South Carolina

Fritz Eichenberg, 'The Steps', wood engraving, 1933, edition 200. Signed, titled, and annotated 'Ed. 200' in pencil. Initialed in the block, lower right. A superb, richly-inked impr...

American White Pine fire place mantel with carved molded edges, one board back, and rectangular carved vertical legs with squared plinths . Early 19th Century . Fire Box Dim. 40" Tall / 40.5" Wide...

George Josimovich, Untitled (Harbor with Sailboats) ', linocut, 1923, edition 35. Signed, dated, and annotated '4/35' in pencil. Initialed 'G J' in ...

A stylish study of geometric shapes, this graphic pattern by Porter Teleo has a two-panel repeat. It's a striking, mural-like design that's ideal for larg...

The face of this 12" x 20" pillow features Tutsi in Ivory paired with Piet Performance Linen in Flax on the back. A hardwearing yet sophisticated heavyweight velvet, Tutsi combines A...

This elegant Caribbean mahogany bed was constructed in the 19th century. This rare West Indies Bedstead exhibits a scarce and desirable hand carved headboard...

Imao Keinen, 'Tree Peony and Blue and White Flycatcher' from the series 'Birds and Flowers of the Four Seasons', color woodblock Oban dipty...

American Sheraton tiger maple and cherry four drawer chest of drawers with original cherry knobs, flanking turned bulbous ringed columns, and resting on the original turned bulbous f...

English Chippendale mahogany breakfront with carved molded cornice, four upper case glass doors with arched oval mullions, adjustable interior shelving, lower case concealing a slidi...

This pillow features Zebra Velvet by Neisha Crosland with a knife edge finish. A graphic abstract animal pattern by Neisha Crosland, Zebra Velvet is a dynamic, textural take on a cla...

Pair of American cast iron dachshund fire place andirons with painted eyes, mouth, and curled tails. Late 19th century.

Exuding refined elegance, these Tiffany & Co.Earrings are a testament to exquisite craftsmanship. Crafted in luxurious 18k yellow gold, the earrings feature a captivating design with...

Freddie Mercury performing at Wembley Stadium. London, UK. 1986 Limited Edition of 50. + 5 Artist Proof prints. This photograph is A/P Signed and numbered by the photographer.

The Hermès Chaîne d'Ancre 18k Rose Gold Cufflinks are an elegant and timeless accessory, inspired by the brand's iconic maritime-themed designs. Crafted from luxurious 18k rose gold,...

This pillow features Beasts Indoor/Outdoor by Happy Menocal. Happy Menocal's Beasts Indoor/Outdoor is animated by a carnival of exotic creatures and fanc...

Made with 100% wild silk that takes the dye in a lustrous way, producing a naturally striated effect. • Sold in 8 yard increments. • Match: Random

18th Century German Baroque painted chest of drawers with serpentine front drawers on tapered feet in later paint.

Paul Landacre, 'Verdi', wood engraving, 1936, edition 60, (only 14 printed), Wien 188. Signed, titled, and numbered '10/60' in pencil. A fine impression, on cream, laid Japan paper, ...

This sophisticated French Tole, iron, and crystal chandelier has an open birdcage form with nine lighted branches coming out. The chandelier has gilt tole foliates adorning the iron ...

This beautiful vintage modern rocking chair features an unusual "X" shaped frame, sculpted arm rests, and a stylish spindle backrest all w...

English Queen Anne Mahogany upholstered wingback chair with flanking flared wings, flanking scrolled arms, carved shell knees, and resting on the original pad feet with rear squared ...

Fine quality antique English George III figured honey colored mahogany Sheraton style drop-leaf Pembroke table. The patinated honey-colour has been lovingly acquired over the past 200 years. Superb highly figured mahogany. Original brass casters. Drop-leaves can be opened to provide for a small dining table for two (or even four with diminutive chairs...

Naoko Matsubara, 'Winter Serenity' for the portfolio 'Solitude', woodcut, 1971, edition 100. Signed and numbered '58/100' in pencil. A fine, richly-inked impression, on cream laid J...

Blue speckled with green cased in white with a white base. This works great on the dining table as a centerpiece Kitchen counter, entryway console for your keys. 1980’s, Italy. A 19...

"On Guard" A lone Sable Island horse with a beautifully-unkempt mane stares back at the camera. The print series Discovering the Horses of Sable Island documents one of the last h...

The David Yurman 18k Yellow Gold Figaro Toggle Link Necklace is a stunning example of timeless elegance and bold sophistication. Crafted in radiant 18k yellow gold, this 16-inch neck...

