South Carolina

Shoko Uemura, 'Inside the Flowers (Java Sparrow and Peach Blossoms)', color woodcut, c. 1950s, edition 300. Signed in ink with the artist’s red seal beneath. A superb impression, with fresh, delicate colors, on cream wove Japan paper; the full sheet with margins (9/16 to 1 3/8 inches), in excellent condition. Archivally sleeved, unmatted. Image size 12 3/4 x 18 1/2 inches (324 x 470 mm); sheet size 14 3/4 x 20 3/16 inches (375 x 513 mm). Published by The Momose Print Company of Tokyo. ABOUT THE ARTIST Uemura Shoko (1902-2001) was the son of the famous shin-hanga artist Uemura Shoen...

The Tiffany & Co. Jazz Diamond Platinum PT950 Drop Earrings are a breathtaking embodiment of elegance and timeless glamour. Crafted from platinum PT950, these earrings are meticulous...

Benton Spruance, 'Eyes for the Night', lithograph, 1947, edition 35, Fine and Looney 260. Signed, dated, titled, and annotated 'Ed 35' in pencil. A fine impression, on heavy, cream ...

American cast iron and painted horse head hitching post with a central fluted ringed column resting on a squared base, Mid 19th Century.

Pair of Swedish 19th century Gustavian style simple three-drawer chest with shaped top and canted fluted corners. Tapering, carved square feet. Stockholm Sweden ca 1880

A charming 19th century Swedish round tilt top pedestal table with turned base supported by beautifully carved legs. Värmland, Sweden, circa 1830-40 More than ever, we selected the ...

1950s Mid-Century Raymond Loewy for Hill Rom Industrial Rolling 3 Drawer Nightstands or End Tables - a Pair A newly refinished striking pair of midcentury rolling cabinets by important Industrial designer Raymond Loewy (American, 1893-1986) for Hill Rom. I mean, look at those stunning pulls and long legs!!! Wonderful examples of Loewy's mixed Material work, both vintage medical carts...

Roy Lichtenstein, 'Paper Plate', serigraph, 1969, edition unknown, Corlett III.45. Printed in dark blue ink verso, 'Roy Lichtenstein © On 1st Inc. 1969'. A fine impression, on white paperboard pressure formed into a 3-dimensional plate; age toning verso, otherwise in very good condition. Published by Bert Stern, New York. Image size 10 1/4 inch diameter, 1-inch depth. Archivally sleeved, unmounted, unframed. Carefully protected for shipping. Literature: John Russell. 'Art: Time for Old-Master Prints', New York Times (July 27, 1979), p. C16. Jan Howard. 'Reflections on 'The Prints of Roy Lichtenstein', Print Collector's Newsletter 26 (July–August 1995), p. 82. Mark M. Johnson. 'The Great American Pop Art Store: Multiples of the '60s', Art & Activities 123 (June–Summer 1998), ill. p. 37 (color). Mary Lee Corlett. 'The Prints of Roy Lichtenstein: A Catalogue Raisonné', New York, 2002, p. 286, no. III.45. Susan Dackerman, ed., 'Corita Kent and the Language of Pop', exhibition catalog, Harvard Art...

English Queen Anne mahogany hinged triple top game table with outset corners, interior inlaid satinwood and ebony backgammon playing surface, int...

18th century Italian eucharist emblem fragment mounted on mica with garnets with a baroque pearl and topaz. The ecclesiastical fragment was original used to depict a symbol of the eu...

This is the BIRLANT exclusive original CHARLESTON BATTERY BENCH with heaviest weight cast iron sides made from the 19th century original pattern and dur...

English brass skeleton clock under original glass dome with a polished steel roman numeral dial, fusee chain movement, and affixed to an oval carved wood felt base with four bun feet...

Gorgeous mirror by Pedersen & Hansen, Viby J (Jutland), Denmark In this listing we are very pleased to offer a wonderful and fairly large mid century modern round teak wooden mirror....

English mahogany tambour desk with sliding leather writing surface, interior satinwood compartmentalized drawers with the original bone knobs, five lower drawers with the original br...

Salvaged Book Abstract Wall Sculpture, Contemporary Installation Made to Order MADE TO ORDER Turnaround Time is typically 4-6 weeks depending on the waitlist. This sculpture was mad...

1960s Hans Wegner for Tarm Stole teak rocking chair in green leather, newly upholstered in a buttery soft Italian olive green leather and a ...

This pillow features Sandor Stripe with a knife edge finish. With a uniquely rustic, old-world quality, this wide-striped textile is handwoven with a jute weft and cotton warp and then embroidered with an open stitching...

"A herd of horses running with dust being kicked up in black and white A herd of dark horses running with sand and dust around them This powerful global series explores horses in ...

English mahogany tall case clock with scrolled pediment, brass finials, Corinthian columns, and intricate inlaid motif. Mid 19th Century

The Hermès band ring is a masterpiece of luxury and precision. Crafted from 18k white gold, it embodies a sleek and contemporary elegance. The design showcases a wide band that comma...

