San Francisco - Prints and Multiples
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Item Ships From: San Francisco
Circle of Life Fine Art Print - Koi Limited Edition Fine Art Print
By Jeremy Novy
Located in San Francisco, CA
'Circle of Life Fine Art Print' is a limited edition koi fine art print by street artist Jeremy Novy. It measures 16 x 20 inches in size, with the printed image itself spanning 14 x ...
Category
21st Century and Contemporary Street Art San Francisco - Prints and Multiples
Materials
Archival Ink
Wallscape VI ( Il Famoso ) - abstract capture of vintage Italian circus poster
By Frank Schott
Located in San Francisco, CA
Wallscape VI by Frank Schott
from a series of photographic observances capturing urban textures and palimpsest color palettes
32 x 40 inches / 81cm x 102cm
edition of 25
signed
48...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Giclée, Archival Pigment
Stay Strong. Wear a Mask! Fine Art Print - Limited Edition Figurative Print
By Jeremy Novy
Located in San Francisco, CA
'Stay Strong. Wear a Mask! Fine Art Print' is a limited edition fine art print by street artist Jeremy Novy. It measures 12 x 16 inches in size. This piece is part of a limited editi...
Category
21st Century and Contemporary Street Art San Francisco - Prints and Multiples
Materials
Archival Ink, Spray Paint
Winter Tracery (Milford Connecticut)
Located in San Francisco, CA
This artwork titled 'Winter Tracery (Milford Connecticut)" is an original drypoint etching by noted American artist Philip Kappel, 1901-1981. It is hand signed and titled in pencil by the artist. The plate mark (Image) size is 9 x 12 inches, framed size is 17.25 x 21.25 inches. Custom framed in a wooden light grey frame, with light grey matting and black color fillet. It is in excellent condition.
About the artist:
Philip Kappel — painter, illustrator, printer, writer, and lecturer — was born on February 10, 1901 in Hartford, CT and died in 1981. Kappel is best remembered for his landscapes, portraits, figures, marine, lithography, and etching. He held a teaching position with H. B. Snell, Boothbay, ME Studios, 1923 and 1924. His addresses in 1929 were 500 Fifth Avenue in New York City and, for the summer, care of Philip Little, 10 Chestnut Street, Salem, MA; and in 1935, Sarasota, FL.
Kappel was a pupil of the Pratt Institute Art School in Brooklyn, NY and Philip Little (1857-1942) and held memberships with the North Shore Artists Association in Gloucester, MA; the Marblehead...
Category
Mid-20th Century American Realist San Francisco - Prints and Multiples
Materials
Drypoint, Etching
Three Children
By Zamy Steynovitz
Located in San Francisco, CA
This artwork "Three Children" c.1995 is an original color serigraph by Israeli artist Zamy Steynovitz, 1951-2000. It is hand signed and numbered 83/300...
Category
Early 20th Century Impressionist San Francisco - Prints and Multiples
Materials
Screen
Munichau (Austria)
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Munichau (Austria)" 1926, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 11.5 x 11.5 inches, framed size is 21 x 20.75 inches. Custom framed in a wooden gold frame, with grey/green matting . It is in Excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Drenched (Lincoln Park, Chicago)
Located in San Francisco, CA
This artwork titled "Drenched (Lincoln Park, Chicago)" c.1960 is an original drypoint etching by noted Chicago artist James Swann, 1905-1985. It is hand s...
Category
Mid-20th Century American Realist San Francisco - Prints and Multiples
Materials
Drypoint, Etching
Wien
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Wien" 1911, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The ...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Schubert's Birthplace, Vienna, Austria
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Schubert's Birthplace, Vienna, Austria" c.1925 is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the a...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Winter Landscape 3
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Winter Landscape" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower cente...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
November 1981 III (Jardin du Luxembourg, Paris)
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: November 1981 III (Jardin du Luxembourg, Paris)
Year: 1981
Medium: Original color lithograph
Edition: Inscribed "Artist Proof" in pencil
Paper: Arches
Image size: 7.75 x 11.70 inches
Framed size: 18.65 x 22.5 inches
Signature: Hand signed and titled in pencil by the artist
Condition: Excellent
Frame: Custom framed in a wooden silver frame frame, with light light grey matting and brownish green fillet.
About the artist.
Print...
