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Item Ships From: San Francisco
Monoprint of a Lotus
By Gary Bukovnik
Located in San Francisco, CA
This beautiful monoprint by the noted San Francisco artist Gary Bukovnik (1947-) has a wonderful energy borne of bright colors and bold gestures. It is a beautiful abstract composition, improvisational, yet balanced and harmonious. The work measures 23.5”x9.75” the image, 29.5”x15.5 the sheet and 32.75”x18.75” framed. The print is signed and dated in the lower margin, “Gary Bukovnik 1987”. The print is mounted and floating on a linen backing, framed in a bleached wood frame and protected by Plexiglas. It is in excellent condition. The frame and Plexiglas are in fair-to good condition, with a small stain on the top of the top bar of the frame which I have shown in the final photograph, as well as a few very light scratches in the Plexiglas. This exceptional art would look beautiful in a variety of settings – home or office.
Born and educated in Cleveland, Gary Bukovnik has lived in San Francisco for more than a third of a century. Primarily using the media of watercolor, monotype, and lithograph, Bukovnik fuses sensual vitality with fluid yet powerful colorations, creating floral and culinary images of great depth, intensity, and size.
In 2003 and 2005, invited Bukovnik was Visiting Artist at the American Academy in Rome in 2003 and 2005 and was an artist-in-residence at the Michigan Institute of Arts in Kalamazoo in 2010, as well as making a tour of exhibitions and watercolor demonstrations across Japan in 2010.
Solo exhibitions include Caldwell Snyder...
Category
1980s Abstract Impressionist San Francisco - Prints and Multiples
Materials
Monoprint
Untitled
By Terry Leftrook
Located in San Francisco, CA
This artwork "Untitled" 1987 is an original offset lithograph, with pastel addition on wove paper, by Canadian artist Terry Leftrook, born 1948. It is unsigned. The size is 24.85 x ...
Category
Late 20th Century Modern San Francisco - Prints and Multiples
Materials
Mixed Media
Untitled VII
By Tracey Adams
Located in San Francisco, CA
This artwork "Untitled VII" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed in pencil at the lower right corner by the artist. The image size is 15....
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Monotype
Untitled IV
By Tracey Adams
Located in San Francisco, CA
This artwork "Untitled IV" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed, dated 1995 in pencil at the lower right corner by the artist and numbere...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Monotype
Golden Sails
By Bruce Weinberg
Located in San Francisco, CA
This artwork titled "Golden Sails" 1991 is a color etching, with embossing and gold addition on handmade paper by noted artist Bruce Weinberg, 1942-1994 It is hand signed, titled, nu...
Category
Late 20th Century American Modern San Francisco - Prints and Multiples
Materials
Mixed Media
Storm
By Bruce Weinberg
Located in San Francisco, CA
This artwork titled "Storm" 1991 is a color etching, with embossing on handmade paper by noted artist Bruce Weinberg, 1942-1994 It is hand signed, titled, numbered 20/50 and dated i...
Category
Late 20th Century American Modern San Francisco - Prints and Multiples
Materials
Mixed Media
Savared
By Bruce Weinberg
Located in San Francisco, CA
This artwork titled "Savared" 1991 is a color etching, with embossing and gold addition on handmade paper by noted artist Bruce Weinberg, 1942-1994 It is hand signed, titled, numbere...
Category
Late 20th Century American Modern San Francisco - Prints and Multiples
Materials
Mixed Media
Untitled #2
By Barbara Diethelm
Located in San Francisco, CA
This artwork "Untitled #2" 1992 is a original monotype on paper by Swiss artist Barbara Diethelm, born 1962. It is hand signed and dated in pencil by the artist. Printed and published by Aurobora Press, San Francisco. The artwork (image) size is 7 x 6.5 inches, sheet size is 13.5 x 13.5 inches. It is in excellent condition.
About the artist.
Barbara Diethelm was born and raised in Zürich. After attending college in Zürich she moves to the United States in 1982. 1983 – 1988 Studies Graphic Design and Fine Art (with Mel Casas, Mark Pritchett und Tom Willome) at S.A.C. in San Antonio, Texas. Studies Humanities and Management at St. Mary’s University, San Antonio. 1988 – 1990 studies Painting (with Sam Tchakalian...
