South Carolina

A superb impression in warm black ink, on cream, laid paper; the full sheet with margins (1 5/8 to 2 3/4 inches); original brown paper hinges on the top sheet edge recto, in excellen...

"Untitled 20" In this best-selling, award-winning black and white photograph, a Suri boy elegantly perched in a tree looks over his livestock. The distinctly preserved cultures of...

"Entranced" A close-up, detailed portrait of an all-white Camargue horse and his bold and expressive profile. The print series Band of Rebels: White Horses of Camargue captures t...

Sybil Andrews, 'Le Petit Bay, St. Malo', color monotype, c. 1925; edition 3, print 2. Signed 'Sybil Andrews pinx et imp' annotated 'No 2' and titled in pencil. A superb, luminous imp...

Mary Van Blarcom, 'Gardenias', color serigraph, c. 1945, edition small. Signed 'Van B' in pencil in the image, lower right. Titled in pencil, bottom left sheet corner. A rich, painterly impression, with fresh colors, on cream wove paper; the full sheet with margins (5/16 to 1 1/16 inches), in excellent condition. Image size 6 x 8 3/8 inches; sheet size 6 7/8 x 10 1/4 inches. Matted to museum standards, unframed. ABOUT THE ARTIST Painter, printmaker and craftsperson, Mary Van Blarcom was born in Newark, New Jersey and studied at Wellesley College. She was a member of the National Serigraph Society where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940’s at many prominent art organizations including: Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art travelling exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is in the collections of the Newark Public Library, U.S. Library of Congress; the American Association of University Women; New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...

Set of Four American Campana form basket weave powered coated garden urns resting on fluted splayed squared plinths, Mid 19th Century Urns are 11.25" square at base.

William Thon, 'Upper Tuscany', a two-sided watercolor, c. 1955. Signed, lower right; titled verso. A fine, expressionist work, with fresh colors, on cream watercolor paper; the image...

Two wild and free horses nuzzling on the sand dunes of Sable Island An intimate interaction between two wild and free horses on Sable Island is a sign of the tight bonds within the ...

Beth Carlson's dramatic fox painting, titled "Reynard," emphasizes the fox's power of wit over strength. The cunning fox is set against a beautiful snowy winter backdrop. The fox pa...

Charles Banks Wilson, 'Old Injun', lithograph, 1948, edition 250, Hunt 39. Signed in pencil. A fine, richly-inked impression, on off-white wove paper, with full margins (1 3/4 to 2 inches), in excellent condition. Published by Associated American Artists. Impressions of this work are in the permanent collections of the following institutions: Ackland Art Museum, Georgetown University...

El Capitan's scale is hard to comprehend; in this angle you can feel its majesty A view of El Capitan with the sun hitting its face with a ravine flowing in the foreground Through ...

John DePol, 'Roadside, Collonges-La Rouge', chiaroscuro wood engraving, 1980, edition 160 in 1983. Signed, dated, and titled in pencil. Signed in the block, l...

American brass and etched foliage glass globe hanging bell jar hall lantern with three decorative scrolled arms, grape vine motif, and finial bead wor...

"Almighty" An intimate portrait of Craig who is believed to be the largest living super tusk elephant on Earth. His tusks weigh a combined 200 pounds or more. Colossal Shadows: S...

The Apollo Cabinet is a piece we’ve been experimenting with for awhile, and one we’re excited to share with you. It’s a little outside of our typical style, but we wanted to create ...

Ooooh this sofa is soooo good! The legs are very reminiscent of Vladamir Kagan’s “Marilyn sofa”. Except this one has 3 cushions instead of one and a really excellent shelled bac...

This chair has beautiful a maple frame with a split back going all the way down to form the legs. The sculptural back with rounded tops makes the chair look like bunny ears. The l...

A pair of brass pineapple bookends in great condition. They both have felt bottoms so as to not scratch the surface they are on. Recently polished.

American Chippendale mahogany tilt top kettle stand with a circular molded dish top, rotating birdcage, original brass locking mechanism, carved bulbous urn ringed...

Otto Kuhler, 'Bedrock', etching, 1928, edition 25, Kennedy 29. Signed and titled in pencil. A superb, richly-inked impression in brown/black ink, with skilfully wiped plate tone; on ...

Regal Neapolitan style Art Deco whippet center table with bronze mounts made in the 1920s - 1930s. The round mahogany top is supported by four carved ...

A versatile solid mahogany gate leg cocktail table. Made by one of the premier American furniture makers Baker. A perfect table when you want something not to large but want the opti...

"Creature Comfort" Young lion relaxing in the grass and looking at the camera Exceptional Creatures is a limited edition print series documenting the most extraordinary animals roa...

Lawrence Nelson Wilbur, 'Gloucester Harbor', drypoint, 1940. Signed, dated, and titled in pencil. Signed in the plate, lower right. Annotated 'PERSONAL...

Bold and beautiful white Camargue horse rearing up in the South of France Surreal portrait of an all white Camargue horse rearing up against the background of the sea The award-win...

