Animal Paintings

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

Edgar Bundy Brighton 1862 – 1922 London British Painter ‘Peasant Children walking the Donkeys’ Signature: signed lower right and dated ‘Edgar Bundy 1885'
Medium: oil on canvas
 Dim...

Single Yellow Bird on Pink Background

Original Painting tigers in jungle by river with reflection, tropical jungle setting. Titled "Paper Boat". Hand signed recto and titled verso. Framed 25.5 X 21.5 Canvas is 24 X 20 Gustavo Novoa, Born 1941 in Santiago, Chile, He attended the Academy of Fine Arts. Novoa made his debut as an artist in the early 1960¹s selling oil painting, watercolors and crayon drawings on the streets of Paris, France, principally Montmartre. His first one-man show was sponsored by the Chilean Ambassador at the Maison de L¹Amerique Latin in 1961. The late Queen Victoria Eugenia...

Oil on canvas Image size: 25 1/2 x 19 1/2 inches (40 x 50 cm) 19th century gilt pierced frame This is a wonderful scene featuring a dark bay racehorses mounted by its jockey. The pa...

"Through the Aspen Meadow" by Lani Vlaanderen is an original handmade oil painting on stretched linen.

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Impressive early American modernist farm landscape with a pig painting by Lawrence Butcher, Jr. (Born 1936). Watercolor and gouache on paper. Framed. Signed. Image size, 10 by 12 inc...

This piece titled "Go Your Own Way" is an original artwork by Crystal Latimer and is made of acrylic, pastel, ink, flock, 24k gold, cotton tassels on panel. This piece measures 34"h...

"Northwood Lane, Devon" by W. Cartwright (British exhibited between 1875-1899) titled to frame plaque oil on canvas, framed framed: 18 x 14.5 inches canvas: 15.5 x 12 inches provenan...

Che Leviathan (US based) "Fortification" is an original, handmade oil painting that depicts a brown horse in profile, with thick black mane and a black a...

original Oil on board Image size: H:14 cm x W:18 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Oil on board

This is a one of a kind realistic oil portrait by San Diego artist, Charlene Mosley. Its dimensions are 8" x 24" x 1.5". It comes in a wood frame. A ce...

Hunt Slonem "Miracle" Red Bunny A single rabbit gestured in black on a red background in a vintage frame Unframed: 6 x 4 inches Framed: 8.5 x 6.5 inches *Painting is framed - Please...

Peaceful landscape of sand dunes along a California beach with seagulls drifting overhead in a soft gray-blue sky, by a California artist. Signed "Noland" lower right. Presented in a...

Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. Hugely inspired by Paula Rego, Isabel Rock is part of a formidable group of women artists (Leonora Carrington and Eileen Agar amongst others) working with Surrealism. In October 2023 Isabel won the Evelyn Williams...

Paul JONES Oil on canvas This painting is signed Paul Jones on the botttom right. Canvas size: 20 x 25cm (8 x 10") Outside frame size: 36 x 41cm (14 x 16") Flourished 1855 – 1888 ...

Animal Frieze me Large Portrait - Closeup of cat Technique: oil, acrylic, and ink on canvas F30 92x73cm ■■ 36,2x28,7 inch 》》R E A D Y -- T O -- H A N G《《 - F A S T D E L I V E ...

Orange Kittens watercolour painting on artist paper painting: 9.5 x 12.5 inches provenance: private collection condition: very good and sound condition

Artist/ School: English School, early 1800's period, with frame plaque and inscription connecting to Ladbrooke. Title: Norfolk Lane Medium: oil on wood, framed Framed: 20 x 17 i...

What is the basis for the exclusivity of this landscape? Firstly, the patterns!They can be used in textiles, ceramics, jewelry. Secondly, the color! A very interesting combination. V...

In "Case", banal, everyday things meet in this painting to create an unusual, strange, absurd and ironical situation derived by the disproportional scale size of things. Rudolf Kos...

Cattle by Stream English artist, late 19th century inscribed on label verso oil on board, framed framed: 14 x 17 inches board: 9.5 x 13 inches provenance: private collection, England...