Category
Late 20th Century Abstract San Francisco - Prints and Multiples
Materials
Monotype
Devant la Mort
By Jean Louis Forain
Located in San Francisco, CA
Artist: Jean-Louis Forain (French, 1852-1931)
Title: Devant la Mort
Year: 1918
Medium: Lithograph
Edition: Numbered 266/300 in pencil
Paper: Wove
Size paper: 15 x 22.25 inche...
Category
Early 20th Century Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
Le Pays Reconquis
By Jean Louis Forain
Located in San Francisco, CA
Artist: Jean-Louis Forain (French, 1852-1931)
Title: Le Pays Reconquis
Year: 1918
Medium: Lithograph
Edition: Numbered 266/300 in pencil
Paper: Wove
Size p...
Category
Early 20th Century Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
Johns Hopkins Hospital
By Samuel Donovan Swann
Located in San Francisco, CA
This artwork is an etching on wove paper by Samuel Donovan aka Don Swann (American, 1889-1954) created circa 1940. It is hand signed, titled, and numbered B....
Category
Mid-20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Ajournement 2
By Jacques Villon
Located in San Francisco, CA
Artist: Jacques Villon
Title: Ajournement II
Year: 1959
Medium: Etching
Edition: Inscribed Bon A Tirer (Trial Proof) in pencil
Paper Wove
Image size: 6 x 8 inches
Signature: Hand...
Category
Mid-20th Century Abstract San Francisco - Prints and Multiples
Materials
Etching
Untitled 2
By Roger Chapelain Midy
Located in San Francisco, CA
Artist: Roger Chapelain Midy (French, 1904-1992)
Title: Untitled 2
Year : Circa 1975
Medium: Color lithograph
Edition: Unknown
Paper: Silk paper
Image size: 18 x 25.25 inche...
Category
Late 20th Century Surrealist San Francisco - Prints and Multiples
Materials
Lithograph
Beatificación (Beatification) (A/P)
By Rafael Coronel
Located in San Francisco, CA
Serigraph by Mexican painter Rafael Coronel. Edition of 100. Certificate of authenticity included.
Category
Late 20th Century Contemporary San Francisco - Prints and Multiples
Materials
Screen
We Are The Square Jocular Clan #6, 2018
By Takashi Murakami
Located in Greenwich, CT
We Are The Square Jocular Clan #6 is an offset lithograph, 18.75 x 18.75" image size, signed and numbered lower right, and framed in a c...
Category
21st Century and Contemporary Contemporary San Francisco - Prints and Multiples
Materials
Paper, Offset
Gone, from Taxa portfolio
Located in San Francisco, CA
color inkjet print on wove paper, published by Feature Inc., New York, printed by Electric Works, San Francisco
35 x 26 1/2 in
; 88.9 x 67.3 cm
Category
21st Century and Contemporary San Francisco - Prints and Multiples
Materials
Inkjet
Intelligence of a 3 Yr. Old
By Squeak Carnwath
Located in San Francisco, CA
Edition of 30
Category
1990s San Francisco - Prints and Multiples
Materials
Aquatint
Dark Stripe
By Fonseca Caio
Located in San Francisco, CA
Color spit bite and sugarlift with soapground and drypoint
Category
1990s San Francisco - Prints and Multiples
Materials
Drypoint
Jaguar Family
By LeRoy Neiman
Located in San Francisco, CA
This artwork titled "Jaguar Family" 1980 is an original color serigraph on paper by noted American artist Leroy Neiman, 1921-2012. It is hand signed and numbered 157/300 in pencil by...
Category
21st Century and Contemporary American Modern San Francisco - Prints and Multiples
Materials
Screen
Cozy Corner
By Itzchak Tarkay
Located in San Francisco, CA
This artwork titled "Cozy Corner" c.1980 is an original color serigraph on paper by Israeli artist Itzchac Tarkay 1935-2012. It is hand signed, titled and inscribed E.A. in pencil b...
Category
Late 20th Century Art Deco San Francisco - Prints and Multiples
Materials
Screen
Les Cavaliers
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Les Cavaliers" 1988 is an original large colors lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and inscribed E...
Category
Late 20th Century Post-Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
"Le Bonheur Entrevu" Large colors lithograph
By Jean-Pierre Cassigneul
Located in San Francisco, CA
This art work titled "Le Bonheur Entrevu" 1988 is an original large colors lithograph on wove paper by French artist, Jean Pierre Cassigneul, born 1935. It is hand signed and number...
