Art by Medium: Woodcut

Günther Förg (German, 1952-2013) Untitled, 1990 Medium: Woodcut on paper Dimensions: 100 x 72 cm (39.4 x 28.4 in) Edition of 20: Hand-signed and numbered in pencil Condition: Excelle...

Medium: Complete portfolio of 8 Woodcut prints Image Sizes: 10.25 × 7.75 inches Sheet Sizes: 16.5 × 13 inches Edition size: 10 Condition: Excellent except for light contact staining...

A lovely collection of scenes from life in 19th century North Africa. Barberis, Giuseppe (after Cesare Biseo & Stefano Ussi) Milan: Fratelli Treveres, 1879. Wood engravings on whi...

Francisco Benjamín López Toledo (born July 17, 1940, Juchitán, Oaxaca) is a Mexican painter, sculptor, and graphic artist. He studied at the Escuela de Bellas Artes de Oaxaca and the...

FRANCES H. GEARHART (1869 – 1958) FISH MARKET 1930 Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...

Baskin, Leonard (American 1922-2000). WALT WHITMAN. F.O'S 725. Wood-engraing on Mokuroku paper, 1955. Signed in pencil, lower right. 14 x 4 inches (image), 19 5/8 x 11 1/4 inches (sh...

This is an elegantly rendered and designed work with fine lines and flat colors by an accomplished female illustrator. Signed lower right Framed in an old simple wooden frame with...

AP Signed, titled, and numbered in pencil on print margin. From the series: Vietnam Remembrances After receiving his MFA at the University of Texas in 1966, Don Schol was drafted in...

Woodcut on wove paper Edition of 10 Signed and dated.

OTTO MUELLER (German 1874 – 1930) POTSDAMER KUNSTSOMMER, 1921 (1968) (Karsch 6) Woodcut. Edition of 25 and numbered 11. There are no known impressio...

Battle of Jerusalem (There occurred a battle over Jerusalem) Woodcut, 1473 Unsigned This illustration is part of the Speculum humanae salvationis (Mirror of Human Salvation), a popul...

I created this work with the intention to buff up and transform bodies. I chose red as a monochrome colour to connect to a feeling of heat and warmth. I want the viewer to tune to th...

This work is about life in a garden or between plants. I see the body as a changing status - same like plants do it all their life. The transformation and correlation between an outside garden...

edition 3/5 BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees f...

Color woodcut with hand coloring, Edition 15 In War Eagle, John Buck continues to explore the conflict between our pastoral, utopian ideals and the sad rea...

"The Gathering" is an original contemporary color woodcut print by Peter Knapp, measuring 24 x 32 inches. Matted in an off-white museum-quality mat and framed under plexiglass in a p...

Tsukioka Yoshitoshi Looks Slovenly', Mannerisms of a Kyoto Geisha from the Kansei Period from Thirty-Two Daily Scenes (風俗三十二相), 1888 Woodblock print Oban The image depicts a geisha...

Color woodcut, Edition 30. In all of Morinoue's work there is a compelling sense of place--the ocean shoreline, lava flows and Japanese gardens. He is a patient observer of nature...

Geisha - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in the...

Contemporary large, horizontal diptych woodcut print on paper evoking the peacefulness of ocean waves depicted in shades of cobalt blue with purple undertones and the artist's additi...

Jacob Otto Pins (17 January 1917 – 4 December 2005) was a German-born Israeli woodcut artist and art collector, particularly of Japanese prints and paintings. Jacob Pins was born in ...

Tsukioka Yoshitoshi Taira no Koremochi Vanquishing the Demon of Mount Togakushi From Series: “New Forms of Thirty-six Ghosts” 「新形三十六怪撰」 「平惟茂戸隠山に悪鬼を退治す図」 C. 1890 Size: Oban Ex...

Medium: original woodcut. Printed in Germany in 1917 for Die Aktion; this impression is from the deluxe edition of 100 on Bütten laid paper. Catalogue reference: Schapire 202. Image ...

Color Woodcut, Edition 20. In “The Night Prism”, angled surfaces meander in an ornamental fashion delineating a human figure. This constructed body, the central motif of the print, is not meant to be an animated, mobile form, but a prism, a tool to refract or reflect light. A frenzy of activity occurs among the graphic elements in the background: air escapes from a balloon figure, multiple explosions detonate on the perimeter of a globe, surfaces appear to melt or sweat and wind blows. We seem to be witnessing a world gone wrong...

ROYDS, Mabel Allington. Tightrope Dancer, ca 1911. Color woodcut. MB 1. From a small edition. Signed and titled in pencil. After working with Walter Sickert in Paris at the turn ...

Signed and titled by the artist from the edition of 10. Freeway Traffic reflects the vast network of highways that shaped modern Los Angeles. Intersecting roadways, automobiles, and...

