Stockholm - Chairs

Armchair ‘Bridge’ designed by Axel Einar Hjorth for NK, Sweden, 1930s. The model was first exhibited at NK's spring exhibition in 1931 and at Ängby-villan in 1932. Our version, pictured above, was crafted using lacquered...

Very rare and iconic wooden mid century "grass chair" in American walnut by George Nakashima produced in the 1960s. In good vintage condition with minimal ...

Scandinavian Modern pair of chairs for children, Stephan Gip and Herbert Andersson in BA-series, for Gärsnäs, Sweden, 1961. The "Skrivrit" is a Classic chi...

Norwegian Stump Chair circa 1860-80s Smooth patina. Made out of birch tree. Height: 79 cm/31.1 inch Depth: 32 cm/12.5 inch Width: 39 cm/15.3 inch Seat Height: 42 cm/16.5 inch

A set of four mid-century armchairs designed by Göran Malmvall Produced by Svensk Furu in the 1940s Showing signs of age and use. One chair has dry cracks on the armrests. And one h...

Original blue leather. Produced by Bodafors, 1940s. Signed. This example is represented at the Nationalmuseum in Stockholm, Sweden. Very good vintage condition with signs of usage an...

"Fåtölj nr 186". Excellent condition. Newly reupholstered in honey colored sheepskin.

Brass frame, seat and back in crocodile patterned prime leather. Leatherclothes-wound armrests. Limited edition of 360 chairs produced in 1999. This is chair...

A stained pine 'Lovö' chair by Axel Einar Hjort for Nordiska Kompaniet, Sweden 1930s. Iron mounts, high back. Height 95 cm, seat height 41 cm. Wear and scratches.

Pair of armchairs ‘The Chair’ model JH 501 designed by Hans J. Wegner for Johannes Hansen, Denmark, 1949. Teak and cane. Early model with the caned backrest. Stamped. H: 76 cm W: 63 cm D: 50 cm Arm height: 68.5 cm Seat height: 44 cm Hans J. Wegner is the father of Danish design and is well known for creating some of the most iconic chairs of the past 100 years. The son of a cobbler, Wegner brought Danish design to the international stage through his deep understanding and enjoyment of wood as well as an eye for beautiful and ergonomic design that had hitherto existed. Wegner is seen as the most influential designer within the Danish movement and his early innate ability with wood matured into the gift of an unprecedented amount of over 500 beautiful and functional gifts to the pantheon of design. Hans J Wegner brought Danish furniture to a world stage through his simple, elegant and ergonomic chairs. His CH24 models still litter the offices of design and architectural practices globally and his earliest pieces have become rare design milestones in museums and galleries. Hans J Wegner is certainly one of the most important designers of the 20th Century. Wegner’s first renowned chair came though his work with the Chairmen of the Danish Cabinetmaker’s Guild; Johannes Hansen. Through their intellectual relationship Wegner was able to design a chair he christened “the round one” in 1949 and would go on to be called the defining name; “the chair”. This elegant, restrained, yet organic chair was a pivotal design for Wegner and signalled the beginning of his own unique reign over seat furniture worldwide. This chair also illustrated the point at which the wider world took proper notice of Scandinavian design with it triggering the first American editorial spotlight on Danish Design. The influence and fame of this design can again be recognised in the fact that it was chosen as the seating for the 1960 American Presidential Election debates and shipped from Denmark especially for the occasion. Thus giving the “no.501” its occasional name: “the Kennedy...

Hans J. Wegner is the father of Danish design and is well known for creating some of the most iconic chairs of the past 100 years. The son of a cobbler, Wegner brought Danish design to the international stage through his deep understanding and enjoyment of wood as well as an eye for beautiful and ergonomic design that had hitherto existed. Wegner is seen as the most influential designer within the Danish movement and his early innate ability with wood matured into the gift of an unprecedented amount of over 500 beautiful and functional gifts to the pantheon of design. Hans J Wegner brought Danish furniture to a world stage through his simple, elegant and ergonomic chairs. His CH24 models still litter the offices of design and architectural practices globally and his earliest pieces have become rare design milestones in museums and galleries. Hans J Wegner is certainly one of the most important designers of the 20th Century. Wegner’s first renowned chair came though his work with the Chairmen of the Danish Cabinetmaker’s Guild; Johannes Hansen. Through their intellectual relationship Wegner was able to design a chair he christened “the round one” in 1949 and would go on to be called the defining name; “the chair”. This elegant, restrained, yet organic chair was a pivotal design for Wegner and signalled the beginning of his own unique reign over seat furniture worldwide. This chair also illustrated the point at which the wider world took proper notice of Scandinavian design with it triggering the first American editorial spotlight on Danish Design. The influence and fame of this design can again be recognised in the fact that it was chosen as the seating for the 1960 American Presidential Election debates and shipped from Denmark especially for the occasion. Thus giving the “no.501” its occasional name: “the Kennedy...

