USA - Sculptures

This masterwork is currently on display at the Zimmerman Gallery in Carmel, CA Please note: The base is not included. We will guide you through a simple installation process for out...

Naum Knop (Ukrainian-Argentinean, 1917-1993) Modernist Brutalist bronze figural sculpture with heavy verdigris green finish. Melted forms in the shape of an abstract pretzel like twist. Affixed to white stone plinth. Artist signature, "NK" side of base. Good condition, shows rich green patina and aged oxidation. Measures approximately 17.5 in. x 19.5 in. x 6.5 in. Naum Knop, Argentine sculptor, was born in 1917 in Buenos Aires, into a Jewish family of Russian origin from Ukraine. His childhood was spent in the neighborhood of La Paternal where his father had a carpentry workshop, a space in which he made contact for the first time with the technique of wood carving. After finishing elementary school, he worked with the teacher Luis Fernández and soon after he dedicated himself to furniture design. Around 1935, he entered the Manuel Belgrano School of Fine Arts . Between 1941 and 1942 he attended the course for graduates taught by Alberto Lagos and Alfredo Bigatti at the National School of Fine Arts and continued his training between 1942-1945 at the Ernesto de la Cárcova High School with Soto Avedaño, Carlos de la Cárcova and José Fioravanti. At this time he put his works in dialogue with other young artists such as Libero Badii and Aurelio Macchi . Around 1947 he made his study trip abroad. He goes to California, United States, where he enters the Art Institute of Los Angeles. At the same time visit museums and galleries. In January 1948 he organized his first exhibition abroad, held at the Hall of Arts in Beverly Hills in Los Angeles. During this period he toured Chicago and then New York. That year he traveled to Europe; his itinerary includes France, Italy, Switzerland and England. As a result, he came into contact with the work of Henry Moore, Hans Jean Arp, Jacques Lipchitz, Constantin Brancusi, Umberto Boccioni, Henry Laurens, Ossip Zadkine. Artists who have an impact on the young Knop and whom he honors in his subsequent production. He returned to Argentina in 1949 and installed his workshop where he worked on ornamental carving and on pieces in which he oscillated between a synthetic figuration and abstraction. In 1956 he began his successful participation in salons , obtaining numerous awards at the national and municipal level. In 1959 he participated in the shipment to the 5th São Paulo Biennial and since then, to the success achieved at the local level, the multiple exhibitions carried out in the international field have been added. The exhibitions in Tel Aviv , Jerusalem and Rome (1966) stand out; Dusseldorf (1977); Los Angeles and Palm Spring (1981); New York (1986), San Pablo and Los Angeles(1989). During this period, his work matured, while he began to experiment with the direct wax technique, obtaining textured surfaces similar to welds that gave it a strong abstract expressionist feature. In parallel to his personal production and to the small models, the artist receives private and public commissions for which he works on large-scale sculptures and murals. Around 1967, the architect Mario R. Álvarez summons him to participate in a closed competition for the creation of a work to be located in the General San Martín Cultural Center . Libero Badii and Enio Iommi participate with the artist ; the bronze Reclining Figure Knop is chosen. Among the large-scale monuments it is worth remembering the piece Los tres soles temporarily located in Recoleta in 1984 and later installed in Maryland, United States; as well as Seated Figure (Reminiscence of Michelangelo) located in the shield of a private building in 1970. To these are added the numerous murals in which he experiments with various materials and techniques such as casting in bronze, openwork and reliefs in wood and work in cement. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop, Aldo Paparella, Enrique Romano, Eduardo Sabelli, and Luis Alberto...

A wonderful yet very playful piece depicting Harold, a magpie standing on a short rope from Gillie and Marc's collection which explores all the interesting, complex characteristics o...

