USA - Photography

An editioned gelatin silver print by American photographer Duane Michals (1932-). "Two friends are playing cards. One is cheating" from Homage to Cavafy Series, published in 1978. Gelatin silver print, hand-written titled on the lower margin. Signed and numbered 14/25 in ink on the bottom of the sheet. 3 1/2 x 5" for the image size. Displayed in an original silver leaf frame. Michals created ten photographs in honor of Greek gay...

A vintage gelatin silver photographic print by American photographer Ralph Gibson (1939-) Untitled, the photograph depicts an antique stone female statue from the back showing the to...

Jefferson Hayman is an artist whose work explores the themes of nostalgia, common symbols, and memory. Each photograph is handcrafted as a silver gelatin, platinum or pigment print, ...

Striking black and white photographic print of a nude figure, elegantly framed. The composition highlights the interplay of light and shadow, celebrating the human form with a timele...

Francesco Scavullo, Andy Warhol's Flesh: Joe Dallesandro with Child II, 19.25 x 13.25 in. Rare photo from Scavullo’s New York studio. 1968. Large scale photo mounted on board. Exceed...

Enos A. Mills Photograph, "End of the Trail," c1921, Sepia Toned Silver Print. The print is blind stamped on the lower right "©, Enos A Mills, 1921." The horse was named 'Cricket,' h...

Antique Edward S. Curtis Native American Print “Cowichan Warrior” C1912 (26 1/2" x 18" x 1/4"). This is an antique print titled 'Cowichan Warrior' by Edward S. Curtis, created...

A framed vintage gelatin silver photograph print by American surrealist photographer Arthur Tress (1940-). The work belongs to the artist's "Dream Collector" series. Entitled "Girl i...

Artist: John Patrick Dugdale (New York, b. 1960) Title: Margie Medium: Cyanotype Year: 1996 Edition: number 2/10 Measurement: Sight H 9", W 7.5"; with artist fame H 14.5", W 12.5" Pr...

A heartwarming collection of three framed photographs depicting pairs of American soldiers, some in uniform and some flexing their muscles, but all charmi...

A striking and emotionally charged 1980s black and white photographic portrait by Lance Evans, titled "Pascal". Image captures a shirtless man mid-inhale, a cigarette hanging from hi...

Rare Pierre Salinger Boldly Signed Photo With JFK Presented to Colonel Michael Paul. Pierre Salinger (1925-2004) served as Press Secretary to Presidents Kennedy and Johnson from 1961...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

Entitled "Portrait of Me at Twilight", this photograph is by American photographer John Patrick Dugdale (1960-). The self-portrait, a toned cyanot...

Stunning lifetime signed dye transfer print by Arthur Siegel. Although color photography was available to the public in the late 1930s, most respected "p...

"Juan Concho" gold tone photograph signed by Carl Moon; 8" x 10". Published "In Search of the Wild Indian" by Tom Driebe on page 144. This piece is in the original frame; was displayed in Carl Moon's studio and passed to his son and daughter where purchased. A copy of the book "In Search of the Wild Indian" comes with; rare and exceptional. S OF CARL MOON 1903 to 1914 MS 285 Collection Guide Born in Wilmington, Ohio, Carl E. Moon learned his craft as an apprentice to a photography studio. He moved to Albuquerque, New Mexico, opened his own studio, and made pictorial studies of Indians in the region. Between 1907 to 1914, he worked for Fred Harvey...

Our gallery is pleased to be have the opportunity to represent the internationally renowned Photographer Nicola Majocchi. The photograph is printed on Mettalic paper. This photograph...

Anna Condo, a filmmaker and a photographer born in Armenia and raised in France, has been photographing flowers, her "ultimate muse," since 2013. The medium became a creative outlet ...

"Photograph of a Grecian bust" is a cyanotype print by John Dugdale, edition 2/6. The print is 16" x 20" matted and framed to 24" x 27.5".

Black & White Photograph of "Thumbs Up" by Robert Francis Giandomenico, c. 1970 Photograph is mounted on Board "thumbs up emoji before the thumbs up emoji" "unframed - will look a...

