South Carolina

This 22" x 22" pillow features Bezique Flamestitch in blue and green on the front with Piet Performance Linen in Flax on the back. The Old World motif packs a lot of pizzazz into a c...

PAIR of exceptional Antique English Copeland (Spode) earthenware or Ironstone Hand Painted "Chinoise" or "Mandarin" style Cabinet Plates. These plates are nearly pristine with vibra...

This elegant Caribbean mahogany bed was constructed in the 19th century in Jamaica. This Rare West Indies Bedstead exhibits a scarce and desirable hand carved iconic Jamaican Double Waterfall headboard which resonates with the four solid mahogany turned and reeded bedpost. This exceptionally carved bed with grand scale makes it a decorative work of art. This Remarkable Jamaican mahogany four poster bed has been converted to a king size bed for modern use by David Skinner...

American Federal mahogany pillar and scroll mantel clock with a broken arch pediment, three urn wood finials, flanking ringed columns, hinged glass d...

English Chippendale Kingwood Military Campaign graduated chest with an upper drawer fitted with a hinged fall front secretary revealing a central prospect door with a secret interior drawer, flanking pigeon holes with eight interior drawers, top edge carved with an egg & dart border, three graduated lower case drawers, original recessed brasses and escutcheons, and resting on a carved egg & dart rope skirt with the original bun feet. Late 18th Century Campaign...

Antique 19th century primitive pine farmhouse blanket / hope chest or toy storage trunk. Made of pine featuring rectangular form painted red exterior, hand dovetailing, forged iron h...

English Queen Anne Cuban mahogany one board drop leaf dining room table with molded edges, two leaves, carved blocked skirts, gate legs, an...

Stunning antique Victorian mourning brooch featuring brilliant diamonds set in 15k gold. This beautifully crafted brooch also has a locket on the back to house a photo or lock of hai...

German hand carved wood and decorative painted carousel horse with carved flowing mane, carved hairy tail, upholstered muslin saddle seat, flanking original glass eyes, and mounted o...

This Cartier Onyx Ring is a striking example of modern design and luxury craftsmanship. The centerpiece features a bold black onyx, expertly cut into...

Regal Vienna Vermeil Flatware Silver Service for eighteen guests consisting of 312 pieces of flatware. There are 15 pieces of Vermeil Utensils per place setting for eighteen Dinner G...

The Charlap Hyman & Herrero rug collection consists of an enchanting group of whimsical, figurative designs with a cerebral edge. With astrological symbols, Alexander Calder-inspired animal forms and Latin proverbs rendered in hand-coiled abaca, these natural curiosities are true works of art and wonderful conversation pieces. The Espiral Rug...

Pair of English Sheffield acanthus foliage gadrooned wine / champagne coolers with flanking fluted side handles, original interior inserts, and resting on acanthus scrolled feet, Ea...

Tiffany Studios bronze desk lamp with original iridescent shade, scrolled bulbous harp, and resting on circular fluted base with the original five bal...

Charleston mahogany inlaid four poster Rice Bed with patera inlaid headboard, patera tester, turned ringed rice post with brass feet and wood casters. Descend...

Based on an archival 1947 Josef Frank print, this hand-drawn pattern bears the designer’s signature modernity, whimsy, and warmth. Panel Width: 27...

Reginald Marsh, 'A Morning in May', etching, 1936, edition 100 (Whitney, 1969), Sasowsky 169. Unsigned as published; numbered '89/100' in pencil. A superb, richly-inked impression, ...

American Hepplewhite Mahogany serpentine sideboard with flanking oval satinwood string inlays, checkered inlays, period eagle oval brasses, and resting o...

This pillow features Bleeding Hearts by Peg Norriss. Bleeding Hearts derives its delicate floral motif from a painting by artist Clare Rojas. Clean and con...

Here we have a lovely whimsical pair of hand painted Berman lamps. Original finials. New pink shades. Measurements with shades: 29.5” tall x 13” diameter

German Dresden porcelain serpentine vibrant foliage wall mirror, signed on reverso, late 19th century mirror retains the original silvered glass and wood ...

The Tiffany & Co. Sterling Silver Suitcase Pill Box is a charming nod to the world of travel and adventure. Crafted with precision, this minia...

Bernard Picart, 'The Deluge' from 'The Temple of the Muses', engraving, 1730. Signed in the plate and dated '1730' lower left. Titled in French, English, German, and Dutch. A superb...

Charleston true mahogany period four-poster rice bed with tapered head posts, removable mahogany head board, fluted decorative carved foot posts with acanthus...