A fantastic set of 4 French swivel stools in iron, bamboo, and woven wicker. The way the wicker is woven and the wrap of the bamboo, tells me that they are French. These are very ...

"Winter's Lullaby" Black and white photograph of two gentoo penguins at the edge of the ice Two gentoo penguins stand side by side at the edge of the snow and ice against a minima...

Presenting the Tiffany & Co. Diamond 18K White and Pink Gold Love Charm Pendant—an enchanting declaration of affection and timeless elegance. Crafted by the renowned luxury house, Ti...

Lyonel Feininger, 'Da-Da I' also titled by the artist 'Der Abgott' (The Idol), woodcut, 1918, a proof impression. Prasse W91. Signed in pencil and annotated '1876', the artist’s inv...

"One oval shape diamond mounted in the center of a 14kt. white-gold fancy engagement ring mounting. The diamond is set in four (4) white-gold prongs. Twelve (12) round diamonds are m...

Elegant antique console, crafted in France 19th century. The console stands on four cabriole legs with a lower shelf for display. The serpentine front apron with one lockable drawer....

Sculptural 'Sacred Heart' - 18th century Italian gilded angel mounted on a polished red hematoid quartz heart and adorned with a natural-forming baroque pearl. The piece is inspired ...

Fine quality antique English "Anglo-Japan" Victorian hand painted lacquer and bamboo single door cupboard/ étagère with embossed panel sides; "tortoise shell" shaded bamboo; fabulous...

English Satinwood and Rosewood two bottle Cellarette with original tin liner, inlaid pateras, and terminating on bracket feet. Dealers please call f...

Rare Switzerland mahogany & ebonized hinged music box with the original crank, three interior paper labels, and cylinders. Music box is stamped by maker and is In working condition, ...

This rare large painted unframed canvas from the mid 18th century portrays the image of an idyllic pastoral scene in Southern France. Featuring a group of herons and swans in the di...

English mahogany three-tiered bed steps with tooled green leather, hinged fitted interior compartments, and terminating on turned bulbous ringed legs, Early 19th century.

The Tiffany & Co. 18K White Gold Bead Mesh Drop Earrings are an exquisite example of timeless elegance and sophisticated design. Crafted from luxurious 18K white gold, these earrings...

Lynd Ward, 'Priests' from the series 'Moriae Encomium (The Praise of Folly)', mezzotint, 1943, no edition, proofs only. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (1 1/4 to 2 inches) in excellent condition. Matted to museum standards, unframed. Scarce. Image size 7 3/4 x 4 3/4 inches (197 x 121 mm); sheet size 10 11/16 x 8 1/16 inches (271 x 204 mm). Created by the artist for 'Erasmus's Moriae Encomium,' or 'In Praise of Folly,' published by the Limited Editions Club, 1943. A rare, signed, proof impression apart from the Limited Editions Club publication. ABOUT THE ARTIST Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society. The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage,’ 1932, ‘Prelude to a Million Years,’ 1933, ‘Song Without Words,' 1936, ‘Vertigo,’ 1937; and ‘Last Unfinished Wordless Novel’ (created in the 1960s and published in 2001) were comprised solely of Ward's wood engravings. Ward designed each graphic image to occupy an entire page, the sequence of which conveys the story's narrative. In 1937, Ward was named Director of the Graphic Arts Division of the Federal Art Project, a division of the Works Progress Administration (WPA). In the following years, Ward went on to illustrate more than one hundred books (some of which he wrote), including classics for the Limited Editions Club Goethe’s ‘Faust,’ Faulkner’s ‘A Green Bough,’ and Mary Shelley’s ‘Frankenstein,’ and several children’s books. He also produced single-subject wood engravings, paintings, and drawings. His print ‘Sanctuary,’ 1939, was shown at the 1939 New York World’s Fair, and ‘Clouded Over,’ 1948, received the 1948 Library of Congress Award and was included in ‘American Prize Prints of the 20th Century’ by Albert Reese. He received the National Academy of Design Print Award (1949), the New York Times Best Illustrated Award (1973), and the Regina Award (Catholic Library Association, 1975). ‘The Biggest Bear,’ a children’s book with illustrations by Ward, was the recipient of the esteemed 1952 Caldecott Medal of the American Library Association. An Honorary Fellow of the Royal Society of Painter-Etchers and Engravers, Ward was a member and board member of the National Academy of Design and the Artists’ League of America. He served several terms as president of the Society of American Graphic Artists and was a member of the American Artists Congress and the Society of Illustrators. Ward exhibited at the American Artists Congress; the National Academy of Design; the John Herron Art Institute; and the Library of Congress. He had a one-person show at Associated American Artists, NY, on the publication of his monograph 'Storyteller Without Words,' 1974; AAA mounted a memorial exhibition in 1986. The May 1976 issue of 'Bibliognost,' a book collector’s publication, was dedicated to Ward. ‘Lynd Ward, His Bookplate Designs,’ an article by Dan Burne Jones, was published in the American Society of Bookplate Collectors and Designers Yearbook, 1981/82. In 2001, sixteen years after his death, Rutgers University Libraries published ’Lynd Ward’s Last Unfinished Wordless Novel.’ The blocks were intended to be part of a novel in woodcuts, the first since Vertigo, but Ward did not live to complete the project. Master printer and book designer Barbara Henry collated and printed the twenty-six finished blocks out of the forty-four initially planned for the still unnamed narrative. In 2010 the Library of America honored Ward’s achievements with the meticulous production of a collection of Ward’s woodcut novels—the first time the Library had gone wordless. The publication replicated his original editions with a single full-size image printed on the right page of each double-page spread. In his introduction to the books, renowned cartoonist/illustrator Art...