Iconic Moody Portrait of a young Yves Saint Laurent photographed and signed by Marie Cosindas in 1968. Images of this sitting by Cosindas...

John Dugdale (American, b. 1960). Turbulent Dream, NYC, 1998. Platinum-palladium print. Image size 8-3/4 x 6-3/4 inches paper size with margins 17 x 14 inches Signed and editi...

Esko Männikkö: Naarashauki: the Female Pike. Published by Oulu, Finland: Esko Mannikko / Kavela Kustannus Oy, 2000. Photographs and text (in Finnish and ...

Framed and matted black and white photograph by Lee Crum signed by the artist.

An editioned gelatin silver print by American photographer Duane Michals (1932-). "I could read it clearly in his palm. There would be a terrible tragedy. My love could not protect him" from Homage to Cavafy Series, published in 1978. Gelatin silver print, hand-written titled on the lower margin. Signed and numbered 8/25 in ink on the bottom of the sheet (as shown). 3 1/2 x 5" for the image size. Displayed in a brand-new black wood archive frame with museum glass. Michals created ten photographs in honor of Greek gay...

A framed photograph by John Patrick Dugdale (American, born 1960-) titled "Shady Breakfast". Relatively large in print size, the gelatin chloride ...

A framed black and white street photograph by Vivian Maier (American, 1926-2009), entitled "New York, NY, September 3, 1954", this is a gelatin silver pri...

Between 1980 and 1982 Robert Mapplethorpe photographed Lisa Lyon culminating in "Lady Lisa Lyon" published in 1983. This image is separate from the 114 im...

Metallic print mounted on acrylic Edition limited to 99 copies Measures: 36’’ x 24’’  48’’ x32’’.

Late 19th century Photograph, Victorians in Tropics, domed glass with trompe l'oiel wood grain frame. Period Black White image has been pasted onto board and inserted into frame, needs a matt as the photo does not cover entire backing. Interesting subject matter of a Victorian couple...

Lamborghini Magazine Issue #29 Febuary 2021. Featuring the 50th anniversary of the legendary Countach. Exploring the concept of time from several perspectives with unmissable interv...

Steichen in color: Portraits, fashion & experiments by Edward Steichen and Foreword by Joanna Steichen. Sterling Innovation September 2010. 1st Ed hardcover no dust jacket as publish...

Ode to a quintessential symbol of New York City. Artist: Francis Augustine 1. Choose a print size: 5 sizes available: 27” x 18”, 36” x 24”, 48” x 32”, 57” x 38”, 72” x ...

A very rare vintage Elizabeth Taylor signed photograph with Actor Peter Lawford, circa 1952. The photo was taken when Lawford came to visit Taylor on the set of her movie "Ivanhoe" i...

This Piece has aged beautifully, gorgeous Patina throughout. Within wooden framing. Vintage Condition Consistent with Age as Pictured. Dimensions. 22 W ; 1/2 D ; 13 1/2 H

A Window into History: 1922 Portrait by Odile Bouligny This captivating black and white photograph, captured in 1922 by renowned French photographer Odile Bouligny, offers a glimpse into a bygone era. The image portrays a mother and daughter, both Navajo pottery...

Edward S Curtis (1868-1952) Title: Tuvahe – Jemez Plate: 553 Portfolio:Volume 16 Printer: : Suffolk Eng. Co. Cambridge Mass Medium: Photogravure Dat...

The Spirit of New England Hardcover – June 9, 1991 by Paul Nolan. Harris, Bill., Portland House, 1991, 1st U.S. Edition 1st Printing, cloth with gilt spine titles, 160 pp, colo...

Black and white photograph of an Industrial steel mill scene. American, early to mid-20th century. Written on the back is Louis Creveling, California. Professionally matted and frame...

