Contemporary Still-life Drawings and Watercolors

Work : Original Drawing, Handmade Artwork, Unique Work. The work has been treated with an anti-UV varnish and it is not framed. Medium : Oil based color pencils on archival paper pu...

Dinan, France watercolor created by Mexican-American contemporary visual artist and celebrated architect Javier Arizmendi-Kalb creates watercolors with graphite on paper, as a method of personal journaling his travels, both personal and professional. The series of watercolors depicts places where the artist visits, and captures the essence of the place and its atmosphere. This work is 7 x 10 inches and is matted in an archival museum mat with an outer dimension of 12 3/4 x 15 7/8 inches. And it comes in a crystal clear archival storage...

Bengal Tiger watercolor inspired by the novel The Life of Pi's, whose main character, Richard Parker — the tiger who is the epitome of beauty, power, an...

Original watercolor on archival paper by Rosalind Oesterle. Circa 1970. Signed lower left by the artist. Oval format. Condition is excellent. Profe...

Stacked river tube graphite drawing from Mary Robertson who is steeped in the Bay Area figurative movement. Her Mary oeuvre focuses on Northern California's Russian River, where she ...

Sally-Ann Johns’ striking work often depicts everyday birds and animals, sometimes portraits, displayed in a unique and exciting way. Set into a gold lined box, they conjure images o...

Perfect for sport lovers, this is a series of four Art Prints on recycled paper featuring, hockey, soccer, baseball and football. The contemporary and timeless aesthetic makes them s...

MAGNOLIAS is a new acrylic painting on panel by Fleur Thesmar. The artwork measures 18x24". The artist has written about an epiphany she had studying tre...

HELEN HAWLEY Terracotta Head, 6-7th Century C.E. 2024 Ink on paper Framed: 12 x 16 inches

ROAD TO PARADISE is an egg tempera on Ampersand panel by Fleur Thesmar. The artwork measures 24x18x1" and is unvarnished (as many artists prefer). Against a grid of gentle reds, yellows and cream...

Les Poissons is an original Contemporary artwork realized in the 1970s in Italy. Watercolor on paper. Passepartout is included: dimensions 50 x 35 cm. Excellent conditions. Imag...

HELEN HAWLEY Clay Figurine, Milan 2024 Ink on paper Framed: 12 x 16 inches

TWO ROSES is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 30x22", and is a striking composition in tones of rose, pink, gold and green. It's a courageous work of art, seemingly a reflection or a symmetry but of course they are two distinct, complex flowers. From Fleur Thesmar – "Standing on top of each other like mystic roses...

Marta Bozyk (1973). A graduate of the Graphic Department of the Academy of Fine Arts in Krakow. She received a diploma with the Medal of the Rector of the Academy of Fine Arts in 1998. Winner of the Scholarship of the Creative City of Krakow (2000) and the city of Mino in Japan (2001). She is also a winner of the Technical Award at the International Print Exhibition in Taichung, Taiwan (2008) and the Equal Prize International Triennial of Art Bitola in Macedonia. He belongs to the artistic female group...

Francesca Henderson Cox’s Apple 1 Original Still Life Illustration Drawing Black Ink on Premium Acid Free Paper Image Size: H12cm x W17.5cm x D0.1cm Mounted Si...

MY OUT-OF-REACH GARDEN is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 22x30", and is a structured composition in tones of blue, violet, rose, gold and green. Bordering on abstraction and representation, there appear to be sheets of paper, a desk, and yet surrounded by flowers, patterns and textiles it becomes a larger scene, a collection of memories. From Fleur Thesmar – "When you cannot return to a place you love, your memory invents the place for you. Apparent forms are suddenly unrecognizable, a reconstructed memory of a far-away place. Wrapped in patterns, grids and cloth, lights and stars shine as if from a mirror. Throughout are organic, fantastic shapes of flowers." Having moved her family from France to America, artist Fleur Thesmar closely observed the changes in her world – from the seemingly obvious such as surrounding landscapes, the light of day and weather, the flowers, trees and shorelines – to the smaller less obvious shifts, such as how one behaves in a new world, in a new home, how one cherishes certain belongings and certain memories. Her artistic practice is borne out of that close observation and shift in perspective, and has led to a number of successful gallery shows in the U.S. and internationally. Fleur Thesmar has shown at Beacon Gallery in Boston MA, 440 Gallery, Brooklyn NY, Old West Museum, Cheyenne WY, Belmont Art Gallery, Belmont MA, and Salon Ile-de-France 2020, Bourg-La-Reine, France. Her work is on permanent display at the Tower Hill Botanic...