Elevate your formal attire to the pinnacle of elegance and style with the Cartier Trinity Three-Color 18 Karat Gold Knot Cufflink Stud Set. This exquisite ensemble combines Cartier's...

An ethereal water garden of lily pads, lotuses, and wispy vines materialize from layers of translucent paint in artist Colette Cosentino’s otherworld...

Charleston Hepplewhite mahogany demi-lune hinged games table with central diamond satinwood inlay, flanking rectangular satinwood inlaid panels, cross banded inlaid one board top, an...

Elevate your style with the exquisite craftsmanship of this Hermes Paris Sterling Silver Bolide Bag Pill Box Charm Pendant. Meticulously crafted, this pillbox is a testament to Herme...

French Trumeau painted and gilt carved wood gesso wall mirror with quiver of arrows, tassels, intertwined foliage torchieres, gilt b...

Lyonel Feininger, 'Masken (Masks)' also 'Carnival Masks', woodcut, 1920, proofs only. Prasse W193. Signed and titled in pencil. Annotated '1973', the artist’s inventory number. A fin...

Lawrence Nelson Wilbur (1897-1988), 'Sundown, Stonington, Maine', wood engraving, artist's proof, edition not stated but small, 1969. Signed and titled in pencil. Signed in the block...

You might be thinking, “Good Heavens…” and then your thoughts might split into either “that chair is amazing” or “what is that person thinking listing that eyesore..?” Hopefully, you...

Experience the artistry of KIESELSTEIN-CORD with these distinguished 18k Gold Clip-on Earrings. Meticulously crafted, these earrings showcase a blend of luxury and sophistication. E...

A handsome plump and squatting solid brass ram figure. Great for display and as a paperweight.   

Leon Bibel, 'Unemployed Marchers', 2-color lithograph, c. 1938, edition 25. Signed, titled, and numbered '2/25' in pencil. A fine, richly-inked impression on off-white, wove paper, w...

Grand 19th century French Louis XVI style gilded mirror, circa 1840-1860. This wonderful mirror is adorned with a floral wreath cartouche, also having crossed flambeau and quiver in ...

English Regency set of eight mahogany dining room chairs with scrolled crest rails and arms, rectangular splat backs, barley t...

The Hermès Cape Cod TGM CD6.910 Automatic Grand Date GMT is an elegant timepiece that embodies the brand's mastery of craftsmanship and design. This sophisticated watch features a sl...

Exuding timeless sophistication, these Van Cleef & Arpels vintage cufflinks are a testament to the brand's mastery in haute joaillerie. Crafted from radiant 18K yellow gold, the desi...

An eye-catching octagonal pattern accented with Greek keys, Octavia takes on a different look depending on whether it's printed on a sisal, paperweave or metallic ground. • Sold i...

A nice pair of 19th century Swedish Neoclassical armchairs in simple, elecant classical form, minimal carvings re-upholstered in green velvet. Arm hight 23.50" Seat hight 16" Seat si...

Caribbean Regency mahogany leather sofa with a central serpentine and scrolled fluted back, central floral shell with flanking scrolled medallions, f...

Hutton Wilkinson is one of the world’s reigning masters of high style decorating. He first trained with, and then became the business partner of, the ...

Swedish black lacquered and gilt Chinoiserie tall case clock with arched decorative floral hood, flanking finials, turned bulbous columns, ormolu and steel engraved face, figural flo...