Large Animal Paintings

Red Fish Painting Ocean Art Impasto Painting Palette Knife Art by Olga Nikitina Title: Red Fish Symphony Size: 85x60x2 cm Materials: oil, stretched canvas, palette knife Shipping: ga...

Title: I AM the Quest A powerful abstract artwork depicting Lions, Africa Colorful. It is a striking and inspirationional work. This work is part of the I AM series. It is part of ...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Anne Siems was born in Berlin, Germany. As a child, she lived for three years near Buenos Aires, Argentina. Her first extended stay in the US was as an exchange student. After finish...

Fish Painting Coral Reef Impasto Painting Palette Knife Art by Olga Nikitina Title: Fish Symphony Size: 80x60x2 cm Materials: oil, stretched canvas, palette knife Shipping: gallery ...

Thomas Percy Earl British, (1874-1947) Deerslayer Oil on canvas, signed & dated 1913 & inscribed ‘Deerslayer’ Image size: 24.25 inches x 29.25 inches Size including frame: 30.5 inch...

Antique American regionalist modern landscape oil painting. Oil on canvas, circa 1940. Signed. Displayed in a period modern frame. Image, 30"L x 25"H.

Animal Frieze me Large Portrait - Closeup of cat Technique: oil, acrylic, and ink on canvas F30 92x73cm ■■ 36,2x28,7 inch 》》R E A D Y -- T O -- H A N G《《 - F A S T D E L I V E ...

Stag & Deer Grazing In The Frozen Scottish Highlands, 19th Century by ROBERT HENRY ROE (BRITISH 1822-1905) Large 19th Century Scottish Highland scene of a deer & Stag grazing in a ...

Edition 5 JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour, 
he ...

"The Disciples" by Deb Komitor (United States) is a handmade oil painting depicting 3 owls perched in a tree. The piece is on a cradled board with the painting continuing on the side...

This lovely British Victorian landscape oil painting is attributed to noted artist Sam Bough. It was painted circa 1855 after Bough had moved to Hamilton Lanarkshire in Scotland to focus on painting landscapes along side fellow artist Alexander Frazer. The composition is several cattle watering in a stream under the boughs of an ancient tree. There is superb impasto, for example on the clouds and this is a charming 19th century oil painting. Provenance. London estate. Condition. Oil on canvas, 29 inches by 16 inches unframed and in good condition. Frame. Housed in an ornate gilt Victorian frame, 36 inches by 23 inches framed and in good condition. Samuel Bough RSA (1822–1878) was an English-born landscape painter who spent much of his career working in Scotland. He was born the third of five children in Abbey Street, Carlisle in northern England, the son of James Bough (1794-1845), a shoemaker, and Lucy Walker, a cook. He was raised in relative poverty, but with a keen encouragement in the arts. He was self-taught but mixed with local artists such as Richard Harrington and George Sheffield, and was strongly influenced by the work of Turner. After an unsuccessful attempt to live as an artist in Carlisle he obtained a job and as a theatre scenery painter in Manchester in 1845, later also working in Glasgow in the same role. Encouraged by Daniel Macnee to take up landscape painting he moved to Hamilton from 1851-4 and worked there with Alexander Fraser. In 1854 he moved to Port Glasgow to work on his technique of painting ships and harbours. His paintings were noted for their sensitivity to atmosphere and light, were often of cloudy shorelines and busy harbours. He also began supplementing his income by illustrating books, before moving to Edinburgh in 1855. On coming to Edinburgh he lived in a terraced house at 5 Malta Terrace in the Stockbridge area of the city. Following Turner's example, he became a skilful painter of seaports. He was buried in Dean Cemetery Edinburgh on 23 November 1878. The grave bears a bronze medallion of his head by William Brodie...

Margaret Collyer, (1872 - 1945). A London painter of animal scenes, whether horse portraits or dramatic highland scenes such as her "Lord of the Isles". She exhibited at the Royal Ac...

Garth Bayley, Chasing the Banker, Oil on Canvas , Horse racing, There is alway a banker with the bookies at the races and he’s the one to beat. This painting is bold and colourful pa...

The artwork size is 24"x18" and artist signed it lower right. Emil Kazaz's drawing in ink on paper depicts a compelling scene where a man is depicted with intricate detail, showcas...

Oil on canvas Canvas size: 20 x 30 inches Framed size: 25.25 x 35.25 inches Signed in lower right

Psychi 2 from "The Soul" series is a pop-art inspired and fun painting on Fabriano paper depicting a colorful Butterfly. The painting is unframed. We can coordinate framing for you a...