Naomi Jones's richly patterned realistic paintings focus on the preservation of vulnerable wildlife. Jones finds catharsis in painting soulful animals. Portraits of vulnerable species native to the North American landscape are painted with an illustrative sensitivity, reminding the viewer to appreciate the delicate balance of nature. Jones tries to make such wildlife, frequently living on the edges of homes and gardens, visible through paintings set among vividly patterned backgrounds. This original 36-inch square acrylic painting of a rabbit is wired and ready to hang. The sides of this artwork are painted and it does not require framing. It is signed by the artist on the front. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Jones is inspired by Georgia O’Keefe’s attention to the natural world and Frida Kahlo’s narrative approach to painting. She is also inspired by the patterns of William Morris and has found them to be rich resources of inspiration for her lively backgrounds. Naomi Jones lives in Greensboro, North Carolina, a city known for creative activism, ecological conservation, and an artistic approach to civic spaces. Her original artworks have been exhibited and collected throughout the US. REPRESENTATION Artspace Warehouse, Los Angeles, CA GROUP EXHIBITIONS 2019-23 Artspace Warehouse, Los Angeles, CA 2019 Platypus & Gnome, Wilmington, NC 2018 Scuppernong Books, Greensboro, NC 2018 Hirsch Wellness, Revolution Mills, Greensboro, NC 2018 Greensboro Project Space, Greensboro, NC SOLO EXHIBITIONS 2018 “I Spy: Art by Naomi Jones,” Art In Bloom...

Artist: Slonem, Hunt Title: Toad Hall Date: 2023 Medium: Oil on Panel Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed Verso Edition: Unique Proven...

This 20th century oil painting of mare and two foals is set in an idyllic landscape with mature old tree, stone well and cottage in the background; by Robert Alexander, signed and da...

The mermaid who couldn't climb the iceberg painting by Suzzane Law Image size: 12.6 in. H x 17.1 in W Framse size: 18.1 in. H x 22.4 in W x 1 in D W...

Striking vintage Haitian acrylic painting on board of a jungle scene with animals, trees, flowers and fruit executed in a distinctive naive style, signed Michelet in the lower left a...

A very attractive impressionist scene of a windmill on the Norfolk Broads painted with wonderful bold brushworks giving the image a lovely impasto effect. Campbell Archibald Mellon (1876-1955) Hunsett Mill on the River Ant, Norfolk Signed Oil on board 11 x 9 inches without frame 17 x 15 inches with frame Painter in oil, especially of East Anglian beach and coastal scenes. Having studied painting privately with Carl Brennir...

Title: Gray Mist I Medium: Oil on canvas Size: 31 x 21 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2013 Arti...

Gorgeous landscape with two cows drinking water in a pond with Mt. Hood in background by listed artist William M. Lemos (American, 1861-1942). Signed "W.M. Lemos" lower right. Presented in vintage gilt-toned frame that shows wear (included as-is). Condition: Good: previously owned and used, with little or no signs of wear and is in good condition. No structural issues. Image size: 29"H x 49"W. Born in New York, Professor Lemos moved to San Francisco in 1887 where he established a studio at 106 Geary Street. He later moved to Santa Cruz in 1896, where he settled, painting murals for many local businessmen and the Santa Cruz Beach Boardwalk. As a boy Lemos earned money by wandering the streets and painting on request. Arriving in San Francisco in 1887, he established a studio at 106 Geary. With his wife Mabel, he worked in Los Angeles for a few years in the 1890s. After settling in Santa Cruz in 1896, he painted murals for many local businessmen. When the original Beach Casino was built there at the Boardwalk in 1904, Lemos was the first concessionaire and worked there for nearly 40 years. On his platform in the Casino, Lemos did paintings of redwoods, still lifes, forest fires, beach scenes, and marines. Many of his oils were done on redwood slabs which were popular with the tourists; in the early days these paintings sold for one dollar and up depending on the size of the work. After his vision failed and he was unable to paint, his last years were mostly spent fishing off the Municipal Pier with a friend who baited his hook for him because he could no longer see. In the March 27, 1941 Santa Cruz Sentinel News Lemos reminisced, "Them were the days when the Boardwalk was only twelve feet long and when business got slow I picked up my shotgun and went across the street and shot ducks where the Casa del Rey Hotel now stands." Exhibited: Calif. State Fair, 1885; Mechanics' Inst. (SF), 1889. In: Santa Cruz City Museum; Wawona Hotel (Yosemite). Edan Hughes, "Artists in California, 1786-1940" His mother was Julia Lemos, a Chicago artist famous for her depiction of the Chicago fire, “Two of Julia’s children became successful artists. Her eldest son, William, was a naïve still life, landscape, and mural painter. As a young boy in New York, he would wander the streets, earning money for the family, by ‘painting on request.’ At age 26, William moved to San Francisco, California. He opened an art studio and kept it running until he moved to Santa Cruz with his wife, Mabel, in 1896. During this period, he worked as a fresco artist painting ‘murals for many local businessmen.’ Exhibited California State Fair, Sacramento, 32nd annual, per Sacramento Daily Union, September 9, 1885. and article goes on to say “William Lemos and wife, Sacramento – Art school exhibits in which are shown such a variety of designs in decorative art, flower painting, and ornamentation, that one must give time to the examination.” Exhibited Mechanics Institute, San Francisco, 1889. “Lemos and his wife were in Fresno California 1890...

