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Item Ships From: San Francisco
Marshall - large format photograph of iconic cherry red Cadillac automobile
By Frank Schott
Located in San Francisco, CA
large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag
Marshall by Frank Schott
25 x 40 inches (64 x 102cm)
signed edition of ...
Category
21st Century and Contemporary Conceptual San Francisco - More Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment
Old City of Warsaw
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork titled "Old City of Warsaw" 1994 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky, 1930-2023. It is hand signed, titled and numbered 117/...
Category
Late 20th Century Surrealist San Francisco - More Prints
Materials
Screen
"Olympic Robe" Large colors lithograph
By Jim Dine
Located in San Francisco, CA
This artwork titled "Olympic Robe" From "Game of the XXIVth Olympic, Seoul" is an original colors lithograph on Wove paper by renown artist Jim Dine, b.1935. It is hand signed and nu...
Category
Late 20th Century Pop Art San Francisco - More Prints
Materials
Lithograph
"Wrapped Statues, Aegina Temple" Large screen print with collage.
Located in San Francisco, CA
This artwork titled "Wrapped Statues, Aegina Temple, Project for the Munich Glyptotek" from the "Official Arts Portfolio of the XXIV Olympic" 1988, is an original screen print with c...
Category
Late 20th Century Pop Art San Francisco - More Prints
Materials
Screen
Allied Chemical Tower, Packed, Project for Number 1 Time Square New York
Located in San Francisco, CA
This artwork titled ' Allied Chemical Tower, Packed, Project for Number 1 Time Square, New York" 1971, in an original color lithograph on Arjomari paper by renown Bulgarian/American ...
Category
Late 20th Century Pop Art San Francisco - More Prints
Materials
Lithograph
Zia, State II
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "Zia" State II, 1979 Is an original colors lithograph on Buff Arches paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and number...
Category
Late 20th Century Realist San Francisco - More Prints
Materials
Lithograph
"Courtisane aux Yeux Baisses" from the suite "Les Fleurs du Mal""
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Courtisane aux Yeux Baisses" from the suite "Les Fleurs du Mal" created in 1937, is an original color aquatint on Montval paper by renown French artist Georges Rouault, 1871-1958. It is signed and dated in the plate as issue. Published by Ambroise Vollard, Paris and printed by Lacouriere, Paris. Referenced and pictured in the artist's catalogue raisonnes by Chapon plate #276, Wofsy plate #273. The plate mark (image) is 11.75 x 8.15 inches, framed size is 20.5 x 17.25 inches. Custom framed in a wooden brownish and gold frame, with fabric matting and black fillet. Artwork and frame are in excellent condition, the colors are fresh and bright. Example of this artwork is held in many museums including The National Gallery of Art.
About the artist:
French painter, draughtsman, printmaker and designer, Georges Rouault created a personal style of Expressionism that gives him a highly distinctive place in Modern Art. Rouault was born in 1871, in the cellar of a house in Belleville, a working class quarter of Paris near the Père Lachaise cemetery, while the city was being bombarded by government troops quelling the Paris Commune. His father was a finisher and varnisher of pianos at a local factory. Rouault's grandfather was an amateur art...
Category
Mid-20th Century Expressionist San Francisco - More Prints
Materials
Aquatint
Clown et Enfant (Clown and Child) From the suite Cirque (Circus)
By Georges Rouault
Located in San Francisco, CA
This artwork titled "Clown et Enfant (Clown and Child)" from the suite "Cirque (Circus) by Andre Suarez" created in 1930, is an original color aquatint, etching and drypoint by renown French artist Georges Rouault, 1871-1958. It is signed in the plate as issue. According to Isabelle Rouault (Daughter of the artist) the total edition was 500. Published by Ambroise Vollard, Paris and printed by Maurice Potin, Paris. Referenced and pictured in the artist's catalogue raisonnes by Rauch #153, Kornfeld, Klipstein Catalog 120, #134 to #144, Soby pages 110 and 120, and Ambroise Vollard Editeur by Una E. Johnson #202 and page #109. . The plate mark (image) is 12.15 x 8.25 inches, framed size is 24.75 x 21 inches. Custom framed in a wooden black and gold frame, with fabric matting, fabric spacer, and gold color bevel. Artwork and frame are in excellent condition, the colors are fresh and bright. Example of this artwork is held in many museums including The Museum of Modern Art, New York
About the artist:
French painter, draughtsman, printmaker and designer, Georges Rouault created a personal style of Expressionism that gives him a highly distinctive place in Modern Art. Rouault was born in 1871, in the cellar of a house in Belleville, a working class quarter of Paris near the Père Lachaise cemetery, while the city was being bombarded by government troops quelling the Paris Commune. His father was a finisher and varnisher of pianos at a local factory. Rouault's grandfather was an amateur art...
