Vintage Elizabeth Taylor Signed Photograph

Julius Shulman signed black and white gelatin photo of the Von Sternberg house in Northridge, CA, circa 1947. #1675 The overall piece measures 16" x 20" and the actual image is 12...

Nice mounted black and white picture by artist Bob Coleman, signed and dated one of his early works great condition, nice polished aluminum in gold finish no glass. The picture by it...

Cool vintage metal rusted letter F, new rewired lighted cord and bulbs switch off/on in perfect working condition nice rusted patina.

Rare 1956 Mexican soda tin sign.

The beautiful design on this wall barometer by Taylor in patinated brass and glass can be hung on the wall or table top.

Super cool and hard to find vintage porcelain Corona beer sign, circa 1970s. The sign is actually a former tabletop at a roadside cantina in Mexico. The di...

Photograph Signed

ORIGINAL VINTAGE PHOTOGRAPH SIGNED BY CHARLES LINDBERGH.

Photograph of a young Lindbergh sitting at h...

Discover the essence of vintage Boho in this original signed photograph on canvas. With each brushstroke, it captures a moment of eclectic charm, signed by the artist's hand. A timel...

For your consideration is gorgeous and rare antique hand-colored photo print (gelatin silver) titled "Tranquility" from circa the 1920's, and hand-signed by Percy Murray (17.25x12.75...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

For your consideration is gorgeous and rare antique hand-colored photo print (gelatin silver) titled "Lake Boats" from circa the 1920's, and hand-signed by P...

For your consideration is gorgeous and rare antique hand-colored photo print (gelatin silver) titled "Golden Autumn" from circa the 1920's, and hand-sign...