Antique Horse Bronze  "Horse  in the Stable Playing with a Dog (The Good Companions)" Jument à l'écurie jouant avec un chien Pierre-Jules Mene (French, 1810-1879) Bronze 19 x 10 inc...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

"Beasts of Burden" (2023) by Andy Evansen is an original handmade watercolor painting on paper that depicts a midwestern plain, with a sunset from a passing storm. This piece measures 11 x 15 inches, and 16 x 20 inches in its frame. Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He began painting watercolors in the mid 1990s as a change of pace from his career as a medical illustrator. Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis...

This abstract painting by Teodora Guererra features a cool, serene palette of icy blue, soft gray, pale sage, white and hints of cream. Created with different sized brushes and palet...

Abstract geometric three-dimensional wood wall sculpture resembling stacked books in blue, grey, and white "Blue Books", hand-carved wooden wall sculpture ...

Figure of a horse , French 1940's , on a marble base appears unsigned finely carved, beautiful rendering, nice patina

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

Whether in the draping of a silk gown worn by an opera diva, or in the sparkle of an intricately beaded headdress worn by a woman of society, Erté had an exceptionally acute visual memory of every detail of his early design creations. It was no wonder then that his fashion designs were so adeptly applied to the sculpture format. In Mermaid, we have a fine example of how Erté carried the technical possibilities of the sculpture medium to a new level. This attention to detail added to his legend as one of the Twentieth Century’s foremost artist-designers, with work represented in the collections of the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York, the Paris Opera House, the Smithsonian Institution and the Victoria and Albert Museum, London. Through Mermaid, Erté takes us beyond the female form by choosing the intriguing legendary sea creature whose upper body is that of a woman, and whose lower body is that of an aquatic creature. In quintessential Erté style...

Mark Morrison (1895-1964) Baboon, ca. 1940 Carved and weathered Walnut 12" wide, 12" deep, height is 26.5" Please note the bottom surface is not perfectly flat and the piece lean...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is...

copper, wire and organza on metal armature "In Mee the Flame" - John Donne

(MADE TO ORDER) (Hand-painted, hand-made, porcelain) *Lead Time may vary between 1-3 weeks Melanie Sherman Vintage Moth III (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2022 Size: 4.5x6x0.5in Signed by hand COA provided Ref.: 924802-1328 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware...

"Caduceus", recognized as a universal medical symbol, in this bronze representation by James N. Muir has become an Angel of Healing bringing love and peace to the earth and all of it...

"Tiny Buckets" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 26.5"h x 17"w x 2.5"d and comes with a gallery-issued Certif...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Rigoletto Year: 1988 Medium: Bronze Edition: 145/375 Size: 19.75 x 18.13 x 5.75 inches Condition: Excellent Inscription: Incised wi...

Bronze Sculpture with Marble Base (18"x15"x8") I am a storyteller. As an actor, director, and writer, storytelling has been the heart of my life’s work. Whether on stage, in front ...

Mark Morrison (1895-1964) Lilith (Nude Figure) , ca. 1950 Carved stone 8.25" wide, 7.25" deep, height is 28.75" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK...

Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base. Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era. Excellent condition. Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...

Mark Morrison (1895-1964) Small Rooster, ca. 1940 Carved grey Vermont granite. 6.5" by 3.5", height is 6 1/8" Provenance: Estate of Mrs. Mark Morrison. Born: Kingfisher, OK E...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of art, illustrating the creation of beauty, meaning, and emotional impact from industrial...

Spatial Spiral Crawl ceramic sculpture by Michael Boroniec - ceramic, glaze Michael Boroniec’s “Spatial Spiral” series is an adventure in three dimensions and expands the concept of...

The Edge of Forever is a sculpture in bronze, signed and dated ‘KOSTABI 2023,’ and numbered 3/8 from the edition of nine on one of the angel’s wings (there was also 1 AP). Mark Kostabi is widely known for his paintings, but the artist has also worked in bronze since the 1980s. Two of his sculptures are permanently installed in Italy – one in the central square of San Benedetto...

This large abstract statement painting by Teodora Guererra features a soft, airy palette of pale whites, icy blues, hints of sage green, and touches of lavender gray. The artist buil...