Category
Mid-20th Century Expressionist San Francisco - More Prints
Materials
Aquatint
City 365
By Risaburo Kimura
Located in San Francisco, CA
Artist: Risaburo Kimura– Japanese/American (1924-2014 )
Title: City 365
Year: circa 1972
Medium: Serigraph
Sight size: 25 x 19.75 inches.
Sheet size: 28.75 x 22.75 inches.
Signatur...
Category
1970s Abstract Geometric San Francisco - More Prints
Materials
Paper, Screen
Amish Country
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American, b.1933
Title: Amish Country
Year: c.1980
Medium: Color etching
Image size: 16.5 x 19.5 inches.
Framed size: 30.35 x 33 inches
Signature: Hand ...
Category
Late 20th Century Other Art Style San Francisco - More Prints
Materials
Etching
"La Deese de Cythere" from the suite "l'Art d'Aimer d'Ovide"
By Salvador Dalí
Located in San Francisco, CA
This artwork titled, "La Deesse de Cythere" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It i...
Category
Late 20th Century Surrealist San Francisco - More Prints
Materials
Woodcut
"Pilate Aimait Hermione" from the suite "l'Art d'Aimer d'Ovide"
By Salvador Dalí
Located in San Francisco, CA
This artwork titled, "Pilade Aimait Hermione" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It...
Category
Late 20th Century Surrealist San Francisco - More Prints
Materials
Woodcut
San Francisco with Blimp
By Marion Osborn Cunningham
Located in San Francisco, CA
Artist: Marion Osborn Cunningham – American (1908-1948)
Title: San Francisco with Blimp Overhead
Year: 1940s
Medium: Serigraph (Silkscreen)
Edition: Unknown
Sight size: 7.75 x 6 inches.
Image size: 8.25 x 6.5 inches
Sheet size: 10.5 x 9 inches
Framed size: 15 x 12 inches
Signature: Signed lower center
Condition: Very good
Frame: Framed in original frame. Frame in fair-to-good condition with some small nicks and shallow scratches.
This print depicts San Francisco the 1940s when blimps were a common sight over the city because of World War II. I am not sure where in San Francisco this print depicts - perhaps North Beach. It is dated in the lower left 194? (the date is partially illegible). The print is in very good condition. It is attached with archival tape to the mat. The print is matted, but the mat covers part of the print, so it would probably benefit from rematting. Please see the pictures. The mat and frame are in fair-to-good condition, the frame having a few tiny nicks.
Marion Cunningham was a painter and printmaker. Her family moved to Bakersfield, CA, when she was very young. She graduated from high school from Bakersfield, then went on to study at Santa Barbara Junior College, the ASL in NYC, CSFA, and at Stanford University. She was married to artist Ben Cunningham. In 1930's, she began silk screen printing. Her colorful reproductions of Cable Cars were in demand worldwide. While en route to Europe, she died unexpectedly of a brain tumor in NYC.
Member: National Serigraph Society; San Francisco Women Artists; San Francisco Art Ass'n.
Exhibited: San Francisco Museum of Art Inaugural, 1935; Golden Gate International Exposition, 1939; San Francisco Watercolor...
Category
1940s Modern San Francisco - More Prints
Materials
Screen
Figure Rouge avec Portrait de Quevedo
By Salvador Dalí
Located in San Francisco, CA
This artwork titled "Figure Rouge avec Portrait de Quevedo" from the suite, Visions De Quevedo, 1975. is an original engraving with pochoir hand coloring on Richard de Bas paper, by ...
Category
1970s Surrealist San Francisco - More Prints
Materials
Engraving
City 368
By Risaburo Kimura
Located in San Francisco, CA
Artist: Risaburo Kimura– Japanese/American (1924-2014 )
Title: City 368
Year: circa 1972
Medium: Serigraph
Sight size: 25 x 19.75 inches.
Sheet size: 28.75 x 22.75 inches.
Signatur...
Category
1970s Abstract Geometric San Francisco - More Prints
Materials
Paper, Screen
Two Faces
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork "Two Faces" 2006 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 323/350 in blac...
