Framed Animal Paintings

A delicate oil on canvas landscape capriccio of an Arcadian landscape with figures and sheep and goats in the foreground. A stormy sky and blasted tree populate the landscape and the...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is matted and framed in a white wooden frame measuring 18.25h x 24.25w x 1d inches. Jeff Conroy Cobalt Canary sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC122 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

If anyone would like to do the research on the painter “J. Ericson” who signed this wonderful late 19th-century painting of cows grazing in a swamp, you might find they were really n...

Divertente interno con tavolo ,oggetti e rospo, il titolo -Baciami- è riferito al rospo..... magari diventa un principe...

Ornamental Fowl Fighting, circa 1700 circle of MARMADUKE CRADOCK (1660-1716) Large circa 1700 Scene of ornamental fowl defending the hen and chicks, oil on canvas circle of Marmadu...

Walter J Watson British, (1877-1963) On the Llugwy, North Wales Oil on canvas, signed & dated 1922, further inscribed verso Image size: 15.5 inches x...

Thomas Swanston was born 1956 in Annapolis Md., Naval Hospital. He graduated from Hobart & William Smith Colleges 1978 with a Bachelor of Arts, with studi...

Alexander Koester 1864-1932 German Ducks in a Pond Signed "A. Koester" (lower right) Oil on canvas Alexander Koester is one of the great animal painters of art history, and this ...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

This 20th century oil painting of mare and two foals is set in an idyllic landscape with mature old tree, stone well and cottage in the background; by Robert Alexander, signed and da...

Attributed to Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895), signed lower right, this extraordinary antique oil painting captures the timeless beauty of 19th century Norwegian pastoral landscape. This exceptional collaborative masterpiece, painted circa 1870-1880 during the golden age of Norwegian landscape art, depicts an enchanting countryside scene where a young shepherd boy guides his cattle to a tranquil watering hole. The composition unfolds like a gentle poem of rural life, with lush vegetation embracing rolling hills while an ancient windmill stands majestically on the distant hillside, creating striking focal point and masterful perspective. Rich oil painting technique reveals the artists' shared vision of Norway's serene countryside, where peaceful pastoral tranquility below contrasts dramatically with gathering storm clouds above. This romantic Norwegian landscape tradition showcases nuanced brushwork and atmospheric effects that exemplify the peak of Scandinavian art movement. Both renowned Norwegian artists are prominently featured in National Museum Oslo permanent collection, confirming their significant contribution to Nordic artistic heritage. This rare antique oil painting represents sublime testament to 19th century collaborative artistry, where two masters united their talents to create lasting vision of Norway's natural beauty. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...

Bovine Beauties Realist, Light/ Shadow Oil Painting 20"x16" Landscape . The second image shows how the painting will look. I am waiting for professional photos by 2/14. Bovine B...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...

study of a seated clumber spaniel, oil on canvas, signed and dated 1929 lower left. Housed in a new gilt frame. Paintings of these beautiful dogs are...

Dramatic and colorful painting of two Koi. Circa 2000. Signed lower right corner "Linda H." Presented in white painted frame. Image size: 18"H x 36"W.

This lovely dog portrait oil painting is attributed to an artist from the English School. It is an oil on board portrait oil painting and depicts a brown and white Italian greyhound with a black collar called Midfield Role in a landscape. Lower left is a ribbon with the dogs name on it. The accomplished animal artist has perfectly captured the Italian greyhound...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Michel Dureil (1929 - 2011) La Table du J...

Margaret Dora Mendlessohn Benecke (1876 – 1962) Catnaps Oil on canvas, circa 1950s 26.7/8 x 33 in. (68.4 x 83.8 cm.) Provenance: ex-property of Harold Mockford Born in London Beneck...

Early 20th century English portrait oil of a Falcon hunting bird in a landscape. George Anderson Short was an English painter of Animal, Hunting...

Artist: Slonem, Hunt Title: Green Peace Date: 2024 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14.5" x 12.5" Signature: Signed verso Edition: Unique ...

Decorative, antique oil painting, dog portrait, 19th century, signed and dated. Dimensions including frame.

J. F. Herring Snr. (British, 1795-1865), A carriage horse partly tacked in a stable 1845 Oil on canvas Signed and dated middle right With an old inventory number verso Property of a...

Claudia Griesbach- Martucci's "Timeless Dreamer" is an original, handmade oil painting that depicts a mouse perched atop a clock with a crescent moon in the background. About the A...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Terriers Ratting in the Barn by Frank Cassell (British 1862-1908) signed and dated 1889 oil on canvas, framed framed: 14.75 x 19.75 inches canvas : 12 x 16 inches Provenance: private...

Charming late 19th or early 20th century oil on board. This little gem has great detail of a horse with a feedbag in a landscape. It is signed or initialed but I cannot make it out. ...

The horse portrait, "Trot", is an oil landscape with a beautiful white horse painted by Hans Guerin, a descendent of the founder of the respected Schuler ...

20 x 24 (canvas size) 25.5 x 29.5 (w/ frame) Signed and Dated Lower Left Paul Harney (1850-1915) Born in New Orleans on October 21, 1850, he was a landscape, portrait and still-li...

New Series - Over The Moon with Little British Birds. We are so blessed with such a variety of beautiful garden bird species within the UK. I feel inspired and 'Over The Moon' with j...

'Fractured Mind' - Abstract Painting on Board by British Urban Graffiti Artist, Chris Pegg, using red, black & golden yellow. Chris Pegg is a self-taught Street Artist producing artw...

Oil on canvas. Framed. Image size, 18H x 24L. No signature found. Very nicely painted.

