Ink Drawings and Watercolor Paintings

"Duomo" is a watercolor painting featuring subtle hues of blue and orange. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan. McLean Jenkins is a practicing architect with McAlpine and his work derives from and celebrates the classical forms of his trade. Working in graphite, ink and watercolor, McLean employs a gestural approach that frees his hand to explore a subject’s essence. His compositions rely on the quick, decisive sketch and are then given over to the whims and splashes of watercolor. Spontaneity, movement and spirit are all emphasized and his drawings collectively form their own narrative of his passion for architecture. The city of Venice has captured McLean’s imagination since his first trip there as a 12 year old boy. Over the years a kind of courtship with the city has evolved, and its impact has motivated and sustained his development as both architect and artist. His work depicting the city has been recognized within the architectural profession by the Georgia Trust for Historic Preservation in its award to McLean of the J. Neel Reid...

The Outing Magazine commissioned Parrish to provide a cover illustration for their 1899 Last Rose of Summer edition (published December 1899). In the poster, Maxfield used his own face and figure to portray a youth in Grecian costume examining a rose he holds in his hand. The figure is shown sitting below one of the massive oaks on the artist’s property, flanked by two plaster lions the artist had moulded in his studio. The depiction harks back to the 1805 poem by the Irish poet, Thomas Moore: ‘Tis the last rose of summer, Left blooming alone; All her lovely companions Are faded and gone; No flower of her kindred, No rose-bud is nigh, To reflect back her blushes Or give sigh for sigh! I’ll not leave thee, thou lone one...

Capri 20219 15x22 framed 21x28 Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has honed his skills...

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a glass on a mat board in white wi...

This captivating 56 x 76 cm watercolor and ink landscape study, presented on 1stdibs, is a testament to the artist's exceptional command of the medium and their ability to evoke a pr...

“Boys will be Boys”, male nude, tempera pencil charcoal on blue paper, 27.5x19.5in, 70x50cm. Check 1stDibs free shipping code for items over $500. Shipped rolled in a tube, well pa...

Meg Hitchcock With Millions of Arms, Eyes, and Bodies, 2023 Text from the Bhagavad Gita, acrylic and graphite on paper 22 5/8 x 18 in. frame size: 27 x 22.25 in. (Hit001)

Interior design paintings. The work was done with india ink in black and grey color on Yupo paper. The work is 11 by 14 inches in size, framed with a glass on a mat board in white wi...

Maeve D'Arcy Friendly Reminder, 2024 ink and colored pencil on paper 22 x 30 in. (dar147)

Les Andelys by Ludovic-Rodo Pissarro (1878 - 1952) Watercolour and ink on paper 28 x 38 cm (11 x 15 inches) Inscribed, dated and signed lower left, Les Andelys 1927 Ludovic Rodo Thi...

"Surrealist Texas Oil Rig" is an original, double-sided watercolor and ink piece by David Barnett, signed and dated in the lower right. It is framed with a w...

Duchando me series by Celso José Castro - Daza 1. Duchándome May 22nd 2. Duchándose, May 27th 3. Duchándome May 28th 4. Duchándose, May 27th 5. Duchándome, June 5th 6. Pensando & recordando a Luis...

Vortex Twin Flame Mixed Media Ink on archival paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting medi...

Smashing Success! Mixed media on paper, black sequins, watercolor, ink 22x30 Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums...

Maeve D'Arcy Buck a Shuck, 2024 ink and colored pencil on paper 22 x 30 in. (dar146)

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Paysage à Chippenfield by Ludovic-Rodo Pissarro (1878-1952) Watercolour and ink on paper 23 x 33 cm (9 x 13 inche...

Paula Valenzuela In Nature, 2025 Watercolor and acrylic ink on paper 14 x 10 inches This one-of-a-kind work on paper comes unframed and ships in a tube. External, visible frame and ...

I Am Fabulous, Ink on Paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has honed his skills, ...

"Demon" (FRAMED) Painting 33" x 27" inch by Antonio Pelayo Medium: "Acrylic Ink & Paint on Animation Acetate Artist Antonio Pelayo, born in Glendale, California, and yet raised fo...

Maeve D'Arcy Bells and Whistles, 2024 ink and colored pencil on paper 22 x 30 in. (dar148)

In 2000, Linda Stein began a series called Knights of Protection. Her Knights functioned both as defenders in battle and symbols of pacifism. In 2019, Stein re-conceived her Kni...

"Tempietto Barbaro" is a watercolor and architectural drawing of the church built to serve the Villa Barbaro and the village of Maser, in the Veneto region of northern Italy, by Andrea Palladio in 1580. This piece is 19.5 by 16.25 inches framed. McLean Jenkins is inspired by the work of JMW Turner, Richard Diebenkorn and Louis Khan...

Anchors Aweigh, Ink on Paper. Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of watercolor and ink. He has honed his skills,...

Medium: Pen and Ink on Paper Signature: 11.00" x 11.50" Dimensions: Signed Initials Upper Right

Thunderstorm over Boston. July 14, 1930. Ink and watercolor on paper. 10 5/8 x 17 5/8 (sheet 12 x 19 1/4). Signed and dated and titled in ink, lower right; titled verso and annotated...

An everyday situation, from our memory, from the memory of childhood in a non-place, that is to say, an enigmatic ephemeral place, a space that is delimited and that grows, that mult...