Category
Late 20th Century American Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
Untitled (Personages Drinking)
Located in San Francisco, CA
This artwork "Untitled (Personages Drinking)" c.2005, is an original serio lithograph (serigraph and lithograph) on paper by renown American figurative expressionist artist Michael Todd White, b.1969. It is signed and numbered 24/350. The artwork (Image) Size is 9.25 x 21 inches, framed size is 19 x 30 inches. Custom framed in a wood veneer and black frame, with fabric matting. It is in excellent condition.
About the artist:
Michael Todd White (born October 10, 1969, in San Antonio, Texas) is a figurative expressionist painter.[1] He has also been described as an avant-garde expressionist.
White was named the official artist for the Grammy Awards by the Recording Academy in 2007. His painting appeared on the ceremony's invitation and program book and served as the official image for the event.
His work was featured in the Inspirations of Oz Fine Art Collection, an exhibition commemorating the 70th anniversary of The Wizard of Oz. The collection toured designated cities all over the world including Miami, Los Angeles, Dubai, Japan, London, Toronto and Vienna.
In 2010, White was chosen to provide sketches for Coca-Cola Light in Mexico. White's six sketches are depicted on different faces of Coca-Cola Light bottles and cans, each featuring his distinctive box signature. This was the first time that Coke had collaborated with a fine artist to depict artwork for its label. The bottles were released in August 2010.[5] As a result of some of these career achievements White has earned international recognition and a lengthy list of celebrity collectors. White's work hangs in a number of galleries in North America and he is currently one of the best selling artists in the United Kingdom. Some of White's most prominent exhibitions include a show at the Bank of Scotland in Manchester, England and at the unveiling of The World's Largest Todd White Collection, hosted by CNN's Larry King at Pechanga Resort and Casino in Temecula, California. Todd White's work was featured in the opening of Clarendon Fine Art Gallery in Hampstead, London alongside that of leading British contemporary artists Sherree Valentine-Daines and Christian Hook.
Category
21st Century and Contemporary Expressionist San Francisco - Prints and Multiples
Materials
Lithograph
Salzburg View
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Salzburg View" c. 1970 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate m...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Leading the Remuda
Located in San Francisco, CA
This artwork titled "Leading the Remuda" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 58/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition
About the artist:
Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school.
"I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons."
He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth.
"I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist."
Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998.
The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw.
"Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again."
Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places.
"I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002.
In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan.
"The art director gave me a call and asked if I'd like to do a contemporary cowboy...
Category
Late 20th Century American Realist San Francisco - Prints and Multiples
Materials
Lithograph
Winter Landscape
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Winter Landscape" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the ...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Cityscape
By Josef Eidenberger
Located in San Francisco, CA
This artwork "cityscape" c. 1960 is a color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark (image) size is 1...
Category
Mid-20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Soaking Up
Located in San Francisco, CA
This artwork titled "Soaking Up" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition
About the artist:
Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school.
"I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons."
He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth.
"I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist."
Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998.
The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw.
"Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again."
Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places.
"I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002.
In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan.
"The art director gave me a call and asked if I'd like to do a contemporary cowboy...
Category
Late 20th Century American Realist San Francisco - Prints and Multiples
Materials
Lithograph
Kronborg Slot
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Kronborg Slot" 1919, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17 x 22.75 inches, framed size is 28.75 x 34.85 inches. Custom framed in a distressed style wood and black frame, with fabric matting and dark grey fillet . It is in excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Wien
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Wien" c.1930, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 18 x 12.65 inches, framed size is 28 x 22.75 inches. Custom framed in a wooden gold stressed frame, with off white/green matting and green and black fillets It is in Excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Marienburg Castle, Germany
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Marienburg Castle, Germany" 1920, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 17.25 x 23 inches, framed size is 28.75 x 33 inches. Custom framed in a wooden gold and silver distressed frame, with fabric matting and dark grey color small fillets. It is in very good condition, the paper is slightly toned by age, it have a small discoloration near the signature, see picture #7
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Rathaus in Vienna
By Josef Eidenberger
Located in San Francisco, CA
This artwork "Rathaus in Vienna" c. 1960 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate mark...
Category
Mid-20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Heiligen Bluts
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Heiligen Bluts" 1948, is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist at the lower center...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Vienna
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Vienna" c.1930 is a color etching (printed with the original copper plate etched by the artist) on wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand si...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Wien Opernring
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Wien Opernring" 1921, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mar...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Toast
Located in San Francisco, CA
This artwork titled "Toast" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 98/300 in pencil by the artist. The image size is 23.75 x 9.5 inches, framed size is 30.25 x 16.25 inches. The artwork is in excellent condition, the frame is slightly damaged, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent.
