Stockholm - Stools

Stool with turned legs and embossed leather, decor of flowers and leafs, in Baroque Style / Baroque revival, early 1900s. Provenience: woodworker Kenneth Pettersson Ånimskog. Worn...

Sheepskin stools produced by Ingvar Hildingsson, Sweden. Signed "IH". Designed 1970s. Set of 4 available. Please note: Listed price is for a single stool.

Very rare mid century "Skoga / Utö" stool in solid stained pine by Axel Einar Hjorth produced by Nordiska Kompaniet Stockholm 1932. In great vintage and original condition with patin...

Experience the enduring charm of Scandinavian Modern design with the Ingvar Hildingsson Stool crafted from premium pine. This timeless piece showcases the perfect blend of simplicity...

Embrace the captivating world of Scandinavian Modern design with the Erik Höglund Stool on Medar Model Gungfly, a true masterpiece of artistry and functionality. Crafted with precisi...

Stool designed by Mogens Lassen for K. Thomsen, Denmark, 1942. Teak. Stamped. Model presented at The Copenhagen Cabinetmakers' Guild Exhibition at Designmuseum Denmark, 1942. H: ...

A sturdy, sculptural bar stool, Strict was created as a clean and straightforward seating solution that complements the kitchen island. Its Minimalist design reveals subtle details o...

Carl Malmsten, Visingsö stool - Waggeryds Möbelfabriken, Sweden. Simple but elegant handmade craftsmanship. Has a thick patina and worned edges.   

Three legged stool in solid pine Sweden, cirka 1960 Great patina that really makes the wood grain stand out Heigth: 53 cm Seat Diameter: 29 cm.

Three legged tribal stool from Southern Ethiopia. Light reddish wood the legs are partly covered with brass. Early 1900s / first half of 20th century. Provenance: P. Strand Carl ...

Stool designed by Uno and Östen Kristiansson for Vittsö, Sweden, 1960s. Teak and leather. H: 40 cm W: 42 cm D: 42 cm.

Beautiful Unsymmetric Pine Stool or Side Table by Stig Sandqvist, Vemdalen, Sweden Company Vemdalia Made in 1960s Consistent with age and use Height: 38 cm Weight: 60 cm ...

Very rare and great pair of "PK33" stools in brown original leather designed by Poul Kjærholm produced by E. Kold Christensen in Denmark 1960s. In great condition with patina from ag...

Produced by Ingvar Hildingsson, Sweden. Signed "IH". Designed 1970s. Set of 2 available. Listed price is for a single.

A sturdy, sculptural bar stool, Strict was created as a clean and straightforward seating solution that complements the kitchen island. Its Minimalist design reveals subtle details o...

Strict bar stool in walnut finished with hard wax oil / Leather Shoulder (Black / Mustang). Designed by Lousie Liljencrantz, Interior Designer base...

