Drawings and Watercolor Paintings on Sale

This framed 20.25" x 16.25" drawing by artist Chris Brizzard depicts the portrait of a Rohingya man. This grayscale portrait features a male figure with...

Lounge Chair Nap - Vintage Illustration in Ink and Watercolor A man lazes in a lounge chair, book still in hand, as he dozes off with a content e...

Well presented in a simple gilt effect frame. Signed and dated in graphite to the lower left corner. Artist's label fixed to the reverse. On paper.

Beautiful large-scale figurative landscape watercolor of a vibrant village scene with several people and a cow amongst interesting architecture by William Howard Knowles (American, 1...

Disegno espressionista Figura femminile Artista Italiano che ha dedicato la vita all'arte Edgardo CORBELLI (Torino, 1918 – 1989) MUSEI Orléans, Francia, Musée Collégiale Saint Pierre le Puellier Salon de...

Colorful abstract work by Bay Area artist Kelvin Curry (American, 20th Century). Signed "Kelvin Curry" lower left. Unframed. Image size, 15"H x 11.25"W. Born in Oakland, California Kelvin Curry's creative destiny was clear early in life. Initially using black and white graphite as his medium and later expanding into mixed media to bring about multi-dimension; as well as a sense of rhythm and grace in the abstract female figure. Kelvin Curry studied fine arts at San Jose State University and has been making and exhibiting art all his life. Curry has a keen understanding of the arts, particularly the black arts movement in and around the Bay Area. Kelvin has exhibited his work in hundred of juried festivals, exhibits, and galleries throughout the country. Visitors from countries such as South Africa, Japan, Australia, France, the United Kingdom, and China have chosen his work to adorn their homes in their native lands. Collectors include Randy Crawford, Nancy Wilson...

A delicate and finely executed floral still life of red and white chrysanthemums in a blue and white china urn in front of a deep blue curta...

The port of Terragon. Watercolor on paper. Circa 1940-1950. Painted on rough watercolor paper, Canson & Montgolfier, old French paper manufacturer. The chromatic range is played in ...

Donald Stacy "Star Ear" c.1950s Ink on paper Black wood frame 9.75"x17.25 Signed lower right in pencil Came from artist estate This striking piece of art is an original drawing by r...

French School, Portrait of a Lady, Rococo, 18th Century, Fine drawing in Pastel/ Oil Pastel on Paper in the style of Vivien. The Lady might be a woman from Marie Antoinette's Court. It is part of a Pendant (see the other listing with the portrait of Queen Marie Antoinette...

Wonderful original watercolor on archival paper by the well known British artist, Vincent Clare. Signed lower right. Signed and titled verso. Circa 1890. Condition is excellent. Beau...

Colorful watercolor still-life of a bountiful harvest of fruits and vegetables on a bright purple tablecloth with a single tall candle by Les (Leslie Luverne) Anderson (American, 192...

An exquisite depiction of a ballet dancer in motion, rendered exquisitely in pastel by Russian/American artist Valery Kosorukov. The artist has manage...

Boat at the Dock, Alviso Bay Area Tonalist Landscape Watercolor by Iku Nagai Lovely Tonalist watercolor landscape of Alviso, California by Iku K. Nagai (Japanese/American, b. 1932)....