D’Arcy Bellamy’s "Winter Blossoms" is a contemporary metal sculpture that merges industrial artistry with organic elegance. This tall, 84-inch steel sculpture features intricately cu...

Jonathan Adler acrylic pill sculpture. 750 mg size. blue

The universal theme of travel has always inspired Bruno Catalano. Since he started to knead clay, hundreds of “Travellers” went out of his feverish hand...

Untitled Portrait Head (perhaps Arnold Geissbuhler, the artist’s husband), c. 1920s, bronze, signed verso, 11 x 9 x 7 inches (excluding base) Elizabeth Chase was a sculptor, printma...

A classic terra cotta sculpture of Mercury signed Jean-Baptiste Pigalle (1714-1785).

This piece titled "JxDALL·E 2023 15.17.19 92nd. st" is a crafted original piece by Tuft the World as part of the inaugural collection of TTW Editions. This piece measures 67"h x 45"w...

In "White Smoke," the beautiful slumped glass with delicate veining in white creates a cloud-like effect. Gracefully draping and climbing through the wall-...

"Casanova" 24K Gold and Diamonds Sculpture 8.5 x 2 in Ed. of 10 by Colin Burn Medium: 24K Gold, Precious Cabachon Cut Gems, Diamonds & Pearl Edition of 10 NOTE: preparation time may take up to 8 weeks. Electroformed 24k yellow gold olisbos sculpture, embelished with beautiful smooth colorful cabochon gem stones, sparkling white diamonds plus exquisite sapphires and emeralds. Casanova inspired this venetian styled design, vintage itialian feel, rich in color and full of passion. Sculpture comes with Limited Edition Artist Certificate of Authenticity and Jewelry Certificate of Materials. Casanova’s playground the Venetian masquerade, with the mystery of disguise one shares in the freedom of naughty playfulness with no consequence of identity. Exploring new lovers in order to learn and grow we face our fears and jealous tendencies through uninhibited pleasure. Casanova the master lover inspires the freedom to explore and discover our deepest desires, surfacing our inner sexual being, imploring us to satisfy our insatiable imaginations and fulfill our wildest fantasies. Artists Inspiration: “I wanted to create a classic vintage piece in honor of the world’s greatest lover Giacomo Casanova, reflecting on his rich Venetian heritage and his impact on carnal thoughts and desires. The sculpture embodies the image of this red blooded Italian, full of passion, color and strength, dressed in ornate design and bursting with sexual energy. The piece had to scream Venice with all the mystery of disguise and its naughty playfulness. Smooth cabochon gems possessing natural sexual energy were my inspiration for the rich colors. The ornate wrought iron pattern on the shaft is reflective of Casanova's gateway to pleasure and my use of rich yellow gold, diamonds and pearl was to add treasure to the memory of this passionate man and his famous legacy of love.” ABOUT COLIN BURN: Australian artist Colin Burn is a bold provocateur in the world of conceptual art, using his work to disrupt societal norms and spark critical dialogue often around uncomfortable truths. His art pushes boundaries, urging viewers to rethink their assumptions on value, power, and meaning, especially in contexts often deemed taboo or overlooked. Known for his masterful fusion of symbolism and opulence, Burn transforms ordinary objects into potent allegories, frequently employing their high monetary value to amplify the emotional and intellectual resonance of his themes. He understands that society frequently ties value to price, and this awareness is central to his approach. With an attention-grabbing allure, Burn’s work invites viewers to look beyond the surface, encouraging them to explore the deeper, often concealed meanings behind what they see—reminding them that true value lies not only in the material cost, but in the idea or theme that it represents. A compelling example of this is his Pearl Royale chess set...

Created after the artist's iconic 40-foot topiary sculpture at the Guggenheim Museum Bilbao, Jeff Koons’ Puppy (Vase) is a glazed porcelain vase measuring 17 ½ x 11 x 13 in. (44.5 x ...