Thomas Blinks British, (1853-1910) Midday Rest Oil on canvas, signed & dated (18)87 Image size: 11.5 inches x 17.5 inches Size including frame: 20.25 inches x 26.25 inches A pleasing landscape painting of a plough team at rest next to a barn by Thomas Blinks. Three horses are shown eating hay from a cart in the shade of a barn. Two figures and a dog are also depicted taking their repast. On the left of the scene, open fields can be seen through a gate whilst in the far distance a church and other buildings can be made out on the brow of a hill. Thomas Blinks was born in Maidstone, Kent on 29 October 1853 to Richard Blinks and Eleanor Poile. His father was a master butcher in Ticehurst and the family lived above the shop, which is still operates as a butchers today. Thomas initially worked for his father but his talent for art soon took him in another direction. He married Louisa Anne Winterbottom on 11 April 1874, at Rye, Sussex and together they had 3 children. They lived in Hawkhurst, Kent before moving to Hackney, London in 1878. Whilst largely self- taught, Blinks would have learnt basic anatomy from working with his father, but he also spent time at Tattersalls canine and horse auctions...

Very fine original oil painting by the highly regarded Suffolk School artist, Edward Robert Smythe (1810-1899). The painting is signed to the lower left and is a very fine example of this important artists work. Painted in oils on canvas, the artist has captured a traveller resting beside her camp, with a small fire burning to the right and her horse standing to the left. With the frame, the painting measures 16 by 18 inches. The painting comes to us from a private collection of Suffolk School paintings, housed in Suffolk, England, where we understand it has resided for many years. Born at Berners Street, Ipswich in 1810, son of James Smyth (1780-1863) and his wife Sarah Harriet née Skitter; James, who was an accountant with the bank Bacon, Cobbold, Durningham & Cobbold in Tavern Street, Ipswich added a final 'e' to his surname. Edward attended the school of Robert Burcham Clamp and had a liking for a military career but his love of art took his fancy. Elected a member of the Ipswich Society of Professional and Amateur Artists on 1 March 1832 and attended his first meeting on 18 November the same year and was probably working under Henry Davy [q.v.] and where he met many local artist members. In his younger days he had a studio in the Old Shire Hall, Ipswich where he painted with such artists as Samuel Read [q.v.], Walter Hagreen [q.v.], Frederick Russel [q.v.] and Robert Burrows [q.v.]. About 1840 he moved to Norwich to study the Norwich School of painting where he became acquainted with Robert Ladbrooke’s son, Frederick [q.v.] and is said to have worked with John Sell Cotman [1782-1842] but returned to Ipswich some five years later, taking a house in Bramford Road. He married at Ipswich in 1848, Ellen Bowman of Ipswich and where his first child Edward Robert, jun. was born the following year. In 1851, giving his age as 32, is living at Elmswell, Suffolk with his 24 year old wife Ellen and son but later that year moved to 3 Angel Hill, Bury St Edmund’s, where he kept company with his friend Fred Ladbrooke. By 1861, still at Angel Hill, they had further children born at Bury St Edmund’s, Francis (Frank) Rowland 1852, Ellen Kate 1854 and Mary Emily 1856, their daughter Louisa Jane, died at Angel Hill, Bury St Edmund’s on 7 April 1861, aged 3 years and 7 months. He exhibited at the Suffolk Fine Arts Association at the New Lecture Hall of the Mechanics' Institution, Ipswich in August 1850 several oil paintings including 'Chapel Viaduct, Colne Valley', 'A Group of Animals', 'A Sketch Ploughing', 'Ponies and a Dog' and 'A Landscape' and a watercolour 'The Ruling Passion strong in Death' and was also a member and exhibitor at the Ipswich Art Club 1886-1898. He also exhibited five works at the Royal Academey including 'View in the Colne Valley at Chappel, Essex' and exhibited five works at the British Institution including 'Pony and Boy' and 'The Village Blacksmith'. In 1865 Edward was living at 98 Risbygate Street, Bury St Edmund’s, and his wife died at 69 Risbygate Street, Bury St Edmund’s in 1879, aged 52. By 1891 he had moved in with his married daughter Ellen Kate, who had married at St Matthew’s church Ipswich on 10 May 1886, George Robert Chilvers, a tobacco manufacturer, at Burlington Lodge, 30 Burlington Road, Ipswich where he died on 5 July 1899, aged 88, and buried in Ipswich cemetery three days later. Five of his painting were on show at the Centenary exhibition of the Ipswich Art Club in 1974 a pastel 'Crossing the Stream...

