Paintings on Sale

Francoise Gilot, Mixed Media Gondola Painting on Arches Paper. Circa 20th Century. Francoise Gilot (1921-2023), partner of Pablo Picasso, mother to Cl...

Dimensions: Frame: height 77 cm / width 107 cm / depth 6 cm Image: height 66 cm / width 95.5 cm.

Magnificent! MID CENTURY ABSTRACT ORIGINAL OIL PAINTING STUNNING ORANGE & BLUE PALETTE! After Gio Ponti Offered is an absolutely superb original oil painting of huge proportion...

Beautiful colors and great technic on this striking geometric acrylic on canvas by san Diego artist Allen Perrier circa 2012.

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A beautiful, hand-painted oil on canvas depicting river scene in Spring. The background is a gorgeous blush color, with the mountain rocks in rust oran...

ABOUT Peruvian Cuzco School, Madonna & Child, Untitled. Oil on canvas, pre 1970. CREATOR Unsigned. DATE OF MANUFACTURE c. pre 1970. MATERIALS AND TECHNIQUES Oil on Canv...

Beautifully painted in glowing, deep ruddy and brown tones, this sensitive portrait of a young man in Taxco was painted by Ralph Dwight Ayer in the ...

Portrait of a sophisticated English noble woman. Un signed. Presented in a fine dimensional shaped giltwood frame. Light cream Color dress with lace against a dark Back Ground make ...

An early 20th century 'Kamasan' cotton textile painting from Bali, Indonesia. The hand-painted image has great detail and depicts Balinese Hindu mythology. It has been framed with a ...

17th Century Italian School Crucifixion Oil on Panel This exquisite 17th-century Italian School Crucifixion oil painting is a masterpiece of...

[Authentic work] ◆ Gengetsu Yazawa ◆ Mountain and Lake Off Day ◆ box ◆ Landscape ◆ Nagano Prefecture ◆ Handwritten ◆ Paperback ◆ Hanging scroll ◆ Gengetsu Yazawa Art yearbook appr...

This piece, despite the lack of refined artistic details makes up for it in the sarcastic and unusual department. That sure is a funny chicken being stroked by a fruit-basket-hat wea...

A 19th Century portrait by Italian artist Fausto Giusto (1867 Naples-1941 Zurich) after a Renaissance painting by Titian entitled "La Bella". An exceptionally detailed portrait by a ...

A 19th-century oil on panel attributed to French artist Henri Bellery-Desfontaines, titled Villaggio Sul Lago. This painting captures a tranquil family scene at the water’s edge: a ...

A gorgeous Grand Tour style framed oil painting of an Italian Capriccio landscape with ruins Italy, Mid-20th Century Oil on canvas, gilt frame Measures: 9.5"W x 1"D x 9.5"H. Exce...

Lovers by a fountain, painting oil on canvas, Signed left sight. Measures: cm 70 x 100 frame 118 x 145 Faustini Modesto. Brescia, 27 Maggio 1839 - Roma, 23 marzo 1891. Born i...

A fine oil on canvas painting in the manner of Georges Roualt's "le Vieux Roi or The Old King". This painting is marked on the back indicating that ...

Arts & crafts impressionist landscape painting, Chicago Artist, 1926 This painting is a perfect example of the Arts & Crafts movement. It is a matur...

Michele Antonio Rapos (Turin 1733-1819), Still life of flowers and fruits, Oil on canvas frame: cm H 133 x W 124 x D 8 (canvas: cm 108.5 x 108.5) The painting depicts a triumph of ...

Art Deco etching by Paul Jouvé depicting an Oriental scenery. Made in France Circa: 1933 Signature: Jouvé.

Spectacular 19th century Japanese late Edo period six-panel byobu screen depicting Yoshitsune and Benkei, two heroes of Japanese folklore. Crafted in ink and natural color pigments on mulberry paper with thick gold leaf borders on each panel. The character Yoshitsune is seated under a blossoming cherry tree in full armor holding a fan. The warrior priest or monk Benkei is depicted kneeling on a leopard skin...

Late 18th century or early 19th century French school circa 1800, Louis XV style oil on panel picturing Chinese people in an ideal garden with a pagoda, a harpsichord : a beautiful 18th century style chinoiserie, showing an idyllic vision of China seen by 18th century European people. Our work was painted in the spirit of Pillement ; it brings to mind 18th century lifestyle and softness. Jean Baptiste...