About the artist:
Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...
Category
Late 20th Century American Modern San Francisco - Prints and Multiples
Materials
Screen
Two Faces
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork "Two Faces" 2006 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 323/350 in blac...
Category
Late 20th Century Surrealist San Francisco - Prints and Multiples
Materials
Screen
II Cup of Joe
Located in San Francisco, CA
This artwork titled "II Cup of Joe" c.1990, is an original color serigraph by American artist Rickey Jewell Hohimer, 1946-2021. It is hand signed, titled and numbered 250/300 in pencil by the artist. The image size is 19.5 x 23.5 inches, framed size is 26.75 x 30 inches. The artwork is in excellent condition, the frame is slightly damaged at the top, and will be replaced by a new similar black frame when sold. This will bring the over all condition to excellent.
About the artist:
Although formally trained with a MFA in painting, Rickey Jewell Hohimer has used the styles of Van Gogh and Gaughin to reach for the spontaneity and simplicity of today's folk art. Hohimer creates figures which are not photos of reality; they are romantically stylized to encourage straightforward emotional responses both to the colorful images and to the situations in which they find themselves. Each of Hohimer's paintings lays out a basic story line to which viewers add their own details. "I want the viewer to become personally involved. My paintings offer a change from those which encourage extensive intellectualizing about what the artist is trying to convey. I want viewers to smile -- to enjoy the whimsical nature of what they are experiencing -- to feel it, not to analyze it!. His jazz paintings are stories on canvas of inspired musicians spontaneously making music of the moment. Life in the jazz age is clubs and nightlife beckoning to musicians to produce jazz art...
Category
Late 20th Century American Modern San Francisco - Prints and Multiples
Materials
Screen
Soaking Up
Located in San Francisco, CA
This artwork titled "Soaking Up" c.1970 is an original lithograph on paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in penc...
Category
Late 20th Century American Realist San Francisco - Prints and Multiples
Materials
Lithograph
Koln and the St Martin Church, Germany
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Koln and the St Martin Church, Germany" is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 19 x 23 inches, framed size is 30.25 x 34.25 inches. Custom framed in a wooden decorated gold frame, with brown matting and burgundy color fillets. It is in excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Linz Landhaus, Austria
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Linz Landhaus, Austria" 1977., is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Innenhof auf Schloss Schallaburg
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Innenhof auf Schloss Schallaburg" c.1930 is a color etching on wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed by the artist's estat...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Feeding the Ravens
Located in San Francisco, CA
This artwork titled "Feeding the Ravens" 1997 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 29/950 in pencil by the artist. The image size is 9.65 x 8.35 inches, sheet size is 13.85 x 12.25 inches. It is in excellent condition, has never been framed.
About the artist:
Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska.
Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau.
Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play.
Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast.
For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps.
Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine.
In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints.
From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250.
Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C.
Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...
Category
Late 20th Century Folk Art San Francisco - Prints and Multiples
Materials
Lithograph
Burst I - large format abstract photograph of aleidoscopic color explosions
By Christian Stoll
Located in San Francisco, CA
From Christian Stoll's body of works BURST (2015), an abstract exploration of high speed photographs capturing mesmerizing explosions of caleidoscopic color
48 x 72 inches (122 x 18...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
Cloud Study IV - large format photograph of dramatic cloudscape sky
By Frank Schott
Located in San Francisco, CA
An homage to Caspar David Friedrich, towering thunder clouds over the Pacific Ocean, from a series of dramatic cloud atlas observations and abstract skyscapes above the winter sea, c...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Black and White, G...
A Festive Occasion
By Alan Maley
Located in San Francisco, CA
This artwork titled "Festive Occasion" 1989 is a color offset lithograph by noted British artist Alan Maley, 1931-1995. It is hand signed, titled and numbered 21/750 in pencil by the...
