20th Century Drawings and Watercolor Paintings

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This ethereal and beautifully colored Mid-Century Modernist Watercolor & Gouache Painting by Robert Natkin originates from the United States, C.1963. A significant figure in abstract...

Mirror Reflection by Bernard Labbe (French mid 20th century), stamped verso original gouache/watercolour painting on board overall size: 11 x 8 inches condition: very good and ready ...

"Flowers" by Marie-Amelie Chautard-Carreau (French, 19th/20th century) signed bottom right watercolour on paper, unframed painting: 6 x 9.25 inches Delightful early 20th century Fr...

This work is unique. Work comes with a Certificate of Provenance issued by Christie’s. Stamped on the verso by the Estate of the Artist and The Andy Warhol Foundation for the Visua...

Eve Nethercott, American (1925 - 2015) - Skyline Drive, Virginia (82), Year: 1961, Medium: Watercolor, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Description: Looking out from...

Sketch for a Portrait is a drawing on paper realized in the Mid-20th Century by Flor David. Pencil on Creamy-colored paper. Good conditions. Flor David (1891-1958) ): pseudonym of...

Bird is a drawing in pastel on paper realized by Benn (Bencjon Rabinowicz) in 1970. Hand signed on the lower, dated. Good conditions. Benn (Bencj...

Ink and watercolor on cardboard realized by André Gallaud in 1959. Titled, dated and signed in pencil in top right side. Very good condition.

Watercolor drawing realized by Mino Maccari in 1940s. Hand signed in pencil lower right. Very good condition.

Nude is a modern artwork realized by Reynold Arnould in the 20th Century. Ink drawing. Good conditions.

Nude woman is an original pencil drawing realized by André Meaux-Saint-Marc (1885 - 1941). Pencil drawing on brown paper in good conditions.

Lyman Kipp Original Mid Century Modern Painting on paper, 1969 Acrylic on paper painting Hand signed and dated by the artist on the front F...

Georges CONRAD (1874-1936) Study of female nude and a couple Original pencil drawing Signed with the stamp of atelier On paper 26.5 x 20 cm (c. 10,4 x 7.8 in) Good condition, paper...

Hyman Bloom "Still Life with Flies" Frame: 18" X 16" Image: 9.25" X 8.25" Hand signed with his monogram initials Provenance: bears exhibition label from Fuller Museum of Art Hyman B...

Watercolor drawing on paper realized by Maccari in 1940s. Hand signed lower left. Very good condition.

Mid Century French Portrait by Josine Vignon (French 1922-2022) Medium: Pencil on artists paper, double sided Size: 10 height) x 7.5 (width) Stamped Verso Condition: Good Provenan...

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Mid Century French Portrait by Josine Vignon (French 1922-2022) Medium: Pencil on artists paper, double sided Size: 10 height) x 8 (width) Stamped Verso Condition: Good Provenance...

Original Fashion Design Illustration by Roz Jennings, British watercolor and ink on card, unframed size: 12 x 8.25 inches condition: very good A beautifully colorful and characterfu...

Mid Century French Portrait Signed by Josine Vignon (French 1922-2022) Medium: Pencil/ink drawing on artists paper, double sided Size: 9 height) x 7 (width) Stamped Verso Condition...

Eve Nethercott, American (1925 - 2015) - Rocky Seascape (P1.14), Year: 1957, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Looking out onto t...

This is an Joseph Stella original pencil drawing “man with beard” . In good condition comes from joseph Stella’s estate. In good condition measu...

Annie French was part of the Glasgow Girls group of artists and illustrators who worked in a delicate, feminine, and detailed Art Nouveau and Pre-Raphaelite style. This work, "Flora," is masterfully rendered and decorated with sumptuous floral patterns in the most detailed way. It is signed twice in the upper right quadrant. The mat has a hand-painted decorative border. The work presents better in person, and the viewer can marvel at the minute detail. The Video is overexposed and light and not representative of color. Use still...

Portrait is a drawing realized by Jean Lasnier in the Mid-20th Century. Oil pastel and watercolor ink on paper. Good conditions with slight foxing. The artwork is realized through...

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Nude Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: E...

Fitzgerald, James (1899-1971) OLD TREE. Cat Raisonne 1223. Watercolor on paper, c. 1930. Signed, lower left. 19 x 25 1/2 inches, framed to 27 5/8 x 33 1/4 inches. Provenance: Estate ...

Charming, vibrant watercolor painting of a small California gold rush town by Diane Baldwin (American, 20th Century), 1970. Signed "Baldwin" lower right....

Study for David and Goliath c. 1971 Signed, u.r. Pastel on paper 12 x 19 inches (30.5 x 48.3 cm) This work is offered by CLAMP in New York City.

Artist: Ian Hornak (1944-2002) Title: Renaissance Female Figure Study Year: circa 1963 Medium: Original drawing on vélin paper Size: 23 x 18 inches Condition: Good Provenance: Estate...

This artwork "Vue of Chiloa Bridge, Japan" c.1950 is an watercolor on paper by noted American artist Joseph Morgan Henninger, 1906-1996 It is signed at the lower left corner by the artist. The artwork size is 21 x 28.65 inches, framed is 28.5 x 35.85 inches. Framed in original wooden gold frame, with fabric liner. It is in very good condition. About the artist: Joseph Morgan Henninger (May 15, 1906 – March 7, 1999) was an American artist and illustrator. He was born in Elwood, Indiana and died In Pacific Palisades, California. Joseph Henninger...

Medium: Pencil Drawing Signature: Signed & Inscribed Lower Right Study for Saturday Evening Post Cover, June 2, 1951

Andy Warhol (1928-1987) is arguably the most important American artist of the 20th century. He not only defined Pop Art but had an unrivaled influence on artists and image-making. ...