Carol S. Pylant Trilogy (Self Portrait, 3 Ages) Oil on Panel 30h x 36w in 76.20h x 91.44w cm CSP051 Resume Artist / Emeritus Professor, University of Wisconsin-Madison Education 1979 M.F.A. Painting, Wayne State University, Detroit, MI 1977 B.F.A. Painting, Wayne State University, Detroit, MI Academic Appointments 1996 - 2011 Professor, University of Wisconsin-Madison 1991-96 Associate Professor, University of Wisconsin-Madison 1987-91 Assistant Professor, University of Wisconsin-Madison 1985 Instructor, Simmons College, Boston, MA 1984 Instructor, Art Institute of Boston, Boston, MA 1984 Instructor, DeCordova Museum and School, Lincoln, MA 1984 Instructor, Brookline Arts Center, Brookline, MA 1982-84 Assistant Professor, California State University, Long Beach, CA 1978-82 Instructor, Wayne State University, Detroit, MI International Teaching 2011 Professor, UW- Madison, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2006,7 Visiting Affiliate Professor, Santa Reparata International School of Art, Florence, Italy International Artist Residencies 2017 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2015 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 2002 Fundacio J. Llorens Artigas, Barcelona, (Gallifa) Spain 1990 The Tyrone Guthrie Center, Co. Monaghan, Ireland 1990 Oberpfalzer Kunstlerhaus,Schwandorf/Fromberg, West Germany 1987 Rockefeller Foundation Residency Fellowship, Bellagio, Italy 1987 The Karolyi Foundation, Vence, France International Research Awards 2010 Faculty Research Fellowship, UW-Madison, "Villa di Livia Frescos, Museo Nazionale, Rome, Italy" 2005 Faculty Research Fellowship, UW-Madison, "Romanesque Art in France" 2004 Faculty Research Fellowship, UW-Madison, "Paintings Inspired by Romanesque Art in France" 2002 Faculty Research Fellowship, UW-Madison, "Pagan or Christian, Romanesque Art in Spain" 1998 Faculty Research Fellowship, UW-Madison, "Paintings of Neolithic Monuments in Brittany" 1996-7 Vilas Associate Award, University of Wisconsin System, "Paintings of Prehistoric Stone Circles, Ireland and the British Isles 1995 Faculty Research Fellowship, UW-Madison, "Paintings of Celtic Ceremonial Sites in Ireland and the British Isles" 1993 Faculty Research Fellowship, UW-Madison, "Egg Tempera Paintings in Florence, Italy" 1992 Faculty Research Fellowship, UW-Madison, "Paintings of Ireland" 1990 Faculty Research Fellowship, UW-Madison, "Figure and Environment: Ireland" 1989 Faculty Research Fellowship, UW-Madison, "Figure and Environment Painting: Germany" 1988 Faculty Research Fellowship, UW-Madison, "Figure and Landscape Painting: Umbria, Italy" Other Awards 2008 Faculty Research Fellowship, UW-Madison 2007 Sabbatical, University of Wisconsin-Madison 2006 Faculty Research Fellowship, UW-Madison 2002-3 Emily Mead Baldwin-Bascom Named Professorship, University of Wisconsin 2000 Alumni Arts Achievement Award, Wayne State University Dept. of Art & Art History, Detroit, MI 2000 Faculty Research Fellowship, UW-Madison 1999 Faculty Research Fellowship, UW-Madison, "Past /Present: Paintings based on Celtic Imagery" 1999 Sabbatical, University of Wisconsin 1998 Wisconsin Arts Board Visual Arts Fellowship 1993 Faculty Development Grant, "Figurative Sculpture" University of Wisconsin System 1991,93 Visual Arts Development Grant, The Wisconsin Arts Board 1989 Visual Arts Fellowship for Painting, The Wisconsin Arts Board, Madison, WI 1988 National Endowment for the Arts Regional Visual Arts Fellowship, Arts Midwest 1986 Residency, Yaddo Corporation, Saratoga Springs, NY 1985 Residency, The Millay Colony for the Arts, Austerlitz, NY 1985 Residency, The Virginia Center for the Creative Arts, Sweet Briar, VA 1985 Milton and Sally Avery Award for Painting, The MacDowell Colony, Peterborough, NH 1984,5,6 Residency, The MacDowell Colony, Peterborough, NH International Exhibitions 2010 Handmade Artist's Journals, Villa Corsi Salviati, Sesto-Fiorentino, Italy 2008 Oberpfalzer Kunstlerhaus, Schwandorf, Germany 1995-99 Jorgensen Fine Art, Dublin, Ireland 1994 "Exquisite Corpse" Transmission Gallery, Glasgow, Scotland 1992 "Faces and Places of Ireland" Ulster Bank, Ardara, Co. Donegal, Ireland 199l "Ardara Annual Show" Ardara, Co. Donegal, Ireland 1988 Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, West Germany 1988 "Art .... Made in USA" Stadische Galerie, Deutsch-Amerikanisches Institut, Regensberg, West Germany 1987 