Tina Figarelli is a classically trained artist whose favorite subject matter in her artwork is ideas with a strong narrative. Tina leaves the viewer hin...

Blooming Peony [2022] original and hand signed by the artist coloured pencil on 150gsm paper Image size: H:29.7 cm x W:21 cm Complete Size of Unframed Work: H:29.7 cm x W:21 cm x...

Inspired by chinoiserie, Two Bowls, 2023 is an original (unique) work on 25" x 20" 260g watercolor paper signed by Israeli born woman artist Yifat Gat. Title, date, and signature on ...

Tall Vase, 2023 is an original (unique) work on 25" x 20" 260g watercolor paper signed by Israeli born woman artist Yifat Gat. Title, date, and signature on recto (front of work) - o...

Inspired by Greek vases, Blue Vase, 2023 is an original (unique) work on 25" x 20" 260g watercolor paper signed by Israeli born woman artist Yifat Gat. Title, date, and signature on ...

EVENING ATTIRE #2 - This intimate piece of original artwork on board features intricate detailing within the dress straps. The oversized matte draws attention to the delicate artwork...

Small artwork is intimate and can personalize spaces. This classic pink and black pump is an artwork blending acrylic, pencil and color pencils in a loose style keeping it both expre...

An homage to the iconic Chanel No. 5 perfume. Textured elements add visual interest to this mixed media artwork on board. With delicate detail, this piece combines paint, pencil and ...

A cake top realistically depicts a cake by female baker, Kassie. Colored pencil on paper. 'Kassie' is 13.5 x 13.25 inches and professionally framed measuring 14.5 x 14.25 inches.

Graphite on museum board This work is offered by ClampArt in New York City.

Peri Taylor Red Sails Watercolour and Ink on Paper Size: H 59cm x W50cm Sold Unframed (Please note that in situ images are purely an indication of how a piece may look). Red Sails i...

Ross Bleckner (American, b. 1949) Untitled Graphite on Paper 13 3/4 x 11 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that o...

POOR ME is a small watercolor on Arches paper by Fleur Thesmar. The artwork measures 7x5". Matted and framed in gold, it measures 13x11". Though completed over a year ago, it's a tim...

Homage to the iconic Chanel logo. This pencil rendering is underlined with black textured paint making for a minimalistic outcome. With focus on simple composition, this artwork is d...

DEATH VALLEY is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 22x30" and is professionally framed in white with UV protection, anti-glare glass. Framed it m...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

This artwork blends acrylic, pencil and color pencils in a loose style keeping it both expressive and refined. The art floats above the matte and is beautifully framed in a dark grey...

A happy and bright floral painting with artist-painted frame by Irish artist Amanda Watt. Anthurium Amanda Watt, Irish (1960) Date: 1991 Acrylic on Paper, signed l.r. Size: 48 x 60 i...

Secret Garden 13, 2020 white ink on black cardboard 27 9/16 H x 39 3/8 W in. 70 H x 100 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic...

"PAK" is an original charcoal drawing on paper by Stephanie Buer measuring 16”h x 22”w when framed. This piece ships ready-to-hang in the pictured frame. Stephanie Buer, now based i...

An homage to the iconic Chanel No. 5 perfume. Textured elements add visual interest to this mixed media artwork on board. With delicate detail, this piece combines paint, pencil and ...

STELLATA MAGNOLIA 2 is a new watercolor on Arches paper by Fleur Thesmar. The artwork measures 30x22". Note the fluid precision of the tree, blossoming into...

PLENTY is a new watercolor on Fabriano paper by Fleur Thesmar. The artwork measures 22x30". Note the gentle complexity of the composition, the suggestion of dollops of ice cream and fruit, or piles of colorful clothes, or a fanciful landscape. The scale grows large and small, far away and right in your lap! From Fleur Thesmar – "My memory invents places and shapes, finding new games of mirrors thanks to mathematical models and theories. Shapes resembling bowls of fruit, balloons, landscapes and so on, actually fulfill a dream of mine to free the imagination and let the viewer invent as well." Having moved her family from France to America, artist Fleur Thesmar closely observed the changes in her world – from the seemingly obvious such as surrounding landscapes, the light of day and weather, the flowers, trees and shorelines – to the smaller less obvious shifts, such as how one behaves in a new world, in a new home, how one cherishes certain belongings and certain memories. Her artistic practice is borne out of that close observation and shift in perspective, and has led to a number of successful gallery shows in the U.S. and internationally. Fleur Thesmar has shown at Beacon Gallery in Boston MA, 440 Gallery, Brooklyn NY, Old West Museum, Cheyenne WY, Belmont Art Gallery, Belmont MA, and Salon Ile-de-France 2020, Bourg-La-Reine, France. Her work is on permanent display at the Tower Hill Botanic...