Eve Nethercott, American (1925 - 2015) - White and Purple Flowers (P1.10), Year: circa 1960, Medium: Watercolor on Paper, Size: 19.75 x 14.75 in. (50.17 x 37.47 cm), Descripti...

Andrea Belag A Second Hand II, 1990 Monotype on cotton rag paper 42 1/2 × 30 inches Hand-signed by artist, Signed, titled and dated in pencil on the front; bears publishers name and copyright on the back, along with the unique inventory number Unframed Poignant 1990 monotype, in elegant pastel colors. The cotton rag paper has lightly deckled edges so it will look gorgeous when floated and framed. American painter Andrea Belag creates lush and luminous abstractions inspired by the visual and spiritual principles of Zen, as well as artists such as Mary Heilmann, Bernard Frize...

Mid-century French modern abstract painting of green and blue eye, circa 1960. Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-size frame....

Eve Nethercott, American (1925 - 2015) - Gloucester (P5.10), Year: 1948, Medium: Watercolor on Paper, Size: 11 x 15 in. (27.94 x 38.1 cm), Description: Looking out over the s...

Signed with initials to the upper left corner. Presented in a simple black frame with card mount. Inscribed 'University Bristol' verso. On paper.

Snowy landscape by Maine artist Fannie Mae Cunningham (American, 20th Century). Tags on verso from previous backing have been preserved. Presented in a new grey-blue mat...

Norman Barr recorded his beloved New York City from the Bronx, to Coney Island, to the Fulton Fish Market. In this period he was on the New Deal's Mural ...

Henry Woon Female Nude Statue c. 1950's Charcoal on Strathmore Charcoal Paper 19 1/2"x25"Unframed Unsigned His large portfolio of charcoal drawings was acquired on the island of Ala...

Frank Nelson Wilcox (American, 1887–1964) Red Cliffs and Hogan, Arizona, 1937 Watercolor on paper Signed and dated lower right 14.5 x 19 inches 18.5 x 24 inches framed Frank Nelso...

Jean Dufy My Table with View on the Roofs of Paris Watercolor and gouache on paper Signed at the top right On paper 53 x 40 cm at view (c. 21 x 16 in) Presented in a golden wood fra...

Still life. Paper, watercolor, 72.5x89 cm Malda Muižule was born in 1937 in the family of a blacksmith. Graduated from Liepāja Applied Arts High School (1957). She continued her stu...

Vibrant large-scale pastel landscape of colorful reflections rippling on a calm lake with three small ducks and a boat by an unknown artist (American, 20th Century). Signed with the ...

Ink on paper Signed and dated, l.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now...

Sold without the frame. Léon Laurent Galand is a French painter and illustrator born April 18, 1872 in Montpellier (Hérault) and died November 4, 1960 in Clichy (Hauts-de-Seine). L...

from the Padoli Monotypes III

The Street is a watercolor and ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In good condition, ex...

Highly detailed and precise illustration of a 1966 Mercury Commuter Station Wagon by Joseph Yeager (American, 20th Century). Signed in the lower right portion of the illustration. This piece is on heavy cardstock. Presented in a new black mat. No frame. Joseph "Joe" Yeager (American, 20th Century) was raised in Cleveland Ohio, where he went to art school at night and started his art career at 19. He was a commercial artist for the Cleveland Press...

A ca. 1935 tonal, watercolor of a steel mill by artist Harold Haydon. Artwork size: 8 3/4" x 11 3/4". Archivally matted to 14" x 18". Provenance: Estate of the artist. Harold E...

Serbian artist Dordevic (or Djordjevic) Miodrag (1936 -), known as "Miodrag," designed this stunning abstract drawing. This work is a charcoal on paper depicting a brutalist abstract...

Homme assis et personnage is a pencil drawing realized by Alberto Giacometti on a page of Louis Guilloux's "La merveille", published in "Les Lettres Nouvelles", n°7, septembre 1953, p. 779. Giacometti sketched a male portrait in his typical style. The man is in profile and on the right side of the page there is a small study of a standing figure. Following Fondation Giacometti, it was realized by the author on September 1953. As James Lord...

Figures is an original artwork realized by Leo Guida. Watercolor drawing on ivory paper. Good conditions. Not signed.

Henry Ottmann (1877-1927) Bust-length portrait of a woman signed lower right pastel on paper 53 x 43 cm Framed 74 x 64 cm This bust portrait of a woman shows us another aspect o...

Insetto is an original artwork realized by Ivan Mosca in 1945. Original Drawing. Colored pencils on cardboard. Hand-signed and titled by the artist on the lower right corner. Very good conditions. Very fresh and delicate artwork representing an insect in foreground realized with colored pens. Ivan Mosca (Parma, 1915 - Rome, 2005) was an Italian artist and painter. He moved to Milan where he attended the School of Book and the Istituto Superiore per le Industrie Artistiche in Monza. He was interested by the abstract art and met the artists of the Gallery "Il Milione", such as Osvaldo Licini...

Beautiful charcoal drawing depicting a flock of vultures taking flight. Designed by Brozzi, a renewed italian sculptor and engraver, in the first decades of 20th century. Good condit...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

This original Art Deco Fashion Illustration by G. Ferro is a striking ink and wash drawing on vellum paper by French artist G. Ferro. The stunning Art Deco composition captures a dap...

Clarence Holbrook Carter (American, 1904-2000) Study for Worlds Beyond, 1980 Graphite, collage and white heightening on illustration board Signed and dated lower right 10.75 x 4.5 in...