Good vintage condition, with small signs of usage. Produced in Norway during the 1990s.

Beautiful pair of folding chairs with brown fabric by Sune Lindström. produced during the 1960s by Nordiska Kompaniet, Sweden. Very good condition.

Arm chair model St-750 designed by Arne Wahl Iversen. Produced in Denmark by Danish cabinetmaker during the 1960s. Made from solid elm wood with oil finish. Seat with patinated leath...

Discover the timeless elegance of Scandinavian Modern chairs designed by Axel Einar Hjort, crafted meticulously in Birch. These iconic pieces epitomize the essence of mid-century Scandinavian design, seamlessly blending form and function. Axel Einar Hjort's Birch chairs showcase a captivating design characterized by clean lines and the use of premium Birch wood. Their minimalist aesthetics allow them to seamlessly complement a variety of interior styles, from mid-century modern to contemporary. Birch wood adds a touch of natural beauty to any space, creating a warm and inviting atmosphere. With meticulous craftsmanship and impeccable attention to detail, these chairs ensure both enduring beauty and durability. Elevate your decor with Axel Einar Hjort's Scandinavian Modern Birch chairs...

Primitive Swedish Child Stool early-18th century Made of Pine wood and the backrest is made of birch wood. Beautiful patina and smooth surface, wear consi...

2 classic bistro chairs from Paris, France.

Authentic Axel Einar Hjorth utö chairs designed in 1932 and produced during the 30's by Nordika Kompaniet. The chair is in good condition overhall, s...

Excellent condition. Newly reupholstered in honey colored sheepskin. Listed price is for the pair.

Excellent condition. Newly reupholstered in honey colored sheepskin.

3 beautiful bistro chairs from Paris in very good condition. The seat is in rattan.

"Fåtölj nr 186". Excellent condition. Newly reupholstered in honey colored sheepskin. Sold in Sweden through the retailer Gösta Jonsson.

Model Birka. Produced by NK, 1930s. Newly upholstered in honey colored sheep skin.    

Child Chair, ca 1850 Great patina and organically beautiful shapes. Made out of pine tree. Height : 72 cm /28.3 inch Seat Height: 44 cm /17.3 inch Width: 37 cm /14.5 inch Depth: 2...

‘The Faaborg Chair’ designed by Kaare Klint for Rud. Rasmussen Cabinetmakers Denmark, 1914. Mahogany, woven cane and leather. Designed in 1914 for the Faaborg Museum. This example w...

Extremly big stump chair, one of a kind! The weight and size of this norwegian kubbestol is something out of the ordinary. Its presence, sculptrua...

, 1960s. Strong and thick cognac brown leather.

The Faaborg Chair’ designed by Kaare Klint for Rud. Rasmussen Cabinetmakers Denmark, 1914. Mahogany, woven cane, and leather. Designed in 1914 for the Faaborg Museum. This example ...

Set of 4 chairs in stained pine, 1960s.

Swedish Folk Art Chair circa 1780-1830s It’s gray patina and with quirky lines, and repaired over the years makes this chair suitable for any setting. And makes you reflect on whe...

Pair of easy chairs, anonymous, Finland, 1950s. Wool upholstery and lacquered wood. H: 68 cm W: 75 cm D: 82 cm SH: 44 cm

Heavily patinated Swedish Stump Chair, made in ca 1850's. That has withstand the test of time. It’s repaired with iron studs and plates. Height: 69,5 cm Seat Height: 48 cm Width: 41...

202 years old Folk Art Chair, made of Pine tree in 1821. The patina and repairs over the years makes it really smooth and tactile. Maker marks and date on the back. Height: 75 cm ...

Valet chair model 540 designed by Hans J. Wegner for Johannes Jansen, Denmark, 1953. Teak, oak and brass. Stamped. H: 94 cm W: 51 cm D: 50 cm SH: 44.5 cm Hans J. Wegn...

Grythyttan is a iconic Swedish outdoors manufacturer and has been furniture in Sweden since the 1930s. This is one of their most unusual model P-40 and was made in the 1950s, made...

