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Item Ships From: San Francisco
"Bunter Reiter II" Large original colors lithograph
By Marino Marini
Located in San Francisco, CA
This artwork titled "Bunter Reiter II" 1976, is an original color lithograph on wove paper by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 22/75 in p...
Category
Mid-20th Century Post-Modern San Francisco - Prints and Multiples
Materials
Lithograph
18th Century Engraving "Birdseye View of New Park in Surrey" c.1724
Located in San Francisco, CA
18th Century Engraving "Birdseye View of New Park in Surrey" c.1724
Bird's eye view of the the New Park in Surrey, the Seat of the Honorable Earle of Rochester
From the 1724 editio...
Category
Early 18th Century San Francisco - Prints and Multiples
Materials
Etching
La ofrenda (The Offering) (5/100)
By Rafael Coronel
Located in San Francisco, CA
Serigraph by Mexican painter Rafael Coronel. Edition 5 of 100. Certificate of authenticity included.
Category
Late 20th Century Contemporary San Francisco - Prints and Multiples
Materials
Screen
Peacock Nebula
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Peacock Nebula" c.2000, is an original colors woodcut on thin rice paper paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed and titled in pen...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Woodcut
Vintage Lithograph "The Actor" Pencil Signed and Titled C.1940
Located in San Francisco, CA
Vintage Lithograph "The Actor" Pencil Signed and Titled C.1940
Dimensions 7.5" wide x 10.5" high
The distressed frame measures 14.75" wide x 17.5" high
Signed and titled (illegibl...
Category
Early 20th Century San Francisco - Prints and Multiples
Materials
Lithograph
Secrets Series
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Secrets Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, tit...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Monoprint
Secrets Series
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Secrets Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, tit...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Monoprint
Secrets Series
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Secrets Series" c.1980, is an original woodcut monoprint with embossing on thick Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, tit...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Monoprint
Beyond the Sun Series
By Ruth Leaf
Located in San Francisco, CA
This artwork titled "Beyond the Sun Series" c.1970, is an original woodblock monoprint with embossing on artisanal hand made paper by noted American artist Ruth Leaf, 1923-2015. It i...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Monoprint
Armonía geométrica 4 (Geometric Harmony 4)
Located in San Francisco, CA
Claudia Martínez Lanz
Armonía geométrica 4 (Geometric Harmony 4), 2021, (1/1)
Monotype (linocut, chine collé and high-temperature ceramics collag...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Ceramic, Paper, Linocut
Untitled
By Joel Shapiro
Located in San Francisco, CA
Joel Shapiro received his B.A. in 1964, and his M.A. in 1969 from New York University. Since his first solo exhibition in 1970, Shapiro's work has been the subject of more than 160 s...
Category
1990s Abstract San Francisco - Prints and Multiples
Materials
Aquatint
Allied Chemical Tower, Packed, Project for Number 1 Time Square New York
Located in San Francisco, CA
This artwork titled ' Allied Chemical Tower, Packed, Project for Number 1 Time Square, New York" 1971, in an original color lithograph on Arjomari paper by renown Bulgarian/American ...
Category
Late 20th Century Pop Art San Francisco - Prints and Multiples
Materials
Lithograph
"Centre Noeuds" planche #8
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #8 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is ...
Category
Mid-20th Century Surrealist San Francisco - Prints and Multiples
Materials
Aquatint
"Centre Noeuds" planche #10
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #10, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It i...
Category
Mid-20th Century Surrealist San Francisco - Prints and Multiples
Materials
Aquatint
"Centre Noeuds" planche #2
By Roberto Matta
Located in San Francisco, CA
This artwork titled "Centre Noeuds" plate #2, 1974, is an original color etching with aquatint on Japan nacre paper by renown Chilean artist Roberto Sebastian Matta, 1911-2002. It is...