Category
Late 20th Century Surrealist San Francisco - More Prints
Materials
Screen
Bicycle
By Knox Martin
Located in San Francisco, CA
This artwork titled "Bicycle" 1979 is an original color lithograph by Colombian/American artist Knox Martin, b.1923. It is hand signed and numbered 199/300 in pencil by the artist. The image size is 30.35 x 12.35 inches, sheet size is 35.5 x 21.15 inches, It is in excellent condition, it has a small reference tag in the back. The colors are fresh and bright, has never been framed.
About the artist:
New York School artist Knox Martin was born in Barranquilla, Colombia to an American aviator father - the first man to ever pilot an aircraft over the Andes - and a Colombian mother.
His family moved to Salem, Virginia and later to New York City when he was 5 years old.
Knox Martin served in the Coast Guard in WWII on a sub-chaser, part of a rescue flotilla at Omaha Beach in Normandy. He attended The Art Students League of New York from 1946 to 1950 under the GI Bill. At the League he studied with Harry Sternberg, Vaclav Vytlacil, Will Barnet and Morris Kantor. There he met fellow students Susan Weil...
Category
Late 20th Century Abstract Expressionist San Francisco - More Prints
Materials
Lithograph
Homer
By Valerio Adami
Located in San Francisco, CA
This artwork titled "Homer" 1979 is an original colors serigraph on Stonehenge Wove paper by noted Italian artist Valerio Adami, b.1935. It is hand signed and numbered 6/75 in pencil by the artist. Published by Editions Press, San Francisco. The image size is 37.5 x 21.75 inches, framed size is 45.75 x 29.15 inches. Custom framed in a metal gold frame, with beige fabric matting. The artwork is in excellent condition, the frame is in very good condition, it has some minor scratches.
About the artist:
Valerio Adami was born in Bologna. In 1935, at the age of ten, he began to study painting under the instruction of Felice Carena. He was accepted into the Brera Academy (Accademia di Brera) in 1951, and there studied as a draughtsman until 1954 in the studio of Achille Funi. In 1955 he went to Paris, where he met and was influenced by Roberto Matta and Wifredo Lam. His first solo exhibition came in 1959 in Milan.
In his early career, Adami's works were expressionistic, but by the time of his second exhibition in 1964 at Kassel, he had developed a style of painting reminiscent of French cloisonnism, featuring regions of flat color bordered by black lines. Unlike Gauguin, however, Adami's subjects were highly stylized and often presented in fragments, as seen in Telescoping Rooms (1965).
In the 1970s, Adami began to address politics in his art, and incorporated subject matter such as modern European history, literature, philosophy, and mythology. In 1971, he and his brother Gioncarlo created the film Vacances dans le désert. In 1974 he illustrated a Helmut Heissenbuttel poem, Occasional Poem No. 27. Ten Lessons on the Reich with ten original lithographs {Gallerie Maeght...
Category
Late 20th Century Modern San Francisco - More Prints
Materials
Screen
Cityscape
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork "Cityscape" c.1990 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 24/350 in black ink by the artist. The artwork size is 9.35 x 11.15 inches, framed size is 19.75 x 21.75 inches. Custom framed in a gold and silver frame, with off white matting. It is in excellent condition.
About the artist:
Anatole Krasnyansky (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Krasnyansky added paper texture as a component of his watercolors. With this new process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting.
Biography
He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. Krasnyansky received master's degrees in fine art and architecture. He found that the freedom of expression that he needed in his artwork could not be found within the strictures of the Soviet Union and moved to the United States in 1975.
In the U.S., Krasnyansky found valuable use for his knowledge of architecture, design and his imagination. and found success in multiple artistic pursuits. Almost surreal, Krasnyansky’s figures are recognizable form while incorporating elements of his Eastern heritage, the cubist ideas of Picasso and Braque, and as well as American culture.
Accomplishments
Krasnyansky began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica...