Secret Garden 3, 2019 White ink on black cardboard 39 3/8 H x 27 9/6 W in. 100 H x 70 W cm The drawings signed by Alina Aldea show the meticulousness and perfection of microscopic o...

Translucent vessels are suspended upon the surface of the water in this surreal landscape entitled "Cloud Lake". This landscape is done in exacting detail with watercolor and gouache down to the smallest water droplet. Layer upon layer of color is added to achieve this impressively detailed painting. The piece is matted and framed in a simple white frame measuring 20.25 x 16.75 inches. Christina Haglid Cloud Lake watercolor and gouache on paper 11h x 8w in 27.94h x 20.32w cm CMH053 Artist's Statement Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at...

Jo Haran Drenched Chrysanthemums Original Flowers Watercolour, gouache and gesso Image size: H:73 cm x W:54 cm Paper size: H:76 cm x W:56 cm x D:0.001cm Sold Unframed Please note t...

Debabrata Basu - Sewing Machine - 26 x 20 inches (unframed size) Watercolor on Paper. Inclusive of shipment in ready to hang form. Style : Debabrata derives his style and theme by i...

Debabrata Basu - Survival I - 26 x 20 inches (unframed size) Charcoal on Fabriano Paper. Style : Debabrata derives his style and theme by introspecting within himself. The fears of ...

The artist has covered New York collections for over 16 years and has interviewed, as a journalist, several fashion designers and personalities for different publications. He loves t...

"White Eggplant on Red Table" is a color pencil drawing on paper by artist Emilio Sanchez. The drawing is to the paper edge and initialed "ES" in the lower right. There is an Emilio...

Branch Study No. 21, Original Minimalist Botanical Watercolor Painting, 2020 16" x 20" (HxW) Watercolor on Cold Pressed Watercolor Paper A minimalist watercolor painting by artist Elizabeth Becker...

Season End by Jo Haran [2020] original Watercolour, gouache and gesso Image size: H:65 cm x W:49 cm Complete Size of Unframed Work: H:66.5 cm x W:53 cm x D...

Plum Branches and Flowers watercolor on wove paper, 1985 Signed and dated in pencil lower right corner From the artist's 1985 sketchbook Inspired by O'Sickey's love of Japanese and Chinese art and calligraphy. Provenance: Estate of the artist Condition: Excellent Image/Sheet size: 13 5/8 x 17 inches Joseph B. O’Sickey, Painter 1974 CLEVELAND ARTS PRIZE FOR VISUAL ARTS The title conferred on him by Plain Dealer art critic Steve Litt in a 1994 article, “the dean of painting in northeast Ohio,” must have pleased Joseph O'Sickey. It was more than 30 years since he had burst onto the local (and national) art scene. O’Sickey was already in his 40s in that spring of 1962 when he had his first one-man show at the Akron Art Museum and was signed by New York’s prestigious Seligmann Galleries, founded in 1888. In the decade and a half that followed, he would have seven one-man shows at Seligmann, which had showed the work of such trailblazing figures as Seurat, Vuilliard, Bonnard, Leger and Picasso, and appear in all of the group shows. O’Sickey took the Best Painting award in the 1962 May Show at the Cleveland Museum of Art (CMA). He and would capture the same honor in back-to-back May Shows in 1964 and ’65, and again in 1967. The remarkable thing, noted the Plain Dealer’s Helen Borsick, was that he accomplished this sweep in a variety of painterly styles, even using that most hackneyed of subjects, flowers. “The subject doesn’t matter,” he told her, “what the artist brings to it is the important thing.” O’Sickey’s garden and landscape paintings were big and bold, eschewing delicate detail in favor of vitality and impact. The great art collector and CMA benefactor Katherine C. White, standing before one of O’Sickey’s vivid garden paintings, compared the sensation to “being pelted with flowers.” Though he might represent an entire blossom with one or two smudged brush strokes or a stem with a simple sweep of green, O’Sickey rejected the moniker of Impressionist—or Pointillist or Abstract painter or Expressionist. “My work,” he said, “is a direct response to the subject. I believe in fervor and poetic metaphor. I try to make each color and shape visible and identifiable within the context of surrounding colors and shapes. A yellow must hold its unique quality from any another yellow or surrounding color, and yet read as a lemon or an object, by inference. It does not require shading or modeling—the poetic evocation is part of the whole.” “The subject,” O’Sickey used to tell his students at Kent State University, where he taught painting from 1964 to 1989, “has to be seen as a whole and the painting has to be structured to be seen as a whole.” He liked to think of it as “a process of controlled rapture.” When, in the 1960s, fond childhood memories drew him to the zoo, he found himself responding to the caged animals in their lonely dignity (or indignity) with sharp-edged, almost silhouette-like forms that evoked Matisse’s paintings and cut-paper assemblages. One observer was left with the impression that the artist had “looked at these animals, past daylight and into dusk when they lose their details in shadow and become pure shapes, with eyes that are seeing the viewer rather than the other way around. This is a world of shape and essence,” wrote Helen Borsick. “All is simplification.” O’Sickey attributed his ability to capture his subjects with just a few strokes—in an almost iconographic way—to a rigorous exercise he had imposed upon himself over a period of several months. Limiting his tools to a large No. 6 bristle brush and black ink, he set himself the task of drawing his pet parakeet and the other small objects in its cage (cuttlebone, feeding dish, tinkling bell) hundreds of times. The exercise gave him “invaluable insights into painting. . . . Because of the crudity of the medium, every part of these drawings had to be an invention and every mark had to have its room and clarity.” Then he began adding one color at a time—“still with the same brush and striving for the same clarity”—and headed off to the zoo where “the world opened up to me. I learned how little it took to express the subject.” Born in Detroit at the close of the First World War, O’Sickey grew up in St. Stanislaus parish near East 65th and Fleet on Cleveland’s southeast side. (The apostrophe was inserted into the family’s proud Polish name by a clerk at Ellis Island.) An early interest in drawing and painting may have been kindled by the presence on the walls of Charles Dickens Elementary School, one of only three grade schools in the district with a special focus on the arts, of masterful watercolors by such Cleveland masters as Paul Travis, Frank N. Wilcox and Bill Coombes. As a youngster O’Sickey took drawing classes at the Cleveland Museum of Art, and he and his brother spent hours copying famous paintings; while a student at East Tech High School in the mid-’30s, he attended free evening classes in life drawing with Travis and Ralph Stoll at the John Huntington Art and Polytechnic Institute, and Saturday classes at the Cleveland School (later the Cleveland Institute) of Art, where he earned his degree in 1940 under the tutelage of Travis, Stoll and such other legendary figures as Henry Keller, Carl Gaertner, William Eastman, Kenneth Bates...