Category
Mid-20th Century Surrealist San Francisco - Prints and Multiples
Materials
Aquatint
Indiana Elliot
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Indiana Eliott"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art San Francisco - Prints and Multiples
Materials
Lithograph
Jenny Reefer
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Jenny Reefer"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art San Francisco - Prints and Multiples
Materials
Lithograph
Jo the Loiterer
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Jo the Loiterer"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: 18 x 14 inches
paper size: 23.65 x 19.5 inches
Signature: Hand signed in pencil by the artist
Publisher: Leon Amiel, New York
Printer: Fernand Mourlot, Paris
Condition: It is in excellent condition, has never been framed.
Description: From the suite "The Mother of All Us"
About the artist:
Robert Indiana was born in New Castle, Indiana, in 1928. His family name was Clark but he adopted the name of his native state early in his career. His father worked for a Phillips 66 gas station and his mother ran a diner. He began his studies in art in 1945 at the Herron School of Art in Indianapolis and then at the Munson-Williams-Proctor Institute in Utica, New York. He then moved to Chicago and continued his studies at the School of the Art Institute of Chicago. He also studied at the Skowhgan School of Painting and Sculpture in Maine, the Edinburgh College of Art and London University, eventually moving to New York City in 1956.
A major Pop Artist, his work is characterized by the use of words and relatively flat paint with no brush strokes. This cold and somewhat mechanical approach to painting in which the words are often stenciled into the design probably was influenced by street signs, pinball machines, the commercial stenciling process used in printing and advertisements. In fact, Indiana calls himself "a painter of signs". He uses the common everyday symbols and words of America and paints them as brilliantly colored pop art paintings. His work comments in an ironic fashion on American life and culture, often making pointed political statements about American society.
The words in his painting are usually simple and short words, sometimes with clear meaning and other times arranged in an ambiguous fashion to project multiple meanings, and occasionally involve puns. It is interesting to try to put his "words" together to get a sense of the meaning. For instance, in The Triumph of Tira, painted in, 1960-61, the artist presents four circles with four squares inside them and four stars inside the squares. There is one word in each star. The upper left says "Law"; the upper right says "Cat"; the lower left says "Men"; and the lower right says "Sex." Of course it is hard to understand the relationship between the words, and as you begin to speculate on what it might mean, a number of possible interpretations evolve.
Other works have more obvious meanings, sometimes political. One painting shows an outline of the State of Alabama with Selma marked in the right location. The words "Just as in the anatomy of man, every nation must have its hind part", are stenciled around the map. This is a reference to the march on Selma, which was an important event in the Civil Rights Movement during the 60's.
Indiana's most famous painting is of the word "Love". It is painted with the LO on the top and VE on the bottom. This painting was used as a design for an American postage stamp...
Category
1970s Pop Art San Francisco - Prints and Multiples
Materials
Lithograph
Lillian Russell
By Robert Indiana
Located in San Francisco, CA
Artist: Robert Indiana (American, born 1928)
Title: "Lillian Russell"
Year: 1977
Medium: Original color lithograph
Edition: Numbered 32/150 in pencil
Paper: Arches
Image size: ...
Category
1970s Pop Art San Francisco - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist art...
Category
Mid-20th Century Expressionist San Francisco - Prints and Multiples
Materials
Lithograph
"Le Bal Masque" Giuseppe Verdi Opera (Variant)
By Oskar Kokoschka
Located in San Francisco, CA
This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist art...
Category
Mid-20th Century Expressionist San Francisco - Prints and Multiples
Materials
Lithograph
Abstract I
Located in San Francisco, CA
This artwork titled "Abstract I" c.1990, is an original color screenprint by noted American Artist Jeffrey Long, b.1948. It is hand signed and numbered 30/150 in pencil by the artist...
Category
Late 20th Century Abstract San Francisco - Prints and Multiples
Materials
Screen
The Jury
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Jury" c.1980 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed and inscribed H.C (Hors Comm...
