Ink Drawings and Watercolor Paintings

'Africa' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

Roberto Burle Marx, 2021 (Framed) by Rodrigo Spinel From The Series Terms And Conditions Chinese ink on Fabriano paper 250 g. Frame size: 46 cm H x 38 cm W x 6 cm D Image size: 32 ...

This delicate botanical drawing is made with handmade walnut ink on Arches 100% cotton heavyweight paper. The exploration of ephemerality, and the fragility of a wild red clover, its...

Title: Mid Century French Expressive Ink Illustration of a Man Standing Artist: Josine Vignon (French 1922-2022) Medium: Ink and Paper on paper Size: 7 (height) x 5.25 (width) S...

Composition is an original drawing in china ink and watercolor on cardboard realized by Bertrand Mogniat-Duclos in 1940. This Artwork is depicted through strong and confident stroke...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

Watercolor and ink on watercolor paper, 40 x 60 cm In this captivating piece, branches intertwine like fleeting thoughts carried by the wind. A dance of ink and watercolor reveals a...

America Martin "Lillies in Clay Pot" Ink on Paper 32” x 45.75” Framed AMERICA MARTIN is an internationally represented Colombian-American fine artist based in Los Angeles. America ...

Hubert-François Gravelot (1699-1773) Two Allegories : Vigilance and Faith Pen, black Ink, and black wash on paper 7.9 x 4.8 each one Framed 22 x 26 cm Old framing that needs to be...

A small octopus is inked in the Japanese style of Gyo-Tako print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

The Old Man from the last expo, 2016 by Celso Castro-Daza Crayon pencil on archival paper Paper size: 59 H in. x 43 in. W Image size: 54 H in. x 40 in. W On The back of the painti...

A 1920s caricature of author Lennox Robinson, by artist Isa M. Macnie. Inscription on drawing reads: "Author of “The White-Headed Boy” etc." Image size: 8 7/8" x 6 7/8". Archiva...

Frida Willis (Swedish, born 1971) "Two Palms" 2024 Watercolor, Ink, Paper The artist signed the bottom right of the artwork. "Two Palms" by Frida Willis is a stunning minimalist wat...

About the Series: “Sensitive Material” In this Work on Paper Series, started in 2020, Claire Gilliam continues her exploration of Visual Language. She uses a common motif, the Latin ...

ink and pastel on paper

John Emanuel . English ( b.1930 ). I Can’t Stay Away From You. Watercolor & Ink. Signed Lower Right. Image size 28.3 inches x 19.9 inches ( 72cm x 50.5cm ). Frame size 35.2 inches x...

