South Carolina

Beastie Boys "Licensed to Ill". Cassette Tape Created in 2019. Signed Limited Edition photograph. Signed by photographer

Minna Citron, 'Flight to Tomorrow', aquatint and engraving, edition unknown but small, 1948. Signed, titled, dated, and annotated 'engr & aqua' in pencil. A superb, richly-inked impression with selectively wiped plate tone, on heavy cream wove paper, the full sheet with margins (1 3/4 to 3 1/2 inches), in excellent condition. Image size 6 7/8 x 8 7/16 inches (175 x 214 mm); sheet size 11 1/8 x 14 7/8 inches (283 x 378 mm). Matted to museum standards, unframed. Literature: The Women of Atelier 17, Modernist Printmaking in MidCentury New York, Christina Weyl, Yale University Press, 2019, p. 186. Collections: Davis Museum (Wellesley), Five Colleges and Historic Deerfield Museum Consortium, Harvard Art Museums, Museum of Fine Arts, Boston, Palmer Museum of Art (Penn State...

Imbued with the spirit of artisanal craftsmanship, the Rotkel Hammered 14K Yellow Gold Bangle Bracelet exudes a distinct allure, seamlessly blending elegance with a touch of organic ...

Serpentine front mahogany server or console table late 19th century.

"""Splendor"" A large tusked elephant turns toward the camera in this intimate portrait Black and white portrait of a large tusked elephant looking towards the camera Exceptional...

Christian Dull, 'Mending Nets', aquatint, c. 1930, edition 50. Signed and numbered '50/-' in pencil. A fine impression, on cream laid paper, the full sheet with margins (1/2 to 1 1/2...

"""Pride of Tsavo"" Black and white image of a lone elephant throwing dirt on his back to keep cool Elephants throw dirt onto their backs to help them cool off amid the unrelenting...

Lynd Ward, 'Doctor' from the series 'Moriae Encomium (In Praise of Folly),' mezzotint, 1943, no edition, proofs only. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches) in excellent condition. Matted to museum standards, unframed. Scarce. Image size 7 3/4 x 4 3/4 inches (197 x 121 mm); sheet size 10 11/16 x 8 1/16 inches (271 x 204 mm). Created by the artist for 'Erasmus's Moriae Encomium,' or 'In Praise of Folly,' published by the Limited Editions Club, 1943. A rare, signed, proof impression apart from the Limited Editions Club publication. ABOUT THE ARTIST Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society. The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage,’ 1932, ‘Prelude to a Million Years,’ 1933, ‘Song Without Words,' 1936, ‘Vertigo,’ 1937; and ‘Last Unfinished Wordless Novel’ (created in the 1960s and published in 2001) were comprised solely of Ward's wood engravings. Ward designed each graphic image to occupy an entire page, the sequence of which conveys the story's narrative. In 1937, Ward was named Director of the Graphic Arts Division of the Federal Art Project, a division of the Works Progress Administration (WPA). In the following years, Ward went on to illustrate more than one hundred books (some of which he wrote), including classics for the Limited Editions Club Goethe’s ‘Faust,’ Faulkner’s ‘A Green Bough,’ and Mary Shelley’s ‘Frankenstein,’ and several children’s books. He also produced single-subject wood engravings, paintings, and drawings. His print ‘Sanctuary,’ 1939, was shown at the 1939 New York World’s Fair, and ‘Clouded Over,’ 1948, received the 1948 Library of Congress Award and was included in ‘American Prize Prints of the 20th Century’ by Albert Reese. He received the National Academy of Design Print Award (1949), the New York Times Best Illustrated Award (1973), and the Regina Award (Catholic Library Association, 1975). ‘The Biggest Bear,’ a children’s book with illustrations by Ward, was the recipient of the esteemed 1952 Caldecott Medal of the American Library Association. An Honorary Fellow of the Royal Society of Painter-Etchers and Engravers, Ward was a member and board member of the National Academy of Design and the Artists’ League of America. He served several terms as president of the Society of American Graphic Artists and was a member of the American Artists Congress and the Society of Illustrators. Ward exhibited at the American Artists Congress; the National Academy of Design; the John Herron Art Institute; and the Library of Congress. He had a one-person show at Associated American Artists, NY, on the publication of his monograph 'Storyteller Without Words,' 1974; AAA mounted a memorial exhibition in 1986. The May 1976 issue of 'Bibliognost,' a book collector’s publication, was dedicated to Ward. ‘Lynd Ward, His Bookplate Designs,’ an article by Dan Burne Jones, was published in the American Society of Bookplate Collectors and Designers Yearbook, 1981/82. In 2001, sixteen years after his death, Rutgers University Libraries published ’Lynd Ward’s Last Unfinished Wordless Novel.’ The blocks were intended to be part of a novel in woodcuts, the first since Vertigo, but Ward did not live to complete the project. Master printer and book designer Barbara Henry collated and printed the twenty-six finished blocks out of the forty-four initially planned for the still unnamed narrative. In 2010 the Library of America honored Ward’s achievements with the meticulous production of a collection of Ward’s woodcut novels—the first time the Library had gone wordless. The publication replicated his original editions with a single full-size image printed on the right page of each double-page spread. In his introduction to the books, renowned cartoonist/illustrator Art...