Hans Zatzka (Austrian, 1859-1945) a superb quality oil on canvas titled "Spring Love" depicting a standing young maiden holding a wicker basket filled with fresh flower as she is bei...

A vintage landscape watercolor on board painting of hillside scene, signed Fred Hines, 20th century Measures: 19.25" H x 13.75" W x 0.15" D. Catalogue Not...

Original 2012 Abstract Painting by Carlo D'Alessio, Signed Offered for sale is an original abstract acrylic painting on canvas that is signed and dated 2012. The painting is frame...

Pair of early Swedish Rococo Folk Art wooden paintings or table tops.

Oil Painting from the Early 20th Century, Winter Rural Landscape We present you this oil painting from the early 20th century depicting a winter rural landscape. The painting is in ...

Presenting a captivating and historically significant folk art painting from the late 19th century: an oil rig scene believed to date circa 1892. This remarkable artwork, executed in oil on board, offers a rare glimpse into the early depictions of the burgeoning oil industry...

Vintage oil painting on canvas depicting a softly hued European city nestled in a lush hilly landscape off the coast. Carved giltwood frame with white linen border. Dimensions: 28....

Early 19th Century Children’s Portraits Oil on Canvas, A Pair Charming pair of Danish Early 19th Century paintings oil on canvas. Thes...

Captivating portrait oil on board by Pino Daeni This could be the original oval oil study for Girl in a Yellow Shawl. This captivating portrait study by Italian American artist Pino...

A tall, beautifully hand-painted on wood panel folding screen of Japanese style by artist Robert Crowder (b. 1911 - d.2010). Signed on the back side. After working as a missionary in Korea, Crowder went to Japan to study Nihonga ("Japanese-style paintings" are paintings that have been made in accordance with traditional Japanese artistic conventions, techniques and materials. While based on traditions over a thousand years old, the term was coined in the Meiji period of the Imperial Japan, to distinguish such works from Western-style paintings) Robert H...

'Freedom Warriors on Horseback' by Purvis Young USA, circa 1980s Purvis Young,'Freedom Warriors on Horseback, a large work painted on air handler...

American painting, Hudson river school, Oil on canvas.

English oil on canvas portrait dating from the late 1700s painted in the manor of Joshua Reynolds. We believe the giltwood frame could be the original as it is right for the period. ...

JFK MLK RFK- NO MORE DREAMS Purvis Young (1989-1999) A moving mourning work, depicting a funeral procession of John F. Kennedy, Martin L. King and Robert F. Kennedy. Painted ...

Handpainted bamboo umbrella. By unknown artist, circa 1950 In original condition, with some visible signs of previous use and age, preserving a beautiful patina. Materials: ...

Fine 18th century portrait of a lady, unsigned, circa 1750, Sweden. (reframed, oil on canvas) According to old frame painted by Johan Horner (...

Beautiful gold leaf antique wood frame. Measures: 27”.25 x 19”.5.

Portrait of Charles Trelawny, Esq., Master of the Dartmoor Hunt, on his favourite hunter Grimaldi, with the hounds Conqueror, Lounger and Windermere). After Francis Grant. Dimens...

Antique 19 th c Orthodox icon Maria with baby Jesus. Tempera on wood on gold leaf ornate background. Split in wood boards due to age. restored.

Multidisciplinary artist Jean Bapiste Rigail best known for his mixed media works, he incorporates myriad techniques and materials to create his expressive, unique compositions. This...

Early 20th Century Oil on Canvas Matterhorn Artwork By unknown artist, from France In fair condition, with minor wear consistent of age and use, preserving a beautiful patina

Full of color and life, this group of six small vignettes on one sheet depicts pairs and trios of female figures dancing and frolicking in various idyllic landscapes -- rolling hills...

A Monumental contemporary school painting of "Sappho and Phaon" After Jacques-Louis David. The oil is on canvas and framed in gold with French relief. Phaon was said to be so beaut...

JOSEPH SZEGHY (American, 1923-2007) Abstract composition, oil / acrylic on canvas, signed and dated lower right. 37 1/4" x 21 1/2" OA. Dated 1965. Joseph Szeghy (1923-2007) was an a...