Rockefeller Foundation Bellagio Study and Conference Center, Bellagio, Italy One and Two Person Exhibitions 2005 Peltz Gallery, Milwaukee, WI 2001 Peltz Gallery, Milwaukee, WI 2000 Grace Chosy Gallery, Madison, WI 1999 Peltz Gallery, Milwaukee, WI (with John Sayers) 1998 Grace Chosy Gallery, Madison, WI 1997 Barbara Bunting Gallery, Royal Oak, MI 1993 Peltz Gallery, Milwaukee, WI 1993 Carey Gallery, Rochester, MI (with Jo Powers) 1993 J. Cacciola Galleries, New York, N.Y. 1990 Pennsylvania School of Art and Design Art Gallery, Lancaster, PA (with Dan Gihooley) 1990 Hobe Sound Gallery, Brunswick, ME 1990 Levinson Kane Gallery, Boston, MA 1989 Bowdoin College Museum of Art, Bowdoin College, Brunswick, ME 1985 Trustman Gallery, Simmons College, Boston, MA 1982 Willis Gallery, Detroit, MI Selected Group Exhibitions 2015 "Exquisite Corpse" Printworks Gallery, Chicago, IL 2014 "Non-Stop" Invitational, Train Depot, Madison, WI 1989-2014 Peltz Gallery, Milwaukee, WI 2012 "Invitational Alumni Exhibition", Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2002-10 Grace Chosy Gallery, Madison, WI 2008 Chazen Museum of Art, University of Wisconsin-Madison 2008 Chapman Museum of Art, Myrtle Beach, NC 2007 Carthage College, Kenosha, WI 2007 Spartanburg Art Museum, Spartanburg, SC 2007 "Real and Imagined" Elaine Jacobs Gallery, Wayne State University, Detroit, MI 2003-7 Ann Nathan Gallery, Chicago, IL 2003 "The Exquisite Snake" Printworks Gallery, Chicago, IL 2003 Robert Kidd Gallery, Birmingham, MI 2002 Sonyia Zaks Gallery, Chicago, IL 1995 Butler Institute of American Art, Youngstown, OH 1994 Milwaukee Institute of Art & Design, Milwaukee, WI 1993 Madison Art Center, Madison, WI 1993 New York Arts Club, New York, N.Y. 1993 "Previews of l993" J. Cacciola Galleries, NY 1992 "Small Painting Exhibition" J. Cacciola Galleries, NY 1992 "Women in the Bowdoin Collection" Bowdoin College Museum of Art, Brunswick, MA 1992 Steibel Modern, New York, NY 1984-91 Levinson Kane Gallery, Boston, MA 1986-7 Portraits Inc., New York, NY 1985-6 Kathryn Markel Gallery, New York, NY 1981-4 Frumkin and Struve Gallery, Chicago, IL 1984 "All California '84" Laguna Beach Museum of Art, Laguna Beach, CA 1983 "Western States Figurative Realism" Cypress College Art Gallery, Cypress, CA 1982 "Atlas Building Artists" Detroit Artists Market, Detroit, MI 1981 "Michigan Artists 80-81" Flint Institute of Art, Flint, MI 1981 Detroit Focus Gallery, Detroit, MI 1970 Detroit Art Institute, Detroit, MI Public Collections Heidelberg University, Tiffin, Ohio Fundacio J. Llorens Artigas, Gallifa/Barcelona, Spain American Express Corporation, New York, New York Ulster Bank, Ardara, Co. Donegal, Ireland Chazen Museum of Art, Madison, Wisconsin The Block Museum of Northwestern University Malden Public Library, Malden, Massachusetts Bowdoin College Museum of Art, Brunswick, Maine Oberpfalzer Kunstlerhaus, Schwandorf/Fromberg, Germany Beach Museum of Art, Manhattan, Kansas Virginia Center for the Creative Arts, Sweet Briar, Virginia University of Wisconsin, The Graduate School, Madison, Wisconsin Carol Pylant Bibliography 2017 M is for Math, Museum and Manhattan Kansas, by Natasha Rozhkovskaya, Publisher: Tamara Rozhkovskaya Novosibrisk 2015 Exquisite Corpse, Printworks Gallery, Chicago, IL. (Exhibition catalogue) 2013 "Remarkable Women Exhibit" by Mary Louise Schumacher, Journal Sentinel, online, Milwaukee, WI, June 25 2012 "Peltz Gallery Celebrates Remarkable Women" by Peggy Sue Dunigan, The Sheperd Express, Milwaukee, WI, July 7 2008 "Teachers Who Can, UW Faculty..." by Jacob Stockinger, The Capital Times, Madison, WI, February 2007 "Art in Nature" by Bill Robbins, Kenosha News, Kenosha, WI, September 14 2004 "Ambition clothes 'Remarkable Women'" by James Auer, The Milwaukee Journal Sentinel, April 7 2004 "Waxing enthusiastic over 'Colors'" by James Auer, The Milwaukee Journal Sentinel, February 18 2003 "Remarkable Women Celebrated" by James Auer, The Milwaukee Journal Sentinel, March 2003 "Art Lesson" by Jennifer Smith, Isthmus, Madison, WI, February 21 2003 "Installation Appreciation" by Kevin Lynch, The Capital Times, February 7 2001 "Pylant unites sketches with classical style" by James Auer, The Milwaukee Journal Sentinel, September 12 2001 "WSU Exhibit shows figurative painting" by Keri Guten Cohen, The Detroit Free Press, February 18 1999 "On Art" by James Auer, The Milwaukee