Large Animal Paintings

This cheekily titled scene depicts two woodland creatures encountering a spattering of fungi on the forest floor. This work is rendered in exquisite detail, down to the Sparrows feathers and inquisitive expression and and the soft fuzz on the mouse's small form. "Sparrow and Jumping Mouse Find the Magic Mushrooms" showcases artist Marc Dennis' hyper realistic style and propensity for witty humor. Marc Dennis' paintings merge 19th-century traditional American Western painting...

5-3750 Screen print on Irish Linen of an Englishman and his bull dog Linen applied to board Set in a custom wood frame

In this acrylic painting, I've captured the essence of tranquility and the harmony of nature. My brushstrokes bring to life the delicate interplay of light and shadow, as the lush gr...

Jockey on Horseback British School, 20th century painted after an earlier style oil on canvas, framed framed: 31 x 35 inches canvas: 20 x 24 inches provenance: private collection, UK...

Francis Sartorius British, (1734-1804) Bay Hunter & Groom Oil on canvas, signed Image size: 24.25 inches x 29.25 inches Size including frame: 32 inches x 37 inches A wonderful spor...

In this spirited painting, I've melded acrylics and oils to capture the essence of unbridled freedom. My brushstrokes, alive with impressionistic vigor, dance alongside the robust re...

In this painting, I've poured my soul into capturing the serene connection between these majestic creatures. With acrylics and ink, I've blended figurative art with impressionistic touches, creating a composition that exudes tranquility and companionship. The fine art style I employed allows the emotional bond and gentle strength...

JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fairbanks and a BA in Environmental Studies from the U...

Artist: George Rodrigue Title: Blue Dog “Original – Split Personality” Medium: Oil on Canvas Date: 1991 Edition: 1 of 1 Dimensions: 36” X 24” Description: Signed & Unframed co...

Nantucket artist Reggie Levine, evolved from his figurative work in the 40's-50's to abstract in the 1960's and later to found object art. Interestingly I see his interest in found...

Morgan Cameron's "Migration" is a dynamic and vibrant handmade original oil on panel artwork, capturing the essence of movement and freedom. Created in 2022, this piece measures 18 x...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a sal...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

Morgan Cameron’s (US based) “Break From Flight” is an oil painting on panel that depicts a bird perched on a branch with fruit. This painting is unframed, but ready to hang. Abou...

Winter landscape with wild boars. Similar to a hunting scene. Signed lower left "W. Heydendahl" Dimensions with frame: 92 cm x 112 cm Dimensions without frame: 71 cm x 90.5 cm "For...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on a nautical chart, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Purple Perkins over St. Croix sumi ink and colored pencil on nautical chart 30h x 33.50w in 76.20h x 85.09w cm JEC110 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a sal...

Henry Thomas ALKEN 1785 – 1851 A very typical example of Alken's work in a beautifully presented original antique frame. Alken's work is highly collectable and this is worthy of any...

Portrait Of A Dapple Grey Racehorse, dated 1874 by John Frederick II HERRING (1815-1907) to $270,000 Large 19th century portrait of a dapple grey racehorse in a stable, oil on canv...

John Nost Sartorius (London 1759-1828) Gimcrack with jockey up, wearing the colours of Richard Grosvenor, 1st Earl Grosvenor Inscribed and signed 'Gi...

Henry Robinson Hall. English ( b.1857 - d.1927 ). Highland Cattle in Scottish Upland Pasture, 1891 Oil on canvas. Signed lower and dated lower left. Image size 23.4 inches x 15.4 inc...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

This painting by artist Ray Simonini titled "Savannah" is a 36x24 farm animal oil painting on canvas featuring a portrait of a brown and white...

"Octopus" Oil painting 33" x 26" inch by Alina Shimova PURE SOUL series Shimova cares about the conservation of the fauna. She draws public attention to the problems of animals, e...

"French White", is a 30x40 oil painting on canvas by artist Leslie Peck featuring a majestic white bull standing in a stately, regal pose. A dark background with a grass covered foreground provides drama and mystery. Peck's use of hand-mixed paint provides a silky, buttery finish. About the artist: Leslie Anne Peck is a native of Buffalo, New York. She moved to New York City to attend the Fashion Institute of Technology where she received her Bachelors Degree in Fine Art. In 1987 Leslie spent a year studying art in Italy at the Scuola di Lorenzo De Medici in Florence and subsequently apprenticed in Rome with renowned illustrator Alessandro Biffignandi. Leslie began a freelance career in romance book...