Category
Late 20th Century Surrealist San Francisco - More Prints
Materials
Screen
Yuyake
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "Yuyake" 1981 Is an original colors woodcut by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and numbered 197/210 in pencil by the artist. This artwork was printed in Tokyo, Japan. The image size is 14.5 x 19.5 inches, framed size is 26.5 x 31 inches. Custom framed in a light wood and gold frame, with fabric matting. It is in excellent condition, the frame have a minor black spot at the lower right corner, see picture #1
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist San Francisco - More Prints
Materials
Woodcut
Liberated Village
By William Gropper
Located in San Francisco, CA
This artwork titled "Liberated Village" c. 1940, is an original lithograph on paper by noted American artist William Gropper, 1897-1977. It is hans signed and titled in pencil by the artist. The artwork (image) size is 12 x 16.5 inches, framed size is 20.25 x 24.25 inches. Custom framed in a black metal frame, with off white matting. It is in excellent condition.
An example of this particular artwork is held at the Metropolitan Museum of Art, New York.
About the artist:
William Gropper was born in New York City's Lower East Side in 1897. He was the first of six children to parents who earned small wages working in sweatshops. At the age of fourteen, Gropper left school to help support his family. While carrying bolts of cloth for his deliveries, Gropper began to draw on scraps of paper, sidewalks, and walls. A passerby saw some of these drawings and invited Gropper to attend a life-drawing class at the Ferrer School. He studied there for three years from 1912 to 1915, attending classes taught by Robert Henri and George Bellows. From 1915 to 1918 Gropper attended the New York School of Fine and Applied Art part-time on scholarship. Gropper also won a scholarship to the National Academy of Design, but remained as a student for only a short time; the rigid and systematic institution conflicted with Gropper's belief in the personal nature of art.
At the New York School of Fine and Applied Art, Gropper earned several prizes. One of these prizes was for his cartoons, which led him to be hired by the New York Tribune in 1917 to sketch for their features. A few years later through freelance work, his cartoons and drawings appeared in other newspapers and magazines, such as The Liberator, The New Masses...
Category
Mid-20th Century American Realist San Francisco - More Prints
Materials
Lithograph
City 358
By Risaburo Kimura
Located in San Francisco, CA
Artist: Risaburo Kimura– Japanese/American (1924-2014 )
Title: City 358
Year: circa 1972
Medium: Serigraph
Sight size: 19.25 x 25.75 inches.
Sheet size: 22.75 x 28.75 inches.
Signa...
Category
1970s Abstract Geometric San Francisco - More Prints
Materials
Paper, Screen
City 381
By Risaburo Kimura
Located in San Francisco, CA
Artist: Risaburo Kimura– Japanese/American (1924-2014 )
Title: City 381
Year: circa 1972
Medium: Serigraph
Sight size: 19.25 x 25.5 inches.
Sheet size: 22.75 x 28.75 inches.
Signat...
Category
1970s Abstract Geometric San Francisco - More Prints
Materials
Paper, Screen
Trio I
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork titled "Trio I" c.2000 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 134/450 in black ink by the artist. The artwork size is 16.5 x 24.85 inches, framed size is 21.75 x 30 inches. Custom framed in a wooden black and gold frame, with fabric liner. It is in excellent condition.
About the artist:
Anatole Krasnyansky (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Krasnyansky added paper texture as a component of his watercolors. With this new process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting.
Biography
He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. Krasnyansky received master's degrees in fine art and architecture. He found that the freedom of expression that he needed in his artwork could not be found within the strictures of the Soviet Union and moved to the United States in 1975.
In the U.S., Krasnyansky found valuable use for his knowledge of architecture, design and his imagination. and found success in multiple artistic pursuits. Almost surreal, Krasnyansky’s figures are recognizable form while incorporating elements of his Eastern heritage, the cubist ideas of Picasso and Braque, and as well as American culture.
Accomplishments
Krasnyansky began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica...
Category
Late 20th Century Surrealist San Francisco - More Prints
Materials
Screen
Blue Bird
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork titled "Blue Bird' c.1990 is a dye sublimation print on aluminium by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and number...
Category
Late 20th Century Surrealist San Francisco - More Prints
Materials
Other Medium
Hawaiian Icon
By Robert Freimark
Located in San Francisco, CA
Artist: Robert Freimark – American (1922-2010)
Title: Hawaiian Icon
Date: 1991
Medium: Lithograph in 5 colors on Somerset paper
Image size: 22 x 30 inc...
Category
1990s Contemporary San Francisco - More Prints
Materials
Paper, Lithograph
The City 's Conscience
By Anatole Krasnyansky
Located in San Francisco, CA
This artwork titled "The City 's Conscience" 2006 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 45/495 in black ink by the artist. The artwork size is 24 x 17.5 inches, framed size is 29.5 x 23 inches. Custom framed in a wooden black and gold frame, with fabric liner. It is in excellent condition.