18th Century French Louis XV Period Commode en Arbelete in bleached oak finish. The front facade having an arbalete with s...

Pair of brass shell motif towel rings and a single brass toilet paper roll holder with a matching brass shell motif. They are all in very good shape. The toilet paper roll holder art...

Pair of American mahogany pencil and bulbous post twin tester beds with original carved scrolled headboards, brass escutcheons, and side rails. Fits S...

Unidentified artist, 'Commedia dell’arte' – four character studies (Arlecchino, Pantalone, Pantalone giovane, Tartaglia), watercolor and pencil, c. 192...

English Camphor wood sea captain's chest with hinged top, exposed corner dovetailing, original mounted braided beckets, and terminating on the original rectangular molded edge base....

This unique French side table features Art Deco styling with its interesting base crafted with three curved and twisted wooden legs which attach to a triangular base atop three ball ...

The Tiffany & Co. Jazz Diamond Platinum PT950 Drop Earrings are a breathtaking embodiment of elegance and timeless glamour. Crafted from platinum PT950, these earrings are meticulous...

Pair of French Louis XVI walnut arm chairs with carved floral motif, original floral petit point, and terminating on stylized cabriole legs. Late 18th Century.

Lawrence Nelson Wilbur (1897-1988), 'Tranquil Harbor' (Gloucester, Massachusetts), wood engraving, edition 55, 1958. Signed in pencil, and signe...

18th century Italian bronze-gold crucifix with coordinating gold leaf shells and crystal points mounted on a crystal geode. The gold leaf shells adorn the crucifix and the base of th...

Italian, Mid-Century Modern, birch clothing stand, valet chair by SPQR features a woven rattan seat with drawer, tray top and removable hanger. The seat height is 16 inches.

Hans Bellmer, 'Blue Eyes', engraving and drypoint, edition 99, 1971. Flahutez 89. Signed and numbered '74/99' in pencil. A fine impression, on Arches cream wove paper; the full sheet...

Otto Kuhler, 'Cargo Carriers', etching and drypoint, c. 1932, edition 10, Kennedy 44. Signed in pencil. A superb, atmospheric impression with rich burr and selectively wiped overall plate tone, in dark brown ink, on Arches cream laid paper; wide margins (2 to 2 3/4 inches), in very good condition. Printed by the artist. Original Kennedy Galleries mat and label. Scarce. "On my trips up and down N.Y. harbor on the Weehawken Ferry, the late evening sun playing on the side of the big liners has always intrigued me... The liner shown I believe to be the Vaterland of the North German Lloyd...

Stunning vintage charm bracelet featuring a 10k solid yellow gold chain bracelet accompanied by many 14k solid yellow gold charms. Quite an eye catcher with a variety of charms rangi...

Pair of 19th century Swedish demi-lune consoles. Half-moon shape top supported by long slender tapered legs. Tables are free standing for separate use or putting them together as round table making them very versatile. Each measures H31.25" W47" D23.50" As round table diameter...

Extraordinary antique English Sheffield silver plate exceptionally hand chased and engraved Double Folding Biscuit Box with fern motif chasing and engraving and handsome pierced and ...

"The incredible moment in this photograph features the yacht Ranger at high speed The J-Class racing yacht Ranger races ahead in this incredible shot of a truly magnificent feat of ...

This pillow features Annika Floral Tapestry with a box edge finish. Based on original artwork that was hand-drawn in our studio, Annika Floral Tapestry in multi-on-cocoa derives its ...

American Federal mahogany butler's desk with a carved molded edge, three upper drawers with original brass knobs, sliding fall front interior desk with Satinwood drawers and pigeon h...

The murano glass elephant it's labeled on the bottom and it's in perfect condition. The blue and green Sommerso Murano glass elephant designed and manufactured by Vincenzo Nason is ...

English camphor wood five-drawer military campaign chest with the original recessed brasses, key hole escutcheons, brass corner mounts, and terminating on the original bracket feet, ...

This pillow features Bezique Flamestitch with a knife edge finish. This Old World motif packs a lot of pizzazz into a coordinate that will deftly pull a room together, and has an inc...

This pillow features Holmul by A Rum Fellow for Schumacher with a knife edge finish. A dazzling multicolored pattern, ethically handwoven in Guatemala wit...

Exuding regal elegance and exquisite craftsmanship, this vintage David Webb Lion Cufflinks & Stud Set is a remarkable testament to the brand’s bold and artistic jewelry design. Craft...

Henri Pierre Fortier, Untitled (Autumn Landscape), gouache, c. 1940s. Signed in ink. Inscribed 'To my Friend CLINTON R. MULFORD'. A fine, painterly watercolor, with rich, layered colors, on heavy dark brown drawing paper with approximately 1/4 inch margins; an unfinished figurative sketch...