Christopher Ganz The Coliseum of Rome, 2014 Colored pens & chalk 13h x 9.50w in 33.02h x 24.13w cm Frame: 14.25h x 17.25w in CG0006 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching, Invitational Print Portfolio Monoprint, “The Mind’s Eye" displayed at Mid America Print Council’s National Conference, Southeast Missouri State, Cape Girardeau, MO, Nov. 1 – 3 Contemporary American Realism: Fort Wayne Museum of Art 2012 National Biennial, Fort Wayne, IN, Aug.11-Oct. 28 32nd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 13 – May 23 Juror: Ladislav Hanka, internationally exhibiting printmaker International Expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, “The Enigma” on display in Ann Nathan Gallery space, April 20-23 Spring Group Show, drawings, “Checking Out” and “The Enigma” displayed, April – May 2 Ann Nathan Gallery, Chicago 2011 Prints U.S.A. 2011 – National Juried Exhibition Springfield Art Museum, Missouri, Nov. 18 – Jan. 8 Juror: Elizabeth Wyckoff, Curator of Prints, Drawings & Photographs, St. Louis Art Museum International expositions of Sculpture Objects and Functional Art (SOFA) New York, Park Avenue Armory, Drawing, Checking Out on display in Ann Nathan Gallery space, April 14-17 2010 Contemporary American Realism: Fort Wayne Museum of Art 2010 National Biennial, Fort Wayne, IN, Sept. 3 – Nov. 7; two pieces accepted Cultural Baggage, Invitational Print Portfolio Intaglio print, Super-Heroes go to Hell, after Dore’ displayed at Mid America Print Council’s National Conference, University of Minnesota Minneapolis, MN, Chicago, Oct. 13-16 Art Chicago: International Fair of Contemporary and Modern Art Drawing, The Cyclops on display in Ann Nathan Gallery space, April 29 - May 2 30th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, April 16 – May 26 Juror: Claudia Berlinski, Senior Lecturer of Printmaking at Akron University, Akron, OH 2009 Are you looking at me? Invitational Print Portfolio Color lithograph, Open and Shut, displayed at IMPACT 6: International Print Conference Centre for Fine Print Research, University of the West of England, Bristol, Sept. 16 – 19 Art Chicago: International Fair of Contemporary and Modern Art Drawing, Self-Checkout on display in Ann Nathan Gallery space, May 1 – 4 Identification Please, Invitational Print Portfolio Intaglio print, Good Cop/Bad Cop displayed at Southern Graphics Council National Conference, Columbia College, Chicago, March 25 – 29 Boston Printmakers 2009 North American Print Biennial – National juried printmaking exhibition Juror: Rebecca Waddell, Curator of Prints at the New York Public Library Boston University’s 808 Gallery, Boston, MA, Feb. 15 – March 30 22nd Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.18 - Feb. 19 Juror: Professor of printmaking at the University of Wisconsin - Parkside Portraits and Beyond, Ann Nathan Galley, Chicago, IL, Jan. 9 - Feb 19 2008 Contemporary American Realism: Fort Wayne Museum of Art 2008 National Biennial, Fort Wayne, IN, Sept13 – Nov. 2; two pieces accepted 28th Annual National Print Exhibition at Artlink - National Juried Exhibition 2008 Artlink Gallery, Fort Wayne, IN, April 11 – May 21 Juror: Mark Pascale, Printmaking Faculty, School of the Art Institute of Chicago and Curator of Prints and Drawing, Art Institute of Chicago “No Danger” - Invitational Portfolio Folded paper airplane lithograph, “The Dream of Flight” displayed at Richmond International Airport as part of the Southern Graphics Council National Conference Virginia Commonwealth University, Richmond, VA, March 26 – April 26 21st Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.20 - Feb. 21 Juror: Karla Hackenmiller, Printmaking Chair and Associate Professor, School of Fine Arts, Ohio University 2007 Singularities – Invitational group exhibit Joan Resnikoff Gallery, Roxbury Community College, Boston, MA Nov. 2 – Dec. 17 Hong Kong Graphics Art Festival 2007: Crossing Boundaries - Invitational international printmaking exchange exhibition School of Design Gallery, Hong Kong Polytechnic University, Kowloon, Hong Kong, China, Nov. 1 – Nov. 16 27th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Brett Colley, Assistant Professor of Art and Design, Grand Valley State University Boston Printmakers 2007 North American Print Biennial – National juried printmaking exhibition Boston University’s 808 Gallery, Boston, MA, Feb. 18 - April 1 Juror: Judith B. Hecker, Assistant Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, New York 2006 The Printed Image: The First Biennial Midwestern Graphics Juried Exhibition National Juried Printmaking Exhibition Alice C. Sabatini Gallery, Topeka & Shawnee County Public Library, Topeka, KS Aug. 11 - Sept 15 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska- Lincoln 2006 National Contemporary American Realism: Fort Wayne Museum of Art's 2006 Biennial, Fort Wayne, IN, June 10 - Aug. 20; two pieces accepted 26th Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 26 - July 5; two pieces accepted Award Selector: Carolyn Autry, artist and Associate Professor of Art and Art History at the University of Toledo 19th University of Dallas Print Invitational - Traveling national invitational exhibition Haggerty Gallery, University of Dallas, Irving TX, Jan. 28 – March 6 three pieces accepted Texas A&M University – Corpus Christi, TX, Feb. 1 – March 9, 2007 Juror: Juergen Strunck, Professor of Art, University of Dallas A Mammalian Future? - Invitational Portfolio Intaglio print Jonas Ark displayed at Southern Graphics Council National Conference University of Wisconsin-Madison, University of Wisconsin-Madison, April 5 – 9 Paper in Particular - National Juried works on paper exhibition Larson Gallery, Columbia College, Columbia, MO, Feb. 5 - March 5; two pieces accepted. Juror: David Morrison, Professor of Printmaking, Herron School of Art and Design, Indianapolis, IN 19th Parkside National SmallPrint Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.15 - Feb. 16 Juror: Rudy Pozzatti, Professor Emeritus, Indiana University - Bloomington 2005 18th Parkside National Small Print Exhibition - National Juried Exhibition University of Wisconsin-Parkside, Kenosha, WI, Jan.14 - Feb. 22 Juror: Karen Kunc, Professor of Printmaking/Book Arts, University of Nebraska-Lincoln 2004 Exchange! A Survey of International and National Exchange Print Portfolios Visual and Performing Arts Center, Main Gallery, Purdue University, Feb. 1 - 15 Juror: Kathryn Reeves, P rofessor of Art, Purdue University 2003 23rd Annual National Print Exhibition at Artlink - National Juried Exhibition Artlink Gallery, Fort Wayne, IN, May 16 - July 2, 2003 Border to Border – National Juried Drawing Exhibition Trahern Gallery, Austin Peay State University, Clarksville, TN, March 3 - 30 Juror: Jim Cantrell, independent studio artist, Bardstown, KY On/Of Paper – National Juried Exhibition Clyde Snook Gallery, Adams State College, Alamosa, CO, March 3 - April 11 Juror: Dale Leys, Professor of Drawing, Murray State University, Murray, KY Emerging Artists 2003 – National Juried Exhibition Limner Gallery, New York, NY, Feb.12 – March 1 Jurors: Tim Slowinski...