About the artist:
Anatole Krasnyansky (born in 1930; Kiev, Ukraine) is a Ukrainian-American artist who has gained prominence by pioneering a new watercolor technique. Krasnyansky added paper texture as a component of his watercolors. With this new process, Krasnyansky added texture and depth to the watercolor medium and expanded its expressive possibilities to a level usually associated with oil painting.
Biography
He was born in Kiev, growing up and living during the times when Ukraine was a part of the U.S.S.R. Krasnyansky received master's degrees in fine art and architecture. He found that the freedom of expression that he needed in his artwork could not be found within the strictures of the Soviet Union and moved to the United States in 1975.
In the U.S., Krasnyansky found valuable use for his knowledge of architecture, design and his imagination. and found success in multiple artistic pursuits. Almost surreal, Krasnyansky’s figures are recognizable form while incorporating elements of his Eastern heritage, the cubist ideas of Picasso and Braque, and as well as American culture.
Accomplishments
Krasnyansky began working as a scenic artist for ABC and CBS, including the production of two Academy Awards shows. He became a set designer for Universal Studios (credits including The Blues Brothers and Battlestar Galactica...
Category
Late 20th Century Surrealist San Francisco - More Prints
Materials
Screen
Seated Figure
Located in San Francisco, CA
This artwork titled "Seated Figure" c.1970 is an original color etching, aquatint and embossing on brown hand made paper by noted Spanish artist Jose Garcia...
Category
Late 20th Century Modern San Francisco - More Prints
Materials
Etching, Aquatint
Dogon Mask
Located in San Francisco, CA
This artwork titled "Dogon Mask" 1996 in a color off set lithograph with screenprint by African/American artist Nathaniel Bustion, b.1942. It is hand...
Category
Late 20th Century Contemporary San Francisco - More Prints
Materials
Offset, Screen
Red Jet - iconic vintage private jet plane on desert airport tarmac (48 x 74")
By Frank Schott
Located in San Francisco, CA
large format photograph of glossy cherry red vintage private airplane on airport runway tarmac
Red Jet by Frank Schott
48 x 74 inches (122 x 188cm...
Category
21st Century and Contemporary Contemporary San Francisco - More Prints
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Magical City
Located in San Francisco, CA
This artwork "Magical City" 1979 is an original color serigraph by Spanish artist Juan Romero Fernandez, 1932-1996. It is hand signed, dated and numbered 6...
Category
Late 20th Century Other Art Style San Francisco - More Prints
Materials
Screen
Intelligence of a Three Year Old
By Squeak Carnwath
Located in San Francisco, CA
Artist: Squeak Carnwath American (1947- )
Title: Intelligence of a Three Year Old
Date: 1997
Media: Color Sugarlift And Soapground Aquatint With Hardground, Scrape And Burnish
Dimen...
Category
1990s Contemporary San Francisco - More Prints
Materials
Paper, Etching, Aquatint
Popeye
Located in San Francisco, CA
This artwork titled "Popeye" c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and inscribed M.T in pencil by the artist. The image size is 23.5 x 17.5 inches, sheet size is 29.85 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist:
Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California.
Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...
Category
Late 20th Century American Modern San Francisco - More Prints
Materials
Monotype
"Mujer Con Sombrero" Large lithograph
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "Mujer Con Sombrero (Woman with Hat)" 1972 is a large original colors lithograph on Arches paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 81/100. in pencil by the artist. The artwork size 36.35 x 25.85 inches, sheet size is 37.25 x 26.25 inches, framed size is 52.25 x 40.5 inches. Published by Transworld Art, New York , Printed by Bank Street Atelier, New York. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #132 page 123. Custom framed in a wooden black and silver frame, with silver bevel and fabric matting. It is in excellent condition. Will provide the buyer with a certificate of authenticity from our gallery and photocopy of the pages related to this artwork from the artist's catalogue raisone.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category
Mid-20th Century Modern San Francisco - More Prints
Materials
Lithograph
Caprichos Americano
By Valerio Adami
Located in San Francisco, CA
Artist: Valerio Adami – Italian (1935- )
Title: Caprichos Americano
Year: 1979
Medium: serigraph
Sight size: 39.5 x 29.75 inches.
Sheet size: 39.5 x 29.75 inches
Signature: Signed l...