Category
Late 20th Century Post-Impressionist San Francisco - Prints and Multiples
Materials
Lithograph
Cabeza con Pajaros
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "Cabeza con Pajaros" 1958, is an original colors lithograph on Wove paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 273/30...
Category
Mid-20th Century Modern San Francisco - Prints and Multiples
Materials
Lithograph
Le Travesti (The Transvestite)
By Bernard Buffet
Located in San Francisco, CA
This artwork, titled "Le Travesti" (The Transvestite) from the suite "Mon Cirque" 1968, is an original color lithograph on Arches paper by renown French artist Bernard Buffet, 1928-...
Category
Late 20th Century Expressionist San Francisco - Prints and Multiples
Materials
Lithograph
Venus Noir
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "venus Noir" from the suite "The Mujeres File" 1969 is an original colors lithograph on BFK Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is h...
Category
Mid-20th Century Modern San Francisco - Prints and Multiples
Materials
Lithograph
Carnavalesque
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "Carnavalesque" from the suite "The Mujeres File" 1969 is an original colors lithograph on BFK Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It i...
Category
Mid-20th Century Modern San Francisco - Prints and Multiples
Materials
Lithograph
Saint Charles's Church (Wien Kariskirche)
By Robert Kasimir
Located in San Francisco, CA
This artwork titled "Saint Charles's Church (Wien Kariskirche)" c. 1970 is a color etching on wove paper by noted Austrian artist Robert Kasimir, 1914-2002. It is hand signed in penc...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Under the Rain
Located in San Francisco, CA
This artwork "Under the Rain" 1992 is an original etching by French/Canadian artist Pierre Roland Renoir b.1958 (Grand son of the famous impressionist artist Pierre Auguste Renoir) I...
Category
Late 20th Century Impressionist San Francisco - Prints and Multiples
Materials
Etching
Nino Con Pajaros (Variant)
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "Nino Con Pajaros" Variant, 1976, is a color etching on Guarro paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 40/75 in black crayon by the artist. Published by Ediciones Poligrafa, Barcelona, Spain. The artwork (sheet) size is 29.5 x 22 inches, framed size is 41.25 x 33.75 inches. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #199 page 169. Custom framed in a wooden black frame, with light beige fabric matting. It is in excellent condition.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics...
Category
Mid-20th Century Modern San Francisco - Prints and Multiples
Materials
Etching
Astres Egares (Lost Astral)
Located in San Francisco, CA
This artwork "Astres Egares (Lost Astral)" 1970, is an original colors lithograph on creme Wove paper by noted Italian artist Berto (Roberto) Lardera, 1911-1989. It is hand signed an...
Category
Late 20th Century Abstract San Francisco - Prints and Multiples
Materials
Lithograph
Mujeres de Mexico
By Francisco Zúñiga
Located in San Francisco, CA
This artwork titled "Mujeres de Mexico" 1973 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and numbered XX/XXV in pencil by the artist. The artwork size is 22.25 x 30.75 inches, framed size is 34.5 x 42.25 inches. Published by Editions Press, San Francisco, with their blind stamp at the lower right corner. Referenced and pictured in the artist's catalogue raisonne by Brewster plate #5. Beautifully custom framed in a wooden gold frame, with fabric matting and gold color bevel. It is in excellent condition, the frame have some light discoloration at the left side, please see picture #1.
About the artist:
Internationally acclaimed sculptor and printmaker Francisco Zuñiga was born in Costa Rica. He studied drawing, stone sculpture, and engraving at the School of Fine Arts in San Jose. Later, in 1936, he studied stone carving at La Esmeralda in Mexico City. He was appointed to the faculty of La Esmeralda where he remained until his retirement in 1970.
Zuniga's art reflects a love and respect for Central American people and traditions. In 1972, he created his first lithograph. As a complement to his emotionally powerful sculpture, Zuniga's prints articulate the sensitivity and sensuality of the human figure. He has been the recipient of numerous international prizes and awards. His work is exhibited frequently in prominent galleries throughout the world and may be found in the permanent collections of twenty-nine museums, including the Metropolitan Museum of Art in New York, the Los Angeles County Museum, the Mexican Museum in San Francisco, and the Phoenix Art Museum.
