arches paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and numbered 300/300 in pencil by the artist.. The image size is 10.75 x 19.75 inches, framed size is 24,5 x 32.5 inches. Custom framed in a wooden gold leaf frame, with fabric matting and gold color spacer. It is in excellent condition.
About the artist:
Jean-Pierre Cassigneul is a French painter known for his serene portraits of women in hats that recall the French Post-Impressionist avant-garde, including the works of Pierre Bonnard and Edouard Vuillard. He was born on July 13, 1935, in Paris.
He studied at the École des Beaux-Arts in Paris and went on to exhibit in various group exhibitions, including the Salon d' Automne in Paris (of which he was member), the Salon de la Jeune Peinture, He exhibited at the Beaubourg Center in Paris in 1977 and solo as of 1952, on a regular basis in France but also in New York, and Tokyo and worldwide
Jean PierreCassigneul is known for his charming and extremely popular Van Dongen-influenced paintings of women in floral hats, complete with frequent allusions to other aspects of the Années Folles.
1952 First private exhibition at the Galerie Lucy Kroge in Paris aged 17.
1954 Enters into the Académie Charpentier and then decides to study under Jean Souverbie
at the Ecole des Beaux-Arts de Paris.
1955 He passes his entrance exam a year later and enrolls at the "Ecole Nationale Superieure"
des Beaux-Arts de Paris. Works in Chapelain-Midy’s studio.
1958 First exhibition at the Galerie des Beaux-Arts.
1959 Appointed member of the Salon d’Automne.
1956–1960 Instructed by the French painter Roger Chapelain-Midy.
1963 Present at the Salon de la Jeune Peinture for the first time.
1964 Private exhibition at the Galerie Tivey-Faucon, Paris.
Meets Kiyoshi Tamenaga, who becomes his art dealer for Japan.
1965 Creation of his first lithographic works.
Exhibition at the Galerie Bellechasse, Paris.
1966 Present at the International Exhibition of Figurative Art, Tokyo.
Exhibition at the Galerie Bellechasse, Paris.
1968 Exhibition at the Galerie Juarez in Palm Beach, USA.
Private exhibition at la Galerie Vital, Paris.
1969 Exhibition of lithographic works at the Mitsukoshi Gallery, Tokyo.
1970 January : Exhibition at the Wally Findlay Gallery, Palm Beach, then in New York.
First trip to Japan, where he stays for three months.
Important private exhibition at the Mitsukoshi Gallery, Tokyo.
1973 Exhibition at the Wally Findlay Gallery in Palm Beach, then in New York.
Private exhibition at the Tamenaga Gallery, Tokyo. Meets art publisher Alain Mazo.
1974 Private exhibition at the Galerie Wally Findlay, Paris, then in New York.
1975 Exhibition at the Wally Findlay Gallery, New York.
1976 Private exhibition at the Mitsukoshi Gallery, Tokyo.
Publication of the album “Parcs” by Editions Mazo-Paris.
1977 June : Private exhibition at the Galerie René Kieffer, Paris
Private show of paintings and pastels at the Galerie Wally Findlay, Paris.
1978 Retrospective exhibition of lithographic works at Vision Nouvelle.
June-July : Exhibition at the Wally Findlay Gallery, New York.
Important private showat the Mitsukoshi Gallery, Tokyo.
1980 Designs his first tapestry, executed by Atelier 3...
Category
Late 20th Century Post-Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
Golden Gate Bridge, San Francisco
By Fanch (Francois Ledan)
Located in San Francisco, CA
This artwork titled "Golden Gate Bridge, San Francisco" 1988 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and inscribed A.P. (Artist Proof) in pencil by the artist. The image size is 26 x 19.5 inches, framed is 37.25 x 31.25 inches. Published and printed by Art Estampes, Paris. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition, the frame has a minor restoration at the lower right side corner, practically invisible.
About the artist:
Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America.
His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail,
In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interiorscapes" or "interior visions...
Category
Late 20th Century Modern San Francisco - Prints and Multiples
Materials
Lithograph
Golden - large format photograph of conceptual iconic object in urban landscape
By Frank Schott
Located in San Francisco, CA
Gilded vintage payphone against pale pink architectural wall, from a series of photographic observances capturing found conceptual objects in urban c...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée
Zuni Rain Dancers
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Zuni Rain Dancers
Year: 1980
Medium: Lithograph on BFK Rives paper
Sight size: 14.5 x 27.25 inches.
Sheet siz...
Category
1980s Other Art Style San Francisco - Prints and Multiples
Materials
Lithograph, Paper
Portrait #1 from After Noon suite
By Richard Lindner
Located in San Francisco, CA
This artwork titled "Portrait #1" from the suite "After Noon" 1976, is an original color lithograph on Arches paper by artist Richard Lindner (German/American 1901-1978) It is hand s...
Category
Mid-20th Century Pop Art San Francisco - Prints and Multiples
Materials
Lithograph
Parc Monceau, Paris
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Parc Monceau, Paris
Year: c.1985
Medium: Color lithograph
Edition: Inscribed H.C. (Hors Commerce) ...
Category
Late 20th Century American Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
La Tauromaquia, Plate #28
By Francisco Goya
Located in San Francisco, CA
This artwork titled "El Esforzado Rendon Picando un Toro, De Cuya Suerte Murio en la Plaza de Madrid" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravur...
Category
Early 19th Century Realist San Francisco - Prints and Multiples
Materials
Photogravure
L.A. Pink
By Jean-Marie Haessle
Located in San Francisco, CA
Artist: Jean-Marie Haessle - French/American (1939-)
Title: L.A. Pink
Year: 1980
Medium: Screen Print
Sight size: 19.5 x 26 inches.
