USA - Portrait Photography

'Love You Actor Girl' (Stage of Consciousness) - 2007 40x50cm, Edition 1/10 Digital C-Print, based on a Polaroid, Certificate and Signature label, artist Inventory Nr. 6417, Not m...

Artist: Man Ray (American born, 1890 - 1976) Title: SINCLAIR LEWIS Date Of Negative: 1930 Type Of Print: Authentic Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1934 1s...

Edition of 125 Signed and dated in pencil on verso. Photograph is from The New Mexico Portfolio published in 1976 by the Center of the Eye P...

No edition Gelatin silver print Paper size: 20 x 16 in., Image size: 15 x 15 in. Signed, titled and dated in pencil on print verso by Earlie Hudnall Earlie Hudnall, who is one of the most notable African American photographers...

'Six Shooter' (Till Death do us Part) - 2005, 20x20cm, Edition 2/10, archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 9076. Not mou...

The print is signed, dated, and numbered with an edition of 2/15. It's signed lower right recto. printed later. Other sizes are available and it's unframed. Printed on Hahnemühle F...

This is a series of 3 unique photographic works of Donald Baechler taken by Andy Warhol. Donald Baechler is an American painter and assemblage artist who came into recognition amid t...

In it together (Till Death do us Part) - 2005 20x24cm, Edition of 10, Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 9371. Not mount...

20 x 23 in (50.8 x 58.4 cm) Silver Gelatin Print Edition 14 and 15 of 30 Price does not include tax.

"Wrapped Series Untitled #25" Photography 1/10 34" x 23" inch by Robert Mack 2013 Photograph, archival exhibition paper Aluminum mount, UV mat protecti...

Open Edition Signed, titled and dated in pencil on print verso by Michael O'Brien Paper size: 20 x 20 in. Image size: 16 x 16 in. Archival pigment print Michael O’Brien is an American photographer noted for his compelling portraits of famous figures such as Willie Nelson, Larry McMurtry, George Strait, Tim Duncan, Kinky Friedman...

Edward S. Curtis The Piki Maker 1906 Photogravure Print 22 x 18 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate #432, The North American Indian, o...

Hans and Penelope (Immaculate Springs) - 1998 Edition of 5, plus 2 Artist Proofs. 58x185cm installed, 58x56cm each. 3 Analog C-Prints, hand-printed by the artist, based on the 3 ...

Signed artist proof print of Guns N' Roses by Timothy White. This 1988 shot was featured on the cover of Rolling Stone Magazine Signed, artist proof print, 16x16" image on 17x22" p...

"Star Boy" Fine Art Photography 24" x 18" in Ed. 2/24 by Viktorija Pashuta 2016 Ready to hang Latvian born Viktorija Pashuta is internationally published and award winning fashion and art photographer gaining momentum and notoriety in Southern California. With visual cues rooted in dance and music, and fashion passion stemming from her European upbringing, her images are sensual, sultry, yet powerful. Viktorija’s work is known for so called ‘color therapy’ – where she uses saturated and vibrant colors to achieve the effect of fashion surrealism. Her images are very feminine and empowering at the same time to celebrate the essence of a woman. Her work has been published in such magazines as RUNWAY (USA), GQ, Esquire, VISION (China), Prestige International (France), Essence (USA), Estetica (USA), Nylon Guys, Vogue (Italia), Tchad (Canada), Fashizblack (France), Highlights (UK), CULTURE (Australia), shooting celebrity covers for Healthy Living Magazine, Runway, Orlando Style, Justine and more. Her celebrity work includes Paris Hilton, Kathy Griffin, Lance Bass, Taryn Manning, Bella Thorne, Kelly Price, Keke Palmer, Rochelle Aytes, James Goldstein...

Mystery of Love (Chicks and Chicks and sometimes Cocks) - 2017 20x24cm, Edition of 10. Archival C-Print, based on the Polaroid. Artist inventory 21300. Signature label and Certific...

Rendering Memories II (The Girl Behind the White Picket Fence) - 2013 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and certificate. Artist Inventory #13388. Not mounted. Offered is a piece from the movie: The Girl Behind the White Picket Fence. Written and directed by Stefanie Schneider A tale told with blemished and expired Polaroid film about the hopes and dreams of a newly orphaned girl after losing her parents who lived in the Californian desert in an old travel trailer. -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice-over monologue - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girl's journal. (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies, and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose property in Morongo is dotted with vintage trailers. They surround her midcentury home and serve as sets for her photoshoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie-making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes, and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004 when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love) and Larry Clark, who was a controversial fine art photographer before directing smash hit Kids—she does not see her future in Hollywood, directing blockbusters. Not necessarily. “I don’t think I want to make more films,” she says. “The actors were saying they would love to work with me again, and were asking if I would like to make other movies. But being on movie sets is far too stressful, and at least with this, I was in complete power of what was going on creatively. That said, if this gets a lot of acclaims…we can always think again. One should never say never.” Film features original soundtrack with songs by Adam Weiss, Daisy McCrackin, Billy Harvey, Sophie Huber, Zoe Bicat, Max Sharam, Cheyenne Randall...

This is a unique photographic work by Andy Warhol of Gay Talese, a former journalist for The New York Times and Esquire magazine who helped define literary journalism in the 1960s. ...

Frida in Pink and Green Blouse by Nickolas Muray is a colorful portrait of Mexican painter Frida Kahlo. Frida wears a green and pink shirt with a magenta scarf wrapped around her nec...

Vintage silver print Western Photography Guild studio stamp in purple ink, verso Numbered "14-5" in purple ink, verso Also titled and inscribed in...

Untitled (Beachshoot) - 2005 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory # 21396. ...

Can't take my Eyes off you (Till Death do us Part) - 2005 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signatu...