Motif (Abstract) in orange, blue and gold abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some...

Artist: Joel Shapiro Title: Untitled Year: 1994 Medium: Woodcut on hand-made paper, Signed and Numbered in Pencil Edition: 27/75 Image Size: 18 x 4.5 inches (46 x 11.5 cm) Pap...

Motif (Abstract) in orange abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. ...

Motif (Abstract) in orange and blue abstract. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combi...

Motif (Abstract) in lavender purple. From the small edition of 10. from 1982. I am not sure if this is a woodcut or woodblock print or a silkscreen screenprint or some combination. ...

Baumgartner deals with contrasts in her work. This is already evident in her choice of technique. Christiane Baumgartner uses one of the oldest techniques in the art of printing, the...

Watermark: Bull's Head with Serpent and Cross (Briquet 1575, dated 1492 by Briquet) Provenance: Martin Folkes (Lugt 1034) Reverend G. L. Blake (Lugt 1172) Reference: Bartsc...

Woodcut print on paper. Signed in the plate. Published in 1925. Very good condition.

Woodcut print realized by Escher in 1931. It belongs to the series "Emblemata". Signed with initials in the plate lower right. Ref. F.H. Bool, J.R. Kist, J.L. Locher and F. Wierda...

Woodcut print on wove paper. Not signed nor numbered. A remarkable Symbolist Ex Libris created for Gino Sabattini, distinguished by its enigmatic medieval-inspired iconography and philosophical inscription. The composition depicts a richly attired knight embracing a nude female figure crowned with a crescent-shaped headdress while presenting a chalice, a traditional symbol of knowledge, initiation, or spiritual revelation. Beside the figures appears the Italian motto "Chi vuol esser lieta sia, doman non v'è certezza"("Let those who wish to be joyful do so, for tomorrow is uncertain"), the celebrated refrain from Lorenzo de' Medici's Canzona di Bacco, a Renaissance meditation on the transience of life and the necessity of embracing the present. Executed in a deliberately archaizing style, the print recalls the expressive language of late Gothic and early Renaissance woodcuts through its dense network of engraved lines, flattened perspective, and monumental treatment of the figures. The juxtaposition of medieval costume, allegorical nudity, symbolic attributes, and humanistic quotation creates a sophisticated visual programme exploring the themes of carpe diem, earthly pleasure, and the fleeting nature of existence. The decorative inscription and the boldly cut lettering "Ex Libris Gino Sabattini" integrate seamlessly into the composition, reinforcing the intimate relationship between image and text that characterizes the finest examples of twentieth-century bibliophilic graphics. This Ex Libris exemplifies the revival of historical models that marked Italian bookplate...

Al Grattacielo is a vintage depliant of Giovanni Omiccioli Exhibition, Grattacielo Gallery, Milan 1956. Woodcut print. The exhibition was held at Grattacielo Gallery, directed by En...

This artwork titled, "Apollon" from the suite, "l'Art d'Aimer d'Ovide" 1976. is an original wood engraving on Japan nacre paper by artist Salvador Dali 1904-1989. It is hand signed...

Werner Drewes (1899-1985) Mountainous Landscape with Cypress, 1921 Woodcut on wove paper Original paper folder serving as overmatting of the image, signed and titled a second time by...

Amsterdam is an artwork realized by Frans Masereel, 1933. Woodcut print representing Amsterdam. 75 x 55 with frame; 17h x 12 cm each work. Good conditions.

Satyr Night (waterfall), 2025 Woodcut print on Echizen Kizuki Hosho Washi paper hand-signed, numbered and dated by the artist on the front 39.8 × 26.0 cm - sheet 61 x 47 x 3 cm - Fra...

Original Woodblock Print signed by the Artist and has an edition number. 11/22

Joan Miro, Spanish (1893 - 1983) - A Toute Epreuve (D 222), Year: 1958, Medium: Woodcut on Arches, Edition: 130, Size: 12.75 x 10 in. (32.39 x 25.4 cm), Printer: Jacques Frelaut and...

Frans Masereel - Exposition is an artwork realized in 1967. Woodcut. Signed on plate. Good condition.

Michael Rothenstein 1908-1993 Round Round Round, 1966 woodcut and linocut 80 x 69 cm 31 1/2 x 27 1/8 in signed and dated in pencil Michael Rothenstein was born in 1908 in London, th...

Max Weber, 'Seated Figure", woodcut, edition not stated, 1919-20, Rubenstein 17. Signed in pencil. A fine impression on cream Japan paper; the full sheet with margins (2 to 3 1/8 in...