Category
Late 20th Century Other Art Style San Francisco - Prints and Multiples
Materials
Etching
Niño Maíz Gusanos (Boy Corn Worms)
By Francisco Toledo
Located in San Francisco, CA
Francisco Toledo
Niño Maíz Gusanos (Boy Corn Worms), 2014
Poster
35.40 x 23.60 inches
Edition of 33
This poster is part of a series called "No a los Transgénicos” - a visual arts ca...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Color
Le Diable en Enfer, 1972 (Le Decameron, Plate C)
By Salvador Dalí
Located in Greenwich, CT
Le Diable en Enfer from Dalí's Le Décameron portfolio is a drypoint etching with color on paper, signed Dalí lower right and numbered 17/150 lower left. From the Swedish edition of 1...
Category
20th Century Surrealist San Francisco - Prints and Multiples
Materials
Drypoint, Etching
Sub Culture
By Caroline Durieux
Located in San Francisco, CA
This artwork titled "Sub Culture" c1972 is an original color lithograph on wove paper by noted New Orleans artist Caroline Spellman Wogan Durieux, 1896-1989. It is hand signed, titled, dated and numbered 5/10 in pencil by the artist. The image size is 17.75 x 13 inches, sheet size is 19.85 x 15 inches. It is in excellent condition, some hanging tape from previous framing remaining on the back.
About the artist:
As a Southern female satirist, Caroline Spellman Wogan Durieux was a rare phenomenon in the early twentieth century. Today, she is highly regarded for her stinging lithographs that touch on human foibles as well as some of the important issues of her day. Born to a family of Creole descent in New Orleans, young Caroline was precocious; she began drawing at age four and completed a portfolio of watercolors depicting her city by the time she was twelve. She took lessons from Mary Butler, a member of the art faculty at Sophie Newcomb College, and, beginning in 1912, matriculated at the school full-time, where her instructors included Ellsworth Woodward, chair of the art department. She graduated with a bachelor’s degree in design in 1916 and one in education in 1917. Awarded a scholarship by the New Orleans Art Association, Durieux pursued further coursework at the Pennsylvania Academy of the Fine Arts from 1918 to 1920. Years later, she was encouraged to try lithography by Carl Zigrosser, an expert curator of prints at the Philadelphia Museum of Art, who became her mentor.
With her husband Pierre Durieux—an importer of Latin American goods and later the chief representative of General Motors for South America—Caroline Durieux spent time in Cuba during the early 1920s. The couple moved in 1926 to Mexico City, where she met the great muralist Diego Rivera and became involved in the local art community. Following a short interval in New York City, Durieux went back to Mexico in 1931 and enrolled at the Academy of San Carlos (now the National University of Mexico) to study lithography.
She returned to New Orleans seven years later and was hired to teach at her alma mater, Newcomb College, from 1938 to 1943. Starting in 1939, Durieux served as the director of Louisiana’s Works Progress Administration program, and her division was the only one in the state not to practice racial discrimination. This was a matter she felt strongly about, stating: “I had a feeling that an artist is an artist and it doesn’t make any difference what color he or she is.” From 1943 until her retirement in 1964, Durieux was a member of the faculty at Louisiana State University in Baton Rouge.
Durieux’s forte was lithography, a technique popular in the mid-nineteenth century and long associated with social commentary, and her prints proved no exception. Her work in the 1930s and 1940s coincided with a rise in art that dealt with poverty, racism, and totalitarianism. She often presented stereotyped social climbers...
Category
Late 20th Century American Modern San Francisco - Prints and Multiples
Materials
Lithograph
La Legende du Sinai
By Théo Tobiasse
Located in San Francisco, CA
Artist: Teo Tobiasse (French/Israeli, 1927-2012)
Title: "La Legende du Sinai"
Year: 1986
Medium: Color lithograph
Edition: Numbered 160/175 in pencil
Paper: Arches paper
Image size: 9.75 x 9.75 inches
Framed size: 16.85 x 16.5 inches
Signature: Hand signed in pencil by the artist
Condition: Excellent
Frame: Custom framed in a wood frame, with off white matting
About the artist.
Theo Tobiasse was born in Israel of Lithuanian parents. Before he turned seven, his family moved to Paris due to financial difficulties. In Paris.
Between the years of 1942 and 1944, the Germans occupied Paris. He and his family were forced to live in solitary confinement with the constant fear of being discovered. The only things that kept Tobiasse going was his drawings. By the time it was safe to come out of hiding, he had quite a portfolio put together.
