International Style Seating

Set of 4 handkerchief armchairs by Massimo Vignelli for Knoll. In 1968 Vignelli was contracted by Knoll to re-envision the corporate identity ...

The “Sit On My Face” chair sculpture and the "Light Up My Face" sconce reveal the artist's intimate investigation of life and death, nature and civilizatio...

Curved benches exploit the flexibility of wood to assimilate the curves of the body. Alluding to a fundamental building system, the benches form a trilitic sctructure, where two vert...

Fully upholstered day bed in a Dedar fabric. Structure in wood. Featuring incredibly comfortable upholstery and soft structure made of non-de...

Grand Ribaud lounge chair, powder coated steal and fishing net by 13 Desserts. Designed by Thomas DEFOUR, edited by 13Desserts. The Grand Ribaud armchair...

Fabulous set of 10 Brno chairs by Knoll international. All 10 are labeled and in excellent vintage condition with minimal wear, some minor soiling to fabric, very minor. Fabric is a ...

New York sofa originally designed in 1952 by William Katavolos, Ross Littell and Douglas Kelley for Laverne International, USA. This is an edition from ...

The side table and stool from the SoShiro Pok collection are hand-carved in Italy from solid oak, finished in turtle dove grey, and embellished with inlaid polished marble gems. Thes...

Culaccino is a sculptural chair, designed by Studio Sagaría. Culaccino in chair in an irreverent take on geometry, proportions and colors. It is coming from a complex, coherent a...

Curved Benches exploit the flexibility of wood to assimilate the curves of the body. Alluding to a fundamental building system, the benches form a trilitic structure, where two verti...

Set of 2 lounge chairs/ fireplace chairs from the 1970s. Swinging zigzag pattern in Missoni style. Original brown / yellow shades upholstery. Lose down filled cushions on seat and backrest. Manufactured by Bielefelder Werkstätten...

One Quilted Tuxedo daybeds designed by BassamFellows for Geiger. Single available.

Sga Bello is a swivel stool, designed by Studio Sagarìa. Bold and asymmetrical, Sga Bello has his design rooted in the mix of Milan’s and New York City’s narratives, with nods to bo...

Flexus plywood stool. One of a kind.

Ultra glossy lacquered wooden armchairs inspired by the Classical Indian chairs of 19th century designed by Laura Gonzalez. Portuguese craftsmanship and Fabric "Alizon" by French Mai...

The stool from the SoShiro Pok collection is hand-carved in Italy from solid oak, finished in turtle dove grey, and embellished with inlaid polished-marble gems. This ergonomic woode...

Darwin added wheels to the office chair in 19th century. In the 1970s ergonomics was added to design criteria. Today, it is the key element for whom sp...

Side chair from the 1930s with early example of plywood seat. Chairs can be sold separately. $1500.00 per chair.

Set of 4 handkerchief armchairs by Massimo Vignelli for Knoll. In 1968 Vignelli was contracted by Knoll to re-envision the corporate identity ...

Charcoal and sand. Structure with strips of solid wood and natural finishing. Natural or faux leather.

Collectible design / Functional art, Lionel Jadot for Everyday Gallery, Belgium 2020 Born in Brussels in 1969, Lionel Jadot is an interior designer, artist, designer, filmmaker, adventurer. But all at once, preferably. Lionel Jadot is firing on all cylinders. ‘I never throw anything, I pick up everything. Not having a green thumb, I’m trying cuttings, weddings against nature. I never forget a line.’ He’s inviting us in subtle, off-beat worlds, on the edge of reality. Its material is made of dilated time. A wandering spirit, he seeks a protective balance in a hostile world. It is his constant questioning: what happens to the place where we live? For Lionel Jadot, everything is object, everything is history. He draws from other places, other times, and seeks what’s linking them. He sews, stitches, unpicks, blends materials, combines eras. He will enshrine some wood essence in metal, some mineral in a plant, the old in the new. ‘I take extra care to the joint between two materials.’ With him, there is always some play in the parts, as in a piece of machinery. From a kingdom to another, he provokes organic, viral growths, generating energy. Linking past and future, he never forgets a line. ‘I accumulate them.’ He’s inviting us in subtle worlds, off-beat, on the edge of reality. Are we in 1930 or in 2030? Both, no doubt. Its material is made of dilated time. The eye goes hand in hand with the ear. ‘When I walk into a place, I listen to the good (or bad) it does to me. An ineffable feeling.’ He recreates mutant buildings, like the future Royal Botanique, a 5 stars hotel housed in the Church of the Gesu, a former convent behind a 1940 façade. He talks about a ‘hotel object’, which he holds and turns around in his hand. A wandering spirit, he’s flirting with retro-futurism. The Jam, another hotel, is intended for urban travelers, fans of swiftness, fluidity and hospitality. He designs interiors as a set of objects: a motorcycle cut in concrete becomes a bar counter. He finds gothic cartoon echoes, from the likes of Moebius, Alejandro Jodorowsky, Enki Bilal, sets from Garage Hermétique and Blade Runner, a protective balance in a hostile world. Discovering Jadot’s little cosmos of collected and accumulated goods, it becomes clear that every element has its own story. I tried to collect them and in turn, devour them in the coming paragraphs. But first: the show is best experienced seated, barring the distinction between object of use and object of attention, they invite for different types of conversation. The seats, chairs, thrones all make us think of our own physical comportment, and of how the seat lends grandeur to the person sitting on it, by crowning its presence. The crackling floor, the felt walls and the diffuse light slow you down into an oddly absorbing environment, in which you are left puzzled. In the eclectic collages of objects, bits and pieces collected all over the world come together in ways practical, and logical, though possibly only in the artist’s mind. All his finds eventually seem to fall into place. Starting with the mere conception of a chair, rather than with a set-out plan or sketch, the works are intuitively construed out of an archive that one can only imagine the dimensions of. Things forgotten by others, precious for him, were all once designed for their own purpose. Here they find their fit as a base, a closing system or a balancing element. The first piece that opens the exhibition, the most throne-like of all seats in the show, builds around a chair of his grandmother, protected by mops, and harassed with bed springs. As you enter the space, you pass by a shell leaning over a yellow seat that stems from his old Mustang, and find a white stool piece with Mexican leather dog training whips— the white building blocks of which turn out to be dried molding material, as found and broken out of a bucket by workers every morning. Further, the stone piece that reminds one of the stone age, is indeed made of 400 million old rocks, and the soft seats are lent from construction, where these strokes of textile carry up the heaviest goods. In the corner — but as you walk this walk please be seated on any of the thrones and experience the work for a moment— the green fluffy cover is made by XXXX who remakes cartographies of warzones, one of which is here mounted on a flexible fishing chair. On an experience level, the conversation chair enhances self-confidence, while putting you literally in a good spot with the person you’re conversing with. The lamp perfectly shows the playful Cadavre Exquis...