Sir Alexander Von BENSA Panel Size: 18 x 25" Outside Frame Size: 26 x 34" Oil on panel in very good condition and has benefited from a light clean only. Original frame Austrian Sc...

Outstanding portrait of two dogs. Sam Spode was an Irish painter of horse and dog portraits from the late 18th century through the early 19th century. His dog portraits are very rar...

Olaf Wieghorst (1899 - 1988) California, New York, New Mexico, Arizona, Texas Artist Image Size: 20 x 24 Frame Size: 29.5 x 33 Medium: oil 1946 "Home Corral" California Olaf Wieghorst Without a doubt one of if not the most colorful Wieghorst paintings ever done. Signed lower left. Titled on verso. Dated on verso. In very nice condition. Has been professionally cleaned. Has very fine craquelure in the tree branches and a small spot below the horse that is really only visible if you are extremely close to the painting or with magnification. One of his finest paintings. Also please view my other Wieghorst from the same estate. I have included close up photos as well as photos taken in natural light, spot light and fluorescent lighting. Olaf Wieghorst (1899 - 1988) California, New York, New Mexico, Arizona, Texas Artist Image Size: 20 x 24 Frame Size: 29.5 x 33 Medium: oil "Home Corral" Dated 1946 Biography Olaf Wieghorst (1899 - 1988) Born in Viborg, Denmark, Olaf Wieghorst was a child acrobatic performer from the age of nine when he began appearances at Tivoli Theater in Copenhagen and later toured Europe. He also learned horseback riding working on a stock farm, and horses became a major focus of his admiration and later his painting. In 1918, he arrived in the United States, having worked as a cabin boy on a steamer. He served in the 5th U.S. Cavalry on the Mexican border in the days of Pancho Villa. He later recalled a favorite horse from that period and said that riding through El Paso in 1921, the horse fell on his ankle and broke it. The outfit was heading to Douglas, Arizona, and not wanting to be left behind with his injury, he stayed on the horse which carried him all the way through the New Mexico desert on one of the hottest days of the year. The horse died during the night, having expended all his energy on saving Wieghorst. He later wrote that when the Cavalry discarded the use of horses, "they took the soul out of that great branch of the service" ("Widening Horizons"). He wandered extensively through the West sometimes on horseback, finding work in Arizona and New Mexico as a cowboy. Then he went to New York and served as a mounted policeman until 1944, spending most of his time on a horse named Rhombo patrolling the Central Park bridle paths and saving many people injury from runaway horses. He began painting in his spare time, and he was successful enough that his work was represented by the Grand Central Art Galleries of the Biltmore Hotel. In 1944, he settled in El Cajon, California. His paintings include cowboys, horses, and Indians in landscape, but there is little if any collectible art of his done during his early days in the West. His primary output came after his return to California when he began painting cowboys and horses extensively. He did numerous horse portraits, spending time on ranches studying their unique personalities. He painted celebrity horses including Roy Rogers' Trigger, Gene Autry's Champion and Tom Morgan's stallion. He was a large, powerful, handsome, and very personable man. Source: Kathleen Wade Olaf Carl Wieghorst (1899-1988) He arrived in the U.S. in 1918, joining the U.S. Cavalry, & patrolled the Mexico border in New Mexico & Arizona . When he mustered out of the army, he drifted, ending up as a wrangler on the Cunningham Ranch near Alma, New Mexico. By the mid-twenties, Wieghorst was in New York City, working as a mounted policeman - his relationships with the many horses that were a part of his life became the common denominator of his paintings. Living in California by the end of WWII, he began a career that spiraled to success, in part due to his engaging personality. His paintings have appeared in numerous solo & retrospective exhibitions including the National Cowboy & Western Heritage Museum, Oklahoma City (1974), The Tucson Museum of Art, Arizona (1981), & the San Diego Historical Society, California (2002). His work was the subject of the 1970 biography, "Olaf Wieghorst" by William Reed...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Signed & Dated Lower Right. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

This cheekily titled scene depicts two woodland creatures encountering a spattering of fungi on the forest floor. This work is rendered in exquisite detail, down to the Sparrows feathers and inquisitive expression and and the soft fuzz on the mouse's small form. "Sparrow and Jumping Mouse Find the Magic Mushrooms" showcases artist Marc Dennis' hyper realistic style and propensity for witty humor. Marc Dennis' paintings merge 19th-century traditional American Western painting...

The measurement is of the painting surface, the canvas has 5cm/2" of extra white border around the entire edge. Shipped rolled in a tube I can make works on commission, including a...