In 1960, his work was noticed at an exhibition of young artists at the Palais de la Mediterranee in Nice and he won first prize. From then on art galleries and collectors continued to show interest in his work, and by 1962 Theo Tobiasse was finally able to devote himself entirely to painting. Theo Tobiasse has created monumental works such as the fountain entitled "L'Enfant fou" for the Arenas Business Centre at Nice Airport, and stained-glass windows for various institutions in Strasbourg and Nice. He also designed costumes and stage-set models for Bernard Shaw...
Category
Mid-20th Century Expressionist San Francisco - Prints and Multiples
Materials
Lithograph
Rainbow Dancer
By Alice Asmar
Located in San Francisco, CA
Artist: Alice Asmar American (1929- )
Title: Rainbow Dancer
Year: 1980
Medium: Lithograph
Sight size: 29 x 14.75 inches.
Sheet size: 30 x 22 inches.
Signature: Signed lower right
Edition: 150 This one: 113/150
Condition: Very good
Unframed
This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note.
American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes.
Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists.
She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child.
In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958).
After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California.
A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally.
Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland.
A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...
Category
1980s Other Art Style San Francisco - Prints and Multiples
Materials
Paper, Lithograph
Red Rock
Located in San Francisco, CA
This artwork titled "Red rock" 1994 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand si...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Screen
Red Rock #4
Located in San Francisco, CA
This artwork titled "Red rock" 1994 is an original color serigraph on Wove paper by Canadian/American artist Howard Bradford, 1919-2008. It is hand si...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Screen
Three Questions #VIII
Located in San Francisco, CA
This artwork titled "Three Questions #VIII" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbe...
Category
21st Century and Contemporary Modern San Francisco - Prints and Multiples
Materials
Etching
Three Questions #VI
Located in San Francisco, CA
This artwork titled "Three Questions #VI" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbere...
Category
21st Century and Contemporary Modern San Francisco - Prints and Multiples
Materials
Etching
Three Questions #VII
Located in San Francisco, CA
This artwork titled "Three Questions #VII" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and number...
Category
21st Century and Contemporary Modern San Francisco - Prints and Multiples
Materials
Etching
Three Questions #X
Located in San Francisco, CA
This artwork titled "Three Questions #X" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbered...
Category
21st Century and Contemporary Modern San Francisco - Prints and Multiples
Materials
Etching
Thee Questions #II
Located in San Francisco, CA
This artwork titled "Three Questions #II" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbere...
Category
21st Century and Contemporary Modern San Francisco - Prints and Multiples
Materials
Etching
Thee Questions #IV
Located in San Francisco, CA
This artwork titled "Three Questions #IV" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbere...
Category
21st Century and Contemporary Modern San Francisco - Prints and Multiples
Materials
Etching
Three Questions #V
Located in San Francisco, CA
This artwork titled "Three Questions #V" 2003 is an original soft ground etching on Somerset paper by American artist Mary Esch, b.1965. It is Hand signed, dated, titled and numbered...
Category
21st Century and Contemporary Modern San Francisco - Prints and Multiples
Materials
Etching
Ouvidos de Conchas, em Mangas de Jaqueta
By Francisco Maringelli
Located in San Francisco, CA
This artwork titled "Ouvidos de Conchas, em Mangas de Jaqueta" 1995 is an original color woodcut on watermarked Fabriano paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and numbered 1/15 in pencil by the artist. The image (block mark) size is 10.65 x 7 inches, sheet size is 16.25 x 14 inches. It is in excellent condition, has never been framed.
About the artist:
Education:
Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985).
Professor at Centro Universitário Belas Artes de São Paulo
Main Exhibitions:
2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP)
Graphias quinze anos, São Paulo(SP)
2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...
Category
Late 20th Century Expressionist San Francisco - Prints and Multiples
Materials
Woodcut
Untitled II
By Francisco Maringelli
Located in San Francisco, CA
This artwork titled "Untitled II" 1996 is an original woodcut on thin Japan paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed and numbered 12/30 in pencil by the artist. The image (block mark) size is 13 x 7.25 inches, sheet size is 25 x 18.75 inches. It is in excellent condition, has never been framed.