Journal/Sentinel October 12 1999 "School of Art quadrennial exhibition" by John Aehl, The Wisconsin State Journal, January 24 1999 "Something old, something new" by C.R. Gabriel, Isthmus, February 5 1999 "Honoring our Own" Madison Magazine, January 1998 "The Madison Fifty" Madison Magazine, November 1997 "Back in the Game" by James Auer, The Milwaukee Journal/Sentinel, Nov. 26 1997 "Three artists will charm at local shows" by Joy Hakanson Colby, The Detroit News, May 8 1997 "At the Galleries" by Keri Guten Cohen, The Detroit Free Press, April 27 1997 "Talent not gender, is focus at show", by James Auer, Milwaukee Journal/Sentinel, December 11 1996 "Remarkable Women Exhibition" by James Auer, The Milwaukee Journal/Sentinel, Jan 14 1994 "In Art, these 20 made an impression in '93" by James Auer, The Milwaukee Journal, Jan 9 1994 "Window to the World" by Michelle Grabner, Milwaukee Magazine, Guide to the Arts, February 1994 "Art of Love: ..." by Elby Frieda Abbe, Milwaukee Sentinel, Let's Go. February issue 1993 "Variations on a theme", by Paul Pace, Rochester Clarion, Rochester, Mi, December 9 1993 "Work of women holds surprises in summer show", by Janice T. Paine, Milwaukee Sentinel, June 4 1993 "Remarkable Women has merit with or without it's gender theme", by James Auer, The Milwaukee Journal, June 13 1993 "Irish Landscape" Cross Country, Country Living Magazine, March (feature article) 1993 "Ireland's Wild West" On the Road, Country Living Magazine, March 1993 "Short List SoHo Gallery Exhibitions, The New Yorker, February 14 & 22 1993 "SoHo Exhibitions", Gallery Listings, New York Magazine, February 7 1993 Gallery Listings, The New York Times, January 31 1993 Tandem Press: Five years of Collaboration by Drew Stevens, University of Wisconsin Press 1992 "From the World's Hot Spots to Ardara", by Michael McHugh, The Donegal Democrat, Co. Donegal, Ireland, August 6 1992 "Exhibits spotlight women", by Janice T. Paine, Milwaukee Sentinel, June 5 1992 " Women's show proves a strong one", by James Auer, The Milwaukee Journal, May 24 199l "Tandem Press foster diverse printmaking styles", by John Carlos Cantu, Ann Arbor News, December 1 1991 "Quadrennially yours...U W art faculty exhibit show vital, vibrant", by Katherine Rogers, Wisconsin State Journal, January 6 1991 Who's Who in the Midwest 23rd Edition, A.N. Marquis, MacMillian Directory Division, Wilmette, Illinois 1990 "Impressive Art on a Small Scale", by Nancy Stapen, The Boston Globe, December 20 1990 "View from the Tower", by James Rhem, The Isthmus, December 21 1990 "NEA Survives but Artists Shiver", by Bill Moore, Wisconsin State Journal, Madison, Wisconsin, November 18 1990 "Artists Bring New Visions", by Ina Pasch, Wisconsin State Journal, Madison, Wisconsin, October 7 1990 "Madison's Wisconsin Triennial Makes a Statement in Many Ways", by James Auer, The Milwaukee Journal, October 7 1990 "Wisconsin Artists Represented at Triennial", by Kirsten Simonsen, The Daily Cardinal, University of Wisconsin, Madison, September 28 1990 "Wisconsin Triennial Art Show", by Kevin Lynch, The Capital Times, Madison, Wisconsin, September 22 1990 "School of Art & Design opens photo exhibit" The Intelligencer Journal, Lancaster, Penn., September 1990 "Art courts drama at PSA&D" Lancaster, Pennsylvania, September 1990 "Windows on an Artist", by Larry Mallak, Research Sampler ,The Graduate School, University of Wisconsin, Madison 1989 "Upward Mobility and Disposable Imagery", by Edgar Allen Beem, Maine Times, September 24 1989 "Award Winning Pylant Displays Realism", The Bowdoin Orient, Brunswick, Maine, September 8 1989 "Art Exhibit Opens at University Art Gallery", The Daily Star Journal, Warrensburg, Missouri, September l 1989 "Arts Calendar has Variety /Pylant Paintings in Bowdoin Show", The Times Record, Brunswick, Maine, August 1989 "Amerikanerinnen im Oberpfalzer Kuntslerhaus, Gegenseitiges Lernen", by Harold Raab, Die Woche, West Germany, July l3 1989 "American Spirits im Oberpfalzer Kunstlerhaus, Mittelbayerische Zeitung, West Germany, July 6 1989 "Zum Abscheid eine Ausstellung Arrangiert", Mittlebayerische Zeitung, West Germany, July 5 1989 "Amerikanerinnen in der Kebbel Villa", Mittelbayerische Zeitung, West Germany June 9 1989 "A Day With Carol Pylant", by Jackie Michard, On Wisconsin, University of Wisconsin- Madison, July 1989 "VCCA Artists in Germany", The News and Daily Advance, Lynchburg...