In 1994 the Swedish interior architect and designer Jonas Bohlin was rowing from Stockholm to Paris. This was a dream that came true. The journey took him 117 days along canals, rivers and open sea in his boat Liv ( in English Life) together with friends. A collection and a grand exhibition...

A pair of two Birch Burl Chairs made in 1940, Sweden. The repairs and patina on this chairs has accumulated for 80 years. This makes them soft and smooth, and with a glow when the l...

Excellent condition. Newly reupholstered in honey colored sheepskin. Set of 2 available. Listed price is for a single.

One of a kind Folk Art chair from Finland Acid-stained Pine 1930s Consistent with age and use.

Set of 8 'Orkesterstolen' chairs by Sven Markelius, Sweden, 1940s. The chairs were originally designed for Helsingborg Concert Hall.

Armchair ‘The Red Chair’ Model 3758A designed by Kaare Klint for Rud. Rasmussen, Denmark, 1930s. Mahogany, leather upholstery, and brass. This example was produced after 1930. The design detailing of this magnificent chair...

Rare "box chair" in dark stained teak designed by Pierre Jeanneret produced in India for his and Le Corbusier's university projects in the 1950s. In great vintage condition with smal...

Offered for your consideration is a solitary black lacquered Chiavari chair in beautiful vintage condition. Featuring turned legs and hand carved purple willow frame and backrest in a restrained 17th century Empire style and painted in a black lacquer with a herringbone woven cane seat. Chiavari chairs originated in the city of Chiavari, Italy and are the creation of early 17th century Italian cabinet...

Rare "B34" armchair with a tubular steel frame, creamy canvas and dark stained beech wood armrests designed by Marcel Breuer in 1929 and produced by Thonet during the 1930s. Good and...

Bruno Mathsson, a 'Arbetarstolen 36' lounge chair, Firma Karl Mathsson, Makers label. Seat height 40, width 49, height 84 cm.

Set of 4 'Swedish Grace' chairs attributed to Carl Bergsten, Sweden, 1920s. Veneered with mahogany and jacaranda with intarsia decoration on the back. Newly upholstered with brown fa...

Armchair model 4488 designed by Kaare Klint for Rud. Rasmussen, Denmark, 1930s. Mahogany, ebony, cane, and black horsehair upholstery with cognac leather piping. Klint thought...

Stool model 927 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany and rattan. Measures: H: 43 cm W: 43 cm D: 28 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

A pair of armchairs designed by Kurt Östervig for Brande Möbelindustri, Denmark, 1960s. Rosewood and leather. Dimensions: H: 7...

Armchair model 351 designed by Poul Volther. Manufactured in Denmark by Sorø Stolefabrik in the 1960s. Made from teak with paper cord seat. Good vintage condition with signs of ...

Stool designed by Ejner Larsen and Aksel Bender Madsen for Willy Beck, Denmark, 1950s. Brazilian rosewood and leather. Marked. Dimensions: H: 50 cm / 19 3/4'' W: 56 cm / 22'' D: 4...

Chair ‘Spade’ model FD 133 designed by Finn Juhl for Frankrike & Søn, Denmark, 1954. Teak and fabric. Marked. Juhl initially wanted to be an art historian, but his father doubted the financial prospects of the profession. The compromise was that Juhl would become an architect, instead. Throughout his life, Juhl was continuously inspired by contemporary art, particularly by the artists Henry Moore, Jean Arp, Barbara Hepworth, Erik Thommesen, and Vilhelm Lundstrøm...

Swedish Stump Chair Made out of a single log of pine tree, made between in year 1680-1730. Metal ribbon and nails added in late 1800 century.       

Set of six dining chairs model 2027 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany, leather and brass. Josef Frank developed his characteristic style combining e...

Stool designed by Ingvar Kamprad for Habitat, Sweden. 2004. Lacquered pine. Stamped. Measurements: H: 36 cm / 1' 2" Diameter: 32 cm / 1' 1/2".

Easy chair designed by Alvar Andersson for Ferdinand Lundquist & Co, Sweden, 1940s. Textile and birch. Marked. H: 89 cm / 2' 11'' W: 71 cm / 2' 4'' D: 69 cm / 2' 3 1/4'' SH: 43 cm...

Set of six model PK9 dining chairs designed by Poul Kjaerholm for E Kold Christensen, Denmark, 1960s. Leather and steel. Stamped. Dimensions: H: 75.5 cm / 2' 1/2" W: 56 cm / 1' 8"...

Armchair ‘Eva High’ designed by Bruno Mathsson for Karl Mathsson, Sweden, 1960. Birch framing, braided leather upholstery and a textile neck pillow. Stampe...