“On the Beach”, tempera pencil charcoal on blue paper, frame included. Framed size 35.8x24in shipped framed. Check 1stDibs free shipping code for items over $500. This drawing is a d...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

The Hunger is a drawing artwork realized by Gabriele Galantara in early 20th century  Pencil and china ink on paper Good condition.

Romain de Tirtoff, called ERTE (Russian/French, 1892-1990) Coiffeuse Commode Ink and watercolour with pencil Inscribed with details (upper left) and signed with studio stamp (lower right) 11 x 16.1/2 in. (28 x 42 cm.) Provenance: The personal collection of the artist Gifted to Serge Leeman and thence by descent Romain de Tirtoff, commonly known as Erté, is widely recognized as the most influential artist of the Art Deco movement. His distinguished career spanned over 80 years and crossed over into several mediums including fashion illustration, stage and costume design and bronze sculpture. Erté was born on November 23, 1892 in St. Petersburg, Russia. His father was a military man...

The Figures is a drawing artwork realized by Gabriele Galantara in the early 20th century. China ink on paper Good condition.

The Pilgrim Fathers Landing at Plymouth Rock Anglo/ America School, early 20th century ink/ watercolor on paper stuck on board, framed - glass covered framed: 12 x 14 inches board : 6.5 x 8 inches Provenance: private collection, Cotswolds, England Condition: very good condition The scene possibly depicts the Pilgrim Fathers landing in the 'New World', particularly at Plymouth Rock in 1620. The visual elements support this interpretation: The central figure in dark clothing and a wide-brimmed hat: This could represent a leader like William Bradford or John Carver...

James Spencer Russell "#1" 1958 Collage with ink Signed lower right in pencil 24"x18" framed black gallery wood frame James Spencer Russell (1915-2000) was born in Monticello, India...

From the Duchándome Series Watercolor and ink on archival paper Image size: 19.5 in. H x 13.75 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

An original Art Deco illustration hand-painted with ink and gouache on paper. The drawing features two elegant women with large windows and drapery in the background. This image was ...

"Mission Impossible" Original TV Guide Drawing Illustration Caricature Mid Century NYC with Greg Morris, Barbara Bain, and Steve Hill. This original drawing...

"King & I" Orig 1951 Broadway Drawing Published NYT Tony Awards Mid 20th Century Al Hirschfeld (1903 – 2003) "The King and I," 14 3/4 x 30 inches. Ink on board. Signed lower right. ...

'Ebren Ha Dor, Tremenus'. Contemporary landscape painting, Cornwall Original Artwork. Framed ready to hang _________________ The dancing light and rapidly changing skies, hung high a...

Mid Century Modern Farmhouse Landscape in Watercolor and Ink on Paper Bright, modern landscape by Robin Gay McCline (American, 1928-2008). A line of trees and buildings runs across ...

A magnificent and sensitively treated line drawing in coloured ink, heightened with white. It depicts Argan, the hypochondriac from Molière's play of the same name. Dating from circa...

Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...