In 1936, Francisco Zuniga left San Jose, Costa Rica, where he had studied drawing at the School of Fine Arts and worked as an assistant in his father's studio, a workshop which produced religious sculpture for the churches and convents in and around the city. His destination was Mexico City. It was from there that he would begin an illustrious career as a sculptor and draftsman. Zuñiga's exploration into the nuances of volume, in line and space, are demonstrated in this, the most complete exhibition of his work to be shown in more than a decade.
Mexico City in 1936 was, even then, one of the major art centers of the Americas. As such it witnessed and participated in many of the frenzied and controversial art movements which reflected the political and intellectual climate of the first three decades of the twentieth century. Muralism, the graphic arts, the incorporation of in-ternational movements had produced an artistic climate, which would eventually attract to Mexico international artists and intellectuals such as Sergei Eisenstein...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Lithograph
"Madre Juchiteca" Large original color lithograph.
By Francisco Zúñiga
Located in San Francisco, CA
This artwork titled "Madre Juchiteca" 1973 is an original colors lithograph on Arches paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Lithograph
Pixel Slab
By Ron Davis
Located in San Francisco, CA
This artwork titled "Pixel Slab" 1982 is an original 8 colors screenprint by noted American artist Ronald Davis, b.1937. It is hand signed and inscribed/numbered AP XII in pencil by ...
Category
Late 20th Century Abstract Geometric San Francisco - Prints and Multiples
Materials
Screen
Le Singe et le Leopard
By Salvador Dalí
Located in San Francisco, CA
Artist: Salvador Dali (Spanish surrealist, 1904-1989)
Title: Le Singe et le Leopard
Year: 1976
Medium: Engraving with hand color stencil
Edition: Inscribed E....
Category
1970s Surrealist San Francisco - Prints and Multiples
Materials
Engraving
Les Songes Drolatiques de Pantagruel
By Salvador Dalí
Located in San Francisco, CA
Artist: Salvador Dali (Spanish surrealist, 1904-1989)
Title: Les Songes Drolatiques De Pantagruel
Year: 1973
Medium: Lithograph
Edition: Inscribed E.A (Epreuve d' Artiste) i...
Category
1970s Surrealist San Francisco - Prints and Multiples
Materials
Lithograph
"Mais O Belle Dionee" from the suite "lArt d'Aimer d'Ovide"
By Salvador Dalí
Located in San Francisco, CA
This artwork titled, "Mais O Belle Dionee" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It is...
Category
Late 20th Century Surrealist San Francisco - Prints and Multiples
Materials
Woodcut
"Phobeus , ce Dieu Couronne de Lauriers" from the suite "l'Art d'Aime d'Ovide"
By Salvador Dalí
Located in San Francisco, CA
This artwork titled, "Phobeus, ce Dieu Couronne de Lauriers" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dal...
Category
Late 20th Century Surrealist San Francisco - Prints and Multiples
Materials
Woodcut
Rue Ferou
By Man Ray
Located in San Francisco, CA
This artwork, titled "Rue Ferou," 1974, is an original color lithograph on Arches watermarked paper by American artist Man Ray, 1890-1976. It is hand signed ...
Category
1970s Dada San Francisco - Prints and Multiples
Materials
Lithograph
Heiligen Bluts
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Heiligen Bluts" 1948, is a color etching on Wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist at the lower center...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Turmgasschen
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Turmgasschen" 1935 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist and titled in the plate. The plate mark (image) size is 15.5 x 10 inches, framed is 24.35 x 17.5 inches. It is custom framed in a dark wood frame, with light creme color matting and light brown filet. It is in very good condition, the frame have some scratches.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
Heidelberg
By Luigi Kasimir
Located in San Francisco, CA
This artwork titled "Heidelberg" 1928 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center by the artist and titled, dated November 19 1928 in the plate. The plate mark (image) size is 13 x 10.25 inches, framed is 21.65 x 17.25 inches. It is custom framed in a dark wood frame, with light creme color matting and dark silver filet. It is in excellent condition.
Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand.
Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...
