Bride Drawings and Watercolor Paintings

The Couple is a watercolor Drawing realized by Mino Maccari (1924-1989) in 1940 ca. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16, 1989...

Seductive Woman is a China ink Drawing realized by Mino Maccari (1924-1989) in the 1970s. Hand-signed on the lower margin. Good condition. Mino Maccari (Siena, 1924-Rome, June 16...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

A piece from Bartolome Sastre's pencil on paper collection. 11.25 x 8.5 inches Pencil on paper

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the human for...

Cut Paper, Tyvek

Figures is a Pencil Drawing and Watercolour realized by Mino Maccari (1924-1989) in 1980s. Hand-signed on the lower margin. Good condition on a little cardboard. Mino Maccari (Sie...

This new series of painting is an exciting transition for Kinney as he is best known for assemblage and sculpture. “Anim”, the Latin root word of animal, means life, soul or breath. This exhibition features select large-format monochromatic oil paintings on stretched canvas and wood panels. On view as well are works on paper with Japanese Sumi Ink, which inspired the oil paintings. Kinney has been looking at pre-historic cave paintings as well as animals depicted therein, such as the Chauvet caves in Nice, Southern France. Emerging from the inextricable interplay of light and dark, Kinney’s black and white ink paintings capture the ever-shifting subjectivity shaped by shadow. Cast in Japanese Sumi ink, each unique painting explores the trajectories of human and animal, natural and architectural form- what is revealed or hidden? A variety of hand-torn, heavy weight papers add textural dimension to each mark and brush stroke, as well as through the immediacy of brushstrokes to depict the action within the artwork In his latest collection of works, Kinney explores animal form and meaning as seen in both contemporary and ancient times. In “Savanna (Zebras) ”, a stampede of zebras is depicted through oil paint on wood panel. Animal populations in regions like the horn of Africa today face the loss of their natural habitats due to extreme draught. He explores the deep imprint they leave behind and the interconnectedness of humans and animals in the world. With the balance of nature at stake, Kinney’s paintings underscore the importance of the relationship between the natural environment and civilization. Matt Kinney...

Pastel on black paper. Ms. Morgan says: When I finally started riding the subway again during Covid isolation - going down to the ocean was a real treat. The collection of fisherma...

Summer by The Serpentine, Walking wide and lonely forking trails Passing summer games with unknown names With flags flying tied to stirring trees, Fifty stars and stripes ridin...

He played by the river when he was young. He raced with rabbits along the hills, He fished for minnows, and climbed and swung, And hooted back at the whippoorwills. Strong and sl...

Paper paint charcoal collage on colored paper These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in ...

Pencil on paper mounted on cardboard

Original charcoal drawing on paper by James Shipton My works are heavily influenced by the art work of Degas and Gustav Klimt. My desire is to capture the beauty of the human for...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Bumblebee, Bumblebee Nectar pollen and wiggle-dance, Tear off the shirt and pants, Without it I’m incomplete, Rotting in self-defeat, Awashed in a wild sea, Bumblebee, Bu...

At Multnomah Falls The leaves burn crimson and gold Patiently I wait We walked the one mile up the concrete path hand in hand at the end overlooking the waterfalls Our eyes st...

Still Life is a Pencil Drawing realized by Suzanne Tourte (1904-1979). Good condition on a yellowed paper, included a white cardboard passpartout (37.5...

This small study on paper, 18 x 21 cm, depicts a group of nude putti, about 7 of them, in small groups engaged in various activities, of which we can recognize that of the three in t...

Landscape is a pencil drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition. No signature. Reynold Arnould was born in Le Havre, France in 1919. He s...

Landscape is a pencil drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition. No signature. Reynold Arnould was born in Le Havre, France in 1919. He st...

Signed and dated indistinctly under the mount. Presented in a gilt frame and wash-line mount. On paper.

Landscape is a pencil drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a yellowed paper. No signature. Reynold Arnould was born in Le Havre, Fr...

The Peace Pace at The Hague – 04-02-19 The reference picture I used I took last year at the brink of spring. Since this (today – 4nd February 2019) was a particularly windy an...

Multigrade pencils on cotton paper (Washi) marouflaged on Japanese wooden panel - dyptich Tomo Sakurai is a Japanese artist born in 1987 who lives & works in Tokyo, Japan. She had ...