A beautiful and rare double-sided watercolor by the prolific contemporary Italian painter Marco Sassone (Italian, b.1942). In this early work, created in 1969, Sassone depicts two different sunset harbor scenes on each side of the paper. On the front, the artist uses a warm color palette of orange and yellow hues to depict a glowing sunset illuminating boats in a harbor. A second view of the harbor with small boats in the foreground on verso. Sassone's signature painterly impressionistic brushstrokes can be seen in the way the artist depicts the water in both watercolors. Signed and dated on verso, "M. Sassone 69". Displayed in a dark wood frame with mat. Image size: 10.5"H x 17"W. “One of the foremost colorists working in America today, Sassone is an artist who developed his own personal, expressive vision early in his career, and who has steadfastly remained faithful to it while refining and developing it to the full power and maturity that is seen in his works today.”Janet Dominik, Bernheim-Jeune, Paris, 1988. Marco Sassone was born in Campi Bisenzio, a Tuscan village, in 1942. The family moved to Florence in 1954, and there he met painters Ottone Rosai and Ugo Maturo, who encouraged him to follow his interest in art. In 1959 he enrolled at the Istituto Galileo Galilei, where he studied architectural drafting for several years. In 1963 he studied with painter Silvio Loffredo, a professor of art at the Accademia in Florence, himself a pupil of the Austrian master Oskar Kokoschka. Loffredo encouraged him to develop his own style and vision. For inspiration, Sassone studied the works of the 19th century Italian impressionists, the Macchiaioli – Giovanni Fattori, Vito D’Ancona and Silvestro Lega. He began exhibiting his first works at Lo Sprone Cultural Center in Florence. In November 1967, soon after the flood had devastated his city, Sassone moved to California. He exhibited for the first time in the United States at the Dalzell-Hatfield Galleries in Los Angeles and became a regular exhibitor at the annual Festival of the Arts in Laguna Beach. Throughout the seventies, he exhibited extensively in the U.S. and abroad. In 1976 he collaborated with director John Wilson to produce an autobiographical documentary. The following year his work was exhibited at the National Academy of Design in New York. Marco Sassone received a gold medal in 1978 from the Italian Academy of Arts, Literature and Science. In 1979 the monograph Sassone by art historian Donelson Hoopes was published in concurrence with the artist’s exhibition at the Laguna Art Museum. With prescience, Hoopes had observed: “Sassone’s art has evolved from within, and such an organic, psychological and spiritual process may take his work along new and unforeseen paths.” In 1981 Sassone moved his studio to San Francisco. During the 80’s his exhibition schedule continued along with his numerous lectures. In 1982 Marco Sassone was knighted by the president of Italy, Sandro Pertini, into the “Order of the Merit of the Italian Republic”. In 1987 Sassone received a commendation from Los Angeles Mayor Tom Bradley for his “contribution to the community through his art.” In March 1988, the Los Angeles Municipal Art Gallery mounted his solo exhibition titled Sassone with the publication of a catalogue authored by Janet Dominik. The show travelled to Paris and was installed at the historic Bernheim-Jeune Gallery for the month of April. By the late eighties, the artist had become increasingly concerned with social themes. He began extensive and personal research on the homeless and painted a series of large canvasses and charcoal drawings portraying the life he observed on the streets of San Francisco. A number of these works were exhibited at the Chicago International Art Exposition, the Basel Art Fair in Switzerland, Body Politic at the San Francisco Arts Commission Gallery and Issue of Choice at the Los Angeles Contemporary Exhibition (LACE). In March of 1994, his exhibition “Home on the Streets” opened at the Museo ItaloAmericano in San Francisco. Kenneth Baker, art critic for the San Francisco Chronicle wrote about his work: “There is true technical brilliance here…In the drawings, his technique seems to discover fresh descriptive possibilities each time out.” The exhibition traveled to Los Angeles in 1996 and Florence, Italy in 1997, where it was installed in the Cloisters of the Santa Croce Church. Paola Bortolotti, art critic for La Nazione, wrote: “The persistent theme however does not carry a denunciation of a social problem, but it is rather the pretext to pour forth onto canvas the urgency of the brush strokes loaded with pigment and light.” In 1997 Marco Sassone received a commission to create a 200 square foot mural in downtown San Francisco. The finished work comprised five canvasses dedicated to the theme of Il Palio...

A charming study of an Italian woman replacing the oil lamp outside of her home. She wears traditional, brightly coloured clothing with a red headpiece. Signed with initials and insc...

series "Non-standard configurations", 42x30 cm, acrylic on paper The work is sold without a frame and mat

Interior design paintings. The work was done with india ink and alcoholic ink in black, grey and green color on Yupo paper. The work is 11 by 14 inches in size, framed with a styrene...

May Mott Smith (1879 - 1952) A Martinique Native in French Guiana, circa 1925 Watercolor on paper 24 x 20 inches Signed lower right; titled on the reverse “Martinique Native” is an ...

Series "Shells", 42 x 30 cm The work is sold without a frame and mat

Poster Sketch for fashion advertising for FACIS, Italian Pret-a-Porter company. Italian Pop art Water-colour, ink and pencil on paper. Size with black ...

Charles Lewis Fussell (American, 1840–1909) View from Gayley Street, Media PA, 1905 Watercolor on paper, 13 1/2 x 23 3/4 inches Framed: 25 1/2 x 35 3/4 (approx.) Signed and dated a...

"Chilmark Pond", Martha's Vineyard Plein Air Coastal Island Pastel Landscape by Anne F. Cook A lovely plein air pastel landscape capturing the natural beauty of New England's coastal island sunset views, by Martha's Vineyard artist Anne F. Cook (American, b.1962). This 1995 pastel, titled "Chilmark Pond", transports the viewer to the beautiful island of Martha's Vineyard, to bask in the soft light of dusk as the sun sets over the view of the island's coastal ponds. Signed and dated "Cook 1995" lower right. Titled "Chilmark Pond" lower left. Photo of title has been slightly enhanced to appear more legible. Displayed in a decorative black and gilt-toned frame, with tan mat. Image size: 18.5"H x 24.5"W. Framed size: 26.25"H x 32.25"W x 1"D. Anne Cook...