Category
Early 20th Century Realist San Francisco - Prints and Multiples
Materials
Etching
La Negra (The Black Woman)
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "La Negra (The Black Woman)" from the suite "The Mujeres File" 1969 is an original colors lithograph on B.F.K. Rives paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 150/150 in pencil by the artist. The image size is 26.85 x 21.25 inches, sheet size is 29.5 x 22.15 inches, framed size is 42 x 35 inches. Published by Touchtone Publisher, New York, printed by Ateliers Desjobert, Paris. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #109 page 107. Custom framed in a wooden silver frame, with silver spacer and fabric matting. It is in excellent condition.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category
Mid-20th Century Modern San Francisco - Prints and Multiples
Materials
Lithograph
"Mujer Con Sombrero" Large lithograph
By Rufino Tamayo
Located in San Francisco, CA
This artwork titled "Mujer Con Sombrero (Woman with Hat)" 1972 is a large original colors lithograph on Arches paper by renown Mexican artist Rufino Tamayo, 1899-1991. It is hand signed and numbered 81/100. in pencil by the artist. The artwork size 36.35 x 25.85 inches, sheet size is 37.25 x 26.25 inches, framed size is 52.25 x 40.5 inches. Published by Transworld Art, New York , Printed by Bank Street Atelier, New York. Referenced and pictured in the artist's catalogue raisonne by Pereda, plate #132 page 123. Custom framed in a wooden black and silver frame, with silver bevel and fabric matting. It is in excellent condition.
About the artist:
A native of Oaxaca in Southern Mexico, Rufino Tamayo's father was a shoemaker, and his mother a seamstress. Some accounts state that he was descended from Zapotec Indians, but he was actually 'mestizo' - of mixed indigenous/European ancestry. (Santa Barbara Museum of Art). He began painting at age 11. Orphaned at the age of 12, Tamayo moved to Mexico City, where he was raised by his maternal aunt who owned a wholesale fruit business.
In 1917, he entered the San Carlos Academy of Fine Arts, but left soon after to pursue independent study. Four years later, Tamayo was appointed the head designer of the department of ethnographic drawings at the National Museum of Archaeology in Mexico City. There he was surrounded by pre-Colombian objects, an aesthetic inspiration that would play a pivotal role in his life. In his own work, Tamayo integrated the forms and tones of pre-Columbian ceramics into his early still lives and portraits of Mexican men and women.
In the early 1920s he also taught art classes in Mexico City's public schools. Despite his involvement in Mexican history, he did not subscribe to the idea of art as nationalistic propaganda. Modern Mexican art at that time was dominated by 'The Three Great Ones' : Diego Rivera, Jose Clemente Orozco, and David Alfaro Siqueros, but Tamayo began to be noted as someone 'new' and different' for his blending of the aesthetics of post Revolutionary Mexico with the vanguard artists of Europe and the United States.
After the Mexican Revolution, he focused on creating his own identity in his work, expressing what he thought was the traditional Mexico, and refusing to follow the political trends of his contemporary artists. This caused some to see him as a 'traitor' to the political cause, and he felt it difficult to freely express himself in his art. As a result, he decided to leave Mexico in 1926 and move to New York, along with his friend, the composer Carlos Chavez. The first exhibition of Tamayo's work in the United States was held at the Weyhe Gallery, New York, in that same year. The show was successful, and Tamayo was praised for his 'authentic' status as a Mexican of 'indigenous heritage', and for his internationally appealing Modernist aesthetic. (Santa Barbara Museum of Art).
Throughout the late thirties and early forties New York's Valentine Gallery gave him shows. For nine years, beginning in 1938, he taught at the Dalton School in New York.
In 1929, some health problems led him to return to Mexico for treatment. While there he took a series of teaching jobs. During this period he became romantically involved with the artist Maria Izquierdo...
Category
Mid-20th Century Modern San Francisco - Prints and Multiples
Materials
Lithograph
Intrepid Caribou
Located in San Francisco, CA
This artwork titled "Intrepid Caribou" 2002 is an original color stone cut on Japan paper by noted Canadian/Inuit artist Kananginak Pootoogook, 1935-2010. It is hand signed, dated, titled, located, described and numbered 22/50 in pencil by the artist. The image size is 18.5 x 12.5 inches, sheet size is 23 x 16 inches, framed size is 24.85 x 29.65 inches. Custom framed in a black metal frame, with black matting. It is in excellent condition.
