Art by Medium: Woodcut

Robert BONFILS The lover's interlacing, 1920 Original woodcut Handsigned in pencil Numbered /105 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the editor 'Imagie...

Edgar DEGAS (after) Dance class Woodcut print after a painting of Degas Egraved by G. Regnier On vellum 65 x 50 cm (c. 26 x 20in) Edited by Chalcographie du Louvre, authenticated with the blind stamp of Museum workshop This woodcut print is very rare as it's no longer printed...

THE BREAK OF DAY is an original limited edition woodcut print by the African-American painter and sculptor, Otto Neals. The woodblock used to print THE BREAK OF DAY was hand-carved b...

Purgatory, Plate- 13 is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Good condi...

Medium: wood engraving. Printed in 1929 and published by Douglas Cleverdon. Image size: 4 1/4 x 4 3/8 inches (110 x 112 mm). Not signed.

Hair Wave - Surfing Art - Figurative - Woodcut Print By Marc Zimmerman Limited Edition 01/04 This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Immerse yourself in ...

Paul Landacre, 'Verdi', wood engraving, 1936, edition 60, (only 14 printed), Wien 188. Signed, titled, and numbered '10/60' in pencil. A fine impression, on cream, laid Japan paper, ...

Medium: original woodcut. (Catalogue reference Roethel 124). Printed in 1975 on Arches paper for the "Homage to Kandinsky" special edition of the art revue XXe Siecle. Image size: 7 ...

Actor as Samurai - 18th Century Japanese Woodblock Print Woodblock print depicting an actor, possibly Nakamura Denkuro II, as a samurai. The actor stands with his sword unsheathed a...

Hand colored woodcut, Edition 10. William Wiley uses current political and social issues to comment on life in our time. His stunning draftsmanship, and freeform love of language ar...

Woodcut print realized by Diego Donati in 1968. Good condition except for some minor fold and a rip in the lower right angle.

Brutalist colored woodcut circa 1976 by Nicholas Sperakis. The image depicts skeletal figures around the grave of a soldier. Note the American flag features which drape the entombed ...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

Polychrome woodblock print (nishiki-e).  Signed and sealed within the plate. Edo period, mid-19th century.  A refined and elegantly composed ukiyo-e woodblock print attributed to U...

Werner Drewes, 'Shimmering Waters', color woodcut, 1960, edition 16 in 1960, and 210 in 1962, Rose III.209. Signed, dated, and numbered I2/210 in pencil. Annotated 415 (the artist's ...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - II Year: circa 1995 Medium: Woodblock Monoprint, Signed in Pencil Edition: 1/1 Size: 20 x 24 in. (50.8 x 60.96 cm)

David is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-tone frame. Unsigned as...

edition 2/7 BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees f...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

Alex Katz (b. 1927) Coleman Pond III (Bauer 446) Heliorelief woodcut on tosa washi hanga natural paper Signed and numbered “Pres 1/6” in the lower margin. Printed by Tom Pruitt, G...

Bonnieux Village Luberon France Bright and expressive white line woodcut in watercolor of Bonnieux Village Luberon France by Marilyn Heyman Marilyn H. Heilprin, (American, 1926-2020). Heilprin is an author, poet and artist from Bethesda, Maryland. Signed lower right "Marilyn Heilprin, titled lower left "Bonnieux WC 3 (watercolor #3). Marilyn Heilprin was born in New York City and has a B.A. from Smith College (1948) and M.A. in international relations from The American University (1963). A former research associate, writer and editor for federal agencies and private publishers, she attended writing workshops at Breadloaf, The American University, and Writers' Center in Bethesda, MD. She has published poems in literary journals and was a finalist in the Maryland State Poetry and Literary Society chapbook contests. She co-authored Leo Saal's memoir "Crossings: A Life in Russia and Germany in the First Half of the 20th Century." Feb. 2020, Marilyn Heilprin, 93, a retired editor, writer and researcher who created one of the earliest compendiums of international statistics and organizations. Image, 9"H x 12"W Sheet, 14.5"H x 16.5"W Frame, 15.25"H 17"W x .5"D Mrs. Heilprin, a former resident of Bethesda, Md., was born Marilyn Heyman in New York City. In the 1950s, she was a researcher and writer on handbooks about Mongolia, Finland, Germany, Austria, Lebanon, Syria and Israel for the Washington-area branch of the Human Relations Area Files, a nonprofit formed by several universities. The "Provincetown Print", a white-line woodcut print. Rather than creating separate woodblocks for each color, one block was made and painted. Small groves between the elements of the design created the white line. Because the artists often used soft colors, they sometimes have the appearance of a watercolor painting. Marilyn Heilprin, Ruth Cahnmann, George Chung, Susana deQuadros, Susan Due Pearcy, Leo Saal and Ann Zahn...