Italian Neoclassical Bilboa marble and gilt wood foliage urn wall mirror. Mirror retains the original silvered glass and wood backing, Late 18th century

This pillow features LaRue Stripe with a knife edge finish. Inspired by an antique fabric, this layered floral stripe is printed on a crisp cotton ground. Pillow includes a feather/d...

American copper and wrought iron plantation cauldron with original iron folding handle supported by circular fitted three leg stand with stylized splay...

American three masted clipper ship model displayed in a mahogany glass case. She was the fastest ship ever built in 1852. California clipper ship mo...

"Encased in a cloud of dust, a cowboy rounds up a band of semi-wild horses A black and white photograph of a cowboy in the act of rounding up a herd of semi-wild horses encased in a...

A vintage Louis XVI-style ebonized giltwood bergere armchair, with a square button-tufted back, and a comfortable large cushion base. DIMENSIONS 26ʺW × 21ʺD × 34.5ʺH. Previously u...

English Chippendale mahogany sofa with serpentine back, flanking scrolled arms, floral needlepoint upholstery, and terminating on car...

This magnificent English Regency giltwood convex girandole mirror, circa 1800, featuring displayed eagle with hanging tassels, opposing dolphins and six candle arms with gilt foliage...

1851 Liberty Head gold dollar coin encased in an open metalwork 14k solid yellow gold setting. This unique ring best fits a size 7.5 finger and measures 15.5mm at its tallest points ...

Sleekly designed Danish modern style coffee table by Kipp Stewart for Drexel. This elegantly executed cocktail table circa 1960s is fabricated from walnut with an attractive grain an...

William Wind McKim, 'Bighorn', lithograph, 1940, edition c. 25. Signed and titled in pencil. A fine, richly-inked impression, on cream wove paper, the full sheet with margins (2 to 4...

Vintage Lawnware hanging light, 10” shade, #2310. Funky retro RV Lawnware tiki patio Swag lamp. Real KITSCHY cool planter pot Swag lamp, sometimes known as a Lite Brite Lamp. Beads make up this hippie style lamp. The lamp works. Great vintage condition. Some of the assorted multicolored plastic decorations are broken or missing, but once it’s lit up, it’s effect is there. Would be great on a screen porch, a kitschy retro patio, inside in your funky decor or would make a fun lamp...

French two drawer pear wood ladies dressing table with fitted interior, pull out leather surface, original folding mirror, and terminating on cab...

Ann Graves Tanksley, Untitled (Seated Nude), oil and marker, 1984. Signed and dated, lower right. A fine, expressionist rendering, with fresh colors, on cream wove paper, painted to the sheet edges, in excellent condition. Archivally matted to museum standards, unframed. Image size/sheet size: 24 1/16 x 18 inches (611 x 457 mm). ABOUT THE ARTIST “Her work reflects the influence of her travels, the residential colors, the simple work habits, the loneliness, and the love and devotion to one’s spiritual beliefs. There is a oneness of artist and concept. Her love of life, despite social barriers and frustrations, is promoted in her work for audiences to witness and accept... Her paintings evoke a spiritual awakening. One is drawn to the intensity of color that prevails and identifies the moods of feasts and celebrations. ...Life is full of anticipation and dedication, of acceptance and hope, of faith and survival. These are all present in the works of Ann Tanksley.” —Robert Henke, The Art of Black American Women: Works of Twenty-Four Artists of the Century, McFarland & Company, Inc., 1993. Ann Graves was born in 1934 and raised in the Homewood community in Pittsburgh, Pennsylvania. Drawn to art at an early age, Tanksley graduated from Carnegie Institute of Technology (now Carnegie Mellon University) in 1956 with a Bachelor of Fine Arts degree. Following graduation from college, she married fellow Homewood native John Tanksley, and the couple moved to Brooklyn, New York. He worked as a photo retoucher in the advertising industry. Tanksley devoted herself to raising her daughters while working as an art instructor before fully pursuing her artistic pursuits. She was an art instructor at Queens Youth Center for the Arts from 1959-62, the Arts Center of Northern New Jersey in 1963, and a substitute art instructor at Malvern Public Schools in 1971. She also served as an adjunct art instructor at Suffolk County Community College from 1973-1975. Tanksley continued her art education with studies at the Arts League of New York, The New School, the Paulette Singer Workshop in Great Neck, and the Robert Blackburn Printmaking Workshop, where she learned monotype printmaking. In addition to Blackburn and Singer, Tanksley studied with several renowned artists throughout her career, including Norman Lewis (artist), Balcomb Greene, and Samuel Rosenberg (artist). Tanksley was one of the first members of Where We At: Black Women Artists, Inc., a New York-based women’s art collective founded by artists Kay Brown...