PLEASE NOTE: This original photo from the amazing Michael Roberts exhibition at Hamilton's Gallery in London, England of "Michel in a Toga" was used in promotional pieces for the exhibit. It is signed/ nuymbered 1/25, but this is the actual photograph from the exhibit, and no other image was made/printed. IT IS AN AMAZING IMAGE. * This image of Michel wearing a sheer greek key toga. He is nude underneath and although subtle, it is a nude. Michel was a high fashion male model thet Michael Roberts adored and used him for many fashion campains for Joeph's London. A rare large black and white hand printed silver gelatin photograph of Michel by the legendary fashion icon, Michael Roberts, London. This image was part of a Michael Roberts show in 1989 at Hamilton's gallery, London. Signed on back. Black metal simple frame. Image: 15" x 19", framed: 22' x 26". This image was in the gallery show in London.The images from the show are very rare and now highly sought after and collected after Mr. Robert's death. two images were purchased from that Exhibit. The second one, "Nude of Michel" is available on separate listing. We hope they are purchased together as they were hung next to each other in the exhibit. MICHAEL ROBERTS: The preferred medium of the fashion journalist Michael Roberts was Canson art paper, which he scissored freehand into crisp-cut collages, or snipped into minute dots to reassemble into mosaics, for magazine covers or book illustrations. His art, bit by bit putting it together, reflected his life in fashion. He wrote about it, commissioned unexpected others to do so, photographed for media and ads, and charmed cranky legendary lensmen into snapping for him. He could source the clothes, choose the crazy locale, stage the shoot’s story, and write a witty critique of the enterprise. He was also always the most elegant person involved, effortlessly cool. Roberts, who has died aged 75, never bothered with a résumé, since every new role or venture seemed to just develop, but they totted up to a serious career. He was a writer on the Sunday Times in the 1970s, when new couture catwalk drama and heightened designer celebrity demanded a fashion voice that was both theatre critic and gossip columnist. Then from 1979 he was art and style director of Tatler magazine, when the editor, Tina Brown...

A beautiful black and white photographic portrait of young hasidic boy wearing black fedora w/ ominous looking mask hanging from his neck. In the style of Diane Arbus. Photo was pro...

One of a kind, never published, black and white photo of Industrial architectural construction site scaffolding, unsigned. Professionally matted and framed, American, early to mid-20...

Own a Piece of Jazz History: Framed William P. Gottlieb Photograph of Frank Sinatra - "The Golden Age of Jazz" For the discerning collector of jazz memorabilia...

The Christopher Draghi limited edition C-Print, shown here, was taken in 2007. Titled, "Ercole e il Centauro," Each print is signed and dated by the photographer. Measure...

For your consideration is a rich, vibrant, contemporary photograph depicting a Haitian man on scooter by award winning photographer Chantel James. Dimensions: 16h x 22w (framed). In excellent condition. Chantal James...

An original platinum print on textured paper by iconic American photographer Edward Curtis titled "Hopi Weaver"(sometimes known as "The Weaver"). Curtis was famed for his work with the Native American peoples of the American West at the turn of the century. This image features a male Hopi elder weaving a blanket - an exclusively masculine occupation at the time. This platinum print is hand-signed in ink, blind-stamped with Curtis' embossed studio copyright stamp, and dated 1899. The negative number ("X 743") can possibly also be imperceptibly/faintly seen written by Curtis on the lower-left edge. The photo is mounted on a single, handmade lightweight paper typical of other mounted Curtis photos...

Karl Blossfeldt Photogravures Wundergarten der Natur, 1932. Hung together, these make a very impressive and modern wall display. Available in smaller groups or individually at $595...

Anna Condo, a filmmaker and a photographer born in Armenia and raised in France, has been photographing flowers, her "ultimate muse," since 2013. The medium became a creative outlet ...

A fantastic vintage framed black and white photo. A chic 70s fashion shot of a girl with her chimney broom. Nothing says fashion like a good chimney broom....

Robert Mapplethorpe is no doubt a founding father to modern photography. Through iconic black-and-white imagery, Mapplethorpe gained both recognition and infamy with his often-contro...