edition 2/3 BARBARA KUEBEL is a Daphne, AL-based artist who uses oil and pencil for her works on paper and on canvas. She was born and raised in Austria and earned two art degrees f...

Honoré BROUTELLE (1866-1929) Centaur and Unicorn, 1929 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the edit...

Wood engraving on onionskin paper, 14 1/2 x 9 inches (369 x 228 mm), the full sheet. In very good condition with minor cockling around the areas of the mount at the top corners. [Lo...

Lon Megargee 1883-1960 "The Sheepherder" Wood block print Signed in plate, lower right Image size: 10 x 10 inches Frame size 22 x 22 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Auguste Kronheim was born in Amsterdam in 1937. The artist makes woodcuts and drawings. She received her training in drawing from Hanns Kobinger and graduated from the Linz Federal T...

24 x 31.5 inches, framed We proudly welcome Alejandro Sainz Alfonso, (b.1965), to the fold. Alfonsos hugely colorful and at times, comedic take on his life in Cuba is expressed in this series of silkscreen prints. From “Fried Potatoes” to “Review of History” we see a world from the perspective of a population living under the sea inside of the 100 year old divers suits. When I asked him if this is what it is like to live in Cuba under the current political regime – he said “no – that this is what its like to be a human on planet earth”. We were intrigued to see Cuba, from an artistic perspective. Like Darwin’s Galapagos Islands, we were able to see a vibrant artistic community that has had very few outside influences since 1959. The visual and literary diet seems to have been limited to 1950s movie stars, Albrecht Durers prints...

Auguste Kronheim was born in Amsterdam in 1937. The artist makes woodcuts and drawings. She received her training in drawing from Hanns Kobinger and graduated from the Linz Federal T...

Woodcut print on paper. Hand Signed. Edition of 300 pieces. Single sheet bend in two parts. 

Bold and colorful portrait by renowned artist T.C. Cannon of a Native American woman in a stripped shawl titled "Hopi Maiden." Signed along bottom edge. Edition 44/200. Dimensions...

Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...

Created to accompany poetry in the book Si je mourais la-bas by Guillaume Apolliaire, this lovely woman detailed in a soft delicate profile we can only a...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

Marc Chagall Dans ma Memoire, 1968 LES POEMES #8 Colored woodcut on Rives paper Unsigned Edition: 96 / 226 Image size: c 24 * 32 cm Published by Cramer Editeur, Geneva LITERATUR...

Jesus and the Disciples is an Original woodcut print realized by François Bouchot in 1922. The artwork is in good condition and included a brown cardboard passpartout (36.5x27.5 cm). No signature. François Bouchot (1800-1842), peintre et graveur, est né à Paris en 1800. Il étudia la gravure sous la direction de Richomme, puis devint élève de Regnault, puis de Lethière, et obtint le grand prix...

This is a one of a kind original Linoleum block print piece by San Diego artist, Duke Windsor. It is a framed landscape piece and its dimensions a...

Woodcut print from the Series "Der vreeselijke avonturen vas Scholastica" (The Terrible Adventures of Scholastica). Edition of 300, published by A. J. van Dishoeck. Unsigned, ass i...

Wuanita Smith, 'Humming Birds and Orchids', white-line color woodcut, circa 1930, edition 50. Signed and titled in pencil. Annotated '50 edition', 'no 5'...