About the artist:
Kananginak Pootoogook was an Inuit sculptor and printmaker who lived in Cape Dorset, Nunavut, in Canada. He died as a result of complications related to surgery for lung cancer.
Pootoogook was born at a traditional Inuit camp called Ikerasak, near Cape Dorset, Nunavut (then in the Northwest Territories) to Josephie Pootoogook, leader of the camp, and Sarah Ningeokuluk. The family lived a traditional lifestyle hunting and trapping while living in an iglu in the winter and a sod house in the summer and did not move into their first southern style house until 1942. In 1957 Pootoogook married Shooyoo, moved to Cape Dorset and began work for James Houston.
Originally, Pootoogook did some carving, made prints and lithographs for other artists. At the same time he was a leader in setting up the West Baffin Eskimo Co-operative, the first Inuit owned co-op, now part of the Arctic Co-operatives Limited and served from 1959 until 1964 as the president. Although Kananginak had worked with his father, Josephie, in 1959, it was not until the 1970s that Kananginak began work as a full-time artist producing drawings, carvings and prints. According to Terry Ryan, former Co-op manager, Pootoogook was both influenced by and an admirer of the works of his uncle, photographer and historian Peter Pitseolak.
The World Wildlife Commission released a limited edition set in 1977 that included four of Pootoogook's images and in 1980 he was elected to the Royal Canadian Academy of Arts. In 1997 Pootoogook built a 6 ft (1.8 m) inukshuk in Cape Dorset for former Governor General of Canada, Roméo LeBlanc. The inukshuk was dismantled and shipped to Ottawa and with the assistance of his son, Johnny, it was rebuilt at Rideau Hall and unveiled on 21 June, National Aboriginal Day.
Pootoogook had several exhibitions and showings of his work. In 2010, he went to Vancouver for the 2010 Winter Olympics and to open a showing of his work at the Marion Scott Gallery. He also had a showing of his work, his first solo exhibition at a public institution, at the Museum of Inuit Art in Toronto from February to May 2010. He also received a 2010 National Aboriginal Achievement Award in the arts category from the National Aboriginal Achievement Foundation.
While working on his final, and unfinished, drawing of a Peterhead owned by his father, he was struck by coughing spells, which he declared was cancer. Along with his wife, Shooyoo, he flew to Ottawa, staying at the Larga Baffin home, and was diagnosed with lung cancer. In October 2010, he underwent surgery and did not recover. He died 23 November 2010 in Ottawa. The work of Kananginak Pootoogook is held in numerous collections and museums, includingThe McCord Museum, the Dallas Museum of Art, Musee National des Baux Arts...
Category
Late 20th Century Other Art Style San Francisco - Prints and Multiples
Materials
Other Medium
Some of 48 Tulips
By Gatja Helgart Rothe
Located in San Francisco, CA
This artwork titled "Some of the 48 Tulips" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbe...
Category
Late 20th Century American Realist San Francisco - Prints and Multiples
Materials
Mezzotint
Sunrise Dahlia
By Gatja Helgart Rothe
Located in San Francisco, CA
This artwork titled "Sunrise Dahlia" c.1990 is an original colors mezzotint by noted German/American artist Gatja Helgart Rothe, 1935-2007. It is hand signed, titled and numbered 64/...
Category
Late 20th Century American Realist San Francisco - Prints and Multiples
Materials
Mezzotint
Untitled. Very large original screen print
By Robert Natkin
Located in San Francisco, CA
This artwork "Untitled" 1986 is a large original color screen print on Wove paper by noted American abstract expressionist artist Robert Natkin, 1930-2010. IOt is hand signed, dated ...
Category
Late 20th Century Abstract Expressionist San Francisco - Prints and Multiples
Materials
Screen
La Rosa
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork titled "La Rosa" 1984 Is an original colors lithograph on Wove paper by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed, dated and numbered 29/200 in white pencil by the artist. With the blind stamp of the Publisher/printer, Houston Fine Art Press, Houston at the lower right corner. The size is 30 x 23 inches inches. It is in excellent condition, the colors are fresh and bright, Hanging tape remaining in the back across the upper sheet, and 2 small skinned area at the lower back of the sheet. all these not visible from the front.
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Lithograph
Nymph
By Charles Bragg
Located in San Francisco, CA
This artwork "Nymph" c.1975 is an original etching by noted American artist Charles Bragg, 1931-2017. It is hand signed, titled and numbered 22/100 in pencil by the artist. The imag...
