Edward S. Curtis Original Signed Stamped Platinum Photograph Hopi Weaver, 1899

"The Vanishing Race" is perhaps the most iconic and sought-after photographic print by renowned American artist Edward S. Curtis who was famed for h...

An original platinum print on textured paper by iconic American photographer Edward Curtis titled "The Piki Maker" The print is hand signed in ink, blind-stamped with Curtis' embos...

An engaging photographic image by famed British musician and photographer Graham Nash (from the folk-rock supergroups Crosby, Stills & Nash and Crosby, Stills, Nash & Young). Nash's ...

A beautiful and timeless image/photographic print by famed German-American photographer/artist Ruth Bernhard (1905-2006). This classic feminine nude study is titled "Perspective II". The gelatin silver photographic print is hand pencil signed by Bernhard in the lower right margin and hand pencil signed, titled, and dated (the original image was created in 1967. This is likely a later printing) with her photographer's stamp on the verso. Provenance: Peter Fetterman Gallery, Los Angeles (please see image of the original gallery purchase receipt). Ruth Bernard...

An absolutely stunning chromogenic print by esteemed American Fine Art photographer Mitch Epstein. One of his most well-known images which can be found in his book "In Pursuit of Ind...

A beautiful, singular silver gelatin photographic print by renowned Australian photographer/artist titled "Uta Uta Tjangala's camp at Yayayi Bore, 1973" The one-off, unique work is hand pencil signed, titled, dated (printed in 1991), and numbered (1/1) by Rhodes in the lower margin. Jon Rhodes was born in Wagga Wagga, New South Wales in 1947. before moving at a young age to Brisbane, Queensland. He took up photography in the late 60s which eventually led him to documentary work as an assistant cinematographer in countries such as Australia, Papua New Guinea, and India where he developed his cinematic approach to photography. It was also in the 1970s that he began his collaborative work with the Indigenous Australian Aboriginal Peoples. Today Rhodes is widely viewed as a pioneer in bringing a high-art approach to documenting the lives of Aboriginal People living in remote communities. Rhodes's work can be found in numerous major Australian collections and prominent museums including: The Art Gallery Of New South Wales, Sydney The Museum of Australian Photography...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indi...

Presented is a rare, platinum Master Exhibition Print of Edward Curtis’ The Three Chiefs. Typical of Curtis’ Master Exhibition Prints, this platinum print is double-mounted, signed, with an embossed copyright credit and date stamp. His numeric notation “52-00” is in the photographic negative. Curtis photographed The Three Chiefs during his two weeks on a Blackfoot reservation in the summer of 1900. The photograph depicts three Piegan men in traditional dress on horseback, situated next to a small stream with an expansive cloud-filled sky behind them. The Piegans were the largest group in the Blackfoot Confederacy and still retained a majority of their original culture when Curtis visited the tribe. It reportedly took Curtis several days to find the perfect prairie backdrop and riders for this photo, yet his patience paid off. The image was pivotal in enabling Curtis to form his vision for his next project - his ambitious 20 volumes “North American Indian”publication. This print is believed to be one of only three oversized, platinum Master Exhibition Prints of this image in existence. It was printed by Curtis specifically for his East Coast exhibition tour of 1905-1906. Curtis chose only a small number of what he believed to be his finest negatives to produce prints for the show. He never again mounted an exhibition of his work, nor produced such distinctive, large-format platinum prints. “The extraordinary rarity of The Three Chiefs becomes clearer when viewed in the context of other Master Exhibition Prints, principally the 108 in the Peabody Essex Museum in Salem, Massachusetts, the largest collection in existence. The Museum, however, is missing a number of early, iconic images, including The Three Chiefs. It has long been assumed that these missing prints were held elsewhere, possibly in the collection of The New York Public Library. This theory has been substantiated by the Curtis scholar, Bruce Kapson, who unearthed a cache of letters from Curtis to J.P. Morgan and to Morgan's librarian, Ms. Bella da Costa Greene in the Pierpont Morgan Library archives in 2007. The correspondence establishes that 58 of the 100 prints in The New York Public Library's collection are actually Master Exhibition Prints, specifically selected by Curtis for J.P. Morgan as the best examples of his work. A typed letter, dated March 1907, from Ms. Greene to Curtis states: 'I enclose herewith a list of Indian photographs which you sent to Mr. J.P. Morgan'. The letter is accompanied by a handwritten list of 58 photographs, including The Three Chiefs (print number 52.) Morgan donated this group of prints to The New York Public Library in 1912.” (Christie’s Live Auction 1893 Catalog, 2007). Curtis’ platinum prints make up less than 1/2 of 1% of all of the work he created. Curtis’ platinum prints were created only for exhibition or direct sales to patrons and they were always made by Curtis himself. One significant dealer in Curtis prints...

Presented is a fine photogravure portrait of a Cheyenne man with cottonwood leave headdress by Edward Curtis. The image is Plate 216 from Supplementary Portfolio 6 of Edward Curtis' ...

Presented is a fine photogravure portrait of an Ogalala woman by Edward Curtis. The image is Plate 94 from Supplementary Portfolio 3 of Edward Curtis' epic project The North American...

Presented is a fine photogravure portrait of a Piegan man named New Chest by Edward Curtis. The image is Plate 200 from Supplementary Portfolio 6 of Edward Curtis' epic project The N...

Presented is a fine photogravure portrait of Bear’s Teeth of the Arikara tribe by Edward Curtis. The image is Plate 154 from Supplementary Portfolio 5 of Edward Curtis' epic project ...