Category
1970s Modern San Francisco - More Prints
Materials
Screen
"Doreen" - Large original color serigraph
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork, titled "Doreen", done in 1983, is an original color serigraph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed and numbered E.P.I. in pencil by the artist ( E.P.I. refers to "Editions Press Impression", one of ten impressions done for the publisher.) With the blind stamp of the artist and the printer, Editions Press, San Francisco. The edition size was 150 plus proofs (a total of 45 proofs). The sheet size is 26.25 x 33.25 inches, framed size is 39.25 x 45.25 inches. Custom framed in a wooden oak frame, it is floating, with a deep red liner and with natural linen matting. The artwork is in excellent condition. The frame is in very good condition, it has minor restorations, practically invisible.
Medium: Serigraph on Paper
Dimensions: 26 1/4" x 33 1/4"
Year Produced: 1983
Edition Size: 150 plus proofs (45 proofs)
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist San Francisco - More Prints
Materials
Screen
"Apollon" from the suite "lArt d'Aimer d'Ovide"
By Salvador Dalí
Located in San Francisco, CA
This artwork titled, "Apollon" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It is hand signed...
Category
Late 20th Century Surrealist San Francisco - More Prints
Materials
Woodcut
Johnny Gotthard Friedlaender Abstract Lithograph c.1970s
By Johnny Friedlaender
Located in San Francisco, CA
Johnny Gotthard Friedlaender Abstract Lithograph c.1970s
Rare limited edition lithograph by listed artist Johnny Gotthard Friedlaender (1912-1992)
Pe...
Category
Mid-20th Century Abstract San Francisco - More Prints
Materials
Lithograph
Prelude
By Valerio Adami
Located in San Francisco, CA
Artist: Valerio Adami – Italian (1935- )
Title: Prelude
Year: 1979
Medium: serigraph
Sight size: 29.75 x39.5 inches.
Sheet size: 29.75 x 39.5 inches
Signature: Signed lower right
Ed...
Category
1970s Modern San Francisco - More Prints
Materials
Screen
Maple Sugar Grove
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American (1933- )
Title: Maple Sugar Grove
Year: circa 1981
Medium: Color etching
Sight size: 24 x 17.75 inches.
Sheet size: ...
Category
1980s Other Art Style San Francisco - More Prints
Materials
Paper, Color, Etching
"And Put on the Eyes of Zedekiah" From the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "And Put on the Eyes of Zedekiah" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman, 1897-198...
Category
Mid-20th Century Expressionist San Francisco - More Prints
Materials
Etching
Opening
By Joseph Goldyne
Located in San Francisco, CA
Artist: Joseph Goldyne American (1942 - )
Title: Opening
Year: 1984
Medium: 14-color lithograph printed offset from 8 plates
Image Size: 23.75 x 18 inches
Sheet size: 31 x 22.5 i...
Category
1980s Realist San Francisco - More Prints
Materials
Paper, Lithograph
Operation Sail, Statue of Liberty
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American, b.1933
Title: Operation Sail
Year: 1986
Medium: Color etching
Image size: 17.5 x 24.75 inches.
Sheet size: 22.25 x 30 nches.
Paper: Tiepolo ...
Category
Late 20th Century Other Art Style San Francisco - More Prints
Materials
Etching
"And Deborah, A Prophet" From the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "And Deborah, A prophet" From the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman, 1897-1987. It is ...
Category
Mid-20th Century Expressionist San Francisco - More Prints
Materials
Etching
Trees
Located in San Francisco, CA
This artwork "Trees " c.1990 in an original monotype on B.F.K Rives paper by American artist Kelly Detweiler. It is hand signed, titled and numbered 1/1 in pencil by the artist. The image size is 17.85 x 15.65 inches, sheet size is 24.25 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed.
About the artist:
Born in Twin Falls Idaho, his family immediately moved to Monte Vista, Colorado where he lived until age 12. Many of the idyllic memories of this childhood inform his imagination and enter into his work. Moving from a very small farming and ranching community, he was plunged into the crazed consumer culture of Southern California. He lived in La Mesa, California and watched as the entire face of America changed with Vietnam, rampant divorce, and then the summer of love. He attended Grossmont College and immersed himself in art. Seeking to escape the drug crazed beach culture, he set out for northern California.
Kelly attended Cal State University at Hayward where he studied with Mel Ramos, Raymond Saunders, Harold Schlotzhauer, Misch Kohn, Kenji Nanao and Clayton Bailey...
