United Kingdom - Portrait Paintings

The Robin Encounter by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 21.5 x 18 inches condition: overall very good, minor surface s...

This superb British 1930's modern art tempera painting is by noted interwar artist Blair Hughes-Stanton. Painted in 1936 it is part of the myth se...

This fantastic portrait oil painting is attributed to British Old Master Joseph Highmore and was painted in 1770. The half length standing portrait is of a Cleric, dressed in his wig...

American artist Henry R Rittenberg painted this lovely 1920's Art Deco portrait oil painting. The painting is a standing half length portrait of a lady in a black coat with a white fur collar over a red dress and long beads. She has an elegant 1920's short bob hair style and a confident expression. The strong brushwork and range of tones within one colour are superb. A really striking Art Deco portrait oil painting. Signed upper left. Provenance. Dorset estate. Condition. Oil on canvas, 30 inches by 25 inches and in good condition. Frame. Housed in a fine James Bourlet panel silvered frame, 40 inches by 35 inches and in good condition. Henry R Rittenberg (1879-1969) was born in Libau, Latvia and later immigrated to the United States. He studied art at the Bavarian Academy in Germany, and by 1906, was in Philadelphia, where he attended the Pennsylvania Academy of Fine Art. Rittenberg painted landscapes and still lifes, yet his forte was portraiture. The artist was commissioned to paint a number of portraits of American dignitaries including Attorney General Homer Stille Cummings and a group portrait of President Harry S...

Stylish Impressionist Portrait, Female Model, Original Oil Painting By French schooled artist, 20th Century Oil painting on canvas, unframed Canvas size: 28.5 x 21 inches Wonderful impressionist portrait of a stylish French model. This beautiful young woman is one of grace and undeniable style. Her jewellery is so striking, with a stacked gold necklace and a Princess Diana style ring...

Lady Reading by Jacob Markiel (Polish 1911-2008) *See notes below oil on board, unframed board: 29 x 24 inches provenance: the artists estate, south of France condition: very good an...

What is so wonderful and unusual about this 18th Century portrait is the relatability of the sitter. There is an openness to the world in his gaze, curiosity, a sense of humour, pass...

Portrait of an Elderly Woman Simone Forge 1930's French Impressionist oil on canvas unframed canvas: 18 x 15 inches Provenance: private collection Condition: great condition For mo...

Portrait of a Radiant Young Woman by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 18 x 15 inches condition: overall very good, mi...

This superb British portrait oil painting is by noted artist George Spencer Watson and is dateable to 1913. The sitter is Lillian Gardiner ( Mrs ...

This superb French Victorian portrait oil painting is by noted French society painter Jules-Elie Delaunay. Painted in 1883 it is a three-quarter length profile portrait of the Marquesa de Escombreras. Her full name was Trinidad Maria Piedad Fulgenico de Aguirre. She was born in 1824 in Cartagena, Spain, the seventh and last child of Jose de Aguirre, a retired naval officer. On October 22nd 1843 she married Frenchman Hilarion Roux (1819-1898) who was a banker from Marseille who settled in Cartegena in January 1843. After her marriage she was known as Trinidad Roux. Hilarion Roux had arrived in Cartagena first to trade silver. He quickly became one of the main lead industrialists in Catagena then in the Mediterranean area. The couple later lived in France again, in Marseille and later in Paris, where Trinidad died in 1905 aged 81. Interestingly there is no similar portrait of her husband. In this superb painting, the Marquesa, aged about 60 in reality, is wearing a black off the shoulder dress...

The Marriage, 15th/16th Century school of BALDASSARE ESTENSE (1443-1504) Large 15th Century Ferrara School portrait of a husband and wife worshipping outside a small hillside town,...

Hercules At The Funeral Pyre at Mount Oeta, 18th Century follower of GUIDO RENI (BOLOGNA 1575-1642) 18th Century Italian Old Master depiction of Hercules at his funeral pyre, Moun...

John Bellany was an influential Scottish painter. Credited with pioneering a style of painting that melded the influences of Impressionism with Naive painting, Bellany’s work explored endemically Scottish symbolism and histories. "What he was doing in the mid-1960s in many ways changed the course of Scottish painting,” Keith Hartley, the senior curator of the Scottish National Gallery, has said of Bellany’s importance. “It was like a manifesto: I don't want to do paintings for Edinburgh drawing...