About the artist:
Education:
Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985).
Professor at Centro Universitário Belas Artes de São Paulo
Main Exhibitions:
2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP)
Graphias quinze anos, São Paulo(SP)
2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...
Category
Late 20th Century Expressionist San Francisco - Prints and Multiples
Materials
Woodcut
A Escolha Da Camisa Do Dia
By Francisco Maringelli
Located in San Francisco, CA
This artwork titled "A Escolha Da Camisa Do Dia" 1996 is an original woodcut on thin Japan paper by Brazilian artist Francisco Jose Maringelli, b.1959. It is hand signed, titled and inscribed PE II in pencil by the artist. The image (block mark) size is 11.5 x 17.25 inches, sheet size is 18.5 x 25 inches. It is in excellent condition, has never been framed.
About the artist:
Education:
Bachelor Fine Arts, ECAUSP (1984-1989) and Architecture FAUUSP (1979-1985).
Professor at Centro Universitário Belas Artes de São Paulo
Main Exhibitions:
2018 CONTRAGOLPES; obras recentes de Biba Rigo, Cláudio Caropreso e Francisco Maringelli, São Paulo(SP)
Graphias quinze anos, São Paulo(SP)
2017 ROSTOS LAVRADOS-XILOGRAVURAS,Museu Casa da Xilogravura, Campos do...
Category
Late 20th Century Expressionist San Francisco - Prints and Multiples
Materials
Woodcut
Landscape #III
By Thomas Monaghan
Located in San Francisco, CA
This artwork "Landscape #III' c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The image (plate mark) size is 8 x 15.75 inches, the sheet size is 15 x 22 inches. it is in excellent condition, has never been framed.
About the artist:
Born in Chicago in 1961, Monaghan received his MFA from the University Northern Illinois. He moved west to Sonoma County in his mid-twenties and starting showing in galleries in San Francisco in the early 1990's, his move having a profound impact on his painting. The first impression of that sparkle on water upon the great lakes in Chicago continue his drive to seek out natural beauty in the landscape. Monaghan has had regional acclaim and International showing, include, International Art Fairs in San Francisco in 2011 and 2012.
Selected exhibitions
1993 Claudia Chapline Gallery, Stinson Beach, CA., 1993 Heirloom Gallery, Chicago, I., 1994 Marinscapes., 1995 John Mallon, Editions Limited, Indianapolis, IN., 1996 Marinscapes., 1997 John Mallon, Editions Limited, Indianapolis, IN., 1998 Ira Wolk Gallery, St. Helena, CA., 2000 Erickson & Elins Gallery, San Francisco, CA ., 2001 Ira Wolk Gallery, St. Helena, CA, 2002 Ira Wolk Gallery, St. Helena, CA., Erickson Fine Art Gallery 2008.
Selected collections
The Prudential, Merrill Lynch, LaSalle National Bank, Chicago Mercantile Exchange...
Category
21st Century and Contemporary American Impressionist San Francisco - Prints and Multiples
Materials
Monotype
Landscape #II
By Thomas Monaghan
Located in San Francisco, CA
This artwork "Landscape #II" c.2000 is an original color monotype by American artist Thomas (Tom) Monaghan, b. 1961. It is hand signed and numbered 1/1 in pencil by the artist. The i...
Category
21st Century and Contemporary American Impressionist San Francisco - Prints and Multiples
Materials
Monotype
Deux Filles (Two Girls) II
By (after) Marie Laurencin
Located in San Francisco, CA
This artwork "Deux Filles (Two Girls) c.1940 is an etching on Wove paper after French artist Marie Laurencin, 1883-1956. It is unsigned as issue. This is a posthumous impression from the canceled plate. The image size is 4.75 x 5.5 inches, plate mark size is 9 x 5.5 inches, sheet size is 12.85 x 9.65 inches. It is in excellent condition.