Fig. 8 BASE VERDE and NARANJA, Diptych, 2025 by Rodrigo Spinel From The Dibujar el Tiempo Series Indian ink on 350g Strathmore Bristol paper Overall Frame size: 58.4 H x 85.8 W x 3 ...

circa 1750. Gouache and ink with heightening in gold on brown laid paper, 12 1/2 x 8 1/4 inches (317 x 210 mm), with a floral-motif border painted in blue and gold, the full sheet. With extensive inscriptions in Persian written in black ink on the verso. In good condition with extraordinary color. We see Empress Nur Jahan making an offering to a sage in his hut, as Emperor Jahangir looks on from a tree stand. Nur Jahan was fond of hunting and often went on hunting tours with her husband and was known for her boldness in hunting ferocious tigers. She is reported to have slain four tigers with six bullets during one hunt. According to Sir Syed Ahmad Khan this feat, inspired a poet to declaim a spontaneous couplet in her honor: "Though Nur Jahan be in form a woman, In the ranks of men she...

Thon, William (American, 1906-2000).; UNTITLED (DRAWING OF A BOAT #3; LIKELY IN ITALY). Ink and wash on paper. Not dated. Unsigned. 14 x 17 inches. In excellent condition. From a ske...

Thon, William (American, 1906-2000).; UNTITLED (DRAWING OF A BOAT #1; LIKELY IN ITALY). Ink and wash on paper. Not dated. Unsigned. 14 x 17 inches. In excellent condition. From a ske...

Very finely executed ink and watercolor painting depicting the Balinese goddess, Saraswati. Signed lower left “De Mus, keliki-Kawan, Ubud, Bali”. The ...

Original gouache and ink painting on paper. Hand signed and dated by Alexander Calder. Executed in 1969, this work is registered in the archives of the Calder Foundation, New York,...

Thomas Rowlandson (English, 1756-1829) Original Illustration titled "Beagles" Watercolor, pencil, and ink on paper Signed lower left From the Collection of David Rockefeller, Jr. ...

Nice Butt Doc, Mixed media on paper, black sequins, watercolor, ink Keith Carrington’s experiences have led him to express his talents through the fluid & exacting mediums of waterco...

Maeve D'Arcy Birthday Season, 2024 ink and colored pencil on paper 22 x 30 in. (dar149)

"Historia" (FRAMED) Painting 38" x 32" inch by Antonio Pelayo Medium: Acrylic Ink & Paint on Animation Artist Antonio Pelayo, born in Glendale, Califo...

Ink and gouache painting on paper of a 19th century Great Lakes steamship executed in precise draftsman style and signed by noted American artist Frank Crevier, framed and presented ...

"Delivered and Discarded (positives) #3" is an original wall-hanging piece by Yoonmi Nam. This piece is made from the flattening out packing boxes that the artist traces to depict t...

Pen and ink, ink wash and pencil on paper, signed and dated (lower right), 38cm x 29cm (65cm x 55cm framed). This penetrating and wonderfully executed self-portrait, is all the mor...

Luxembourg. "Old Luxembourg" by Leonard Machin Rowe (1880-1968) Initialled lower right watercolour painting on artist's paper, unframed Image 9.75 x 1...

Charming pen & ink framed sketch depicting Mr Max Beerbohm (1872-1956) taking advantage of the English climate and amusing himself w/ a box of paints. S...

Kristalova is best known for her figurative ceramic sculptures that incorporate aspects of the human body and elements of nature. Across her oeuvre, she explores transition as a stag...

Meg Hitchcock The Nine Eyes Widely Opened, 2022 Text from The Tibetan Book of the Dead, acrylic graphite, ink, embroidery thread 14 x 11 in. frame size: 17.75 x 14.75 in. (Hit005)

Pencil signed LR c1940s Art Sz: 7 1/2"H x 9"W Frame Sz: 13 1/4"H x 14 1/2"W

Francesca Henderson Williams Pear 5 Original Still Life Illustration Drawing Black Ink on Premium Acid Free Paper Image Size: H25 cm x W20cm x D 0.1cm Mounted Size: H30 cm x W25.5 cm...

Xiao Wen Xu is a Chinese-born Canadian artist based in Toronto, Canada, Her artistic practice is deeply influenced by her profound appreciation for the natural world. In her series, ...

I was born in Manhattan, but the most important places in my life have been here on Long Island by the ocean and in the mountains and forests of Vermont. I love to surf, I love to sk...

This is an original artwork unframed realized by TUSET in 2010. We can frame it in natural wood or black on request. Dimensions: 70 x 50 cm Original and unique piece 1/1. Includes ...

Born in New York, Paul Shimon (1919 - 2011) was both an accomplished artist and composer. Considered by some to be an Early Outsider artist, Shimon studied at the Art Students Leag...

Presented in a good broad craved and antiqued giltwood frame in the Spanish Baroque style. Each corner boldly carved with a stylized anthemion mantled by foliate scrolls. The beauti...

Note: We highly recommend shipping through 1stDibs for its cost effectiveness, full insurance coverage, and reliable handling. While standard parcel services are an option, the defau...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

A portion of each sale will be donated to the ACLU + NAACP JoAnne Artman Gallery proudly introduces America Martin’s new series I See Heroes Everywhere. Addressing the theme of her...

Oil bar, Pencil, Petal Flowers, Color and Ink on Paper. The base of this drawing is 120g/m2 Fabriano paper. I use natural dyes from flowers, herbs, leaves, and tree bark as the firs...

Signed and dated

"Shower" is an original oil pastel, ink and gouache figure drawing by celebrated, twentieth-century California landscape painter, Ronald S...

Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...

This work is unique. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visua...