Category
Late 20th Century Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
Grinzing, Snow Scene, Austria, large color etching
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Grinzing, Snow Scene, Austria" 1940 is a color etching (printed with the original copper plate engraver by the artist) on watermarked Kasimir Vienna paper by Au...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Burgtheater, Vienna
By Josef Eidenberger
Located in San Francisco, CA
This artwork titled "Burgtheater, Vienna" c. 1970 is an original color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The p...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Bremen Markt Vor Dem Rathaus
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Bremen Markt Vor Dem Rathaus" 1936, is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 21.5 x 16.15 inches, framed size is 33 x 27 inches. Custom framed in a wooden silver frame, with fabric matting and and dark brown and red fillets. It is in excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Landscape with House
By Luigi Kasimir
Located in San Francisco, CA
This artwork "Landscape with House" c.1950, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the arti...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Danzig
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Danzig" c.1920, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 16 x 20 inches, framed size is 26.5 x 30 inches. Custom framed in a wooden silver frame, with light brown matting and dark brown fillets . It is in Excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Five Pigeons (Jardin du Luxembourg, Paris)
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Five Pigeons (Jardin du Luxembourg, Paris)
Year: 1981
Medium: Original color etching with aquatint
Edition: Numbered 75/200 in pencil
Paper: Arches
Image (plate mark) size: 11.75 x 8.25 inches
Framed size: 24.5 x 17.65 inches
Signature: Hand signed and titled in pencil by the artist
Condition: It is in very good condition, the matting have some marks, see picture #1
Frame: Custom framed in a wooden silver frame frame, with fabric matting and brownish green fillet.
About the artist.
Printmaker Harold Altman was an etcher, painter, and teacher, who was born in New York City in 1924. He attended the Art Students League, 1941-42 and Cooper Union, (Graduate in Fine Arts), 1941-47, both in New York City. In 1946, he attended Black Mountain College, North Carolina and then went on to The New School, New York City 1947-49. Finishing his extensive art education at the L'Academie de la Grande Chaumiere in Paris 1949-52. Altman settled in the central Pennsylvanian village of Lemont in 1962, where a nineteenth-century frame church serves as his studio. Approximately four months out of the year are spent working in Paris where his lithographs are printed at Atelier DesJobert. In previous years, his etchings were printed at Atelier George LeBlanc. Altman's landscapes and figurative works have been exhibited at numerous galleries and museums, both in the United States and abroad. He is represented in nearly every significant collection in the world. New York's Museum of Modern Art owns over forty Altmans while the Whitney Museum of American Art and Brooklyn Museums each have over fifty of his works in their permanent collections. His work is to be found in many significant museum collections outside of the United States, several of which are the Victoria and Albert Museum of London, the Stedelijk Museum of Amsterdam, the Kunst Museum of Basel, the Royal Museum of Fine Arts of Copenhagen and the Bibliotheque Nationale of Paris.
OVER 300 ONE-MAN EXHIBITIONS (PARTIAL LISTING)
Galerie Huit - Paris (1951)
The Art Institute of Chicago - (1960)
The Escuela Nacional de Artes Plasticas - Mexico City (1961)
The San Francisco Museum of Art - (1961)
The Santa Barbara Museum of Art - (1961)
Oklahoma Art Center - (1966, 1976)
The Southeastern Center for Contemporary Art - Winston-Salem, NC (1976)
Milwaukee Art Center - (1969)
The Print Cabinet...
Category
Late 20th Century American Impressionist San Francisco - Prints and Multiples
Materials
Etching, Aquatint
Weinstube Street, Urbani Keller
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Weinstube Street, Urbani Keller" c.1920, is an etching on paper by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower right corner and inscribed on the left. The plate mark (image) size is 14 x 9.5 inches, framed size is 26.35 x 21.5 inches. Custom framed in a wooden black/silver frame, with off white matting and black color fillets. It is in excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Brandenburger Tor, Berlin (Brandenburg Gate, Berlin)
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Brandenburger Tor, Berlin (Brandenburg Gate, Berlin)". c1930 is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist at the lower center. The plate mark (image) size is 13 x 16.5 inches, framed size is 23.75 x 27 inches. Custom framed in a wooden ornate gold frame, white beige matting and green color fillet. It is in excellent condition, the artwork is very slightly toned around the plate mark, barely visible.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Untitled (Personages Drinking) 2
Located in San Francisco, CA
This artwork "Untitled (Personages Drinking) 2" c.2005, is an original serio lithograph (serigraph and lithograph) on paper by renown American figurative expressionist artist Michael Todd White, b.1969. It is signed and numbered 133/350. The artwork (Image) Size is 16 x 16 inches, framed size is 25.75 x 25.25 inches. Custom framed in a wood veneer and black frame, with fabric matting. It is in excellent condition, the frame has a minor small restoration at the lower left corner, practically invisible.