Stool model 927 designed by Josef Frank for Svenskt Tenn, Sweden, 1950s. Mahogany and rattan. Measures: H: 43 cm W: 43 cm D: 28 cm Josef Frank was a true European, he was also a pioneer of what would become classic 20th century Swedish design and the “Scandinavian Design Style”. Austrian- born Frank started his design career as an architect after having trained at the Technische Hochschule in Vienna between 1903 and 1910. After his training he went on to teach at Kunstgewerbeschule (The Viennese School of Arts and crafts) where he developed and espoused the new school of modernist thinking towards Architecture and Design that was coming to fruition in Vienna at the time. He also went on to lead the Vienna Werkbund throughout the 1920s. This was a truly progressive group of Architects and Designers who set about improving the daily lives of Austrian people through modernist design and architecture in partnership with Arts and Crafts ideals and construction. Frank’s leadership of the Werkbund had already cemented his place at the forefront of European design. Frank’s time in Vienna was typified by his design for the “Die Wohnung” exhibition of the Deutscher Werkbund in Stuttgart, 1927 where he exhibited along side his contemporaries at the forefront of design, such as the likes of Le Corbusier and Walter Gropius. Here he showed a specially designed pair of flat-roofed reinforced concrete houses in what is now seen as a typical modernist style. What separated Frank’s house from the other 32 houses of the exhibition was the interior and furniture inside the building. It was described as “Neo-Classical” and filled with an eclectic mix of period pieces, modern design and pieces designed by Frank himself that seemed to cross the two worlds. This was a complete opposite direction to that which his fellow Architects were travelling in with their pared back and angular aesthetics. Frank said of his own work: “The house is not a work of art, simply a place where one lives,” and by this reasoning Frank rejected the regimental mechanisation of the living space that his contemporaries believed in, instead he set about creating congenial and spontaneous interiors. Frank’s practice saw him placing the bright colours and the soft forms of nature back into the furnishings and interiors that he thought modernism sorely mist. Frank, along with Oskar Walch set up Haus und Garten in Vienna in 1925. This was Frank’s first commercial foray into furniture and home furnishings and the company went on to become the most influential furnishing house in Vienna with a riotous depth of colour and interesting shapes becoming the trademark of their design. However this success was to come to an end with rise of Nazism in Vienna in the early 1930’s. Frank was Jewish, and he and his wife Anna decided they would leave Vienna for her motherland: Sweden, in 1933. Frank continued to design for Haus and Garten, visiting Vienna occasionally and designing the pieces that would continue to be the company’s best sellers long after Frank was forced to hand the company over in 1938 after the Third Reich annexation of Austria. When Josef and Anna had moved to Sweden Frank had struck up a working relationship with Design shop owner Estrid Ericson. Ericson was the proprietor of Svenskt Tenn that at this point was a successful interiors shop in Stockholm with the royal warrant of appointment to the Swedish Royal Household. In 1935 Frank had become the chief designer for Svenskt Tenn and had set about putting all of his creative effort into his designs for the company. At the World Expositions in Paris in 1937 and New York in 1939 the world saw for the first time the wealth of products that Frank had been working on, ranging from candlesticks to cabinets, there was not a domestic object that Frank had not subjected to his colourful, comfortable and organic style of Modernism. Frank’s new school of Modernism championed ideas such as chairs having a freeing, open back and that “If one desires the room to be comfortable…all pieces of furniture should allow for a free view of the separating line between the floor and the wall. A cabinet without legs breaks this line and thus reduces the feeling of space.” A world-wide audience tired of classic Modernism’s furniture with solid planes and aggressive forms leapt upon these ideas and Franks natural and bright designs for Svenskt Tenn became internationally desired. Frank created over 2000 designs for Svenskt Tenn and his products continue to be the core of their brand. Frank’s rejections of tubular metal and heavy lacquers within his furniture have insured his unique light form of Modernism continues to influence and flourish today. His natural toned mahogany and walnut pieces along with his tactile leather covered and brightly shaded lighting still bring the forms of nature back into the home. Original Frank pieces are now increasingly rare, highly desirable and are the epitome of “Scandinavian Design”. Renowned Designer and Academic Isle Crawford...

‘The Propeller Stool’ model 8783 designed by Kaare Klint for Rud. Rasmussens Cabinetmakers, Denmark, 1930. Canvas and ash. Signed. Kaare Klint was the father of Scandinavian moder...

Erik Höglund, pall, ”Grisen”, (the pig), made by Boda Trä (Boda Wood). 1950s Frame of beech and leather, with seat of green hemp. Branded Boda Trä Measures: Length 60, depth 30...

Rare, X602 manufacture for O.Y. Huonekalu- ja Rakennustyöt, the original manufacturer of Alvar Aalto furniture (pre Artek) Leather and Birch.

A Uniqe stool in Mappa Burl. Handmade by Swedish Master Cabinet Maker Axel Wannberg. Mappa Burl is a beautiful wood with unique character. This stool is m...

Rare and early stool "model 60" designed by Alvar Aalto and produced by Artek, Finland in the 1940s. In good vintage and original condition with signs from age and use. Stable. D...

Rare pair of stools designed by Uno & Östen Kristiansson. Produced in Sweden by Luxus during the 1960s. Stainless steel legs and seats reupholstered in vegetable cognac leather. Very...

"Klein blue" Ingvar Hildingsson stool produced by Ingvar Hildingsson, Sweden. Signed "IH". Designed 1970s. Listed price is for a single, set of 2 available.

Three legged pine stole made in Norway by Norsk Husflid, circa 1950s. Made from solid pine with a nicely hand shaped seat. Good vintage condition with patina and wear consistent with...

Oak Classic with a satin clear coat / Leather Shoulder Cognac Designed by Lousie Liljencrantz, Interior Designer based in Stockholm Sweden. Made in Sweden. Also available in walnu...

Stool designed by Ejner Larsen and Aksel Bender Madsen for Willy Beck, Denmark, 1950s. Brazilian rosewood and leather. Marked. Dimensions: H: 50 cm / 19 3/4'' W: 56 cm / 22'' D: 4...

A mahogany and leather upholstered stool, model 967, Svenskt Tenn. Brass nails, Length 44 cm, seat height ca 41 cm. This model was designed in 1938 and is here quoted as being...

Lovely stool by Alvar Aalto, model “Y 61”. Made from birch with flowing lines, wreathed rattan seat.