NEW - Special limited edition series produced for the 2023 David Bowie Worldwide Fan Convention in June 2023. This iconic image of David Bowie as The Thin White Duke was taken by re...

Edition of 3 Signed, titled and dated in pencil on print verso Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively documented...

Iconic capture of Audrey Hepburn in her role for "Breakfast at Tiffany's" in 1961. Breakfast at Tiffany's was a romantic comedy film starring Audrey Hepburn and George Peppard. Hepb...

1969: French singer, Francoise Hardy sitting on a motorbike. (Photo by Reg Lancaster/Express/Getty Images) As an authorized Getty Images Gallery partner, we offer premium quality pr...

Signed in black ink on print margin by Jesse Alexander Paper size: 16 x 20 in. Image size: 11 3/4 x 17 1/4 in. Jesse Alexander was considered one of the greatest race car photograp...

Gow, Thailand, 1987 30x20cm, Edition of 10. Archival C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Girlfriends (Suburbia) - 2004 60x80cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Pol...

11 x 14" vintage silver gelatin photograph of Pulitzer prize-winning playwright Tennessee Williams, close up portrait with diamond pinky ring, photographed in 1971. Signed by Jack Mitchell in pencil on the print verso. NOTE: minor corner bends/cracks can be slightly matted to conceal. Comes directly from the Jack Mitchell Archives...

Radha Mitchell on the Set of 'The Crazies'' - 2009 24x30cm Edition of 10, digital C-Print, based on the Polaroid. Signature Label and Certificate. Artist inventory 11678. not moun...

Dreams and fantasies from the past and present are portrayed by Léa Bon’s subjects, which she uses as her own personal dolls. Léa Bon work is a profound exploration of dreams and fa...

Silkscreen in 7 colors with diamond dust 40 x 54 inches 2-Ply Museum Board Edition of 50 2014 Bob Gruen is one of the most well-known and respected photographers in rock and roll. F...

In this classic black and white midcentury winter snowscape, captured by society photographer Slim Aarons, a young skier prefers to carry his own skis down the slope in New Hampshire...

It's over! (Till Death do us Part) - 2008 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist...

'Sucking / Brushing' (Sidewinder) 2005, Edition 3/5, 6x48x59 each, 1x60x48cm, installed including gaps and white spaces 60x423cm, 7 pieces, 7 analog C-Prints, hand-printed by th...

Steve McQueen at the time of "The Reivers", pictured smiling and looking left, hand in mouth. Steve McQueen was an American actor. His antihero persona, emphasized during the height...

This is a unique work. Stamped on verso by The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. Annotated with Foundation inventory number. The work comes ...

Archival Pigment Print COA Hand Signed by Michael Grecco

"Majesty at Sea" With only 9 of these iconic boats still left on the water, and with history of competition in the Olympics and Americas' Cup races, these boats represent the apex o...

A photograph by Lawrence Schiller. “Paul Newman in the motion picture "Cool Hand Luke” is a figurative, silver gelatin photograph in black and white by ...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

This work is unique. Stamped twice on the reverse by both The Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts. The Andy Warhol Foundation for the Visual Art...

Play among the Stars (Till Death Do Us Part) - 2005 80x30cm including white frame, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certific...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Max by the Pool (29 Palms, CA) - 1999, 20x20cm, Edition of 10, archival C-Print based on a Polaroid. Signature label and Certificate. Artist inventory number: 614. Not mounted. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visual Arts. Foundation num...

Pretty Woman (Memories of Green) - 1999 Edition of 10, 50x50cm. Archival C-Print, on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory number: 20389. Signature...

This is a unique photographic work taken by Andy Warhol on February 25, 1978 at a dinner for Cecil Beaton at Diana Vreeland's with Peter Beard, Carole Bouquet, Cecil Beaton and other...

This is a unique photographic work taken by Andy Warhol. A co-founder of the National Women's Political Caucus in 1971 along with feminist leaders like Gloria Steinem, Shirley Chisholm, and Betty Friedan, Bella Abzug...

This exuberant shot of Sammy Davis Jr. entertaining Marilyn Monroe was taken on the backlot of 20th Century Fox where Marilyn was filming How to Marry a Millionairecirca 1953. The ...

QAHATIKA GIRL Portfolio 2, plate no. 56 THE NORTH AMERICAN INDIAN BY EDWARD S. CURTIS SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Considered by art collectors as extr...

The artist explores the intersection between submission and domination with this set of photographs.For this series the artist explores the moment when nature in animal form intertwines with the human form, there you can learn true balance. -In this series the artist studies the balance between black and white photography. The harsh lights and shadows in the warm Florida weather led Ricky Rocket to explore photography. The sharp and refined effect of these types of lighting conditions became a necessity to avoid studio environments. Self-taught, while photographing ballet...

Richard Corman Jean-Michel Basquiat VI: A Portrait, 1984, 2018 Gelatin silver print Signed, titled, dated and numbered 4/30 by Richard Corman in marker on the reverse 20 × 16 inches...

Forevermore (Till Death do us Part) - 2005 24x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Lawrence Schiller "Marilyn Monroe - Roll 2 Frame 2" 1962; Photograph 20 x 24 inches Edition of 75 Black and White Framed

This mid-1960s landscape photograph, captured by society photographer Slim Aarons, features Swedish model Olimpia Hruska, wearing a bikini, poses against a rock on the Costa Smeralda...

"Marvin Gaye'" framed color photograph. This photograph was originally displayed in a guest room of the original Hard Rock Hotel and Casino in Las Vegas, Nevada, and comes with a cer...

'Making out in Car' - Long Shot (Till Death do us Part) - 2005 20x20cm, sold out Edition of 10, Artist Proof 1/2. Archival C-Print print, based on the Polaroid, Certificate and Si...