A stunning Cubist watercolor on paper of purple irises by Chicago and New York artist Rita Duis (Astley-Bell). Archivally matted to30" x 24". Artist Rita Duis (Astley-Bell) led an ...

Stunning late 19th century landscape of misty purple hills dotted with small sheep in the Scottish highlands near Dunkeld by Boston artist Miss H. L. Radford (19th Century). Signed a...

Gloria Dudfield "Leaning Over" c. 1960s Gouache and charcoal on newsprint Unsigned 18" x 12" framed silver bamboo frame black mat 19.25"x25.25" Gloria...

A detailed depiction of a large country house by listed British artist Edward Walker (1879-1955). The scene shows a mother and daughter on the front step of their grand country home ...

Early autumn. 1990, cardboard, oil, 70x93 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seaso...

The Bird is an original Drawing on paper realized by the painter Henri Lehmann (1814-1882). Drawing in Pastel. Stamped on the lower. Good conditions. ...

Detailed and vibrant depiction of a spider web by Doris Howard (American, b. 1935). Signed "Doris Warner" in the lower left corner. Tag on verso from the "Harvest of Colors" exhibition at Roberts Field...

This beautiful 19th century Italian watercolour portrait painting is by noted artist Frederico Bartolini. It was painted circa 1890 in Rome and is signed and in good condition behind...

Fine drawing in pencil, oval format. Circle of Angelika Kauffmann. The subject is not clear. It is Amor with his arrows and perhaps Venus with a sp...

An early 1940s fashion study featuring a woman wearing a hat, suit and purse. Provenance: Cornelia Steckl-Jurin, Founder of the Fashion Department at the School of the Art Institu...

A charming gouache scene of an idyllic Italian street, with a mother and child out enjoying the blue skies and afternoon sunshine. The artist has indistinctly signed to the lower rig...

An expressive floral study executed in a multitude of pastel colours. Signed to the lower right. Well presented in a smart gilt-effect frame. On paper.

Mid Century River Birches Landscape Watercolor Gorgeous vibrant mid century watercolor on paper painting of river birch trees by artist Eva Collins Marks (American, 20th century),19...

Published Thayer Stroller advertisement, 1951 Watercolor and gouache on board Signed lower left

Georges CONRAD (1874-1936) Study of woman in bathing suit Original India ink and color pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10.4 x 7.8 in) Ver...

Original artwork composed of watercolor and gouache on archival paper for use as a Christmas card. Unsigned. Circa 1965. Condition is good. Newly professionally matted. Not fram...

Ervin NEUHAUS Composition Blue and Red on Orange Original watercolor and tempera on heavy paper Handsigned bottom right Authenticated with the stamp of the Estate sale on the back ...

Here for your consideration is a original and vibrant watercolor on archival paper by the California artist, Edward Darrell Crisp. Signed in pencil D. Crisp in lower right margin and dated Oct 6, 1967 in pencil in lower left margin. Condition is excellent. The artwork is framed in a one and a half inch narrow matte black frame with off white matte. Overall framed measurements are 12 by 10 inches. Provenance: Estate of the artist. Edward Darrell Crisp was a California painter...

Compelling figurative nude with a surrealist feel by Ken Bower (American, 20th-C) a San Francisco Bay area artist. Pastel chalk color on paper created in 1980. Signed “Ken Bower 80' ...

Spring in the Mountains by Friedlander 1920s Expressive gouache painting of possibly the Swiss Alps by Friedlander On paper in a period rustic frame. I...

An intricate watercolour scene by highly collectable artist Henry Schafer (1833-1916). Signed and titled to the lower right. Presented in a gilt frame with a ribbon and stick running...

A charming watercolour study depicting figures gathering around a small fish market stall. Signed and dated to the lower left. Laid down to a white card mount. On paper.

Artist unknown "Red Vessel" c. 1980s Acrylic and charcoal on paper 22"x30 unframed Unsigned Very Good Condition - Minor wear consistent with age history.

Gaston COPPENS (1909 - 2002) Savage Sea Coast near Saint Tropez Original charcoal drawing Bearing the stamp of the artist on the back On drawing paper 65 x ...

Gianluca Vialli - Juventus Football Legend, UEFA Champions League 1994-95 - The Roar of Victory. Technique: Charcoal on paper, Signed and dated ’96 Author: Marco Silombria (Savona, ...