"Wild Heart" A dark horse with a brilliant blaze of white on his forehead gallops freely against the backdrop of the Atlantic Ocean. Representative of the unparalleled, untamed es...

English Chippendale mahogany hinged games table with constantine action, interior leather writing / card playing surface, flanking carved corner fret work, and resting on the origina...

"""Reverence"" Minke whale surfacing against sea ice in this ephemeral photograph Minke whale surfaces momentarily against sea ice in very still, reflective water The limited edit...

"Relic" Profile portrait of a rhino with a very long horn Dramatic profile portrait of a rhino with a very long horn in East Africa Exceptional Creatures is a limited edition prin...

Delft Holland Brass and Ceramic Bud Vase Hand Painted Delft ceramic vase— Brass neck and blue ceramic, hand painted base— 8 1/2 inches tall.

"On the Move" From the story of their survival to their hulking, unmistakable physiques, the American bison is one of the rarified animals that has become larger than life in cultu...

English Queen Anne mahogany tea table with dish top, carved skirt, shell knee, and terminating on stocking feet. Early 18th Century

Edward Landon, 'Evening', color serigraph, 1958, edition 25, Ryan 71. Signed, titled, and annotated 'Ed. 25' in pencil. A fine impression, with fresh colors, on cream wove paper; the...

Incredible portrait of a mountain gorilla against dense jungle foliage In this extraordinary moment, a mountain gorilla stands epically atop a rock formation, with the dense jungle ...

"Blush" During Drew's journey to photograph the icons of the American West, this stretch of coast in Oregon presented one of the most beautiful sunrises he had ever seen. Inspired...

Max Weber, 'Mother Love' (Madonna and Child), woodcut, 1920, edition not stated, Rubenstein 35. Signed in pencil. A fine impression, on cream wove Japan paper, with full margins (1 5...

"Untitled 6" In this award-winning image, a Suri woman's breasts are adorned in an ornate pattern of scars that are a privilege to permanently wear. This image is in the permanent...

A lone white horse photographed against formations of snow in the background Sometimes, it felt like the Icelandic horses were posing. They ap...

American Cherry five drawer chest of drawers with a carved molded edge top, flanking fluted quarter columns, original brasses, and terminating on the original ogee bracket feet. Virg...

"Reverence" Minke whale surfaces momentarily against sea ice in very still, reflective water. The limited edition print series Northern Dreams is a tribute to one of the most spect...

Pair of giltwood wall sconces that appear to have been hand carved. All pieces are wooden aside from one nail in the back of each to secure the sconce to the backing and the metal pi...

"Convergence" This best-selling image features a remote road that disappears into the distance bordered by rock formations in Monument Valley, Utah. Experience the photographic j...

Otherworldly and enchanting, this blue-and-red Amaltas Panel is a wallpaper based on an 18th century block-printed fabric document discovered in our archives. A forest of exotic flow...

A pair of 1970’s Woven Wicker Geometric Table Lamps With Ro Sham Beaux Shades Pair of midcentury table lamps with an ingenious multi-layer geometri...

"A cowboy rears up on his horse silhouetted against the darkening sky Evocative image of a silhouetted cowboy rearing up on his horse in this black and white image This powerful gl...

"A horse rears up, silhouetted against the darkening sky and rock formations A horse rears up in the distance between two tall rock formations at dusk and i...

Twin Formation in Gray, color woodcut, 1982, edition 30, Rose III.400. Signed, dated and numbered I7/XXX in pencil, annotated 415 and titled in the bottom left sheet edge. A fine impression with fresh, rich colors, on heavy off-white Japan paper; the full sheet with wide margins (1 3/4 to 3 1/4 inches), in good condition. Printed in black, dark gray, medium gray, yellow/orange, and lemon yellow. Matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Smithsonian American Art Museum. ABOUT THE ARTIST Painter, printmaker, and art teacher, Werner Drewes (1899–1985) was among the founding fathers of American abstraction. A student at the famed Bauhaus in the 1920s, he studied under Lyonel Feininger, Paul Klee, Laszlo Moholy-Nagy and Wassily Kandinsky. Following his emigration to the United States in 1930, he was instrumental in introducing modernist Bauhaus concepts and esthetics to America. Drewes’ boldly dynamic and emotionally expressive work, which encompassed both non-objective and figurative genres, brought him critical acclaim and numerous gallery and institutional exhibitions throughout his artistic career. Drewes' graphic work can be found in most major American art museums including, the Ackland Art Museum, The Art Institute of Chicago, Bauhaus Archive...

"A cowboy rears up on his horse silhouetted against the darkening sky Evocative image of a silhouetted cowboy rearing up on his horse in this black and white image This powerful gl...

Paul Kingma style The tables are slate with multicolored inlays of terracotta, ceramic, and many different color natural stone with slate bases. No 2 tables are the same. Paul Kingm...

"Black and white image of a mare and her foal walking into a slot canyon An inspiring capture of a mare and her young foal walk into an ethereal slot canyon This powerful global s...