Stevan Dohanos was an accomplished draftsman who work was widely known through the Saturday Evening Post. This print 'Backyard,' however, leaves aside the illustrative magazine work ...

This is from the original first edition 1923 printing. there was a much later edition done after these originals. These are individually hand signed in pencil by artist as issued. ...

Title: Generosity Painting Figurative Maximalism Contemporary Floral Hope Dream Invest In this one-of-a-kind abstract impressionism piece, I poured my heart into blending abstract ...

Skadi Engeln, a Berlin- and France-based artist, studied sculpture at FH Ottersberg with Robert van de Laar and painting with Michael Kohr and Hermanus Westendorp. Her work has been ...

Title: On top of the World Painting Maximalism Crown Flowers Bold Small-scale Invest In this one-of-a-kind abstract impressionism artwork by Karnish, the delight of fellowship, mas...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Utagawa Kunisada (Toyokuni III) Last performance of the summer theater show, Natsu kyogen issei ichidai Diptych Oban depicting two Kabuki actors Onoe Kikugorō III (尾上菊五郎) on the righ...

Georges Braque Si je mourais là-bas (If I Died There) (Vallier 181), 1962 Wood engraving printed in blue, on Japon paper Hand signed lower right Edition IV / X lower left Printed by...

Edition of 8 Signed, titled and numbered From the series: Vietnam Remembrances After receiving his MFA at the University of Texas in 1966, Don Schol was drafted into the Army and became an Officer in the Infantry. He was deployed to Vietnam, but luckily upon arriving, was assigned to lead a combat artist team whose mission was to record the war for historical purposes. Eventually he and his team completed their works after their tour of duty. The complete archive now remains in the Military History...

Jacob Otto Pins (17 January 1917 – 4 December 2005) was a German-born Israeli woodcut artist and art collector, particularly of Japanese prints and paintings. Jacob Pins was born in ...

44" x 30" Unframed 3 Ink Woodcut Print on Paper Hand Signed by Iván Bautista

Utagawa Hiroshige II (1829-1869), 'Kintai Bridge at Iwakuni in Suo Province' (Suo iwakuni kintai-bashi), from the series 'One Hundred Views of Famous Pla...

Medium: original woodcut. The inscription on the banner translates to "Come Sweet Death". Printed in Germany in 1922 for the rare Ganymed portfolio of "Das vierte Jahrbuch der Marees...

Medium: Complete portfolio of 8 Woodcut prints Image Sizes: 10.25 × 7.75 inches Sheet Sizes: 16.5 × 13 inches Edition size: 10 Condition: Excellent except for light contact staining...

Seki is a woodcut print realized by Utagawa Hiroshige in 1833.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

The specific information regarding edition will be provided at the time of sale. Please contact the seller for more details. Roy Lichtenstein grounded his profoundly inventive caree...

Fritz Eichenberg, 'The Steps', wood engraving, 1933, edition 200. Signed, titled, and annotated 'Ed. 200' in pencil. Initialed in the block, lower right. A superb, richly-inked impr...

As this is a calendar for 1942, the prints were no doubt made in 1941. All images are wood engravings by members of the Chicago Society of Artists. With essay by Ernest F. Detterer, Custodian, Newberry Library, Chicago. The outside measurements are 8 1/2 x 11 x 1 inches. The cover image and most of the additional works are 5 x 7 inches. The edition was planned for 2000 copies but it is extremely unlikely that that number was ever printed and this item is now scarce. There is one image per week. The stamp 'Labor (?) World Press Printers, 508 S. Kedzie Avenue, Chicago,' is on the inside cover. The first word is partly obliterated. Among the additional artists are Ethel Spears (cover image), Kathleen Blackshear, Fritizi Brod, Elise Donaldson, Frances Foy, Rowena Fry...

FRANCES H. GEARHART (1869 – 1958) FISH MARKET 1930 Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...

Medium: original woodcut. (Catalogue reference Roethel 106). Printed in 1975 on Arches paper for the "Homage to Kandinsky" special edition of the art revue XXe Siecle. Image size: 4 ...