Artist: Anatoly Borisovich Tarabanov Work: Original oil painting, handmade artwork, one of a kind Medium: Oil on Canvas Year: 2017 Style: Contemporary Art Title: Big Fish...

Claudia Griesbach-Martucci's "Delicate Feast" is an original, handmade oil painting that depicts a red-breasted robin clutching a caterpillar. About the Artist: Claudia Griesbach-M...

Allison Leigh Smith’s “Reflection: Barn Owl” (2023) masterfully captures the mysterious allure of the barn owl, framed within a 10 x 10 inch oil on aluminum surface. This unique artwork, enclosed in a sleek, dark circular frame measuring 12.50 x 12.50 inches, exemplifies Smith’s dedication to realism and attention to detail. The painting features a barn owl perched silently, its penetrating gaze and the intricate pattern of its feathers rendered with exquisite precision. The background's subtle foliage, portrayed in muted blues and whites, contrasts beautifully with the warm browns and creams of the owl's plumage. This piece is a testament to Smith’s skill in using oil paints to convey texture and emotion, making it a captivating addition to any collection. The artwork’s durability is enhanced by the aluminum substrate, promising longevity and ease of maintenance. Ideal for collectors of fine wildlife art...

This painting by artist Ray Simonini titled "Luna" is a 12x16 farm animal oil painting on canvas featuring a portrait of a white horse against a colorful bright background. Afternoon...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Butterfly Collection” is a vibrant and energetic...