Winter in the Village by Ben George Powell, British contemporary artist signed oil on canvas, unframed canvas: 32 x 40 inches provenance: private collection of this artists work, UK ...

Leaping Bull oil on canvas 75 x 100 cm (2' 6" x 3' 3") + edge frame Penny's interpretation of the legendary leaping bull from the palace of Knossos in Crete. Sacred in Minoan civi...

Vertical Phythms - Animal Painting - Oil on Canvas By Marc Zimmerman Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His...

Horses Standing in Landscape French School, 20th century oil on canvas, framed framed: 25 x 34 inches canvas: 19.5 x 30 inches provenance: private collection, France condition: very ...

William Sidney Cooper British, (1854-1927) Near Herne Bay, Kent Oil on canvas, signed & dated 1923, inscribed in pencil on stretcher Image size: 19.5 inches x 29.5 inches Size inclu...

Louis Recchia's (US based) "Family Unit" is an oil painting that depicts a family of felines personified in interior setting with birds Louis Recchia has been producing contemporary...

Signed lower left, 'L. Simon' for Lucien Simon (French, 1861-1945) and painted circa 1919. Partially titled, verso, on old label. Provenance: Austin Hills estate, San Francisco. Pre...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomize...

James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...

Fanciful vintage Haitian acrylic painting on canvas of a leopard in a whimsical woodland setting with flowers and trees, executed in a distinctive naive style. Signed F. Pierre and p...

Contemporary figurative oil on canvas painting by Polish artist Rafal Gadowski. Painting in pop art style depicting two halves of papaya. Painting is bright with many dynamic shapes....

Title: Waitting - Blue Medium: Oil on canvas Size: 39 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

'Portrait of a Woman and Her Horse', oil on board, French School (1988). Horses are majestic, strong and can display a broad range of emotions. Whether they're around humans or other...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

William Sidney Cooper British, (1854-1927) At Marshside, Kent Oil on canvas, signed & dated 1920, inscribed in pencil verso Image size: 15.5 inches x 23.5 inches Size including fram...

This work embodies a beautiful color scheme that is evident in the treatment of the sky and the huge cloud structure. that Signed and Dated lower right Original Period Frame On Vers...

Cavalli,Inverno,Slitta,Neve Luminosa scena invernali con Cavalli nella neve

Cheltenham Races is an original painting by Garth Bayley Based on the Cheltenham races. Horses, Horseracing, sport, The 60 x 90 cm is the image size with extra for framing. The paint...

Greg's witty and charming oil painting on aluminum comes framed in a floater frame which adds 1.75 inches all the way around. "Greg Decker is a visionary painter. His work epitomize...

Stuart Dunkel's original oil paintings are created in a hyper-realistic style. He paints realistic imagery based on real-world inspirations. His paintings show that everyday objects ...

"In the world of still life and landscape, conceptual events meet one another – the structural meets the narrative, the small stands in the space of the large, and color has a chance...

Naomi Jones's richly patterned realistic paintings focus on the preservation of vulnerable wildlife. Jones finds catharsis in painting soulful animals. Portraits of vulnerable species native to the North American landscape are painted with an illustrative sensitivity, reminding the viewer to appreciate the delicate balance of nature. Jones tries to make such wildlife, frequently living on the edges of homes and gardens, visible through paintings set among vividly patterned backgrounds. This original 36-inch square acrylic painting of a rabbit is wired and ready to hang. The sides of this artwork are painted and it does not require framing. It is signed by the artist on the front. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Jones is inspired by Georgia O’Keefe’s attention to the natural world and Frida Kahlo’s narrative approach to painting. She is also inspired by the patterns of William Morris and has found them to be rich resources of inspiration for her lively backgrounds. Naomi Jones lives in Greensboro, North Carolina, a city known for creative activism, ecological conservation, and an artistic approach to civic spaces. Her original artworks have been exhibited and collected throughout the US. REPRESENTATION Artspace Warehouse, Los Angeles, CA GROUP EXHIBITIONS 2019-23 Artspace Warehouse, Los Angeles, CA 2019 Platypus & Gnome, Wilmington, NC 2018 Scuppernong Books, Greensboro, NC 2018 Hirsch Wellness, Revolution Mills, Greensboro, NC 2018 Greensboro Project Space, Greensboro, NC SOLO EXHIBITIONS 2018 “I Spy: Art by Naomi Jones,” Art In Bloom...