Portrait In a Mountain landscape of a standing Eagle, in the Alps. Bauer painted animals often running , flying or standing in their natural setting. Always with a great deal of qua...

Coral Reef Painting by Olga Nikitina Title: Coral Reef Size:80x60cm Materials: Oil, Stretched Canvas, Palette Knife Shipping: gallery standards pac...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extra...

Fine landscape painting, this oil on canvas of Snowdonia, Wales is by 19th century British artist Thomas Huson, RI, (1844-1920). Signed by artist in lower left, Thomas Huson was a ...

This piece is a diptych. Thomas Swanston was born 1956 in Annapolis Md., Naval Hospital. He graduated from Hobart & William Smith Colleges 1978 with a B...

Contemporary figurative oil on canvas painting by Polish artist Rafal Gadowski. Painting in pop art style depicting two halves of papaya. Painting is bright with many dynamic shapes....

Barenger was born in Kentish Town, London, the son of James Barenger Snr., a metal chaser and artist who exhibited paintings of insects at the Society of Artists and Royal Academy, a...

Who let the dogs out? The five feisty hounds romp and jump and tease one another in utter joy, or is it pandemonium? It's almost impossible to imagine their upcoming transition as they lead the chase in the highly regimented fox hunt. The fields of green grass, speckled with overgrown wild flowers are the perfect playground for these hounds to catch the scent, with so many stories to tell! Artist Joseph Sundwall grew up in Chicago where his artistic talents were recognized early on. He studied his trade at the Kansas City Art Institute, the famed Art Students League and National Academy of Design in NYC followed by added training in London at the St. Oswald Studios. He developed an exceptional ability to create figurative compositions as well as portraiture to significant acclaim under the tutelage of renowned portrait artist Everett...

This abstracted painting of a Pit Bull dog features a loose, energetic style and a warm neutral palette. The artist layers wide brush strokes and thin, swirling lines to create the d...

Oil painting representing "Basset Griffon Vendéen" hunting dogs in a wooded landscape. Oil on canvas in perfect condition (fully restored in our worksh...

"Uncle Josh" by Akinboye Akinola Peter stands as a poignant testament to the artistry of portraiture and the depth it can achieve in capturing the essence of an individual. The title...