This painting, exemplifies the type of traditional portraits the artist Ariane Beigneux was specially known for. Here, Beigneux depicts the portrait of a little boy and horse in a realistic, and seemingly idealized manner. The artist uses local colors and controlled brushstrokes to render the subject, paying close attention to details adding a special clarity to the naturalism of the portrait. it is painted on Whatman illustration board. some drawing in the margins. Ariane Beigneux was born to French parents in Roxbury, CT in 1918 and passed in 2011. She studied art at the National Academy of Design with Gifford Beal, Sidney Dickinson and Ivan Olinsky and at the Art Students League in New York with Jon Corbino and Jean Liberte. Ariane painted professional artist childrens portraits for six decades. Her work was included in the book 6 Artists Paint a Portrait: Alfred Chadbourn...

"Timeless: Blooms in Crystal" is a beautiful rendering of April blooms and antique bottles collected by the artist. In this mesmerizing watercolor painting, the artist masterfully ca...

Oil on canvas, Framed 66 x 76 x 5 cm The Great Wall of China is well known in the world.Tens of millions of tourists from all over the world come ...

Swans in 'Silver Lining' are used as metaphors by Diana Tremaine for beauty and resilience rising above chaos during difficult times. Rich colors — blue...

Robert Fontana Topical Landscape with four parrots Oil on canvas

Three Roosters from the beautiful island of Kauai, being as goofy as the naturally can in this contemporary tropical jungle painting . Hawaiian Chickens - Animal paintings by Marc Zimmerman This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His color palette explores various harmonies yet always surprises with new color excitement. Years of working with the woodcut print can be seen in Marc’s concise clarity of form and texture. His botanical world was initially inspired by the French artists; Henry Rousseau and Paul Gaugin. Painting journeys to the island of Kauai fueled Marc’s passion for the jungle series, lasting over 12 years. Having painted for 40 years, Marc now dedicates himself to the inventive and delicious world of color and form with his latest body of work; “Tropical Fantasy Floral “ Keywords: Green, Nature Painting, Animals Painting, Jungle Painting, Oil On Canvas...

While it is true that humans and nature are having some trouble finding a sustainable balance, I believe that it is imperative that we don’t lose hope. There is still so much worth ...

Black Cat,Cat,yellow Gleb SAVINOV (Kharkiv prov., Ua 1915 – St. Petersburg 2000) Gleb Alexandrovich Savinov was born in Ukraine and spent part of his childhood in Saratov. His father, Alexander Ivanovich Savinov (1881–1942), a talented painter, draftsman and teacher, was a professor at the Academy of Fine Arts. In 1922 they moved from Saratov to Petrograd. In 1928-1930 Savinov started working in the studio of his father while still attending school. In 1934, after graduating from high school he enrolled at the painting department of the Leningrad Institute of Painting, Sculpture and Architecture, where he studied with, among many others, Alexander Osmerkin. In 1940 Savinov graduated and married his classmate and talented artist Olga Bogaevskaya. This happy family and creative union lasted sixty years. Since that year Gleb Savinov participated in art exhibitions with portraits, historical and genre paintings, landscapes, interior scenes, still lives. He served during the Great War and in 1944 he was admitted to the Leningrad Union of Soviet Artists. In 1945-1947 he taught in the Repin Institute, then from 1949 to 1979 in the Vera Mukhina...

Lesley Anne Spowart (American, born 1957) "Off to the Races (Giraffe Surfing)" 2022 Acrylic Paint, Oil Paint, Mixed Media, Canvas, Stretcher Bars, Wire The artist signed the bottom l...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Hunt Slonem - Lakeside Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and has the ...

John W. Morris (United Kingdom, 1865-1924) Cows to pasture Oil on canvas, 91 x 69 cm John William Morris is a British artist best known for his landscape paintings and animal scen...

Igor Maikov (1966) Education: 1981 - 1984 The Art Academy of Latvia 1973 - 1983 Salaspils Primary and Secondary School Exhibitions: 1994 - Group Exhibition «Rol-Art», Latvia ...

Afternoon ride is a pair of, 13 x 9 inches each, equestrian paintings by Pennsylvania painter James N Hess. One is signed in the lower left, one is signed in the lower right. Animal...

In this oil painting with a landscape format, a young girl rides a horse, though her figure is partially cropped, giving full prominence to the animal. The horse moves slowly along a...

As we navigating our daily lives, we must face thoughts, anxieties, joys and emotions from all three of these tenses, and often at the same time. Seemingly opposite emotions -- lust...

Decorative, antique oil painting, dog portrait, 19th century, signed and dated. Dimensions including frame.

Fox is an acrylic painting on canvas by artist René Gonzalez representing a fox surrounded by a colorful landscape. Dimensions are 60 × 50 cm (23.6 x 19.7 in). This artwork is signed...