Category
Late 20th Century Other Art Style San Francisco - Prints and Multiples
Materials
Etching
Arnaud
By Guillaume Azoulay
Located in San Francisco, CA
This artwork titled "Arnaud" is an original sepia etching on creme Arches paper by Maroccan artist Guillame Azoulay, born 1949. It is signed , titled and numbered 63/300 in pencil by...
Category
Late 20th Century Modern San Francisco - Prints and Multiples
Materials
Etching
"Apollon" from the suite "lArt d'Aimer d'Ovide"
By Salvador Dalí
Located in San Francisco, CA
This artwork titled, "Apollon" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It is hand signed...
Category
Late 20th Century Surrealist San Francisco - Prints and Multiples
Materials
Woodcut
"Insect, Simulating Seeds" Important color lithograph.
By Graham Sutherland
Located in San Francisco, CA
This artwork titled "Insect, Simulating Seeds" from the suite "Bestiary and some Correspondences" 1968 is an original lithograph on Arches paper by renown British artist Graham Vivia...
Category
Mid-20th Century Surrealist San Francisco - Prints and Multiples
Materials
Lithograph
Waiting Women
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork, titled "Waiting Women", 1976 is an original color lithograph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand-signed, dated and numbered 63/120 in pencil by the artist, also dedicated "To Purificacion Ramirez" With the blindstamp of the artist and another blindstamp. The sheet size is 22 x 30 inches, framed size is 22.5 x 30.5 inches. Custom framed in a clear acrylic box. It is in excellent condition. The acrylic box is in good condition with a few very faint scratches.
Artist: R.C. Gorman (1932-2005)
Title: Waiting Women
Medium: Lithograph on Paper
Sheet Size: 22" x 30"
Framed size: 22.5" x 30.5"
Year Produced: 1976
Edition Size: 120 plus proofs (25 proofs) This one: 63/120
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Lithograph
"Doreen" - Large original color serigraph
By Rudolph Carl Gorman
Located in San Francisco, CA
This artwork, titled "Doreen", done in 1983, is an original color serigraph by renown Navajo artist Rudolph Carl Gorman, 1932-2005. It is hand signed and numbered E.P.I. in pencil by the artist ( E.P.I. refers to "Editions Press Impression", one of ten impressions done for the publisher.) With the blind stamp of the artist and the printer, Editions Press, San Francisco. The edition size was 150 plus proofs (a total of 45 proofs). The sheet size is 26.25 x 33.25 inches, framed size is 39.25 x 45.25 inches. Custom framed in a wooden oak frame, it is floating, with a deep red liner and with natural linen matting. The artwork is in excellent condition. The frame is in very good condition, it has minor restorations, practically invisible.
Medium: Serigraph on Paper
Dimensions: 26 1/4" x 33 1/4"
Year Produced: 1983
Edition Size: 150 plus proofs (45 proofs)
About the artist:
Born in Canyon de Chelly, Arizona and raised in a hogan on the Navajo Reservation, R.C. Gorman became one of the Southwest's best known late 20th-century artists. His signature works were Navajo women in a variety of poses. Many persons have been fascinated by the fact that he, an Indian artist, became famous in the white man's world with some calling him the "Picasso of Indian artists". Of this kind of attention, he said: "I wish people would quit pushing my being Indian. The only time I was interviewed as If I were a normal person was by the Jewish Press in Tucson. It was the first time I felt international and almost white". (Samuels 222)
His parents were Carl Nelson...
Category
Late 20th Century Realist San Francisco - Prints and Multiples
Materials
Screen
The artist and his Model
By Charles Bragg
Located in San Francisco, CA
This artwork "The Artist and his Model" c.1990 is an original color seigraph on Bristol paper by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 158/300 in pencil by the artist. The image size is 8 x 13.25 inches, sheet size is 14.75 x 22 inches. It is in excellent condition, two small pieces of hanging tape remaining on the back.
About the artist.
Charles Bragg was born in St. Louis, Missouri to two Vaudeville performing parents that he traveled with throughout his childhood. He attended New York’s High School of Music and Art in Harlem and ran away with his sweetheart when he turned 18.