Sheet size: 23 x 29 inches.
Signature: Signed lower right
Edition: 295 This one: 230/295
Condition: Very good
Unframed
This bold abstract geometric print is by the well-known French/American artist, Jean-Marie Haessle (1939- ). It is in very good, never-framed condition with no flaws to note.
Jean Marie Haessle was born in Buhl, Haut-Rhin, France. After living for a few years in Paris, he moved to New York City in 1967 where he still works and lives in his studio on Spring Street in Soho. Over the years, he had numerous shows in the US, New York, Miami, Texas and California, France and Italy (see the resume). In the mid-80’s he worked for a period in France (Paris, Lyon, and Cannes). In the late 90’s he worked in Mexico (San Miguel de Allende) where he had a one person show in 1997 in the Museo de Art in Queretaro. He had a survey exhibition of the last 30 years of his work at the Korean University Museum, Seoul, Korea in spring 2014 and a major one person show in the Namu Modern &Contemporary gallery in Seoul in September of the same year. In September 2016 he had a sold out show at the Wada Garou gallery in Tokyo, Japan. In recent years, he had numerous shows in Korea, Seoul and Busan as well as in Japan, Tokyo, Kyoto, and Osaka.
One-Person Exhibitions
2021 Mizuma, Kips Gallery New York, USA
2020 Shijimi Gallery and Wada Garou, Tokyo, Japan
Mizuma, Kips Gallery New York, USA
Keumsan Gallery, Seoul, Korea
2019 Mizuma, Kips & Wada Art, New York, USA
2018 Wada Garou, Tokyo, Japan
Superior Gallery, Gangnam Seoul Korea
2017 Foley Gallery, New York, USA
KOUDOURAN, Kyoto, Japan
2016 Wada Garou Gallery, Tokyo, Japan
2015 Soohoh Gallery, Korea
Kips Gallery New York, USA
2014 Paintings 1983 – 2013, Korea University Museum, Seoul, Korea
NaMu Modern & Contemporary, Seoul, Korea
2013 Wada Garou Gallery Tokyo, Japan
Keumsan Gallery, Seoul, Korea
2012 Hillwood Art Museum, LIU Post, NU USA
Gallery Wooduk. Seoul Korea
SOOHOH Gallery, Seoul, Korea
bcs Gallery, Long Island City, NY, USA
2011 Chantal Bamberger Galerie, Strasbourg, France
Whitelabs Gallery, Milan, Italy
Kips Gallery New York, NY USA
2010 David Richard Contemporary, Santa Fe NM, USA
Gallery AKA Space, Seoul Korea
Gallery One Tokyo, Japan
2009 Kips Gallery New York, NY USA
La Minoterie Penze, France
2008 Galerie Claire Gastaud, Clermont-Ferrand, France
Kips Gallery, New York, NY USA
2007 Kips Gallery, New York, NY USA
2000 Gallery Yvonamor Palix, Mexico DF Mexico
1997 Galerie Gastaud & Caillard, Paris France
Galerie Prebet, Roanne France
Galerie de la Tour, Altkirch France
Ecole des Beaux Arts de Metz, Metz France
Kunsthous Santa Fe, San Miguel de Allende Mexico
Museo de Art, Queretaro Mexico
Museo Regional de Tlaxcala, Tlaxcala Mexico
1996 Kim Foster Gallery, New York NY USA
Galerie Gastaud, Clermont-Ferrand France
1995 Kim Foster Gallery, New York NY USA
Galerie Gastaud & Caillard, Paris France
Center Europeen d'action Artistiques Contemporaines, Strasbourg France
Galerie Athisma, Lyon France
1994 Chateau du Grand Jardin, Joinville France
1993 Galerie Catherine Fletcher, Paris France
1991 Galerie Gastaud, Clermont-Ferrand France
Galerie Athisma, Lyon France
1989 FCI Institut, New York NY USA
Galerie Jade, Colmar France
Galerie Laurentienne, Bordeaux France
1988 Galerie Lucien Durand...
Category
1980s Abstract Geometric San Francisco - Prints and Multiples
Materials
Paper, Color, Screen
Les Montgolfieres, Place de la Concorde, Paris
By Fanch (Francois Ledan)
Located in San Francisco, CA
This artwork titled "Les Montgolfieres, Place de la Concorde, Paris" 1987 is a original colors lithograph on Arches paper by French artist (Fanch, Francois Ledan, born 1949) It is hand signed and numbered 67/250 in pencil by the artist. The image size is 25.25 x 19.5 inches, framed is 37.25 x 31.25 inches. Printed by Atelier d'Art Dejobert, Paris, with their blind stamp at the lower left corner. Custom framed in a wooden gold frame, with off white matting. It is in excellent condition.
About the artist:
Francois "Fanch" Ledan (b. 1949) is noted for colorful scenes of his native Brittany. In 1968 he abandoned his studies in commercial design for full-time studies in painting and fine art. His talent was quickly recognized and soon he was involved in major European shows. He became involved in printmaking in 1973 when he learned lithography in Paris. Since then he has had numerous one-person shows in Europe, North America and South America.
His paintings and lithographs from the 1970's and 1980's display characteristics often associated with "naïve" art. His views of Paris, a city which has embraced naïve art, display the attention to detail,
In the 80's he turned to more brightly colored paintings and again a connection to Impressionism. He began to work on paintings that he refers to as "interior...
Category
Late 20th Century Modern San Francisco - Prints and Multiples
Materials
Lithograph
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