Dame Elisabeth Frink. English ( b.1930 - d.1993 ). Hawk, 1969. Watercolor. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame size 34.4 inches x 28.1 inches ( 87.5cm x 71.5cm ). Available for sale; this original painting is by Dame Elisabeth Frink and is dated 1969. The painting is presented and supplied in a glazed frame and mount dating from June 1997. This vintage watercolor is in very good condition, commensurate with its age. The watercolor is signed and dated lower right. Previously with Beaux Arts, London and Bath in 1999. Dame Elisabeth Frink was one of Britain’s most important post-war sculptors, an accomplished draughtsman, illustrator and teacher. She was part of the post-war school of expressionist British sculptors dubbed the Geometry of Fear, and enjoyed a highly acclaimed career that was commercially successful, broke boundaries and contributed greatly to bringing wonderful sculpture to public places. She was born on 14 November 1930 in Thurlow, the daughter of a cavalry officer, and brought up in rural Suffolk near to an active airbase. She was brought up a Catholic and educated at the Convent of the Holy Family, Exmouth. She then studied at the Guildford School of Art from 1947-1949 under Willi Soukop and Henry Moore’s assistant, Bernard Meadows, and then at the Chelsea School in London 1949-1953. She taught at Chelsea School of Art 1951-61, St. Martin’s School of Art 1954-62 and was a visiting instructor at the Royal College of Art 1965-1967, after which she lived in France until 1973. Frink first came to the attention of the public in 1951 at an exhibition at the Beaux Arts Gallery, London. In 1952 she represented Britain at the Venice Biennale, being described by Herbert Read as “the most vital, the most brilliant and the most promising of the whole Biennale”. The same year the Tate bought its first work by her, and she began to enjoy commercial success. Thereafter she exhibited regularly and was for 27 years associated with Waddington’s, London. The subjects which Frink was most concerned with were man, dog and horses, with and without riders. Interestingly she seldom sculpted the female form, drawing on archetypes of masculine strength, struggle and aggression. Her work has the recurring themes of the vulnerable and the predatory, in the spirit of an authentic post-war artist. It has been said that she was more concerned with representing mankind that portraits of individuals. The appeal of her work lies in its directness, provoking a frank statement of feeling. The anatomy is often exaggerated or incorrect; the impact growing more out of her interest in the spirit of the subject. Her animals and birds may be drawn from nature but verge on the abstract, conveying raw emotion and character rather than a realistic depiction. Her unique style is characterised by a rough treatment of the surface which embeds each piece with vitality and her personal impression. In her later work even the distinction between human and bird figures becomes blurred. Commentators have noted that the often rugged, brutal and contorted surfaces of her work reflect the destruction and terror of the six-year world-wide conflict that she witnessed as a child. Frink was an active supporter of Amnesty International. In the 1960s and early 1970s Frink produced a notable series of falling figures and winged men. Later, living in France during the Algerian war, she began making heads, blinded by goggles which had a threatening facelessness. Frink produced many notable public commissions, including Wild Boar for Harlow New Town, Blind Beggar and Dog for Bethnal Green, Noble Horse and Rider for Piccadilly, London, a lectern for Coventry Cathedral, Shepherd for Paternoster Square beside St. Paul’s Cathedral and a Walking Madonna for Salisbury Cathedral. In the early 1980s she produced a set of three larger than life figures The Dorset Martyrs which stand on the edge of the old walled town of Dorchester on the site of the old gallows, as a memorial to those who had been executed there ‘for conscience sake’. Frink’s Canterbury Tales was a collection of 19 etchings drawn directly on to copper plates and etched by her. The ‘book’ was issued in three limited editions. Her illustrations have been praised as “amongst the most successful illustrations of the century, encompassing the mood of the text in concise delineations and disarmingly ribald humour”. She illustrated other books with colored lithographs or drawings. Frink was on the Board of Trustees, British Museum from 1976, and was a member of the Royal Fine Art Commission 1976-81. CBR (1969), DBE ((1982), Associate of the Royal Academy (1971), Royal Academy (1977). She was made a Companion of Honour in 1992. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. For several decades Frink exhibited widely in the UK and abroad. In her later years she lived and worked in Dorset where her home and garden became an arena for her work. In 1985 she had a retrospective at the Royal Academy. She died on 18 April 1993, but not before completing her last commission, a monumental but unusual figure of Christ for the front of the Anglican Cathedral in Liverpool, unveiled a week before her death. There was a memorial show at Yorkshire Sculpture Park, Bretton Hall in 1994. Today Frink is venerated as one of the great twentieth century British sculptors. Her unique work is represented in the Tate Gallery and major public and private collections world-wide. © Big Sky Fine Art This original watercolor on paper painting of a hawk by Dame Elizabeth Frink...

Artist: Slonem, Hunt Title: 5 Play Splash Series: Bunnies Date: 2022 Medium: Oil on wood Unframed Dimensions: 27" x 22" Framed Dimensions: 33" x 28" Signature: Signed Edition...

Outstanding early 18th-century portrait of a seated Spaniel dog in a landscape with an array of fruits. Attributed to the work of Tobias Stranover. ...

This abstracted painting of a Basset Hound dog features a loose, energetic style and vibrant colors. The artist layers wide brush strokes and thin, swirling lines to create the dog's...

The Steeplechase English School, late 20th century oil on canvas, unframed canvas: 24 x 36 inches provenance: private collection, UK condition: very good and sound condition

A unique original oil painting by Peter Coulthard of Sheep, Dog & Shepherd in the Lake District, England. Entitled "Gathering Herdwicks in the fells above Buttermere, Cumbria". Signe...

