Stockholm - Seating

Four stools, model Pirkka designed by Imari Tapiovaara, Finland, 1970s. Dining set also available, 4 pieces. See last two pictures.

Oak. H: 33 cm/ 13" W: 37 cm / 1' 2 1/2" D: 27.5 cm / 10 3/4''

Stool ‘The Unrockable’ designed by Hans Sandgren Jakobsen for Werner Denmark, 2010s Solid ash. Stamped. H:47 cm / 18 1/2'' W: 74 cm / 2' 5'' D: 38 cm / 15''

Armchair, anonymous, Sweden, 1940s. Fabric and birch. Measurements: H: 100 cm / 3’ 3 1/2’’ W: 66 cm / 2’ 2’’ D: 92 cm / 3’ 1/4’’ SH: 47 cm / 18 1/2’’ AH: 59 cm / 23 1/4’’

Set of six chairs designed by Josef Frank for Svensk Tenn, Model 725. Sweden. 1938. Mahogany and original leather. Literature: Kristina Wängberg Eriksson, Jan Christer Eriksson, "Josef Frank Möbelformgivaren", Carlsson Bokförlag, Stockholm 2014, p. K 18 H: 90 cm W: 58 cm D: 63 cm SH: 43 cm Armrest height: 69 cm (at the highest point) Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best...

Set of three easy chairs designed by Frits Schlegel, Denmark, 1949. Textile upholstery and rosewood. Unique. Provenance: Designed for the Nyegaard Villa Strandvejen, Denmark. Elo...

Set of three chairs “Typenko” designed by Axel Einar Hjorth for Nordiska Kompaniet, Sweden. 1944. Birch and velvet upholstery. Dimensions: H: 88 cm/ 2' 11'' W: 45,5 cm/ 1' 6 1/2'' D: 57 cm/ 1' 11'' Seat height: 43 cm/ 1' 5 1/2'' From 1927 to 1938, Axel-Einar Hjorth was the chief architect and designer at the department store Nordiska Kompaniet in Stockholm—which was known as one of the most important producers of modernist furniture in Sweden. During this time, Hjorth designed both public and private interiors, and worked with international clients including Iranian royalty. His first project for NK was a stand for the World Fair in Barcelona in 1929, during which he exhibited the Louis Cabinet...

Stool, anonymous, Denmark. 1950s. Teak. Measurements: H: 50 cm / 1' 7 3/4" W: 40 cm / 1' 3 1/4" D: 23 cm / 9".

Stool ‘Futura’ by David Rosen for Nordiska Kompaniet, Sweden. 1951. Imitation leather and stained beech. Measurements: H: 53 cm/ 1' 8 7/8" SH: 47 cm/ 1' 6 1/2" W: 53 cm/ 1' 8 7/8" ...

Prototype wall bench and foot rest, designed by Gunnar Aagaard Andersen for PP Möbler Denmark. 1980s. Prototype in maple and natural leather. Dimens...

Set of six dining chairs “Poem” designed by Erik Chambert, Sweden. 1953. Lacquered birch and cane. This extraordinarily light and delicate high-backed chair design called “the Poem Chair...

Stool designed by Calle Warfvinge, Sweden. Contemporary. Ash. Unique. Engraved ‘CW’. This contemporary Swedish stool is a work of unparalleled craftsmanship. Calle Warfvinge ca...

Bench/table designed by Sigvard Nilsson for Söwe-Konst, Sweden, 1970s. Elm. Dimensions: L: 137 cm/ 54" D: 70 cm/ 27 1/2" H: 48 cm/ 18 7/8"

Stool designed by Ingvar Hildingsson for I.H. Slöjd, Sweden, 1970s. Birch. Marked: IH Dimensions: H: 36 cm/ 14" D: 30 cm/ 11 3/4"

Stool designed by Erik Höglund for Kopparfly, Sweden. 1950s. Beech, hemp webbing and leather. Dimensions: W: 60 cm/ 23 1/2" D: 29 cm/ 11 1/2"

Painted pine. Presented at the Stockholm exhibition of 1897. Measures: H 108 cm/ 3'7” W 60 cm/ 23 1/2" D 56 cm/ 22” SH 42 cm/ 16 1/2".

A pair of stools in beech, made in Sweden, mid-1900s.

Stool designed by Calle Warfvinge, Sweden. Contemporary. Ash. Unique. This contemporary Swedish stool is a work of unparalleled craftsmanship. Calle Warfvinge carefully chose the ...

Produced in the 1960s by Wood Art Brazil.   Jean Gillon (1919–2007) was born in Lasi, Romania. In 1956, already possessing a consistent portfolio, he moved to São Paulo, where he dev...

Produced in the 1960s by Wood Art Brazil.   Jean Gillon (1919–2007) was born in Lasi, Romania. In 1956, already possessing a consistent portfolio, he moved to São Paulo, where he dev...

Rare pair of Skoga pine stools / side tables designed by Axel-Einar Hjorth, 1930s. Produced by Nordiska Kompaniet.