Arrepita carbon steel with epoxy paint and naturally finished wood legs. Black, white and yellow.

Designed for whom to write their own Tabula Rasa in comfort and style. Take a seat is one of the chair interpretations of Kontra which consists a solid wa...

The Lorraine club chair is the LF Collection variation on the timeless Jansen style club chair - with the square back trimmed with either French natural or pewter nailheads - padded ...

Stainless steel with wood strips and natural finishing. Leather and faux leather. Brown and sand colors.

Flexus plywood rocking chair. One of a kind. Leather and wood.

The Colle Pouf is 1 of two poufs we offer in our LF Collection - it is shown in brown leather and faux skin but can covered in customers own material - this ...

Playing with dichotomies between rough materials and soft textures, cold and hot materials, round and straight shapes is what Mary stool is all about. A great accent piece that can b...

This is an Italian bench with a hand carved frame and silver leafed frame. The velvet is a blue-gray and is vintage.

Designed for whom to write their own Tabula Rasa in comfort and style. Take a seat is one of the chair interpretations of Kontra which consists a solid wal...

Bruxelles armchair from 1960, Czech Republic. Highly recommended item will be perfect complementation of the rooms in not only Classic style, but...

Casa Bella black painted woven wicker chaise lounge with a recessed wood slatted framework and the original white vinyl button tufted cushion. Signed Vivai del Sud, Made in Italy. C...

Bruxelles armchair from 1960, Czech Republic. Highly recommended item will be perfect complementation of the rooms in not only Classic style, but...

Kontra’s interpretation of the lounge chair with a solid walnut or oak body and leather upholstery. "Experience Unparalleled Comfort and Elegance with the Lounge Chair International ...

Arco is an upholstered armchair of simple and enveloping geometry. The shape of the piece reproduces the arch of the body, creating a welcoming anatomical shell. The armchair is cove...

French sofa 1950 from Maison Carlhian, Neo Classic Style, 6 no of Legs in total, new upholstered with loose cushions filled with dawns and feathers, ...

Great scale armchair, perfect for a desk, made of straight cut oak, beautifully cerused. Two tone pony hide beautifully complements the wood. Jean-Michel Frank elements throughout.

Set of 4 handkerchief armchairs by Massimo Vignelli for Knoll. In 1968 Vignelli was contracted by Knoll to re-envision the corporate identity ...

Chic Cesca arm chair, designed by Marcel Breuer. Iconic and timeless Bauhaus chair, still relevant to today’s interior spaces. This chair was produced ...

Introducing the Clara Lounge Chair, one of the latest creations from the talented designer Vito Selma. As part of a trio of exceptional lounge chairs, Clara...

Here is an extraordinarily rare piece with fantastic provenance– this oversize version of Mies van der Rohe’s Barcelona daybed is 16 feet in length and custom fabricated of fiberglass and steel. You would not know that it is fiberglass without touching it. The level of detail and realism is stunning. It’s like an artwork using the principal of transference of material– when an object appears to be made of one expected material, but is really crafted of something totally different, often incongruent with one's expectations. The reason fiberglass was used to make this daybed is that it was created for use in the lobby of Mies van der Rohe’s IBM building at 330 N. Wabash in Chicago. Mies often specified that the public spaces in the buildings he designed be furnished with tables and seating also of his design. In the 1990s the owner of the IBM building hired Chicago designer Judy Niedermaier to decorate the public spaces. Having seen ordinary Barcelona chairs and sofas suffer the abuse of high-traffic spaces see with hundreds of people using them on a daily basis, she opted to something different that would hold up under extreme wear. Interestingly, this was not the first time Niedermaier employed fiberglass in her design work, nor would it be her last. Her firm had used fiberglass for store displays, pots and mannequins in some of their prop and merchandise display work, and then in the early 2000s with the famous downtown Chicago outdoor art projects “Cows on Parade” and “Suite Home Chicago” (fiberglass outdoor furniture...