Sergio Bustamante (b.1949, MEX), papier-mache ostrich sculpture, freestanding, ed. 100, signed. Some minor wear on the feet in very good shape buyer must arrange shipping or can be p...

Stainless Steel sculpture with an inscribed signature and edition number by the Artist on the base of the piece. 24/30

HEATHER ZUSMAN is a wood sculptor and artist originally educated in fine furniture making. Born and raised in California, she sought training at Waters and Acland Furniture School in...

HEATHER ZUSMAN is a wood sculptor and artist originally educated in fine furniture making. Born and raised in California, she sought training at Waters and Acland Furniture School in...

'Saluting Bird' is an original opal serpentine sculpture signed by the Zimbabwean artist Canaan Musiyiwa Ngandu. The sculpture presents an abstract figure in Ngandu's quintessential ...

This is a revolving colorful kiddush cup with a signed and numbered Agam op art print in it. this includes the base tray. There is no cup insert so it is more of a sculptural piece ...

William McVey (American, 1905-1995) Mountain Goat Bronze Signed by foot 14 x 3.5 x 6 inches William McVey (12 July 1905-31 May 1995) became Cleveland's most visible artist largely t...

Aaron K. Zook original carved and painted diorama “courtship”. In good condition the frame a split to it on the lower left. Measuresments are 60x36

"Waikiki" is a minimalist and modernist, solid wood wall sculpture that brings bold statement to wherever it is placed. Artist Scott Troxel says "The piece is part of my popular "S...

Thomas Morin (1934-2017) Untitled, 1962. Cast iron on wood base. Cast sculpture measures 24 x 7 x 5 inches and weighs 49 lbs. Overall measures 26 inches tall on wood base. Proc...

Arnaldo Pomodoro Signed metal pendant (Brooch), ca. 1989 Sculpted metal brooch. Incised signature by Arnaldo Pomodoro. 4 4/5 × 4 inches Elegant sculpted metal brooch and/or pendant....

Rhomboid, 2001 Laminated acrylic Signed and dated: Vasa / 2001 9.5" H x 4.5" W x 2.5" D (size is approximate) Vasa Velizar Mihich (born 1933), known as Vasa, is an American artist based in Los Angeles, California. Born in Yugoslavia, Vasa has lived in Los Angeles since his arrival in the United States in 1960. He is an academically trained painter and was a professor at the University of California, Los Angeles UCLA in the Department of Design and Media Arts. He taught theories of color to understand interdependence and interaction of color and form, color and quantity, color and placement, and after-image. In the 1960s, Vasa developed techniques for working with cast laminated acrylic forms based on simple Euclidean shapes. These prisms of luminous construction are created by composing colored planes within these geometric forms. To fully appreciate these works of art, it is essential to observe them from different angles―the sculptures dimensionality contributes to an ever-changing appearance. Now retired as a professor emeritus, Vasa focuses on his conceptual art practice. His studio, designed to accommodate the technology required for his work, is located in the heart of Los Angeles. He makes laminated acrylic sculptures that reflect and refract light. He has had solo exhibitions at galleries in the United States, Japan, Italy and Serbia, including the Museum of Contemporary Art, Belgrade, the San Diego Museum of Art, and the Palm Springs Desert Museum. Vasa is best known for his sculptures made from colored pieces of the plastic, poly(methyl methacrylate), which is also known as acrylic and by the brand names Plexiglas and Lucite. Untitled from 1975, in the collection of the Honolulu Museum of Art, demonstrates the effect of these minimalist sculptures. His work straddles the West Coast Light and Space art movement, Artists such as Robert Irwin, James Turrell, John McCracken, Larry Bell, Craig Kauffman, Billy Al Bengston, Peter Alexander, and Lita Albuquerque...

This piece is an O.P. square plaque by Pablo Picasso, done from December 1968 to January 1969. It is made with red earthenware clay, engobe ground and engraving enhanced with oxides...