Portrait Of A Bride, circa 1900 circle of George CLAUSEN (1852-1944) Circa 1900 Impressionist portrait of a young bride with a French landscape b...

In this exquisite work, painted around the time of the Great Fire of London in 1666, a beautiful young woman is wearing a green dress over a white chemise and a russet-coloured scarf...

1920's Portrait of an Elegant Woman, Oil Painting, British British School, Early 20th Century Oil painting on wood panel, unframed Board size: 9.25 x 6 inches Quite a stunning portr...

A truly beautiful early 20th Century oil, capturing a frank and domestic moment. A woman, in an apron and cap, takes a moment of rest from her daily toils, to read from a book. The c...

This beautiful 18th century Italian Old Master oil painting is something rather special. Painted circa 1750 the subject matter is Saint John the Baptist as a very young child. He is ...

Artist/ School/ Date: Douglas Stuart Allen (American/ French 1923-2021) American born artist from Chicago, retiring to France during his latter years to become a full time painter. ...

A wonderful painting of a beautiful woman in the style of the Pre-Raphaelites. It is signed Arnhold. It is in very condition and in the original frame. Picture Size: 21 x 21" (51 ...

Portrait of a Lady by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 9.75 high by 6 inches wide condition: o...

The Orchestra Simone Forge 1930's French Impressionist oil on board unframed board: 16 x 13 inches Provenance: private collection, France Condition: great condition For more any ...

Very stylish, unique and original 1930's French fashion design, no doubt of Parisian origin. The painting, executed in gouache/ watercolor and pencil, is dated to the upper corner ...

Lady Dormer, Mary Browne c. 1592 oil on panel 35 x 29 inches, unframed; 41 x 34.75 inches, inc. frame Inscribed 'Lady Dormore' Mary married Henry Wriothesley, 2nd Earl of Southampton who gave birth to Henry Wriothesley, 3rd Earl of Southampton - one of the great figures in Shakespears"s circle and founder of the Virginia company, developers of Virginia USA. Henry Wriothesley, born 6 October 1573 at Cowdray House, Sussex, was the only son of Henry Wriothesley, 2nd Earl of Southampton, by Mary Browne, the only daughter of Anthony Browne, 1st Viscount Montague, and his first wife, Jane Radcliffe.[5] He had two sisters, Jane, who died before 1573, and Mary (c. 1567 – 1607), who in June 1585 married Thomas Arundell, 1st Baron Arundell of Wardour.[6] After his father's death, Southampton's mother married firstly, on 2 May 1595, as his second wife, Sir Thomas Heneage (d. 17 October 1595), Vice-Chamberlain of the Household, and secondly, between 5 November 1598 and 31 January 1599, Sir William Hervey. She died in November 1607.[7] Early life When his father died on 4 October 1581 Southampton inherited the earldom and landed income valued at £1097 6s per annum. His wardship and marriage were sold by the Queen to her kinsman, Charles, Lord Howard of Effingham, for £1000. According to Akrigg, Howard then "entered into some further agreement, of which no documentation can now be found, which transferred to Lord Burghley personally the custody and marriage of the young Earl, but left Howard holding his lands", and late in 1581 or early in 1582 Southampton, then eight years of age, came to live at Cecil House in the Strand.[8] In October 1585, at age twelve, Southampton entered St John's College, Cambridge,[9] graduating M.A. on 6 June 1589.[10] His name was entered at the Gray's Inn legal society before he left the university, and he was admitted on 29 February 1588.[11] On Southampton's 16th birthday, 6 October 1589, Lord Burghley noted Southampton's age in his diary, and by 1590 Burghley was negotiating with Southampton's grandfather, Anthony Browne, 1st Viscount Montague, and Southampton's mother, Mary, for a marriage between Southampton and Lord Burghley's eldest granddaughter, Elizabeth Vere, daughter of Burghley's daughter, Anne Cecil, and Edward de Vere...

This captivating oil portrait by Albert William Holden (1848-1932) depicts a jovial cavalier, raising a glass in a dimly lit tavern interior. The composition has been signed 'Albert ...

Maid Carrying Roses, 18th Century circle of Antonio ROTARI (1707-1762) Large 18th Century Italian portrait of a young maid carrying ros...