Edward Chalmers Leavitt (1842 - 1904) Rhode Island Artist Image Size: 36 x 28 Frame Size: 42.5 x 34.5 Newcomb Macklin Frame. Medium: Oil Dated 1889 "Duck Hunt" Mergansers Edward Chalmers Leavitt (1842 - 1904) Edward Chalmers Leavitt, artist, was born in Providence, Rhode Island, March 9, 1842, the son of Rev. Jonathan and Charlotte Esther (Stearns) Leavitt. His paternal ancestor was John Leavitt, who came to Massachusetts Bay in the first ship and settled in Hingham. On the maternal side, he is descended from John Alden and Priscilla Mullens, who came to Plymouth in the Mayflower. Leavitt was educated in private schools in Providence, and at Kimball Union Academy, Meriden, New Hampshire. During the Civil War in 1862 and 1863, he served in the navy on the U.S.S. Galena. In his profession of artist, Mr. Leavitt is especially noted as a painter of fruit, flowers and still life. He exhibited in the National Academy for several years and has made many successful exhibitions in Providence and Boston. He was a member of the Boston and Providence art clubs, and the Providence Press Club. He was also a member of the Grand Army of the Republic. In politics his proclivities are mainly Republican. He has been twice married: first, May 19, 1877, to Ellen M. Fuller; and second, April 22, 1880, to Elizabeth S. Chace. Submitted November 2004 by Edward Bentley, Art Collector and Researcher from Lansing, Michigan. Source is the publication "Men of Progress: Biographical Sketches and Portraits of Leaders in Business and Professional Life from the State of Rhode Island." New England magazine. 1896. Edward C. Leavitt, born in 1842, has been described as "Providence, Rhode Island's leading still-life painter" in the late 19th Century. (Zellman 324) His teacher, James Morgan Lewin, was a prominent still-life painter in Fall River, Massachusetts, a neighboring town. Leavitt, a detailed, sharp-focused, realistic painter, was in love with texture and light, and was prolific and successful, painting a variety of still life subjects including flowers, fruit and even fish and dead game animals. His objects, including costly antiques and household decorative items, were often placed on ornamental, gleaming surfaces. He was a frequent exhibitor at the National Academy of Design in the 1870s and 1890s. The artist, who died in 1904, moved from a position of success and popularity to being ignored for many years until the publication of William H. Gerdts and Russell Burke's American Still-Life Painting in 1971. It is uncertain whether this disastrous loss of respect took place because Leavitt's work declined in quality during the last decade of his life, or because he was a victim of the periodic shifts in taste and fashion that afflict the arts. Sources: Michael David Zellman, 300 Years of American Art Peter Hastings Falk, Editor, Who Was Who in American Art Biography from Roger King Fine Art Edward Leavitt was one of the leading still life artists of nineteenth century New England. He lived and worked in Providence, and studied with James Morgan Lewin, a leading painter of the Fall River School, which, in the late 19th Century, was one of the most important centers of still life painting. While Lewin branched out into other types of painting, Leavitt remained devoted to the art of the still life. His paintings are sharply focused, realistic, and carefully finished. Ornate objects such as urns, ewers, platters, cut glassware...

Stockbroker turned artist Dawne Raulet stumbled into painting when she least expected it. Frazzled by a fulltime financial career and two small infants at home and in desperate need ...

Henry Robinson Hall. English ( b.1857 - d.1927 ). Highland Cattle in the Margins of a Scottish Loch Oil on Canvas. Signed lower left. Image size 23.4 inches x 15.4 inches ( 59.5cm x ...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on a nautical chart, in this case a pilot chart of the Northern Atlantic Ocean from 1945, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Blue Boy of the North Atlantic sumi ink and colored pencil on mulberry paper 23h x 37w in 58.42h x 93.98w cm JEC111 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings of calligraphy, which then gave rise to printing . This tradition dates back to the mid-1800s and was used by fishermen to record their catches, but has also become an art form of its own. Prints were made using Sumi ink and Washi paper. It is rumored that Samurai would settle fishing competitions using Gyotaku prints...

The Sheep Dog French, mid 20th century signed oil painting on canvas, framed framed: 21 x 31 inches canvas: 20 x 30 inches provenance: private collection, France condition: overall...

Shelf shelf painted on both sides

40”x29.5” watercolor on paper, signed on reverse framed (presented in a black finish, shadowbox frame) In this original watercolor painting, a leopard sits on a Red Blue Rietveld de...

Herbert St John Jones, British artist, 1872-1939. Born in 1872 in Shrewsbury, St John Jones moved to Nantwich, Cheshire, as a young child, and lived ther...

Contemporary figurative oil on canvas painting by Polish artist Rafal Gadowski. Painting in pop art style depicting three pomegranates. Painting is bright with many dynamic shapes. T...