American Charleston Mahogany child's crib with flanking side and end rails, turned bulbous ringed spindles with finials, single triple hinged folding side rail, corner bed...

English Regency gilt stenciled figural and floral ebonized dital harp signed by maker Edward Light. Retailed at Srohl Foley place London, Early 19th century.

Charles Quest, 'Underwater', 1948, chiaroscuro wood engraving, edition 12. Signed, titled, dated and numbered '3/12' in pencil. A fine, richly-inked impression, in dark brown and warm black, on off-white wove paper, with full margins (5/8 to 1 1/2 inch), in excellent condition. Scarce. ABOUT THE ARTIST Charles Quest, painter, printmaker, and fine art instructor, worked in various mediums, including mosaic, stained glass, mural painting, and sculpture. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts, where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929 and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter, to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium, which he learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later, Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’, were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’, and the print ‘Still Life with Vise’ was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in a one-person show at the Smithsonian's National Museum (now known as the American History Museum). Kainen's press release praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum, and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for Georgetown University's collection. In 1990 Georgetown University Library's Special Collections Division was the recipient of a large body of Quest's work, including prints, drawings, paintings, sculpture, stained glass, and his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...

19th century French Louis XVI style bergère marquise upholstered armchair in painted wood frame with neoclassical architecture embellished hand-carved...

925 sterling silver cuff bracelet with stampwork and shadowbox design. Features vibrant coral cabochons and is signed P. Benally Sterling on the interior of the cuff. Measures 1.25 i...

19th century Scandinavian Neoclassical console table with one drawer and carved fluted decor around the apron on all four sides. Stands on four turned legs joined by bottom carved st...

"A single dark horse rearing up with a rock formation rising in the background A dark horse rearing up with the backdrop of a towering rock formation This powerful global series ex...

This pillow features Elkart with a knife edge finish. Elkhart is a soft, artisanal small woven check with a wonderfully homespun quality. Pillow includes a feather/down fill insert a...

Albert Heckman (1893-1971), 'Bridge at Poughkeepsie', lithograph, 1934, edition 30. Signed, titled, and annotated '30 Impressions' in pencil. A superb, richly-inked impression, on cr...

A trompe l’oeil pattern of transfer ware serving dishes mounted on a marbleized backdrop creates the ultimate layered illusion and instant drama, no hammers or nails required. Since Schumacher was founded in 1889, our family-owned company has been synonymous with style, taste, and innovation. A passion for luxury and an unwavering commitment to beauty are woven into everything we do. Wall coverings Product details Schumacher collection: Johnson Hartig...

Rockwell Kent, 'Diver', wood engraving, 1931, edition 150, Burne Jones 88. Signed, and titled 'The Diver' in pencil.. A brilliant, black impression, on cream, wove Japan paper; the f...

American cast iron copying press with a circular three spoke cork screw wheel, flanking scrolled support arms, pressure plate, and resting on the original r...

A pair of excellent vintage nightstands lacquered in a high gloss finish. Color matched to Benjamin Moore’s Tomato Red “A radiant orange-red that beams with confidence.” Nightstands ...

Bernard Brussel-Smith, 'City Scene I', wood engraving, 1949, edition 100. Signed, titled, and numbered '93/100' in pencil. A superb, richly-inked impression, on white wove paper, wi...

A high quality and extremely elegant true pair of French 19th century Louis XVI st. ormolu and celadon porcelain lamps. Each pâte sur pâte lamp is raised by an exceptional ormolu bas...

The Hermès Chaine d'Ancre Enchaînée Toggle Bracelet is a stunning piece that exemplifies the brand’s unparalleled craftsmanship and timeless elegance. Inspired by the iconic chain li...

This archival Josef Frank print, created in 1947, bears the signature whimsy, color and personality for which the designer is known. The hand-drawn p...

This elegant New York poster bed has some of the finest hand carving and delicate details making it a very fine example of a Federal bed. The solid mah...

A set of 6 sculptural lucite napkin rings in the manner of Georg Jensen. Similar to the popular “pretzel” napkin rings realized by Dorothy Thorpe. These are round and have a littl...

18th century French Louis XIV walnut sofa with gracefully curved back, the seat supported by turned front legs and turned center stretcher. Newly upholstered in rich brown color velv...

American molded copper spread winged eagle weathervane with circular sphere, arrow, and mounted on cast iron squared base. Weathervane has a fine natural verdigris patina in the orig...

English Georgian mahogany four-poster bed with a carved molded inset headboard, tapered head post, serpentine gadrooned and upholstered tester with a centered carved urn & swags, dec...