About the artist:
Michael Todd White (born October 10, 1969, in San Antonio, Texas) is a figurative expressionist painter.[1] He has also been described as an avant-garde expressionist.
White was named the official artist for the Grammy Awards by the Recording Academy in 2007. His painting appeared on the ceremony's invitation and program book and served as the official image for the event.
His work was featured in the Inspirations of Oz Fine Art Collection, an exhibition commemorating the 70th anniversary of The Wizard of Oz. The collection toured designated cities all over the world including Miami, Los Angeles, Dubai, Japan, London, Toronto and Vienna.
In 2010, White was chosen to provide sketches for Coca-Cola Light in Mexico. White's six sketches are depicted on different faces of Coca-Cola Light bottles and cans, each featuring his distinctive box signature. This was the first time that Coke had collaborated with a fine artist to depict artwork for its label. The bottles were released in August 2010.[5] As a result of some of these career achievements White has earned international recognition and a lengthy list of celebrity collectors. White's work hangs in a number of galleries in North America and he is currently one of the best selling artists in the United Kingdom. Some of White's most prominent exhibitions include a show at the Bank of Scotland in Manchester, England and at the unveiling of The World's Largest Todd White Collection, hosted by CNN's Larry King at Pechanga Resort and Casino in Temecula, California. Todd White's work was featured in the opening of Clarendon Fine Art Gallery in Hampstead, London alongside that of leading British contemporary artists Sherree Valentine-Daines and Christian Hook.
Category
21st Century and Contemporary Expressionist San Francisco - Prints and Multiples
Materials
Lithograph
Vienna Scene
By Robert Kasimir
Located in San Francisco, CA
This artwork titled "Vienna Scene, Austria" c. 1950 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pencil by the artist at...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Unter Den Linden Street, Berlin, Germany
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Unter Den Linden Street, Berlin, Germany" c.1930 is a color etching on watermarked Kasimir Vienna paper by Austrian artist Luigi Kas...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Vienna Scene II
By Robert Kasimir
Located in San Francisco, CA
This artwork "Vienna Scene II, Austria" c. 1970 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in pen...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
London Tower Bridge
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "London Tower Bridge" 1924 is a color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed by the estate in pencil at the lower center. The plate mark (image) size is 12.15 x 17.25 inches, framed size is 21 x 26 inches. Custom framed in a wooden gold frame, with beige matting and gold color bevel. It is in excellent condition.
About the artist.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
"The Wharf" Large original color serigraph
Located in San Francisco, CA
This artwork titled "The Wharf" c.1980 is an original color serigraph by American artist Filastro (Fil) Mottola, 1915-2008. It is hand signed, titled and numbered 19/450 in pencil by...
Category
Late 20th Century American Impressionist San Francisco - Prints and Multiples
Materials
Screen
Riviera
By Erté
Located in San Francisco, CA
Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990)
Title: Riviera
Year: 1979
Medium: Color serigraph
Edition: Numbered LXXXV/CLXXXII in pencil
Image size: 20 x 14.25 inches
Framed size: 38.25 x 32.5 inches
Signature: Hand signed in pencil
Condition: Excellent
Frame: Custom framed in a wooden silver frame, with silver color bevel and fabric matting
Description: With the blind stamp of the publisher, Circle Fine Art, Chicago IL at the lower left corner. Referenced and pictured in the artist catalogue raisonne, Erte at 95, The Complete Graphic Work by Martin Lee, plate #121.
About the artist:
Romain Erte was born Romain de Tirtoff in St. Petersburg, Russia. The only son of an admiral in the Imperial Fleet, he was raised amidst Russia's social elite. As a young boy, he was fascinated by the Persian miniatures he found in his father's library. These exotic, brightly patterned designs continued to be important to him and influenced the development of his style. He moved to Paris at the age of eighteen and took the name Erte, from the French pronunciation of his initials, R and T.
In 1915 he began his long relationship with Harper's Bazaar, during which time he created over 240 covers for the magazine. His fashion designs also appeared in many other publications, making him one of the most widely recognized artists of the 1920s. He also designed costumes and sets for the theater.
In 1976 the French government awarded Erte the title of Officer of Arts and Letters, and in 1982 the Medaille de Vermeil de la Ville de Paris was bestowed upon him. His work is in many prominent museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Smithsonian Institution in Washington, D.C., and the Victoria and Albert Museum in London.
