Spain - Seating

The Hug contemporary footstool and ottoman is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm i...

The Hug contemporary chaise longue is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 16 mm is complemented by the flexibility of the doubl...

The Wanderlust contemporary chaise lounge belongs to a collection of minimalist and serene pieces where exclusivity and precision are shown in small details such as the hand-turned m...

Scarpa 121 by Afra & Tobia Scarpa, 1965 The iconic 121 Scarpa dining chair is a straightforward dining chair with a design that can complement both classical and cutting-edge interio...

The Hug contemporary chaise longue is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 16 mm is complemented by the flexibility of the doubl...

The Hug contemporary footstool and ottoman with backrest is designed and conceived with a light aesthetic, the slight oscillation of the steel ro...

The Pillow Sofa is designed by Muller Van Severen and presented by BD. This sofa has been improved into a new playful and modular system. The independent pillows are crisp and richly...

The Hug contemporary footstool and ottoman is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm i...

The Hug contemporary chaise longue is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 16 mm is complemented by the flexibility of the doubl...

The Hug contemporary chaise longue is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 16 mm is complemented by the flexibility of the doubl...

The Hug contemporary counter stool is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility of the double...

The Hug contemporary counter stool is designed and conceived with a light aesthetic, the slight oscillation of the steel rod of 12 mm is complemented by the flexibility of the double...

Two stained hardwood stools. Seat upholstered in white leather and tufted with leather-covered buttons at a later date.

The Back to Black collection has deeply emotional origins. It was born in a moment of reflection and strength, inspired by the life and legacy of Zayda’s father, the visionary behind...

Muller Van Severen’s Pillow sofa modular arrives at BD. Initially designed by MVS for KASSL Editions, the Pillow sofa has been improved into a new playful and modular system for BD. ...

Scarper Chair 925 by Afra and Tobias Scarper 1965 The iconic 925 Scarpa Lounge Chair is a strikingly elegant lounge chair. Easily recognized by its firm and robust wooden frame and ...

Chair designed by Bodil Kjær in 1959. One of the last living mid-century Scandinavian design pioneers and a female pioneer in the field of architecture in her time, Bodil Kjær, conc...

'PILLOW' Collection by Muller Van Severen for BD Barcelona. Model shown in the main image: Type: Armchair (individual module) Upholstery: TEMPO (MAHARAM) Cat.6 Modular seating sy...

Chair designed by Le Corbusier, Pierre Jeanneret, Charlotte Perriand in 1928. Relaunched in 1965. Manufactured by Cassina in Italy. A light, compact chair designed and presented ...

Stool designed by Jordi Badia and Otto Canalda. Manufactured by BD Barcelona Design. Steel structure and lever painted in a polyester powder coating and satin finish. Available...

Pair of 'Elettra' chairs originally designed by B.B.P.R. in 1954, Italy. This pair of lounge chairs is produced by Arflex circa 2018, featuring black tubular steel frame and black em...

High Bloo Bar Stool by Doimo Brasil Dimensions: W 50 x D 53 x H 107 cm Materials: Veneer, Natural Leather. Also available in W 50 x D 53 x H 91 cm, Seat Height: 60 cm. With the i...

Bodil Kjaer Smoke Stauined Oak Principal Stool For Karakter Drawing inspiration from Bodil Kjær's Principal chair from 1961, the Principal Stool maintains the chair’s functional a...

The Pillow Sofa is designed by Muller Van Severen and presented by BD. This sofa has been improved into a new playful and modular system. The independent pillows are crisp and richly...

Viva Gradient 011 Contemporary Sculptural Velvet Bench by Houtique Dimensions: D100 x W45 x H48 cm Materials: Velvet, Upholstery, Wood Also available...

Joe Colombo Chair 300 for Karakter Designed by the forward-thinking Italian designer Joe Colombo, Chair 300 is a beautiful example of his funct...

Vintage wicker peacock chair features a fine cross-weave pattern and intricate black rattan detailing. Twisted design base and large fan b...

The Gaulino Chair is one of the best designs by Oscar Tusquets and has become an iconic Spanish design. Made exclusively from wood and leather, the name comes from the influences th...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

Joe Colombo Chair 300 for Karakter Designed by the forward-thinking Italian designer Joe Colombo, Chair 300 is a beautiful example of his functional design sensibility. Upholstered...

Armchair structure base in cast aluminium. Structure base in tubular steel and painted. Seat, backrest are in plywood with exteriors in ash - stained oak FT18, and Fuchsia Y09 uph...

Stool designed by Stephen Burks Black iron tubular (25mm) structured armchair. Seat upholstered in blue leather with blue structure. The leather upholstery oozes over the bare ...