Family Devotion with Cherubs French School, 18th century after the earlier work by Sir Peter Paul Rubens oil on canvas, unframed Canvas : 29 x 24 inches Provenance: private collectio...

This charming British Victorian genre oil painting is by noted exhibited artist John Morgan. Painted circa 1870 the composition is two young girls, one dark haired one blonde, who ar...

This lovely British portrait oil painting is by noted artist Lionel Ellis. Painted circa 1940, the picture is a half-length seated portrait of a smiling woman wrapped in a red shawl,...

Dancers in Motion by Annie Faure (French 1940-2021) signed lower corner oil painting on canvas, unframed canvas size: 13 x 18 inches condition: overall very good, minor surface scuff...

William Roth Born 1754 Portrait of Captain George Meek Oil on canvas, signed & dated 1782 lower right Image size: 25 x 18 ½ inches (64 x 47 cm) Provenance Murray Cassy Jean Piere O...

James Fellowes Flourished 1719 - 1750 Portrait of William Henry Kerr, Earl of Ancram, 4th Marquess of Lothian Oil on canvas, signed & dated 1747 Image size: 29 1/2 x 24 1/2 inches (75 x 62 cm) Original gilt wood frame William Henry Kerr was born a member of the Scottish peerage to William, third Marquess of Lothian, and his first wife Margaret, daughter of Sir Thomas Nicholson of Kemnay, first Baronet. William was styled Master Jedburgh until 1722, when his father was elevated to a Marquessate, after which he was referred to as Lord Jedburgh until 1735. Following his father’s military footsteps, on 20 June 1735 Ancram was commissioned as a cornet to the regiment (11th Dragoons) of his grand-uncle, Lord Mark Kerr. Ancram married Lady Caroline...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed piece of paper is 9 x 6 inches In...

Portrait of Woman with Black Hair and Fringe styling by Anton Sailer (French 1903-1987) Signed & dated 1930 oil on canvas, framed Framed: 23.5 x 18 inches Canvas: 18.5 x 13.5 inches ...

Title: Portrait of a Gentleman in Blue with Glasses - Expressive Oil Painting Artist: Roland Pichard Signed: Bottom right Medium: Oil on oil paper, mounted on card Size: 14 (heig...

French Character Portrait French school, Mid 20th Century Gouache paint on unframed paper stamped inscribed verso Image : 11.75 x 9.25 inches Overall Painting: 25.5 x 19.75 inches ...

This charming British Post Impressionist portrait oil painting is by noted Slade School artist (Alfred) Clive Gardiner. It was painted in 1918 and shows the influence of the French a...

The Death Of Patroclus, 18th Century School of Jacques-Louis David (1748-1825) 18th Century French Neo-Classical scene of the Death Of Patroclus, oil on panel. Excellent quality an...