The designs created by Erté during his long and illustrious life influenced not only the world of theatre, film and fashion, but an entire art movement as well. The genius of the artist is evidenced by an enormous body of work that is considered among the most influential and unique of the 20th century. Erté—Romain de Tirtoff—was born in Russia in 1892, and died at age 97 in 1990.
His legendary career spanned nearly the entire length of his life. In 1912, Erté moved to Paris and his unique talent was immediately recognized by the city's most established couturiers. In 1915, he began an association with Harper's Bazaar by designing covers of each of their magazines for the next 22 years. The influence of his work as a result of the high visibility of this periodical influenced an entire art movement that was to become known as "Art Deco".
Throughout this period, the artist also created original costume and fashion designs for many of the era's most renowned screen actresses, including Joan Crawford, Lillian Gish, Marion Davies, Anna Pavlova, Norma Shearer and others. His creations for the stage included extravagent designs for productions at such venues as New York's Radio City Music Hall, the Casino de Paris and the Paris Opera, as well as for the Folies-Bergères and George White...
Category
Late 20th Century Art Nouveau San Francisco - Prints and Multiples
Materials
Screen
Three Chairs
By Harold Altman
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Three Chairs
Year: 1978
Medium: Original color lithograph
Edition: Numbered 61/185 in pencil
Paper: ...
Category
Late 20th Century American Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
Heidelberg
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Heidelberg" 1928 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist and titled, dated November 19 1928 in the plate. The plate mark (image) size is 13 x 10.25 inches, framed is 21.65 x 17.25 inches. It is custom framed in a dark wood frame, with light creme color matting and dark silver filet. It is in excellent condition.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category
21st Century and Contemporary Conceptual San Francisco - Prints and Multiples
Materials
Archival Paper, Photographic Paper, Archival Pigment, Giclée, Archival Ink
MAYBE - large format photograph of conceptual motivational billboard at night
By Frank Schott
Located in San Francisco, CA
large scale photograph of a billboard signage against ultramarine blue night sky, from a series of conceptual motivational messages on iconic Americana roadside signs and billboards ...
Category
21st Century and Contemporary Conceptual San Francisco - Prints and Multiples
Materials
Photographic Paper, Giclée, Archival Paper, Archival Pigment
Turmgasschen
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Turmgasschen" 1935 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist and titled in the plate. The plate mark (image) size is 15.5 x 10 inches, framed is 24.35 x 17.5 inches. It is custom framed in a dark wood frame, with light creme color matting and light brown filet. It is in very good condition, the frame have some scratches.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
IRIS III - unique abstraction of colors in circular glass frame (45" diameter)
By Frank Schott
Located in San Francisco, CA
a mesmerizing sea of light blue and acqua color tones
from an ongoing photography project since the late 1990s, capturing the details of the human iris and a pupil's unique abstracti...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Photographic Film, Plexiglass, Archival Ink, Archival Paper, Photographi...
Flowers, Flowered Vase
By Beth van Hoesen
Located in San Francisco, CA
Artist: Beth Van Hoesen (1926-2010 )
Title: Flowers, Flowered Vase
Date: 1992
Medium: Color lithograph on Arches paper
Image Size: 22.25 x 17.25 inches
...
Category
1990s American Realist San Francisco - Prints and Multiples
Materials
Lithograph
Morning Glow - large format photograph of monochromatic water and horizon
By Frank Schott
Located in San Francisco, CA
Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes
Morning G...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
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Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”
Red Grooms Salutes the ‘Ninth Street Women’ Who Revolutionized Modern Art
In a new show of peppy portraits, the 85-year-old artist looks back at 1950s New York, when the Abstract Expressionists ruled the scene. Only now, the women Ab-Ex artists get more of the spotlight than the men.
Just What Is an Intaglio Print, and What Makes It a Good Investment?
Bay Area art publisher Rhea Fontaine explains the difference between intaglio and woodcut printing, how to frame fine art prints and what makes them attractive to collectors.
Andy Warhol Piles Up the Gifts in This Fanciful Christmas Print
Created in the late 1950s, it’s one of a surprising number of holiday-themed works by the prolific Pop artist.
A Derrick Adams Double Portrait Brings Out the Interior Lives of His Subjects
Adams has skyrocketed to art superstardom with his exuberant depictions of Black life. Here's what makes his work important to our times.
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