Main body made of rigid polyurethane covered with polyether foam cushioning. A fixed head rest, seat cushion and backrest in polyether foam cushioning. Cushion covers are removable. ...

'PILLOW' Collection by Muller Van Severen for BD Barcelona. Model shown in the main image: Type: Armchair (individual module) Upholstery: TEMPO (MAHARAM) Cat.6 Modular seating sy...

Bodil Kjaer Principal Chair for Karakter One of the last living mid-century Scandinavian design pioneers and a female pioneer in the field of architecture in her time, Bodil Kjær, c...

The Tiger Art Gaulino reimagines an icon from BD. The Gaulino chair is an iconic work from the mind of Oscar Tusquets. The limitededition Tiger Art G...

Bodil Kjaer Natural Oak, Principal Counter Stool For Karakter Drawing inspiration from Bodil Kjær's Principal chair from 1961, the Principal Stool maintains the chair’s functional ...

Design by Jaime Hayon, 2007 Manufactured by BD Barcelona. Wood back and Upholstered interior seat with arms cushion. Measures: 52 x 55 x H.79 cm. Painted metallic tubular ste...

Chair designed by Erik Gunnar in 1934-1937. Relaunched in 1983. Manufactured by Cassina in Italy. The Göteborg chair is Erik Gunnar Asplund’s poetic interpretation of Rationalist id...

Joe Colombo Chair 300 for Karakter Designed by the forward-thinking Italian designer Joe Colombo, Chair 300 is a beautiful example of his funct...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

19th century carved walnut armchair. Perfect to place in your room or in your kitchen The frames with carved structure. The legs are finished in a higly carved claw feet. It has a...

Rare 18th Century Portuguese Chair in Walnut High-backed armchair à la reine in walnut, molded and carved with acanthus leaves, leafy shells and foliage, front claw feet joined by an...

Salto and Sigsgaard Council Family Salon Chair Front: Re-wool 358 + Back: Terra Silt For One Collection The Council Family Salon Chair is a chair for every moment, and almost every ...

Henrik Tengler Chairman Wood Types:Oak Dark Oil, Upholstery: Sand For One Collection The Chairman was designed by Henrik Tengler for Onecolle...

Bodil Kjaer Smoke Stained Oak Principal Counter Stool For Karakter Drawing inspiration from Bodil Kjær's Principal chair from 1961, the Principal Stool maintains the chair’s funct...

Muller Van Severen’s Pillow sofa modular arrives at BD. Initially designed by MVS for KASSL Editions, the Pillow sofa has been improved into a new playful and modular system for BD. ...

Muller Van Severen’s Pillow sofa modular arrives at BD. Initially designed by MVS for KASSL Editions, the Pillow sofa has been improved into a new playful and modular system for BD. ...

Quetzal armchair, yellow by Pepe Albargues Dimensions: W100, D100, H90, Seat 42 Materials: Iron structure Foam CMHR (high resilience and flame retardant) for all our cushion filli...

Bodil Kjaer Principal Chair for Karakter One of the last living mid-century Scandinavian design pioneers and a female pioneer in the field of architecture in her time, Bodil Kjær, c...

Introducing a one-of-a-kind wooden sculpture by renowned artist Salvador Dali. The Salvador Dali Contemporary Portlligat wood sculpture sunbed is a unique and exclusive piece that is...

Easy chair designed by Dom Hans van der Laan for the Abbey Church of St. Benedictusberg, Vaals in the Netherlands. Manufactured, circa 1980. Lacquered wood seat and backrest with co...

Gus Bakker Set Of Two Gb Lounge Chair for Karakter Dutch industrial designer Gijs Bakker had already established a reputation for his aluminum jewelry...

DESCRIPTION: Pair of Ettore Sottsass East Side Armchair for Knoll, circa 1980, Italy. Very decorative piece made with black leather and metal base. CONDITION: Good condition. Wear co...

Bodil Kjaer Smoke Stained Oak Principal Bar Stool For Karakter Drawing inspiration from Bodil Kjær's Principal chair from 1961, the Principal Stool maintains the chair’s functional...

The Gardenias collection is the second largest collection by Jaime Hayon for BD. Structure made of cast and extruded aluminium. Powder-coated green (RAL 6021) with Alesta by Axalta....

Bodil Kjaers Set Of Three Principal Chair All Wood for Karakter Characterised by a simple and honest use of form and material, the Principal Chair is timeless in every aspect. It i...

Set of 4 'Aran' chairs designed by Jordi Vilanova, circa 1960. In original condition, with some visible signs of previous use and age, preserving a beautiful patina. Materials:...