A charming 19th Century view of Nideck, Alsace in France. The artist has wonderfully captured the complex architecture and bustling nature of the town. The artist has signed to the l...

Winter landscape. 1980. Oil on cardboard, 24x32.5 cm

Original watercolor with graphite tracings of a lively tavern scene. Signed lower right and dated 1942 by the British artist, George Anderson Short...

Portrait of Christ is an original artwork realized by the Unknown Artist in the early 20th century. Original colored pencil drawing on ivory-colored paper, glued on colored cardboa...

Sunny landscape. Bilateral. 1985. Oil on cardboard, 46x60 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in...

Entrance-dream, 150x80cm, Watercolor, paper, pencil

Classic mid-century California seascape watercolor of the crashing surf on the rocky coast by Santa Cruz, California artist Margaret E. Rogers (American, 1872-1961), c.1950. Rogers was one of the original "Jolly Daubers" who studied with Frank Heath and took wagon trips to the redwoods and Yosemite to paint. Signed "M.E. Rogers" lower right. Presented in a rustic giltwood frame under glass. Image, 16.5"H x 18.5"L. Margaret Esther Rogers' (1872 - 1961) early childhood was spent in England. The Rogers were a cultured family who came to California for the father’s health and settled on a ranch in the King City area. Margaret grew up in the curiously paradoxical world of early California, breaking her own riding horses and roping cattle during the day, doing a man’s work, riding a man’s saddle, then sitting down to the piano to play classics in the evening after high tea. Margaret’s mother had the only piano for 80 miles around. Her father, Robert J. Rogers, had been an importer of fine tea, coffee, and spices in England. In Monterey County, he raised sheep and cattle and the family lived under comparatively rustic and modest conditions. When Margaret wasn’t riding, tending a herd, plowing a field, or playing the piano, she was painting. Art was an early love. Fame caught up with her early. She was written up in a San Francisco newspaper as “Monterey County’s pretty girl who rides a man’s saddle, marks and brands stock, breaks wild colts, plows and sows, plays classical music and paints in oils.” Margaret’s mother was her first music and art teacher; later she took art lessons from Kate Baldwin in Salinas. She had suitors and several proposals, but never married. In the year 1898, Margaret’s “intended” put in 700 acres of grain, spending all he had plus money he borrowed. Not a spear of grain grew, she wrote, and their plans to marry when the crop was sold dried up with the weather. When her mother died, Margaret and her father moved to Soquel, taking along her favorite saddle horse. Now living in Santa Cruz County, Margaret at once became involved in art circles which were unofficially headed by Frank Heath and his wife, Lillian Dake Heath. Frank Heath and Margaret together founded Santa Cruz Art League in 1919, and a few months later were joined in their efforts by a Dutch woman named Cor de Gavere who arrived in Santa Cruz. The two women artists, Margaret and Cor, became fast friends and remained so until Cor’s death in July 1955, while she was visiting relatives in Holland. They painted together almost every day and shared many meals at each other’s cottages which were just a few blocks apart in the Seabright area. However, those Victorian ladies, raised in the era of rigid social conventions, always addressed each other as ‘Miss Rogers’ and ‘Miss de Gavere’ as long as they lived. Money was never in great supply for either lady, but Cor managed to buy a small automobile, and after six driving lessons the two of them took off for southern California. Cor and Margaret took many camping and painting trips in Cor’s automobile. Sometime later, Margaret herself got brave enough to buy an auto. From 1925 to 1947, Margaret made her home in the basement of the Arts and Crafts Building. She managed the Art League’s first gallery, which was started there. Holding informal court for friends who called, Margaret would open a can of sardines, put out a plate of crackers, and conversation about art or music would follow. During World War II, Margaret raised rabbits in cages. In later years, Margaret purchased a small studio-home on Alhambra Street – still in the Seabright area, which both women clung to as home territory. In 1929, Margaret helped found the Art League’s first Statewide Show, which became an annual event. She served as show chairwoman for more than 20 years. A fine painter of landscapes, Margaret became better known for her strong marine scenes. Once she explained that the ocean was “the real challenge, because it won’t stand still.” She served as president of the Art League from 1925 to 1947. Short, stocky, outspoken and very talented, Margaret gained many honors in her later years. With her short haircut and her dark dresses...

Abstract watercolor fragment of a sunset over a field by Irene Pattinson (American, 20th Century). Tag on verso reads "Miller Fine Art / The Estate of Irene Pattinson". Unsigned. Acq...

Landscape. 2007. Oil on cardboard, 22x30,5 cm Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seas...

Abstract cityscape watercolor with loosely defined landscape elements and geometric shapes by Les (Leslie Luverne) Anderson (American, 19...