Category
Late 20th Century American Modern San Francisco - More Prints
Materials
Monotype
Homer
By Valerio Adami
Located in San Francisco, CA
Artist: Valerio Adami – Italian (1935- )
Title: Homer
Year: 1979
Medium: serigraph
Sight size: 38 x 22 inches.
Sheet size: 42 x 25 inches
Signature: Signed lower right
Edition size:...
Category
1970s Modern San Francisco - More Prints
Materials
Screen
"Then Said Samuel to the people" from the suite "Judges and Kings"
Located in San Francisco, CA
This artwork titled "Then Said Samuel to the people" from the suite "Judges and Kings" is an original etching on Arches paper by Ukrainian/American artist Ben Zion Weinman, 1897-1987...
Category
Mid-20th Century Expressionist San Francisco - More Prints
Materials
Etching
Pair of Framed Giovanni Battista Piranesi Architectural Vases Etchings C.1770
By Giovanni Battista Piranesi
Located in San Francisco, CA
Pair of Framed Giovanni Battista Piranesi Architectural Vases Etchings C.1770
Outstanding pair of antique etchings by Piranesi
A Sua Eccellenz...
Category
Late 18th Century San Francisco - More Prints
Materials
Etching
Country Wedding
By Cuca Romley
Located in San Francisco, CA
Artist: Cuca Romley– Spanish/American (1933- )
Title: Country Wedding
Year: circa 1981
Medium: Color etching
Sight size: 15.75 x 22.75 inches.
Sheet s...
Category
1980s Other Art Style San Francisco - More Prints
Materials
Paper, Color, Etching
Benita
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "Benita" first state, 1981 Is an original lithograph on Wove paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is signed, dated and numbered 122/180 in pencil by the artist. With the blind stamp of the artist and printer. The image size is 22 x 30 inches, the sheet size is 24 x 31.75 inches. It is in excellent condition, has never been framed, the colors are fresh bright.
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist San Francisco - More Prints
Materials
Lithograph
Chevaux et Cavaliers Artist Proof
By Marino Marini
Located in San Francisco, CA
Marino Marini (Italian, 1901-1980) "Chevaux et Cavaliers" Artist proof pencil signed circa 1970
Fantastic 1970 lithograph by noted Italian artist Marino Marini.
This is a rare Art...
Category
Mid-20th Century Abstract San Francisco - More Prints
Materials
Lithograph
Mascara Roja
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "Mascara Roja" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and inscribed H.C. (Hors Commerce) in pencil by the artist. The image size is 21 x 27.25 inches, framed size is 37.25 x 42 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #124. Custom framed in a wooden gold leaf frame, with gold and red spacer and fabric matting. It is in excellent condition.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category
Mid-20th Century Modern San Francisco - More Prints
Materials
Lithograph
Em Qualquer Canto (Anywhere) The complete portfolio of 13 engravings
Located in San Francisco, CA
This portfolio titled "Em Qualquer Canto (Anywhere)" by Brazilian artist Marcio Perigo, b. 1949 is composed of 13 original engravings on German paper, all hand signed, numbered 4/20 ...
Category
Late 20th Century Abstract Expressionist San Francisco - More Prints
Materials
Engraving
George Inn, Dorchester
Located in San Francisco, CA
This artwork titled "George Inn, Dorchester" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 12.75 x 15.25 inches, sheet size is 15 x 16.25 inches. it is in excellent condition.
About the artist:
Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life.
Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church.
Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891.
His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas. He also published a short series of fully illustrated books in 1923, Old Manor Houses and Old Inns.
His village scenes and rural buildings were executed in chalk, pencil and wash sketching was used for country scenes. Aldin was an enthusiastic sportsman and a Master of Fox Hounds and many of his pictures illustrated hunting.
An early work on a tiger in a zoo was studied from life, but found to be a copyright of the ideas in a photograph by Gambier Bolton.
A popular book by Aldin was Sleeping Partners, a sequence of pastel drawings of his dogs on a couch. It included his Irish Wolfhound Micky and his favorite model, Cracker, a Bull Terrier with a dark patch over one eye.
He also did some work for Cadburys advertising.
Born 28 April 1870. He was educated at Eastbourne College then Solihull Grammar School. Cecil Aldin's father was a keen amateur artist so Cecil started drawing at a very young age. He studied art at the studio of Albert Moore and then the National Art Training School which later became The Royal College of Art. After this he spent a summer with the fine animal painter and teacher, Frank Calderon.