Description EDMOND LOUYOT (French 1861-1920) after FRANÇOIS BOUCHER (French 1703-1770) A GERMAN EMPIRE ROCOCO REVIVAL PAINTING, "Two Putti as Allegories of Music," LORRAINE, 1899, oi...

American School, (19th century) Jesus Christ as a baby child, oil painting, circa 1860. A truly exceptional quality oil on canvas painting of Baby Jesus...

Italian 19th century oil on canvas titled "The Music Professor" depicting a mid-19th century music-room scene of an elder man, the music professor, holding his violin, hat and umbrel...

Large framed Mid Century Modern Skyline Artwork. Acrylic on masonite with some metallic gold pigment. Vibrant orange and red. Signed Stuart lower right, with label affixed to the ba...

Oil painting on canvas depicting a natural summer landscape, created by Henry Markò in the early twentieth century. Ø cm 49 h cm 105 Henry Markò, descendant of the Austrian paintin...

Ancient Italian painting from the first half of the 18th century. Oil on canvas framework depicting a religious subject Saint Francis of good pictorial quality. Wooden frame not coev...

Massive 70s silkscreen wall art made by Harris G. Strong Corporation of NYC. The white is showing some slight soiling here and there from normal exposure.

This is an oil painting that illustrates a peasant female in a countryside path walking down toward a lake at the sunset. Two large trees define the path. There is a small house at t...

A fine, antique brass easel with Pietra Dura panels and three handpainted portrait miniature paintings, circa 1880. The brass easel of triangular ...

A fine and large 19th century oil on canvas after Bartolomé Esteban Murrillo's (Spanish, 1617-1682) "Beggar Boys Playing Dice" (The original work by Murillo was painted in 1675). The impressive artwork depicts two young boys playing dice while another eats a piece of fruit as his dog watches on., within an ornate gildwood and gesso frame bearing a label from the faming company Bigelow & Jordan. The original work by Murillo is currently at the Alte Pinakothek Museum in Munich, Germany. The present work is signed: L. Rüber. Circa: Munich, Late 19th Century. Bartolomé Esteban Murillo (born late December 1617, baptized January 1, 1618 – April 3, 1682) was a Spanish Baroque painter. Although he is best known for his religious works, Murillo also produced a considerable number of paintings of contemporary women and children. These lively, realist portraits of flower girls, street urchins, and beggars constitute an extensive and appealing record of the everyday life of his times. Murillo was born to Gaspar Esteban and María Pérez Murillo. He may have been born in Seville or in Pilas, a smaller Andalusian town. It is clear that he was baptized in Seville in 1618, the youngest son in a family of fourteen. His father was a barber and surgeon. His parents died when Murillo was still very young, and the artist was largely brought up by his aunt and uncle. Murillo began his art studies under Juan del Castillo in Seville. There he became familiar with Flemish painting and the "Treatise on Sacred Images" of Molanus (Ian van der Meulen or Molano). The great commercial importance of Seville at the time ensured that he was subject to influences from other regions. His first works were influenced by Zurbarán, Jusepe de Ribera and Alonzo Cano, and he shared their strongly realist approach. As his painting developed, his more important works evolved towards the polished style that suited the bourgeois and aristocratic tastes of the time, demonstrated especially in his Roman Catholic religious works. In 1642, at the age of 26, he moved to Madrid, where he most likely became familiar with the work of Velázquez, and would have seen the work of Venetian and Flemish masters in the royal collections; the rich colors and softly modeled forms of his subsequent work suggest these influences. In 1645 he returned to Seville and married Beatriz Cabrera y Villalobos, with whom he eventually had eleven children. In that year, he painted eleven canvases for the convent of St. Francisco el Grande in Seville. These works depicting the miracles of Franciscan saints vary between the Zurbaránesque tenebrism of the Ecstasy of St Francis and a softly luminous style (as in Death of St Clare...

Antique Oil On Canvas Landscape “Summer” by Erna Lange C1930. 19 3/8" x 21 1/2" x 1 3/8". An oil on canvas landscape titled 'Summer' by Erna Lange, circa 1930. The painting ...

Antique Chinese watercolor painting on paper, enclosed in glass and gilt wood frame, early 20th century Measures: height 27.5 inch...

Early 19th century French school featuring poet Homer and Glaucus' daughter after Francois Gerard's work, oil on canvas circa 1815 - 1820. The painting depicts the time when Homer ha...