About the artist:
Marie Laurencin, intimate of Braque, Picasso, Matisse and Appollinaire, was born in 1883. She held a celebrated place in the early part of the 20th century during a period when Art exploded with genius. She lived in the Montmartre District of Paris and became part of the circle revolving around the Steins. Though her early portraits show the imprint of the Fauves and Cubists, her romantic and delicate temperament asserted itself against these schools.
She was prim, conservative and always wore a kitchen apron...
Category
Mid-20th Century Impressionist San Francisco - Prints and Multiples
Materials
Etching
Night Passage
By Pia Stern
Located in San Francisco, CA
This artwork titled "Night Passage" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated and...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Monoprint
Self Portrait III
By Pia Stern
Located in San Francisco, CA
This artwork titled "Self Portrait III" 1994 is in an original color monoprint on paper by noted American artist Pia Stern, b. 1953. It is hand signed, dated...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Monoprint
Klonski Twins
By Charles Bragg
Located in San Francisco, CA
This artwork titled "The Klonski Twinss" c.1970 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 2/100 in pencil by the artist. The image (plate mark) size is 6 x 7.5 inches, framed is 15 x 19 inches. It is custom framed in red mahogany frame, with off white color matting. It is in excellent condition.
About the artist.
Charles Bragg was born in St. Louis, Missouri to two Vaudeville performing parents that he traveled with throughout his childhood. He attended New York’s High School of Music and Art in Harlem and ran away with his sweetheart when he turned 18.
He studied at the Art Students League in New York and later resided in Los Angeles. Before he decided to truly pursue painting, Bragg was a cab driver, a truck driver, a stand-up comedian, and a factory worker. When he arrived in California, he began painting for the wealthy and even gave lessons. It was during this time that he began to develop satirical feelings for the upper-class he was painting.
Considered the foremost social satire artist in America, Charles Bragg is highly acclaimed for his cryptic and humorous portraits. Bragg is a spiritual descendent of Bosch, Brueghel and Daumier
His work is found in the collections of at least 20 international museums, including thePushkin Museum, Moscow, USSR - Galleria d' Arte, Moderna de Milano Stedelijk Museum, Amsterdam, Holland - Dayton Art Museum, Ohio - DowneyMuseum of Art, California - Long Beach Museum of Art, California - Wichita State University Collection - Roswell Museum Collection, New Mexico - Canton Art Institute, Ohio - Loch Haven Art Center, Orlando Florida - University of Wyoming Museum of Art - The Albrecht Museum of Art, St Joseph, Mo - St Lawrence University, Canton, NY - Gibbes Art Center, Charleston, SC - Kalamazoo Institute of Arts, Michigan ¬University of Judaism, Los Angeles, Ca - Joslyn Art Museum, Omaha, Nebraska - Tyler Museum of Art, Tyler, Texas - Joseph Hirshhorn Collection, National Gallery of Design...
Category
Late 20th Century Other Art Style San Francisco - Prints and Multiples
Materials
Etching
"Sheet of Studies" from the suite "Bestiary and some Correspondences"
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Sheet of Studies, Comparaisons: Machines and Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches pap...
Category
Mid-20th Century Surrealist San Francisco - Prints and Multiples
Materials
Lithograph
"Ants" from the suite "Bestiary and some Correspondences"
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Ants" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British artist Graham Vivian Sutherland, ...
Category
Mid-20th Century Surrealist San Francisco - Prints and Multiples
Materials
Lithograph
Snapdragon
Located in San Francisco, CA
This artwork titled "Snapdragon" 2011 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 6/40 in pencil by the artist. The image (plate mark) size is 17.85 x 11.85 inches, framed size is 31 x 24 inches. Published by Joseph Grossman Fine Art...
Category
21st Century and Contemporary Pop Art San Francisco - Prints and Multiples
Materials
Linocut
Galactika II
Located in San Francisco, CA
This artwork titled "Galactika III Variant" 2012 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 8/40 in pencil by the artist. The image (plate mark) size is 17.85 x 11.85 inches, framed size is 31 x 23.75 inches. Published by Joseph Grossman Fine Art...