In 1892 he bombarded the illustrated periodicals with his illustrations and thereby started a long association with The Illustrated London News. He was commissioned by The Pall Mall Budget in 1894 to illustrate "The Jungle Book" by Rudyard Kipling. At the invitation of the fine genre painter, Walter Dendy...
Category
Mid-20th Century Realist San Francisco - More Prints
Materials
Lithograph
Happy Birthday Liberty, 100th Birthday of the Statue of Liberty. Large serigraph
By Hiro Yamagata
Located in San Francisco, CA
This artwork titled "Happy Birthday Liberty, 100th Birthday of the Statue of Liberty" 1986 is an original color serigraph on thick paper by renown artist Hiro Yamagata (Japanese, b. ...
Category
Late 20th Century Modern San Francisco - More Prints
Materials
Screen
Bell Inn, Waltham St Lawrence
Located in San Francisco, CA
This artwork titled "Bell Inn, Waltham St Lawrence" is a chromolithograph by noted British artist Cecil Charles Windsor Aldin, 1870-1935. It is hand signed at the lower left corner by the artist. With the blindstamp of the Fine Art Trade Gulid, published and printed by Eyre and Spottiswoode ltd, London. The image size is 15 x 13 inches, sheet size is 17.5 x 14.25 inches. it is in excellent condition.
About the artist:
Cecil Charles Windsor Aldin RBA (28 April 1870 - 6 January 1935) was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life.
Born in Slough, he was educated at Eastbourne College and Solihull Grammar School. He studied anatomy at South Kensington and animal painting under William Frank Calderon. He lived at The Abbots, Sulhamstead Abbots from 1913 to 1914 and was church warden of St Mary's church.
Early influences included Randolph Caldecott and John Leech. His drawings first made their way into print in The Building News of 12 September 1890, and began to appear throughout many popular journals and magazines; his work was published in The Graphic in 1891.
His illustrations include two of the original 1894 magazine publications of stories from Rudyard Kipling's The Second Jungle Book, the 1910 edition of Charles Dickens' The Pickwick Papers and The Bunch Book (1932, about Bunch, a Sealyham Terrier) by James Douglas. He also published a short series of fully illustrated books in 1923, Old Manor Houses and Old Inns.
His village scenes and rural buildings were executed in chalk, pencil and wash sketching was used for country scenes. Aldin was an enthusiastic sportsman and a Master of Fox Hounds and many of his pictures illustrated hunting.
An early work on a tiger in a zoo was studied from life, but found to be a copyright of the ideas in a photograph by Gambier Bolton.
A popular book by Aldin was Sleeping Partners, a sequence of pastel drawings of his dogs on a couch. It included his Irish Wolfhound Micky and his favorite model, Cracker, a Bull Terrier with a dark patch over one eye.
He also did some work for Cadburys advertising.
Born 28 April 1870. He was educated at Eastbourne College then Solihull Grammar School. Cecil Aldin's father was a keen amateur artist so Cecil started drawing at a very young age. He studied art at the studio of Albert Moore and then the National Art Training School which later became The Royal College of Art. After this he spent a summer with the fine animal painter and teacher, Frank Calderon.
In 1892 he bombarded the illustrated periodicals with his illustrations and thereby started a long association with The Illustrated London News. He was commissioned by The Pall Mall Budget in 1894 to illustrate "The Jungle Book" by Rudyard Kipling. At the invitation of the fine genre painter, Walter Dendy Sadler...
Category
Mid-20th Century Realist San Francisco - More Prints
Materials
Lithograph
Vacance
By Hiro Yamagata
Located in San Francisco, CA
This artwork titled "Vacance" 1980 is an original color serigraph on paper by renown artist Hiro Yamagata (Japanese, b. 1948) It is signed and numbered 204/300 in pencil by the artis...
Category
Late 20th Century Contemporary San Francisco - More Prints
Materials
Screen
La Rosa
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "La Rosa" 1984 Is an original colors lithograph on Wove paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed, dated and numbered 29/200 in white pencil by the artist. With the blind stamp of the Publisher/printer, Houston Fine Art Press, Houston at the lower right corner. The size is 30 x 23 inches inches. It is in excellent condition, the colors are fresh and bright, Hanging tape remaining in the back across the upper sheet, and 2 small skinned area at the lower back of the sheet. all these not visible from the front.
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist San Francisco - More Prints
Materials
Lithograph
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