"Transistor Radio" is an original piece by Ulla-Stina Wikander that can be wall-mounted or be free standing. This piece is made from sourcing vintage needlepoint embroidery and exper...

"Pink Lollipop" is a resin sculpture by Elena Bulatova. She is originally from Russia now is an international artist who resides permanently in Palm Sp...

Note: Streamliner I is shown with Streamliner II in some of the photos. Streamliner II is the Darker of the two sculptures and shown on the right (When both are shown in same photo)...

Alexander Liberman (1912-1999): Svet III Mixed media on board, 1984, signed 'Alexander Liberman' and dated at bottom= Hand signed, titled and dat...

Dimitri Hadzi Uxmal, 1991 Cast bronze on custom made granite base 17 × 30 1/2 × 14 inches The title UXMAL, refers to the ancient Mayan city of Uxmal, which is known for its "Pyramid of the Magician" Provenance: Acquired by the original owner from the prestigious Gremillion Gallery in Houston, Texas (accompanied by a copy of the original receipt) Measurements: Base: 26.5 by 11 by 1.75 inches Work longest 30.5 inches Widest 14 inches Highest. 17 inches More about Dimitri Hadzi" Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality. Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006. Hadzi is included in the permanent collections of the Museum of Modern Art; the Whitney Museum of American Art; the Museum of Fine Arts, Boston; the Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Receiving over twenty sculpture commissions, Hadzi’s work appears in public squares, concert halls, federal and private plazas, and universities throughout the world. --------------- [1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30. Additional Biography: Dimitri Hadzi (1921 – 2006) is among the most distinguished modernist sculptors, creator of works in bronze and stone that are powerfully abstract and expressionist in character. His contribution to the international language of sculpture continues to influence and inspire through permanent installations and collections, and exhibitions worldwide. Born to Greek-American immigrant parents in New York City, he had a talent for drawing at an early age and won a prize for his young ability. But, it wasn't until after serving in the Air-force in the South Pacific during WWII that he turned his sights fully to painting and sculpture, going on to study both at Cooper Union. Eventually, he would become a mainstay of the Cambridge, MA art community. He was a Guggenheim Fellow (1957), the winner of the Venice Biennale Award (1962), and the Rome Prize (1974). His most notable sculptures are: Copley Place Waterfall (Boston, MA), Owen Glass Co. (Toledo, OH), as well as Thermopolis, adjacent to Boston’s City Hall Plaza, and the former Omphalos in Harvard Square (Cambridge, MA). Hadzi is included in the permanent collections of the Museum of Modern Art; National Gallery of Art; Whitney Museum of American Art; Museum of Fine Art, Boston; Hirshhorn Museum and Sculpture Garden; The Phillips Collection and the Guggenheim Museum. Additionally, Hadzi was also a prolific painter, and printmaker. He also taught at Harvard University for over a decade. Famously, David Hockney attended one of Hadzi’s classes at the Carpenter Center at Harvard, where Hadzi served as director. The two of them spent time together painting and discussing techniques. Hockney gifted Hadzi one of his paintings. He worked alongside his good friend, Nobel Prize winning Irish poet...

ERTE bronze sculpture signed and numbered “sea artic”. In goods condition measures 27 inches tall.

This figurative mixed media textile wall sculpture was done by American fiber artist, Norma Minkowitz (b. 1937). The interlacing technique that Minkowi...

"Summer" is an original piece by Ulla-Stina Wikander that is free standing. This piece is made from sourcing vintage needlepoint embroidery and expertly wrapping it on and around a s...

This Mixed Media piece titled "Blobflower Series 4" is an original artwork by Roxana Azar made of a digital print on acrylic. The piece measures approx. 5”h x...

"Surgeon" is an original artwork by Alex Eckman-Lawn made of hand-cut paper and layered to create a dimensional illusion. This piece measures 11"h x 9"w x 1.25"d and is shipped in th...