Alvar Aalto, 1960s 'X600' stool for Artek. Fan-shaped birch legs, upholstered black leather seat. Measure: height 45 cm. Manufacturer's stamp.

Stool designed by Stig Lönngren, Sweden, 1947. Teak and leather. Stig Lönngren (1924-2022) received his carpentry qualifications in 1946. He went on to...

Pair of beautiful mahogany stools by David Rosén, with dark red leather seats. Possible to fold.

Stool designed by Ingvar Kamprad for Habitat, Sweden. 2004. Lacquered pine. Stamped. Measurements: H: 36 cm / 1' 2" Diameter: 32 cm / 1' 1/2".

Rare Swedish stool in solid stained pine produced in Sweden during the 1970s. Acquired from the original owner family and in good vintage condition with genuine patina from age and u...

Rare four legged stool in solid pine produced in Sweden ca 1970s. In good vintage condition with small signs and patina from age and use. Dimensions: Height: 38 cm Diameter of th...

Stool, anonymous, Denmark. 1950s. Teak. Measurements: H: 50 cm / 1' 7 3/4" W: 40 cm / 1' 3 1/4" D: 23 cm / 9".

Set of three stools by Ilmari Tapiovaara, from the furniture line “Pirkka”. Cool, rounded design with pine seats and black lacquered legs.

Stool designed by Calle Warfvinge, Sweden. Contemporary. Ash. Unique. Engraved ‘CW’. This contemporary Swedish stool is a work of unparalleled craftsmanship. Calle Warfvinge ca...

Stool designed by Calle Warfvinge, Sweden. Contemporary. Ash. Unique. This contemporary Swedish stool is a work of unparalleled craftsmanship. Calle Warfvinge carefully chose the ...

Stained pinewood. Produced by Ingvar Hildingsson, Sweden. Signed. Designed 1970s. Very good condition.

French mid century stool in the manner of the Charlotte Perriand Berger made in solid wood. The stool is in good condition and the wood has a ...

Stool made in pine wood with a fading effekt made with two colors of spray paint.

Pair of Scandinavian Modern tables/stools, 1960s, probably by Daumiller. Solid pine wood. Very good vintage condition with light age related wear and patina. A round sculpted seat a...

Denmark, 1950’s. Teak and leather. Stamped. Measures: H: 53 cm / 20 ¾’’ W: 54 cm / 21 ¼’’ D: 37 cm / 14 ½’’.   

Stool model Le Temoin, designed by Man Ray for Gavina, Italy 1970s. The Le Temoin was designed by Man Ray for Gavina’s Ultramobile Exhibition.

Stool ‘Futura’ by David Rosen for Nordiska Kompaniet, Sweden. 1951. Imitation leather and stained beech. Measurements: H: 53 cm/ 1' 8 7/8" SH: 47 cm/ 1' 6 1/2" W: 53 cm/ 1' 8 7/8" ...

Very rare and excellent pair of "sauna" stools by Bertel Gardberg in solid pine. Both stools are in nice condition and showing beautiful patina from use.

Produced by Ingvar Hildingsson, Sweden. Signed "IH". Designed 1970s.

Stool designed by Ingvar Hildingsson for I.H. Slöjd, Sweden, 1970s. Birch. Marked: IH Dimensions: H: 36 cm/ 14" D: 30 cm/ 11 3/4"

Produced in Sweden, 1970s. Good vintage condition.

Pinewood. Produced by Ingvar Hildingsson, Sweden. Signed. Excellent condition.

Folding stool designed by Jörgen Gammelgaard for Forum Design, Denmark, 1970. Canvas and chromed steel. Measures: H 41 cm/ 16" D 46 cm/ 18" L 5...

Four stools, model Pirkka designed by Imari Tapiovaara, Finland, 1970s. Dining set also available, 4 pieces. See last two pictures.

Scandinavian Modern birch stool by Ingvar Hildingsson. Signed IH and produced by Ingvar Hildingsson, Rockneby, Kalmar Län, Sweden. In mint condition.

Stool, “Sauna”, designed by Bertel Gardberg for Villa Jouhki, Finland, 1950's. Apachi wood. Measurements: H: 42 cm/ 1' 5" Very rare, custom order apachi stool. Originally designed...

Stool designed by Erik Höglund for Kopparfly, Sweden. 1950s. Beech, hemp webbing and leather. Dimensions: W: 60 cm/ 23 1/2" D: 29 cm/ 11 1/2"

A pair of stools in beech, made in Sweden, mid-1900s.

Stool by Krogenæs Møbler circa 1970 The patina and wear on this one is really appealing and shows the craftsmanship and its historical inspiration on the Norwegian "fjøsekrakk" that...