This pillow features Buena Vista with a knife edge finish. A wonderful, blanket-like woven stripe that's simple yet sophisticated, Buena Vista in wheat has...

This pattern is a stylized stripe based on a classic acanthus motif. When high style meets high traffic, this contract-grade vinyl is your answer. • Sold in 1 yard increments. ...

This pillow features Tortola with a knife edge finish. Inspired by basket designs, this concentric diamond pattern is woven from Dralon acrylic yarns. Textured and extremely durable,...

This pillow features Tortola with a knife edge finish. Inspired by basket designs, this concentric diamond pattern is woven from Dralon acrylic yarns. Textured and extremely durable,...

KYOTO STYLE NAGA HIBACHI (FIREBOX BRAZIER GRILL), Japanese, Meiji Period, The rectangular hibachi is of Keyaki (Zelkova) wood construction with the original copper liner, and a colum...

"In Step" Black and white photograph of three king penguins walking across pristine snow Three king penguins walk across a perfectly flat, serene plain of the beach in the Falkland...

"Ethereal Friesian horse running with his mane flowing behind him Fashion-inspired black and white image of a Friesian horse against an off-white backdrop with a flowing mane This ...

This pillow features Hyacinth Indoor/Outdoor by Mark D. Sikes with a knife edge finish. Inspired by traditional Indian block prints, Hyacinth Indoor/Outdoor in leaf green by Mark D. ...

The Pizarra 20" pillow in Sky features intricate embroidery by a skilled collective of Maya women weavers. The pillow is finished with hand stitched sides and includes a plush feather insert. These artisanal pillows...

This pillow features Oleander Indoor/Outdoor by Mark D. Sikes with a self welt finish. Inspired by traditional Indian block prints, Oleander Indoor/Outdoor in leaf green by Mark D. S...

This pillow features Hyacinth Indoor/Outdoor by Mark D. Sikes with a knife edge finish. Inspired by traditional Indian block prints, Hyacinth Indoor/Outdoor in leaf green by Mark D. ...

About the Special Edition book: Untamed Spirits: Horses From Around the World is a comprehensive photo book inviting you on a decade-long journey around the world to document the mos...

Vintage Murano glass floor lamp with brass hardware from Donghia, hollow and handblown. In Italian, Piroetta means "pirouette." To piro...

18th century Italian hand-carved candlestick with hand-painted cream tones and distressed silver leaf detailing, darkened with age, with a coordinating fossil sea fan surrounded by u...

The Mystery Set Ruby Diamond 18K White Gold Ring is an extraordinary piece of jewelry that exemplifies the highest level of craftsmanship and innovation. This ring features a captiva...

This pillow features Picnic Indoor/Outdoor by Mary McDonald for Schumacher with a knife edge finish. Stylish and classic, Picnic Indoor/Outdoor in emerald is a wonderfully versatile ...

Set of fire tools with ship stand Dom Fermando.

Isac Friedlander, 'Run Little Chillun' also 'Revival', wood engraving, 1933, edition 50. Signed, titled and annotated 'New York 1933' in pencil. A sup...

This pillow features Roxbury Indoor/Outdoor with a knife edge finish. A graphic large-scale design, Roxbury Indoor/Outdoor in navy is a bold geometric that invites pattern play. Pill...

This Bvlgari ring exemplifies luxury and bold design. The band is crafted from 18k rose gold, featuring a polished finish that enhances its warm hue. Each segment of the ring is ador...

19th century Italian hand-carved mecca angel in flight with naturally forming baroque pearls on a bed of chalcopyrite in a coordinating Italian fragment base. The antique angel was...

This pillow features Lucy Stripe by Mark D. Sikes with a knife edge finish. Mark D. Sikes had style and versatility in mind when he created Lucy Stripe, an updated version of a tradi...

Stephen Harty, Untitled (Bird Abstraction), gouache, 1953. Signed and dated lower left. A fine, meticulously rendered, mid-century, modernist gouache painting, with fresh colors on 1...

The Cartier Diamond 18K White Gold Double Heart Logo Charm Pendant is a romantic and elegant piece that captures the essence of love and luxury. Crafted from exquisite 18k white gold...

Pine work table with tapered leg and checkerboard painted top.

Stunning handwrought old American silver necklace featuring turquoise and barber dimes. The barber dimes are dated from 1902 to 1916 (there are two 1916 dimes on this necklace). Test...

Matsuno Sofu (1899-1963), 'Hagoromo - Noh', woodblock print, 1937. Signed 'Sofu' with the artist's seal, lower right. A fine impression, with fresh color...

Indulge in the epitome of luxury and sophistication with these Gucci "Horsebit" Briolette Morganite Diamond 18k Rose Gold Drop Dangle Earrings. Meticulously crafted, these earrings seamlessly blend iconic design elements with the elegance of high-quality materials. The focal point of these earrings is the mesmerizing Briolette-cut Morganite gemstones, suspended delicately from 18k rose gold horsebit chains...