Signed and dated divisionist landscape oil on canvas by Belgian post impressionist painter Modest Huys. This stunning piece is titled "Radiant Autumn - Wak...

"On the Hunt", is a 24x36 oil painting on board by artist Leslie Peck featuring a fox hunt scene of horses and hound dogs crossing a stream, following the ...

Artist: Slonem, Hunt Title: Old Stile Date: 2025 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed by Artist on Verso Edition: ...

Artist: Slonem, Hunt Title: Lavender Belle Grove Date: 2024 Medium: Oil on Wood Unframed Dimensions: 12" x 10" Framed Dimensions: 18.5" x 16.5" Signature: Signed Verso Edition:...

Panther in the Grass is by artist Jeff Slemons .There is the use of the palette knife which builds up a texture of the oil paints used in this landscape...

America Martin "Cat & Bird" Oil & Acrylic on Canvas 24 x 24 in. ; 25.5 x 25.5 in Framed ______________ Exploring the identity of both her namesake and country, LA-based America Mart...

Georgij Moroz (1937/2015 Ucraina) Luminosa opera di questo pittore che viveva a San Pietroburgo ma d'estate tornava in Ucraina la sua patria Diceva che i girasoli si potevano dipinge...

Artist: Slonem, Hunt Title: Lilliana Date: 2023 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 16" x 14" Signature: Signed verso Edition: Unique Hunt S...

Artist: Slonem, Hunt Title: Silver Slide Date: 2024 Medium: Oil on wood Unframed Dimensions: 10" x 8" Framed Dimensions: 14" x 12" Signature: Signed by Artist on Verso Edition...

Returning from the General Store William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Panel Signed Lower Right 24 x 30 inches 27 x 33 inches with frame William Henry D...

"Saratoga stables", is a 24x36 oil painting on canvas by artist Dahl Taylor featuring a brown horse being led back to the stable after morning workouts at Saratoga Race Course. Bright sun saturates the side of the green structure while a canopy of trees provide shade. About the artist: Over 30 years Taylor has worked on a wide variety of projects. Taylor has concentrated on illustration assignments for national corporate & publishing clients and museums. Commissioned portraits include the official portrait of a former NYS Attorney General, which hangs in the N Y State Capitol, and portraits for major institutional & corporate collections. Taylor has created paintings for limited edition prints for the National Law Enforcement...

Artist: Reginald Wilson, American (1909-1993) Title: Feeding the Horse a Carrot Year: Circa 1950 Medium: Oil on Canvas, signed l.r. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame Size: 3...

This absolutely charming portrait of a Pekingese dog called Dodo is attributed to much loved Scottish artist Samuel Fulton. Famous as an animal artist and chiefly a painter of dogs, this has got to be one of his best if you are a Pekingese fan. Painted circa 1920, Dodo, a lovely little black and tan dog is sat profile but is turning to look at the artist/viewer. Beneath him is a beautiful orange and brown Persian rug...

Gouache and ink on paper artwork of horses by Alexander Calder framed under glass in gold leaf frame. Signed and dated "Calder 76" in lower right corner....

Petals on the Water by Jeff Slemons shows the beauty of nature with Koi and Waterlilies .There is the use of the palette knife which builds up a texture o...

Charles Hunt, Jr. was born in Kensington, London, in 1829 and was part of a dynasty of painters. He was the son of the genre painter Charles Hunt (1803-1877) and father to four sons ...

Hunt Slonem - Pale Blue Hutch Original Framed Oil Painting. Signed on Verso. Our Gallery works directly with Hunt Slonem. This painting was acquired directly from the artist and h...

Frederick E. Cohen (American, born England, c. 1818-1858) Boy in a Dog Sled, 1853 Oil on canvas, 25 x 30 inches Framed: 35 x 40 inches (approx.) Signed and inscribed: (on side of sle...

This superb vibrant Orientalist Post Impressionist oil painting is by noted British artist Gerald Spencer Pryse. It was painted about 1925 when Pryse was visiting Morocco and Norther...

Frank Walters (British, late 19th century) - Highland Cattle at the Lake. 51 x 76 cm without frame, 57 x 82 cm with frame. Old oil painting on canvas, in a gilded wooden frame. - ...

Study Of Farm Birds, 17th Century attributed to Melchior DE HONDECOETER (1636-1695) Huge 17th century Dutch Old Master still life of various farm bir...

Signed oil on canvas landscape circa 1940 by popular French impressionist painter Alexandre Louis Jacob. The piece depicts workers loading wood onto a cart being pulled by a white ho...

Jess Kellner is a multi disciplinary artist who’s work has a strong focus on exploring the human condition. It’s a theme that you see in his artwork as well as his filmmaking. While ...

Artist: Slonem, Hunt Title: Golden Brush Date: 2023 Medium: Oil on Wood Unframed Dimensions: 53" x 33" Framed Dimensions: 59.5" x 39.5" Signature: Signed Verso Edition: Unique...

This piece is part of an ongoing series exploring the use of space, composition and keeping it relatively unfussy. The use of that space then dictates the shape of the animal. This i...

This Painting, "Yellow Horses", is a 20x20 oil painting on canvas by artist Trip Park. Featured in the painting is a repeating and overlapping pattern of a rider and horse in various...

Framed dimensions: 17 x 20 inches. Signed "C Ruvalcaba" lower right hand corner in orange paint.

Antique American school dog portrait oil painting. Oil on board. Framed. Image size, 9L x 9H.

John Charles Maggs British, (1819-1896) Saracens Head Oil on canvas, signed & labelled ‘Bath’ Image size: 13.5 inches x 25.5 inches Size including frame: 21 inches x 33 inches A wo...