This striking British Edwardian religious oil painting is by noted artist Francis 'Frank' Owen Salisbury or Frank O'Salisbury as he is largely known. Painted in 1911 it is a figurative landscape of soldiers on the battlefield. The two central characters, the 'Christian Soldiers' from the early crusades have halos and ride through the chaos on white horses. Shafts on light with angels illuminate them and also a crucifix. A very powerful Edwardian religious oil painting and an excellent example of O'Salisbury's work. painted in oil and illuminated in gold leaf. Signed and dated with monogram lower right 1911. Provenance. From Castle of Park, Aberdeenshire. A version of this painting was exhibited at the Royal Academy London in 1911 entitled the Passing of War. Condition. Oil on canvas, 36 inches by 24 inches unframed and in good condition. Frame. Housed a complementary frame, 44 inches by 32 inches framed and in good condition. Francis ("Frank") Owen Salisbury (18 December 1874 – 31 August 1962) was an English artist who specialised in portraits, large canvases of historical and ceremonial events, stained glass and book illustration. In his heyday he made a fortune on both sides of the Atlantic and was known as "Britain’s Painter Laureate". His art was steadfastly conservative and he was a vitriolic critic of Modern Art – particularly of his contemporaries Picasso, Chagall and Mondrian. His father, Henry Salisbury, described himself as a "plumber, decorator and ironmonger" (his mother was Susan Hawes), yet his son Frank would become one of the greatest society artists of his generation. One of 11 children, Salisbury was such a delicate child that he was educated at home, in the main by his student teacher sister, Emilie. He had only a few weeks formal schooling and began work by repairing bicycles at his father’s Cycle Depot in Harpenden. Uncertain as to his ability to find and maintain a job, the family determined that he be apprenticed, at the age of 15, to Henry James Salisbury, his eldest brother, who managed a major stained glass company in Alma Road, St Albans. He rapidly acquired all the practical skills of a stained glass artist and exhibited exceptional skills in the painterly detail that was applied to glass before its final firing. This led to his brother sponsoring him to attend Heatherley’s School of Art three days a week to further a career in painting. He then won a scholarship to the Royal Academy Schools which he attended for five years and where he won two silver medals and two scholarships, including the Landseer scholarship which funded his to travel to Italy in 1896. In due course he would have seventy exhibits accepted for the annual Royal Academy Summer Exhibitions, from 1899 until 1943, though he was never offered membership, which reportedly disappointed him very much. In 1901 he married Alice Maude (d. 1951), daughter of C. Colmer Greenwood, with whom he had several children, including twin daughters Monica and Sylvia. His first Royal Academy exhibit was a portrait of Alice and he often painted pictures of their children. It is for portraiture that he is best known. His speed in producing portraits stemmed from his painting his own twin daughters every morning for an hour and his career began with child portraiture and his painting the Hertfordshire gentry and members of the Harpenden Methodist Church. He had a studio at his home, Sarum Chase. A providential meeting with Lord Wakefield, founder of Castrol Oils and a Methodist philanthropist, saw his introduction to society portraiture. Salisbury’s being selected to paint the Boy Cornwell in the Battle of Jutland then brought him to the notice of Royalty. Lord Wakefield then arranged for him to paint President Woodrow Wilson whilst he was in London, but Wilson departed for Paris and the opportunity was lost. It was to be John W. Davis, American Ambassador to London, who encouraged Salisbury to go to the USA; Davis had met Salisbury at art receptions and had admired his child portraits. Twenty-five members of the Royal House of Windsor sat for Salisbury and he was the first artist to paint HM Queen Elizabeth II. In 1919 he painted a mural for the Royal Exchange, London National Peace Thanksgiving Service on the steps of St Paul’s Cathedral, 6th July 1919. He painted Winston Churchill on more occasions than any other artist; the two iconic images of Churchill – The Siren Suit and Blood, Sweat and Tears are both Salisbury images. Mayoral regalia was a ready made requisite for the Salisbury style with Councillor Sam Ryder (of Ryder Cup fame) as Mayor of St Albans being the most famous of his civic images. Other significant portraits include those of Richard Burton, Andrew Carnegie (posthumous), Sir Alan Cobham, Sir Robert Ludwig Mond, Maria Montessori...

Alfred Thomas Derby Portrait of Derich Born (after Holbein) 1821-1873 Watercolour on paper, monogrammed lower right Image size: 7 x 8 1/2 inches (18 x 23.8 cm) UV non reflective glas...

The sitter, seated in a yellow silk gown trimmed with a pink bow playing the cello, is believed to be the artist Balthazar Denner's eldest daughter Catharina (1715-1744), after his marriage to Esther Winter in Hamburg in 1712. She is also recognisable in another portrait of the Denner family in the Hamburg Kunsthalle, painted circa 1740 by the artist's son, Jacob Denner (1722-1765). Oil on canvas in a period giltwood frame. Provenance: Private collection, Northern Germany Professor Helmut Borsch-Supan, Berlin, confirmed the authenticity of the painting after examining it in 2013. The painting will also be included in the forthcoming catalogue raisonnée of the artist, by Ute Mannhardt. Balthasar Denner...

'The Fisherman', oil on board, by Gabriel Vié (circa 1940s). This artwork depicts a solitary man fishing in a river surrounded by abundant foliage. He is p...

Unsigned. Provenance: Studio Sale, George Weissbort, 2 June 2024. On board.

Portrait of an Elderly Fisherman Italian School, 19th century oil on canvas, framed Framed: 14 x 12 inches Canvas: 10.5 x 9 inches Provenance: private collection Condition: several s...

Portrait Circle of Sir Godfrey Kneller Bt. unsigned (British, 1646-1723) of Katharine, wife of Thomas, 6th Earl of Westmorland, oil on canvas late 17th early 18th century in date. The sitter Katharine is facing dexter and is wearing a cream dress, blue and gold cloak and lace mantilla...