Category
21st Century and Contemporary Pop Art San Francisco - Prints and Multiples
Materials
Linocut
Orchid
By Jack Brusca
Located in San Francisco, CA
This artwork titled 'Orchid" 1979 is an original color silkscreen on paper by American artist Jack Brusca, 1939-1993. it is hand signed, dated and numbered 6/200 in pencil by the art...
Category
Late 20th Century American Modern San Francisco - Prints and Multiples
Materials
Screen
Eclipse
By Joel Stewart
Located in San Francisco, CA
Artist: Joel Stewart – American (1959- )
Title: Eclipse
Year: circa 1997
Medium: Aquatint on heavy paper
Sheet size: 34.5 x 28 inches.
Signature: Signed, dated lower right. Numbered lower left
Edition:14. This one: 5/14
Condition: Very good
Unframed
This large aquatint is by the noted American artist, Joel Stewart (1959- ). The print is a bold composition with rich, yet soft colors. Stewart has lived and worked in Kyoto, Japan since the early 1990s. This print was printed in Kyoto in 1997 in a very small edition of 14. It is in very good condition with no flaws to note.
JOEL STEWART – BIOGRAPHY (source: Artist's website)
SELECTED EXHIBITIONS
2008
“MAKING WAVES – CONTEMPORARY JAPANESE PRINTS”, PHOENIX ART MUSEUM, Phoenix, AZ., Group exhibition
Solo exhibitions on hold while construction of “Crossroads” folding screen installation project (begun January 2007) continues. Kyoto, Japan
2007
“ON THE CUTTING EDGE: CONTEMPORARY JAPANESE PRINTS”, LIBRARY OF CONGRESS, Washington D.C., Group exhibition
“Crossroads”- Folding screen installation project initiated in January – Kyoto, Japan
2006
“MAHAFFEY FINE ART: 14 YEARS, 14 ARTISTS”, PORTLAND ART MUSEUM, Portland, OR., Group Exhibition
“MODERN JAPANESE PRINTS: ETCHINGS”, LOS ANGELES COUNTY MUSEUM OF ART, Los Angeleges
CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition
2005
“JOEL STEWART – RECENT WORKS”, AZUMA GALLERY, Seattle, WA., Solo exhibition
CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition
2004
“NEW PAINTINGS”, KATO GALLERY, Tokyo, Japan, Solo exhibition
CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition
2003
“20 YEARS”, VERNE GALLERY, Cleveland, OH, Group exhibition
CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition
2002
“JOEL STEWART: NEW WORKS ON PAPER”, AZUMA GALLERY, Seattle, WA, Solo exhibition
“RECENT PAINTINGS”, KATO GALLERY, Tokyo, Japan, Solo exhibition
CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition
2001
“JOEL STEWART – PAINTINGS”, KEIHAN ART GALLERY, Osaka, Japan, Solo exhibition
CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition
2000
“EAST MEETS WEST: TRADITION AND INNOVATION IN MODERN JAPANESE PRINTS”, CLEVELAND MUSEUM OF ART, Cleveland, OH
“NEW WORKS ON PAPER”, AZUMA GALLERY, Seattle, WA. Solo exhibition
CWAJ NATIONAL PRINT SHOW , Tokyo, Japan, Group exhibition
“JOEL STEWART – PAINTINGS AND PRINTS”, REN BROWN...
Category
1990s Impressionist San Francisco - Prints and Multiples
Materials
Paper, Aquatint
Blue Bird
Located in San Francisco, CA
This artwork titled "Blue Bird" 1971 is an original silkscreen by American artist Lawrence Whittington, 20th Century. It is hand signed, dated, titled and nu...
Category
Late 20th Century Abstract Geometric San Francisco - Prints and Multiples
Materials
Screen
Monotype
By Marvin Lipofsky
Located in San Francisco, CA
This artwork titled "Monotype" 1991 is an original monotype by renown American glass sculptor Marvin Lipofsky. It is signed, titled and dated in pencil by the artist. The artwork size is 30 x 22.5 inches, framed is 33.75 x 26.25 inches. It is custom framed in the original wooden off white frame. It is in excellent condition.