Aka Beni Kosh Still Life with Flowers Colored pencil on paper Unsigned Signed with the estate stamp on reverse (see photo) Estate No. 716 Condition: Soft fold through image, wri...

Ellen Williams Anemone I Original drawing Pencil on 150gsm Paper Image Size: H 30cm x W 20cm Sold Unframed (Please note that in situ images are purely an indication of how a piece ma...

mixed media on paper image size: 17 X 25 framed size: 28 X 34 Provenance- Originally purchased from the Candy Store. It is from the Cherie and Ron Petersen collection and exhibited in 1989 in an exhibition "Collectors Choice, Drawings Paintings and Prints from the collection of Cherie and Ron Petersen". Bio- Born in Benicia, California in 1930, Robert Arneson was encouraged by his father to draw. He became a proficient draftsman early in life and drew cartoons for a local newspaper as a teenager. After Arneson studied art education at the California College of Arts and Crafts in Oakland he taught in a local high school, where he became interested in ceramics. He went on to receive an MFA from Mills College in 1958. Arneson became head of the ceramics department at the University of California at Davis in 1962 and became a full professor of art in 1973. Arneson was greatly influenced by the expressionist work of fellow Californian Peter Voulkos, who had studied Pablo Picasso’s works...

A’Court begins each painting with a broad, color plane—red, blue, pink or yellow—which acts as a table for the artist’s still life vocabulary. This practice allows her to contain the...

Ella's Quilt by Roy Wilce Oil Pastel on Paper, still life in vibrant warm colors image 28x36", framed 42x50" *Shipping cost includes the custom packing required to transport fine ar...

Figurative, still life chalk drawing of black high heels on vintage collaged music sheets. Artwork measures 29 x 33 inches 30 x 37 inches framed, deckle edge paper is floated in natural wood moulding with glass. This modern, graphic chalk drawing on collaged vintage music sheets...

"Red Peppers" is a color pencil drawing by artist Emilio Sanchez. It is drawn to the paper edge and initialed "ES" in the lower left. "Emilio Sanchez Found...

Frédéric Bruly Bouabré Des Enfants De Races Couler Ancenciel Ballpoint Pens, Crayons And Colored Pencil On Cardboard 5.5 x 7.5 March 11, 1948, ...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University. She has had solo exhibitions at The McKinney Avenue Contemporary and ...