A ca. 1915 portrait of a gentleman by artist Anthony Stuffers. This artist died at the age of 26--so this is a rare drawing, indeed! Image size: 19 1/2" x 14 3/4". The watercolor...

Delicate strokes and natural hues shape Shiri Phillips' watercolor, ink, and colored pencil artworks, showcasing her exploration of minimalism and organic forms. Departing from her u...

Working with a palette of graphite, charcoal, ink, and gold leaf, Alessandra Maria masterfully weaves together elements of the earthly and ethereal. She is part sorceress, part alche...

This is a print of an original contour drawing. It is nicely matted and signed by the artist on the back. It is limited edition 1/1. Shipping options are available.

UNIQUE piece. John Isaiah Pepion is a noted contemporary indigenous artist and renowned graphic ledger artist, muralist, and educator based on the Blackfeet Nation (Piikani Band of ...

Signed (at lower left): FK [in monogram] EX COLL.: the artist; to I. David Orr (1904–1997), Long Island, New York; to his estate, 1997 until the present Originally trained as a fig...

Busy street. Mixed media on paper: ink wash and marker. Signature to be identified lower right. Framed and under glass. Paper ripples. Storm beasts under the glass. Drawing (at sight...

Nazanin Moghbeli is a Persian American artist with training in Persian calligraphy, miniature painting, and music. She borrows techniques from Iranian calligraphy to create abstract ...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

PETER BEARD (1938–2020, USA) Elui with World Record Cow Elephant Tusk, 47 lbs., Marsabit Forest, Kenya, 1962/2006 Color print with gelatin silver print collage, watercolor, tempera paint, ink Sheet 141 x 108,6 cm (55 1/2 x 42 3/4 in.) Unique Signed recto and verso in ink Peter Beard (1938–2020) was an American artist who lived and worked in New York and Kenya. In Africa Peter Beard found the central theme of his life, the destruction of the natural animal world by man and civilization. His photographs of Africa, African animals and the journals that often integrate his photographs have been widely shown and published since the 1960s. Inspired by earlier trips to Africa in both 1955 and 1960, Beard traveled to Kenya upon graduation. Working at Tsavo National Park, he photographed and documented the demise of 35,000 elephants and other wildlife, later to become the subject of his iconic book, “The End of the Game...

original drawing by Jean Cocteau from Edouard DERMIT collection . signed and dated 1957 . framed .

The artist seeks here to take the spectator towards his interiority, on a celestial journey where he can contemplate and identify with the trees to rub shoulders with the wind of the...

Winter Light by Linda Clerget is an evocative artwork that combines watercolor, ink, and pastels, measuring 65 x 50 cm. This piece captures the serene beauty of a winter landscape, w...

'Untitled' abstract composition, mixed media on soft board, Japanese ink, oil, pencil and gouache by Erez Yardeni (2018). Beautifully balanced, stunningly...

Sliced Venus. Original art, signed 100x70cm / 30x27in, ink, graphite, tempera on paper. large size, shipped rolled in a tube Drawing has on the back 2 white wood sticks, and it's rea...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

Title: Mid Century French Ink Sketches of Women in Elegant Attire Artist: Josine Vignon (French 1922-2022) Medium: Ink and Paper Size: 10.5 (height) x 8.25 (width) Stamped: Ver...

Illustrated for the 1949 Four Seasons Calendar, published by Brown and Bigelow. A young girl holds a freshly-picked bouquet of flowers as she strolls alongside a boy who carries he...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Jonas by Marc Chagall (1887-1985) Indian ink on paper 35.6 x 26.9 cm (14 x 10 ⅝ inches) Signed with Estate stamp lower ...

"Fawn" is an original ink, colored pencil, and gouache on paper artwork by Henry Hablak measuring 30"h x 22"w. Henry Hablak is a tattoo artist and illustrator based out of Philadel...

Meg Hitchcock The Luminous Regions of the Sky, 2024 Text from Lucretius’ On the Nature of the Universe, acrylic, graphite, colored pencil 22.5 x 18 in. frame size: 27 x 22.25 in. (Hi...

A Dynamic, Avant-Garde, Mid-Century Modern Abstract Female Figure Study by Harold Haydon (Am. 1909-1994). A striking, black & white figural studio ink drawing on paper depicting an...

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, Ho...

Duchándome, May 28th by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.75 in. W Sheet Size: 19.5 in. H x 27.5 i...