The Castle By Norman Lindsay (1879-1969), Watercolour painting on canvas mounted on board and framed signed to lower right painting measures: 30.5cm x 23.5cm framed: 77.5cm x 70.5cm ...

Portrait of a Country Lady English artist, mid 19th century oil on canvas, unframed canvas: 30 x 25 inches provenance: private collection, UK condition: some former restoration and s...

Portrait of a Man with a Hat holding a Pipe French School, signed and dated 1903 oil on canvas, unframed canvas: 21.75 x 18 inches provenance: private collection, France condition: s...

This charming British Victorian genre oil painting is by attributed to noted exhibited artist Henry Turner Munns. Painted circa 1870 the composition is of a baby by a hearth, asleep ...

Artist/ School: English School, circa 1950-50's. Signed, 'R. Harland' lower corner. Title: Portrait of a seated lady within an interior setting. Medium: oil painting on canvas, fra...

Edouard Julien. French ( b.1883 - d.1966 ). Self Portrait, 1932. Oil On Panel. Image size 17.7 inches x 14.6 inches ( 45cm x 37cm ). Frame size 20.9 inches x 17.7 inches ( 53cm x 45cm ). Edouard Julien was an accomplished French painter and lithographer, and long-term curator of the Toulouse-Lautrec Museum in Albi. As a scholar of Toulouse-Lautrec he became an art writer who was sought after by publishers all over the world. Julien was born in Albi, in the Occitanie region of France in 1883. He had an uncle who was a painter and his parents ran a printing house which specialised in art editions and the printing of lithographs. This would have given the young Edouard a taste for art and a sound understanding of artistic techniques. At 17 he entered the Ecole des Beaux-Arts in Toulouse and studied there throughout 1900 and 1901. He then returned to Albi and took care of the family business, although he also pursued his love of art by working as an artist. By 1903 he was at the Academy in Albi, founded by Bernard-Joseph Artigue, where he became friends with the artist Henri Gourc. In 1928 Julien left Albi again for Paris where he enrolled in the Julian Academy, but he was quickly told that he was an artist, not a student and that they had nothing to teach him about the technique of painting. He therefore rented a studio and worked hard, making friends and exhibiting his works with success. As an artist Julien loved working in the open air, and his works showed extreme sensitivity. He travelled widely within France to work, and particularly loved the Basque Country, where he met his wife. He also travelled to paint the magical landscapes of Spain, Flanders and North Africa. At some point Julien returned to Albi, which was also the birthplace of another now more famous French artist whom he admired, namely Henri de Toulouse-Lautrec. This artist was to feature most prominently in the professional life of Edouard Julien. In 1922 the Toulouse-Lautrec Museum was inaugurated in the prestigious setting of the Palais de la Berbie in Albi. This 13th century building was originally the Bishop’s Palace of Albi Cathedral, next to which it stands. It is dedicated mainly to the work of Henri de Toulouse-Lautrec and, thanks to a bequest from his parents, houses the largest public collection in the world devoted to this artist. Many visitors do not appreciate that this collection owes much of its success to the devotion of Edouard Julien. In 1934 Charles...

Portrait of a lady attributed to William Wissing, half-length, wearing a pearl necklace and an amber gown adorned with jewels to the bodice and sleeves, wit...

Artist/ School: French School, circa 1950. The style is a combination of Fauvism and Modernism. Title: Seated Young Lady. Medium: oil painting on thick hessian canvas. Size: p...

Very stylish, unique and original 1940's fashion design by French illustrator Geneviève Thomas. The painting, executed in gouache and pencil. The s...

Portrait of a Lady in Purple Dress against a Pink and Blue Wallpaper background French School, circa 1930's signed lower front corner oil on canvas, unframed canvas: 22 x 18 inches p...

Unsigned. On board.

Oil and tempera on cardboard

Gerard SOEST (1600 - 1681) Portrait of a Young Boy oil on canvas 35.5 x 30.5 inches inc. frame Gerard Soest (circa 1600 – 11 February 1681), also known as Gerald Soest, was a portra...

Lady Seated in Interior Room Setting by Georges PACOUIL (1903-1996) French circa 1950 signed lower front corner oil on canvas canvas: 25.5 x 18 inches provenance: private collection,...