George Andreas Böckler, 'Chalice Garden Fountain', antique copperplate engraving, 1664, from the book 'Architectura Curiosa Nova'. A fine, richly inked ...

Portrait of a dark horse with an Argentinian halter A portrait of a dark, velvet-coated horse looking over his shoulder The print series Equus: Light & Form focuses on the details ...

Large statement table lamp chalk ware on a walnut base. Beautiful birds and flowers adorn this gorgeous lamp. We have paired this lamp with a bold Merlot velveteen shade that has silver faux leather accents. A savory patina enriches the bone colored vintage carved Asian chalkware...

Ira Moskowitz, 'Relic of the Insurrection of 1845' also 'Taos Pueblo with Ruin)', lithograph, 1944, edition 30, Czestochowski 121. Signed and titled in pencil. Signed and dated in the stone, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 3/8 to 1 15/16 inches). Very pale light toning within a previous mat opening, otherwise in excellent condition. Matted to museum standards, unframed. Image size 11 5/8 x 15 1/2 inches (296 x 394 mm); sheet size 15 1/8 x 19 inches (384 x 483 mm). ABOUT THE IMAGE The Taos Revolt was a populist insurrection in January 1847 by Hispano and Pueblo allies against the United States occupation of present-day northern New Mexico during the Mexican–American War. The rebels killed provisional governor Charles Bent and several other Americans. In two short campaigns, United States troops and militia crushed the rebellion of the Hispano and Pueblo people. The New Mexicans, seeking better representation, regrouped and fought three more engagements, but after being defeated, they abandoned open warfare. The hatred of New Mexicans for the occupying American army, combined with the rebelliousness of Taos residents against imposed outside authority, were causes of the revolt. In the uprising's aftermath, the Americans executed at least 28 rebels. The Treaty of Guadalupe Hidalgo in 1850 guaranteed the property rights of New Mexico's Hispanic and American Indian residents. ABOUT THE ARTIST Ira Moskowitz was born in Galicia, Poland, in 1912, emigrating with his family to New York in 1927. He enrolled at the Art Student's League and studied there from 1928-31. In 1935, Moskowitz traveled to Paris and then lived until 1937 in what is now Israel. He returned to the United States in 1938 to marry artist Anna Barry in New York. The couple soon visited Taos and Santa Fe in New Mexico, returning for extended periods until 1944, when they moved there permanently, staying until 1949. During this especially productive New Mexico period, Moskowitz received a Guggenheim fellowship. His work was inspired by the New Mexico landscape and the state’s three cultures (American Southwest, Native American, and Mexican). He focused on Pueblo and Navajo life, producing an extensive oeuvre of authentic American Indian imagery. He and Anna also visited and sketched across the border in Old Mexico. While in the Southwest, Moskowitz flourished as a printmaker while continuing to produce oils and watercolors. Over 100 of Moskowitz’s works depicting Native American ceremonies were used to illustrate the book American Indian Ceremonial Dances by John Collier, Crown Publishers, New York, 1972. After leaving the Southwest, printmaking remained an essential medium for the artist while his focus changed to subject matter celebrating Judaic religious life and customs. These works were well received early on, and Moskowitz was content to stay with them the rest of his life. From 1963 until 1966, Moskowitz lived in Paris, returning to New York City in 1967, where he made his permanent home until he died in 2001. Shortly before his death, Zaplin-Lampert Gallery of Santa Fe staged an exhibition of the artist's works, December 2000 - January 2001. Other one-person shows included the 8th Street Playhouse, New York, 1934; Houston Museum, 1941; and the San Antonio Museum, 1941. The artist’s work was included in exhibitions at the Art Students League, Art Institute of Chicago, Philadelphia Print Club, College Art Association (promotes excellence in scholarship and teaching), and the International Exhibition of Graphic Arts (shown at MOMA, 1955). Moskowitz’s lithographs of American Indian...

Leon Bibel, 'Food Not Cannon', etching, 1937, edition 12 (an early state, probably unique). Signed in pencil. A fine impression, on cream wove paper, with full margins (7/8 to 2 1/8 ...

Based on a painted and collaged artwork by Caroline Z Hurley, Sepiessa is a two-panel set; the full repeat measures 108" x 12'. It's printed on a ground with a toothy, vellum look. ...

18th Century Italian cross adorned with native copper with crystals from White Pine Mine, Michigan and copper-plated kyanite on a crystal druzy in copper...

17th Century Italian candlestick fragment topped with a complete and natural ammonite shell. This Italian fragment is from a church in Florence. It was found and saved from the histo...

"Shamrock Rising" With a lone sailor standing on deck, the famed racing yacht Shamrock looks extraordinary. The nautical print series Sail: Majesty at Sea is an intimate look at t...

Théodore Géricault 'Le maréchal flamand' (The Flemish Blacksmith) from the series ‘Etudes, de chevaux lithographiés,’ lithograph, 1822, 2nd state ...