About the artist:
Glassmaker, sculptor and graphic artist, Marvin Lipofsky, born in 1938, received his B.F.A. degree in Industrial Design from the University of Illinois. He earned his M.S. degree, 1963, and M.F.A., 1964, in sculpture from the University of Madison, Wisconsin. There, he was one of Harvey Littleton's first graduate students working in glass.
Littleton had been the first American artist, in the 1960s, to visit Czechoslovakia, famous for its work in glass, where glass sculpture had been made since the 1950s. Marvin Lipofsky would also be an early visitor, observing there. Since that time, the artist has traveled extensively, collaborating with the world's best glass artists.
After graduation from Wisconsin, Lipofsky was hired by the University of California, Berkeley, where he introduced the second university glass program in America (Littleton was the first). Lipofsky also established the glass program at the California College of Arts and Crafts in Oakland in 1967, the San Francisco area becoming a center for glass in the 60s and 70s because of his own work and the students produced by his teaching.
While Lipofsky may be best known for three-dimensional globe forms, he has indulged himself in the making of glass Pop Art pickles and hamburgers. He has also created multi-colored, irregular flower...
Category
Late 20th Century Abstract San Francisco - Prints and Multiples
Materials
Monotype
Aerial V
By Janet Jones
Located in San Francisco, CA
This artwork, titled "Aerial V" c.1980 is a monotype with chine colle and embossing on heavy paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. It is numbered “1/1-2”. I believe this indicates the artist did 2 impressions of the monotype, and that they are not identical. There are three levels of paper. The printed part with a plate that measures 8 x 8 inches (9x9 inches the sheet) is on thin Japon paper. It is mounted to another thin pastel colored sheet measuring 12 x 12 inches. This, in turn, is mounted to heavy paper similar to Arches measuring 22.25 x 18 inches It is in very good condition with some faint rippling on the left and right edges, and has never been framed.
About the artist:
Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold.
Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba.
Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits.
A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts.
Professor of Painting, Department of Visual Arts and Art History, AMPD, York University.
EDUCATION
1988 Ph.D. New York University, New York, NY. Dissertation Title: Clement Greenberg & the Artist/Critic Relationship.
1979 M.F.A. York University, Toronto, Ontario. Samuel Sarick Award
1977 B.F.A. Honours, with Distinction, Concordia University
SOLO EXHIBITIONS
2017 The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017
2016 Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July
2015 Playtimes, Katzman Contemporary, Toronto, March-April 2015.
2013 DaDa Delirium, MacIntosh Gallery, University of Western ON.
2012 Joy Ride, Katzman Kamen Gallery, Toronto, ON September, 2012.
2012 DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May
2010 DaDa Delirium, MacLaren Art Centre, Barrie, ON.
2009 A Las Vegas State of Mind, Peak Gallery, Toronto, ON.
2009 DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art...
Category
Late 20th Century Modern San Francisco - Prints and Multiples
Materials
Mixed Media, Monotype
Rabbis Singing
By Jacob Steinhardt
Located in San Francisco, CA
Artist: Jakob Steinhardt (German/Israeli, 1887-1968)
Title: Rabbis Singing
Year: Circa 1960
Medium: Color woodcut
Paper: Wove
Image size (Block mark): 9.60 x 14 inches
Sheet size...
Category
Mid-20th Century Expressionist San Francisco - Prints and Multiples
Materials
Woodcut
Exploded view
By Roy Ahlgren
Located in San Francisco, CA
This artwork titled "Exploded View" 1971 is a color serigraph by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and inscribed A.P (Artist Proof) in pen...
Category
Mid-20th Century Op Art San Francisco - Prints and Multiples
Materials
Screen
Abstract Monotype - Elipse V
By Kirsten Stolle
Located in San Francisco, CA
This beautiful monotype by Kirsten Stolle (1967-) is a simple, yet elegant composition with beautiful, harmonious colors. There is a wonderful warmth and richness to the surface; var...
Category
Early 2000s Abstract San Francisco - Prints and Multiples
Materials
Monotype
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