Mid-20th century large grape clusters in carnelian and amethyst : Carnelian is a stone that represents warmth, fiery, life, vibrancy, strength, bravery, courage when speaking in pub...

This beautiful, solid mahogany Jamaican bookcase/wagon, features lovely turnings, and Primitive feet. Jamaican, West indies, Colonial, British Colonial, Islands, Island.

This could possibly be one of the most rare and fine longcase grandfathers clock to have ever graced our 102 year old business. Signed on top of the hood/bonnet by Haig & Chippendale...

A Federal walnut drop leaf dining table with bold wood grain, tapered square legs terminating with brass and porcelain casters, and dovetailed construction. Very good overall conditi...

Based on an archival 1947 Josef Frank print, this hand-drawn pattern bears the designer’s signature modernity, whimsy, and warmth. 2 panel set Pa...

ANTIQUE FRENCH LOUIS PHILIPPE GILT STATEMENT WALL FLOOR MIRROR CIRCA 1880 A beautiful large antique French gilt and plaster statement wall/floor mirror circa 1880. Some foxing to gl...

American wrought iron and brass andirons with urn top finials, scrolled circular squared plinths, spit hooks, and terminating on penny feet. ...

This pillow features Dixon Mohair Weave with a Knife Edge finish. With a brushed and felted finish, this mohair weave has a plush texture and exceptionall...

This lovely 2 piece cabinet has a beautiful floral design with the main colors being yellow, green, and a rustic red. The lower portion has 2 doors wit...

English Regency set of eight king wood dining room chairs with scrolled bulbous crest rails, scrolled arms, brass foliage inlays, removabl...

This 18" x 18" pillow features Madeleine in Cadet. Named for Madeleine Castaing, the iconic French decorator known for her love of leopard prints, small-scale spots and soft pile mak...

This pattern is a stylized stripe based on a classic acanthus motif. Elegant and airy, the design is printed on a sisal ground, giving it subtlety and dimension. • Sold in 8 yard ...

Rockwell Kent, 'Mountain Climber', wood engraving, 1933, edition 250, Burne Jones 93. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 9/16 to 3 5/8 inches); slight skinning at the top sheet edge verso, where previously hinged; otherwise, in excellent condition. Archivally matted to museum standards, unframed. Image size 7 7/8 x 5 7/8 inches (200 x 149 mm); sheet size 14 x 11 1/8 inches (356 x 283 mm). Printed by Pynson Printers, New York. Distributed by The Print Club of Cleveland, Publication No. 11, 1933. Literature: 'Rockwellkentiana,' Harcourt, Brace and Company, New York, 1933. '101 of The World’s Greatest Books', edited by Spencer Armstrong, 1950. Impressions of this work are held in the following museum collections: Akron Art Institute, Burne Jones Collection, IL; Cincinnati Art Museum; Cleveland Museum of Art; Columbus Gallery of Fine Arts; Crystal Bridges Museum of American Art; Davis Museum at Wellesley College; Fine Art Museums of San Francisco; H. M. de Young Museum; Hermitage Museum; Kent Collection, NY; Library of Congress; Memorial Art Gallery, University of Rochester; Metropolitan Museum of Art; New York Public Library; Philadelphia Museum of Art; Princeton University Library; Smithsonian American Art Museum, Spector Collection, NY; SUNY, Plattsburg. ABOUT THE ARTIST Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world. Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University. Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper. Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock. In 1905 Kent moved from New York to Monhegan Island in Maine, home to a summer art colony, where he continued to find inspiration in nature. Kent soon found success exhibiting and selling his paintings in New York, and in 1907, he was given his first solo show at Claussen Galleries. The following year he married his first wife, Kathleen Whiting (Thayer’s niece), with whom he had five children. The couple divorced in 1924, and Kent married Frances Lee the following year. They divorced after 15 years of marriage, and the artist married Sally Johnstone. For the next several decades, Kent lived a peripatetic lifestyle, settling in several locations in Connecticut, Maine, and New York. During this time he took several extended voyages to remote, often ice-filled, corners of the globe, including Newfoundland, Alaska, Tierra del Fuego, and Greenland, to which he made three separate trips. For Kent, exploration and artistic production were twinned endeavors, and his travels to these rugged, elemental locations inspired his visual art and his writings. He developed a stark, realist landscape style in his paintings and drawings that revealed both nature’s harshness and its sublimity. Kent’s human figures, which appear sparingly in his work, often allude to the mythic themes of isolation, individualism, heroism, and the quest for self-connection. Important exhibitions of works from these travels include the Knoedler Gallery’s shows in 1919 and 1920, featuring Kent’s Alaska drawings...

American mahogany bow front sideboard with a single drawer , flanking cabinets, lower case compartment & terminating on turned bulbous legs . Mid-Atlantic . Early 19th Century.

Pair of Igorot tribesmen figural wood carvings depicting hunter and huntress with companion canines, weaponry, and displayed on circular fluted plinth...