Original miniature oil painting on ivorine by esteemed miniaturist Beth de Loiselle (United States) of a Harlequin Great Dane dog encased in a bes...

Pair of small double arm wall sconce, English, circa 1900

The Tiffany & Co. Sterling Silver Leather Baby Toy Round Picture Frame is an enchanting keepsake designed to celebrate the joy of a new life. This round fram...

Late 17th century Italian gold leaf angel wing with a coordinating baroque pearl and unique fossilized aragonite. The hand-carved angel wing was once part of a heavenly, angelic dep...

Louis Lozowick, 'Winter Fun', lithograph, 1940, edition 20, 250 (1941). Flint 188. Signed in pencil, with the artist’s monogram in the stone, lower left. A...

A fine late Victorian/early Art Noveau beveled oval mirror featuring a wood frame embellished foliage and berries. Intricately hand carved. VICTORIAN-ERA GILT WOOD FRAMED OVAL MI...

"Black and white profile portrait of a Friesian horse against a white background Profile portrait of a Friesian horse against a white backdrop This powerful global series explores ...

Milton Avery, 'Little Girl', drypoint, 1936, edition 60, Lunn 11. Signed, dated, and numbered '22/60' in pencil. A superb impression, in warm black ink with delicate overall plate tone, on off-white wove paper, with wide margins (2 5/8 to 4 1/8 inches); hinge stains on the top sheet edge, verso, otherwise in excellent condition. Matted to museum standards, unframed. Image size 8 3/4 x 4 3/4 inches (222 x 121 mm); sheet size 14 7/8 x 13 1/8 inches (378 x 333 mm). Collections: Cantor Arts Center, National Gallery of Art. ABOUT THE ARTIST "I never have any rules to follow; I follow myself." "I paint not by sight but by faith. Faith gives you sight." —Milton Avery 'His is the poetry of sheer loveliness.' —Mark Rothko in his 1965 eulogy to Avery. Milton Avery (1885-1965) is recognized as one of America's foremost modernist artists, renowned for his uniquely expressive style, evocative use of color, and captivating compositions. Growing up in a working-class family in Altmar, New York, Avery's early life was marked by the struggles and realities of rural New York. Despite lacking formal artistic training, he displayed an innate talent for drawing from an early age. In 1905, his family relocated to Hartford, Connecticut, where he worked various odd jobs while developing his artistic skills through self-study and experimentation. In 1915, he enrolled at the Connecticut League of Art Students, where he received formal instruction and began to refine his distinctive style. In 1918, Avery transferred to the School of the Art Society of Hartford and worked in the evenings so that he could paint during the day. He became a member of the Connecticut Academy of Fine Arts in 1924. That summer in Gloucester, Massachusetts, he met the artist Sally Michael...

Pleased to present this fantastic set of four Steelcase stackable side chairs in orange and ochre. The color is undeniably retro in every sense of the word. Made from molded plastic ...

Vintage Murano glass lamp from Donghia. Hand applied ripples on the Alto lamp benefit from restrained gold dust inclusions. 7 feet of beige rayon-covered twisted cord exits at base. ...

"""Silent Titan"" Intimate portrait of a single wild horse living on Sable Island A lone dark horse looks over Sable Island. The wild horses that live there are a part of the islan...

English Sheffield tea urn with hand chased floral motif, fluted, and beaded decorative work, acanthus side handles, removable lid, spout, and termina...

Fleetwood Mac backstage in Oakland, CA. 1976 Limited Edition. Signed on bottom right by photographer.

"""Shimmer"" Serene black and white landscape with ice, rock and snow with birds flying Minimal, beautiful landscape with sea ice, snow, and rocks, with birds The limited edition...

Vintage Murano glass lamp from Donghia with brass hardware, hollow and handblown. In Italian, Piroetta means "pirouette." To pirouette is to twirl or turn and this describes the glas...

Bob Dylan at Newport Folk Festival in 1963. This was Dylan's first night playing at Newport the Festival. This is a rare Silver Gelatin print m...

"""On the Line"" Black and white photograph featuring three world-class racing yachts Velsheda, Ranger, and Lionheart together form an impressive crew of world class racing yachts...

Abraham Walkowitz, Untitled (Figurative Abstraction of Isadora Duncan #7), pencil, 1918. Signed and dated in pencil, bottom center. A fine, spon...

Pair of paw foot with urn top American andirons.

Horses in Mongolia by Anne Menke.

Pastel Clouds Over Folly Beach, Original Contemporary Landscape Painting 20" x 20" x 0.75" (HxWxD) Oil on Canvas Hand-signed by the artist. An abstract im...

A beautiful brutalist mixed metal sculpture on a Burled wood base. It featured 7 cattails in different heights as well as leaves of different heights and shapes. After C. Jere.

Ralph Arnold, 'Cascade', mixed media: acrylic, pencil, conté crayon, marker, oil; 1986-88. Signed 'Arnold' and dated '86-88' in pencil, lower right. A fin...

This is a marvelous DIMINUTIVE Antique English superbly marquetry inlaid figured mahogany Edwardian Display Cabinet in the Hepplewhite style. This cabinet is profusely inlaid with r...