24 x 31.5 inches, framed We proudly welcome Alejandro Sainz Alfonso, (b.1965), to the fold. Alfonsos hugely colorful and at times, comedic take on his life in Cuba is expressed in this series of silkscreen prints. From “Fried Potatoes” to “Review of History” we see a world from the perspective of a population living under the sea inside of the 100 year old divers suits. When I asked him if this is what it is like to live in Cuba under the current political regime – he said “no – that this is what its like to be a human on planet earth”. We were intrigued to see Cuba, from an artistic perspective. Like Darwin’s Galapagos Islands, we were able to see a vibrant artistic community that has had very few outside influences since 1959. The visual and literary diet seems to have been limited to 1950s movie stars, Albrecht Durers prints...

This woodcut is hand signed in pencil by the artist "Orlík" at the lower right margin. It is one of the thirty-four woodcuts included in the portfolio Small Woodcuts (Kleine Holzschn...

Pioneering female illustrator Gwenda Morgan creates an exuberantly complex image of a squad of broom-riding - pointed-hatted witches with black cats in tow. They fly through an inky black moonlit sky and are witnessed by only a rooftop owl. With the simple means of black and white, Morgan has rendered a highly charged composition that pluses with electricity. The whole image is on the cusp of being abstract while being representational. It is brilliantly designed with great attention to detail and is evocative of a sorcerer's malignant powers. Unframed. not signed Printed from the original block as part of the suite of 8 prints that accompanied the limited edition book Diary of a Land Girl, Whittington Press, 2000. The suite of prints was included with the first 50 copies of the book, and a further 8 suites were printed, from which this print comes. Gwenda Morgan (1 February 1908 – 1991) was a British wood engraver. She lived in the town of Petworth in West Sussex. Early life Morgan was born in Petworth, her father having moved there to work at the ironmongers, Austen & Co, of which he later became proprietor. He was the son of a Welsh-born military farrier. Education Following school in Petworth and at Brighton and Hove High School, Morgan, studied at Goldsmiths' College of Art in London from 1926. From 1930 she attended the Grosvenor School of Modern Art in Pimlico where she was taught and strongly influenced by the principal, Iain Macnab. The Grosvenor School was a progressive art school and the championing of wood engraving and linocuts fitted with its democratic approach to the arts. Works Morgan was commissioned to illustrate a number of books published by private presses. For the Samson Press she produced the frontispiece for Duke Hamilton...

Created to accompany poetry in the book Si je mourais la-bas by Guillaume Apolliaire, this lovely woman detailed in a soft delicate profile we can only a...

Woodcut print on paper. Plate from the series "Heros and Heroines in the Tale of Heike". It depicts Kusunoki Masayuki, the son of General Masashige, in his final battle. Very good...

Toyokuni-III (1786-1864) Title: Yamabe-no-Akahito 山部赤人 From Series: One Hundred Poems by One Hundred Poets 百人一首絵抄 Size: O-ban 大判 Age: 1843-47 FREE SHIPPING

Jacques La Grange, 'Sappho Passes Livonia, 1871', color woodcut, edition 500, 1934. Signed and numbered '25/500' in pencil. A fine impression, with fresh colors, on cream wove paper,...

PPolychrome woodblock print (nishiki-e) on paper Japan, Edo period, mid-19th century. A refined nishiki-e woodblock print depicting an elegantly dressed woman standing within the in...

Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...

An illustration from an extensive study on larks (De Alaudis) first published in 1555; Historiae animalium is considered one of the foundational texts of modern zoology. Alavda sine...

René Derouin, b 1936 Canadian LG III, Baie de James woodcut 23.5 x 18.5 in (image) 28.5 x 22 in (paper) Signed, titled & numbered 12/25 in pencil to the margin Framed

Raoul Dufy, 'La Pêche' (Fishing), woodcut, 1910, from the second edition of 220 printed in 1953. With the estate stamp 'ATELIER RAOUL DUFY' in the lower left margin. Numbered '106/220' in pencil, lower right. Titled in the block, lower right. A superb, richly-inked impression, on heavy, cream wove paper, the full sheet with wide margins (3 to 5 inches), slight toning at the sheet edges, well away from the image; otherwise in excellent condition. Archivally sleeved, unmatted. Image size 12 1/2 x 15 13/16 inches (318 x 402 mm); sheet size 19 9/16 x 25 3/4 inches (497 x 654 mm). From the suite of four woodcuts entitled 'Les Plaisirs de la Paix' (The Pleasures of Peace), originally published by Éditions de La Sirène, Paris in 1926. The other three works in the series are 'La Danse' (The Dance), 'La Chase' (The Hunt), and 'L'amore' (Love). See our other listings for 'La Danse' and 'L'amore'. Collections: Cleveland Museum of Art, Minneapolis Art...

Woodcut print on paper, realized in 1964. Plate from "The Face of Hamburg", monogrammed in the plate. While most of the table of this suire showcase the towering machinery of the s...

Woodcut print on paper, realized in 1964. Plate from "The Face of Hamburg", monogrammed in the plate. The woodcut is a powerful representation of modern infrastructure and human i...