He studied at the Art Students League in New York and later resided in Los Angeles. Before he decided to truly pursue painting, Bragg was a cab driver, a truck driver, a stand-up comedian, and a factory worker. When he arrived in California, he began painting for the wealthy and even gave lessons. It was during this time that he began to develop satirical feelings for the upper-class he was painting.
Considered the foremost social satire artist in America, Charles Bragg is highly acclaimed for his cryptic and humorous portraits. Bragg is a spiritual descendent of Bosch, Brueghel and Daumier
His work is found in the collections of at least 20 international museums, including thePushkin Museum, Moscow, USSR - Galleria d' Arte, Moderna de Milano Stedelijk Museum, Amsterdam, Holland - Dayton Art Museum, Ohio - DowneyMuseum of Art, California - Long Beach Museum of Art, California - Wichita State University Collection - Roswell Museum Collection, New Mexico - Canton Art Institute, Ohio - Loch Haven Art Center, Orlando Florida - University of Wyoming Museum of Art - The Albrecht Museum of Art, St Joseph, Mo - St Lawrence University, Canton, NY - Gibbes Art Center, Charleston, SC - Kalamazoo Institute of Arts, Michigan ¬University of Judaism, Los Angeles, Ca - Joslyn Art Museum, Omaha, Nebraska - Tyler Museum of Art, Tyler, Texas - Joseph Hirshhorn Collection, National Gallery of Design...
Category
Late 20th Century Other Art Style San Francisco - Prints and Multiples
Materials
Screen
The Photographer II
By Charles Bragg
Located in San Francisco, CA
This artwork "The Photographer II" c.1990 is an original color seigraph on Bristol paper by noted American artist Charles Bragg, 1931-2017. It is hand signed and numbered 158/300 in pencil by the artist. The image size is 8 x 13.25 inches,sheet size is 14.75 x 22 inches. It is in excellent condition, two small pieces of hanging tape remaining on the back.
About the artist.
Charles Bragg was born in St. Louis, Missouri to two Vaudeville performing parents that he traveled with throughout his childhood. He attended New York’s High School of Music and Art in Harlem and ran away with his sweetheart when he turned 18.
He studied at the Art Students League in New York and later resided in Los Angeles. Before he decided to truly pursue painting, Bragg was a cab driver, a truck driver, a stand-up comedian, and a factory worker. When he arrived in California, he began painting for the wealthy and even gave lessons. It was during this time that he began to develop satirical feelings for the upper-class he was painting.
Considered the foremost social satire artist in America, Charles Bragg is highly acclaimed for his cryptic and humorous portraits. Bragg is a spiritual descendent of Bosch, Brueghel and Daumier
His work is found in the collections of at least 20 international museums, including thePushkin Museum, Moscow, USSR - Galleria d' Arte, Moderna de Milano Stedelijk Museum, Amsterdam, Holland - Dayton Art Museum, Ohio - DowneyMuseum of Art, California - Long Beach Museum of Art, California - Wichita State University Collection - Roswell Museum Collection, New Mexico - Canton Art Institute, Ohio - Loch Haven Art Center, Orlando Florida - University of Wyoming Museum of Art - The Albrecht Museum of Art, St Joseph, Mo - St Lawrence University, Canton, NY - Gibbes Art Center, Charleston, SC - Kalamazoo Institute of Arts, Michigan ¬University of Judaism, Los Angeles, Ca - Joslyn Art Museum, Omaha, Nebraska - Tyler Museum of Art, Tyler, Texas - Joseph Hirshhorn Collection, National Gallery of Design...
Category
Late 20th Century Other Art Style San Francisco - Prints and Multiples
Materials
Screen
Blomsterflicka
By Victor Vasarely
Located in San Francisco, CA
This artwork titled "Blomsterflicka" 1986 in an original screen print by renown Hungarian artist Victor Vasarely, 1906-1997. It is hand signed and numbered LI/CL in pencil by the art...
Category
Late 20th Century Abstract San Francisco - Prints and Multiples
Materials
Screen
Montee de Seve, from the suite Pleni Luna.
By Wifredo Lam
Located in San Francisco, CA
This artwork titled "Montee de Seve, from the suite, Pleni Luna" 1974, is an original color lithograph on watermarked Arches paper by Cuban artist Wilfredo La...
Category
1970s Modern San Francisco - Prints and Multiples
Materials
Lithograph
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