Modern Times - The Age of Photography by Mattie Boom. Published by Rijksmuseum Amsterdam, 2014. 1st Ed hardcover. The Rijksmuseum's Philips Wing is scheduled to reopen in November 2014 with Modern Times: The Age of Photography, a major survey of twentieth-century photography culled from the Rijksmuseum's collection (a first for the museum). Growing spectacularly since the decision was made in 1994 to collect photography beyond the nineteenth century, the collection now includes some 20,000 twentieth-century works, including masterpieces by photographers such as Andre Kertesz, Brassai, Robert Capa, Laszlo Moholy-Nagy, Henri Cartier-Bresson, Weegee, William Klein, Eva Besnyo, Man Ray and Joel Meyerowitz. A wide-ranging overview published to accompany the exhibition, this catalog, designed by the renowned Irma Boom, traces key developments in photography over the course of the last century through more than 350 photographs, from Eadweard Muybridge's motion studies...

Anna Condo, a filmmaker and a photographer born in Armenia and raised in France, has been photographing flowers, her "ultimate muse," since 2013. The medium became a creative outlet ...

Edward S Curtis (1868-1952) Title: An Isleta Man Plate: 549 Portfolio: Volume 16 Printer: Suffolk Eng. Co. Cambridge Mass Medium: Photogravure Date: 1925 Dimensions: Sheet: W 17 ¾...

A beautiful and quite stunning black and white silver gelatin fibre photographic print by renowned American photographer Murray Garrett who was known for his candid portraitures/shot...

Edward S Curtis (1868-1952) Title: Oyi – Tsa (“Duck White”), Summer Cacique of Santa Clara Plate: 601 Portfolio: The North American Indians Volume 17, The Tewa, The Zuni Printer: ...

Early original pictorialist sepia tone gelatin silver print photograph of a sultry young woman in a flowing gown by Rochester NY photographer Ned Hungerford, 1900-1910. Beautiful eth...

Hiroshi Sugimoto, Time Exposed, Seascape #345, Ionian Sea, Santa Cesarea, 1990 A mesmeric meditation on time through repetition and constancy, Hiroshi Sugimoto’s Time Exposed portfo...

This early original photography by the late Brian McKee (1977-2018) of a war-torn Castle in Northern Afghanistan. This is a chromogenic print mounted on aluminum - Series 1 of 5, from 2002. Provenance: This amazing piece was purchased at Art Basel (Switzerland) in 2002 from Galerie Ernst Hilger (Vienna). Paperwork to be provided at time of purchase. THIS ITEM IS LOCATED AND WILL SHIP FROM OUR MIAMI, FLORIDA SHOWROOM. Biography Brian McKee was born in 1977 in Excelsior Springs, Missouri and attended the Interlochen Arts Academy and Bard College. While at Bard College he studied photography with Stephen Shore, Larry Fink and Barbara Ess as well as writing under John Ashbery whose assistant he was for more than three years. For five years he was the assistant to the photographer Lynn Davis. He lived and worked in New York City/USA, Vienna/Austria and Istanbul/Turkey. Brian McKee called himself “a visual historian” who ventured to “convey a unique and important view of select aspects of World History” with his photographs. “Within architecture and landscapes I find my true subject, the detritus of civilization, and seek to explore the way we define and relate to its existence. Although creating precisely composed and executed images I carefully chose projects that have a conceptual meaning and importance beyond their visual interest or beauty.” For the past 15 years McKee had focused on examining and visualizing a body of work that explored both the current and past social and political atmospheres of countries around the world. Photographing with an 8x10 inch Deardorff plate camera he composed poetic images, which conveyed a complex untold narrative embedded in an immaculate concept, which didn’t only exist for aesthetic purposes. He was fond of ”the idea that houses, buildings, towns and cities provide us with a true understanding of the cultures that inhabited those spaces. At the same time they are a reflection of the social, political and personal atmosphere that created them.” His signature subject of the rise and fall began 1999 when he photographed Soviet military...

This vintage framed picture captures the iconic Texas Stadium, the longtime home of the Dallas Cowboys. A piece of football history, it showcases the legendary open roof design that ...

Original vintage photograph taken by Jeannette Montgomery Barron of American photographer Robert Mapplethorpe in NYC, 1987. Vintage gelatin silver print. Framed. Image: 13 × 13 in...