The Portrait is a watercolor Drawing realized by Mino Maccari in the 1960s. Hand-signed on the lower in pencil. Good condition. The artwork is represented through confident deft and expressive strokes with a harmonious brownish tones. Mino Maccari (1898-1989) was an Italian writer, painter, engraver, and journalist, winner the Feltrinelli Prize for painting on 1963. For his pictorial work rich in evident chromatic accentuations and quick brushstrokes, the violent drawing combined with the living line of the graphic sign...

A piece from Bartolome Sastre's mixed media on paper collection. 19.5 x 27.5 inches Pastel and pencil on paper

Beautifully detailed and masterfully painted, this painting dating from the turn of the 20th century centers its expressive composition upon a rondel of Chinese symbols. Representing...

Angels is a beautiful pencil drawing on ivory-colored paper, realized in the 1890s by an unknown artist. Good conditions with some foxing. The artwork realized through deft pen st...

The Maid Portraits is a drawing in pencil on paper realized by Léon Morel-Fatio in the 19th Century. Monogrammed on the lower. Good conditions. Included a greyish Passepartout: 50...

Amy Londoner Musical Conductor, 1922 Signed and dated lower right Pastel on paper Sight 18 x 23 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

The Posing Nude is an original Drawing on ivory-colored paper realized by Gaspard Maillol in the early 20th century. Good conditions. The artwork is represented a nude woman throug...

"Monkey Island at Washington Park Zoo" is an original graphite and charcoal drawing on paper by Francesco Spicuzza. It depicts a number of figures gazing out at a monkey enclosure at a zoo. The artist signed the piece in the lower left. 8 1/2" x 11 3/4" art 17 1/4" x 21 1/8" frame Francesco J. Spicuzza, born in Sicily on July 23, 1883, came to America at the age of 8. He supported himself as a fruit peddler until a newspaperman gave him $4 a week to go to school. He attended classes at the Milwaukee Art Students League, where he studied under Alexander Mueller. There he learned to paint in the then-fashionable "Munich School" technique, with detailed realism in heavy browns and grayed-out hues. Spicuzza completed eight grades in four years, and then in 1911, three businessmen advanced him enough money to allow him to study in New York under artist and teacher John Carlson. It was during this time that Spicuzza changed his style of painting, developing an impressionistic use of color, form and atmospheric renditions. After a period of grinding poverty, one of Spicuzza's pictures won a major New York competition. It was the first of 60 wins, both in the U.S. and Paris. He became a fashionable painter, and many of the leading collections have his work. Spicuzza's typical works were beach scenes, still life, landscapes and portraits done in pastels, oils, ink, charcoal and watercolors. Much of his work traced the history of Milwaukee in the early 1900s. He was probably best known for his scenes of women and children splashing in...

Lady by the Window is a drawing in pencil on creamy colored paper, realized by French painter Léon Morel-Fatio (1810-1871) in the 19th Century. Monogrammed in red on the lower. App...

Inscribed by the artist in pen and brown ink, upper margin: 'σοφὴν δὲ μισῶ: μὴ γὰρ ἔν γ' ἐμοῖς δόμοις / εἴη φρονοῦσα πλείον' ἢ γυναῖκα χρή [Euripides, Hippolytus, 11, 640-41: “But a ...

Tom Shefelman 9" x 12" Watercolor on Paper

Mixed media realized by David Euler in 1985. Two figures, a man and a woman drawn in white pastel on a gouache stain are depicted sitting in a cell-like s...

Love is a drawing in watercolor realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions except for folding and cuts. The artwork ...

This Gouache painting is one of two paintings looking at a Native American figure. It was inspired by documentary films I saw in the 80's of different Native American tribes and their attire and traditions. The fascination of the strong presence and mergence with nature made a lasting impression on me. Here I chose to highlight a silhouette of what appears to be a warrior with his spear up next to him. He is sitting on the ground with a hazy sky sunset in the background. The ocher, black and gray color palette encased in an uneven rectangle is lending the painting a more antique and authentic look of an old...

The Portrait is a Drawing in China ink on ivory-colored paper realized by Mino Maccari in the 1975s. Hand-signed on the lower right. Good conditions with a burning sign on the lowe...

Original Gouache on paper. Two figures silently interacting. A larger, female figure is sitting naked on the floor, reaching towards her knee. Standing next to her, in a doorway opp...