Swans on a River with Wild Flowers in the English Countryside by British Artist, Andrew Grant Kurtis M.A.(Lon) B.Des.(Hons) L.S.I.A.D. Art measures 24 x 20 inches Frame measures 32...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. "Con...

Elegant painting from the second half of the 17th century. Oil on canvas artwork depicting a splendid landscape with grazing animals, of great pictorial quality. In the foreground we...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Original advertisement for the Treo Girdle Company, published in the October 1923 issue of McCall’s Magazine, page 93, and likely in other publications as well. This original adver...

Gorgeous late 19th Century landscape of cows near watering hole with birch trees and puffy clouds in background by Wesley John Straight (American, 1855 - 1922). Signed lower left corner and on verso. Title "Autumn in New England" on verso lower stretcher bar. Condition: Good; professionally cleaned and restored; minor abrasions repaired and in-painted (see images). Unframed. Image size: 40"H x 32"W. Born in Wisconsin on May 20, 1855. Straight appears to have migrated to northern California in the late 1870s. While a resident of San Jose and Grass Valley, he painted scenes of the northern coast and other scenic spots. After moving to southern California in 1912, he lived at the Southern Hotel in San Bernardino until his demise on April 5, 1922. Exhibitions: Delavan Wisconsin County Fair 1874 (painting of the Wisconsin State School for the deaf and countryside), Calif. State Fair, 1880-90, Placer California 1880...

Fine landscape painting, this oil on canvas of Snowdonia, Wales is by 19th century British artist Thomas Huson, RI, (1844-1920). Signed by artist in lower left, Thomas Huson was a ...

Chuck Mauldin Born 1949 Fredericksburg Artist Size: 22 x 28 Frame: 31 x 37 Medium: Oil "Flowers On Her Dinner Table" Texas Hill Country View details A nati...

A stylized horse is depicted grazing in an abstract landscape. Most likely, the location is Woodstock, New York, where the artist lived. Signed Lower Right; Framed; Note: titled and signed on verso. Ethel Magafan (August 10, 1916 – April 24, 1993) was an American painter and muralist. Magafan was born in Chicago to Greek parents who had recently immigrated to the U.S. The family soon relocated to Colorado Springs, Colorado, and Magafan's artistic training occurred at the Colorado Springs Fine Arts Center under the tutelage of Peppino Mangravite, Boardman Robinson and Frank Mechau, who hired Magafan and her twin sister, Jenne, to assist on mural projects. In 1937, aEthel won the commission to paint a mural in the U.S. post office in Auburn, Nebraska, making her the youngest recipient of such a commission. It would be the first of seven government-sponsored commissions for the artist. Murals "Andrew Jackson at the Battle of New Orleans, January 8, 1814" E. Magafan, 1943 Under President Franklin Roosevelt's New Deal, several programs were created to employ Americans during the Great Depression. The Magafan twins worked under the New Deal's Section of Painting and Sculpture, a program that hired thousands of artists to paint murals in public spaces, particularly post offices. Ethel and her twin sister, Jenne Magafan, became widely known for their murals painted during the Great Depression. Ethel received her first of seven Government commissions when she was commissioned to produce a painting for the United States post office in Auburn, Nebraska, titled Threshing.Other murals commissioned by the US Government hang in the United States Senate Chamber, the Social Security Building and the Recorder Deeds Building in Washington, D.C., and in post offices in Wynne, Arkansas, titled Cotton Pickers in 1940; in Madill, Oklahoma, titled Prairie Fire in 1941; and Englewood, Colorado, titled The Horse Corral in 1942.Her final mural, entitled Grant in the Wilderness, was installed in 1979 in the Chancellorsville Visitor Center at the Fredericksburg National Memorial Military Park in Virginia, She was a member of the National Academy of Design. Magafan died April 24, 1993, in Woodstock, New York, at the age of 76. References "Collections National Academy Museum". Retrieved 2017-03-08. "Jenne Magafan". Retrieved 2017-03-08. Marlene Park and Gerald E. Markowitz, Democratic Vistas: Post Offices and Public Art in the New Deal. Philadelphia: Temple University Press, 1984. "Browse New Deal projects by State and City". Living New Deal. Retrieved 9 January 2015. "Ethel Magafan Passes Away". New York Times. No. Obituary. April 29, 1993. Opitz, Glenn B, Editor, Mantle Fielding's Dictionary of American Painters, Sculptors & Engravers, Apollo Book...

Hawaii Fish Cave Painting This stunning oil painting on canvas depicts a mesmerizing underwater scene, featuring a school of vibrant colorful fish swimming in a cave. The artist, Olg...