The Family is an original drawing in Ink, Watercolor realized by Gustave Bourgogne in the early 20th Century. Good conditions. The artwork is depicted through strong strokes and ha...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

Life Drawing: Standing Female Nude, Pen & Ink, with Wash on Watercolor Paper. (Early work) Life Drawing is as primordial as art itself. Often it is more of an exercise as opposed to an intentional, finished work. The use of Pen and Ink, with a Brush Wash...

Women is a drawing in Pen realize by Pino della Selva in the 1940s. Good conditions. Hand-signed. The artwork is represented through soft pencil strokes.

Girls with a Flower is a watercolor and ink drawing on ivory-colored paper, in the 1920s realized by Luigi Bompard (1879-1953). Hand-signed in pen on the lower margin. In good cond...

Woman is a drawing in pencil on creamy-colored paper, realized by Jules David (1808-1892) in the 19th Century. Good conditions. The artwork is represented through soft pencil strok...

The Crucifix is a Watercolor Drawing realized by Hermann Paul Good condition on a yellowed cardboard. René Georges Hermann-Paul (27 December 1864 – 23 June 1940) was a French arti...

Original tempera and watercolor on paper realized by Exerimentartlis in 2020. Excellent condition.

"Cactus", by Christina Haglid, is a painstakingly detailed watercolor of a Saguaro Cactus on panel. Each needle from the cactus is evident in this small scale painting. The background gives the idea that is a scene from a solarium with its blurred window panes. The piece is floated within a white wood frame and measures 4.75h x 3.75w inches. Christina Haglid Cactus watercolor and gouache on panel 4h x 3w in 10.16h x 7.62w cm Tiny Sanctuaries There has always been an intersection between the process of writing and the act of painting in my work. It has somehow been my guide. In the last four years, during the making of this work, that connection intensified as I started writing short stories and flash fiction while taking online classes. I find the process of writing and painting so different in almost every way, but there is something freeing and generative in writing which helps my painting process. Or perhaps it's a reminder of what painting is for me - something intuitive that needs to be trusted. And what they do have in common is a desire to encapsulate and distill a single moment, a story, about the complexity of our emotions and experiences. At the heart of my work is the recurring depiction of perseverance, strength of will, and a subtle optimism. Symbolically through the objects, precarious situations depict a moment of possible difficulty, often involving the influence of nature. A paper crane left in the snow. A boat nearly filled to the brim, but not submerged and able to drain its own contents carefully. A slide alone at night...

Inspired by the theatre world, Devie had retained her own unique drawing strokes. Her works reflect an approachable other-worldliness. She paints a story to be told and answered. The painting comes with a certificate of authenticity and a letter of appraisal. An original piece, one of a kind. Devie - ‘Woman in Paris...

Whipping in Watercolour and graphite on paper depicting the hunt master bringing a hound home, by Charles Gilbert Joseph Holiday (British, 1879-1937).

Couple is an original drawing in pencil, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions. Jean-Raymond Delpech (1988-1916) is a French painter, e...

Woman is an original drawing in watercolor, realized in the Mid-20th Century by Jean Delpech (1916-1988). Good conditions. Jean-Raymond Delpech (1988-1916) is a French painter...

The Cardinal is an original artwork realized by Giovanni Boffa in 1980s. Mixed colored drawing on paper. Includes wooden frame: 55 x 2 x 44 cm Hand signed on the lower margin.

Conversation is an original china ink drawing realized by painter Pierre Georges Jeanniot (1848-1934). Hand-signed on the lower. Good conditions. The artwork is represented throug...

Meeting is an original china ink drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Hand-signed on the lower left. Good conditions. The artwork is represent...

A Couple on the Sofa is an Original Pencil Drawing realized by Caran D'Ache (1858-1909) in the late 19th Century. Good condition on a grey little paper included a blue cardboard passpartout (24.5x31 cm). Signature on plate. Caran d'Ache was the pseudonym of the 19th century French satirist and political cartoonist Emmanuel Poiré (6 November 1858 – 25 February 1909). The pseudonym comes from Russian, romanized: karandash meaning "pencil" in Turkic languages. While his first work glorified the Napoleonic era, he went on to create "stories without words" and as a contributor to newspapers such as the Le Figaro...

Original pencil drawing on paper, realized by Paul Renouard in the early 20th Century. Good conditions. The artwork is represented through deft strokse by mastery.

Happy New Year 1973 is an Original Black Marker Drawing realized by François Salvat in 1973. Hand-signed and dated. Good conditions with original intentional central folding. The ...