1870s Figurative Paintings

Wonderful small-scale mid 19th Century European landscape with gypsy figures and caravan by Pal Paul Bohm (Hungarian, 1839-1906), circa 1870. Signed lower right with "Munchen" locati...

In this enchanting painting by Adolf Gudfast (Gotthard) Werner, entitled "The Broken Dream", a young shepherd rests melancholically beside his faithful dog, facing a broken vase from...

Oil on wooden panel painting of horse riding French cavaliers in battle. Signed lower left. Not dated. Original period gilded frame in fine condition. Painting has been recently professionally cleaned. Painting and frame circa 1875. Overall framed measurements are 16 by 14 inches. Condition of the painting is very good. Provenance: Saint Petersburg, Florida estate. Charles Michel Guilbert D'anelle was a pupil of Horace Vernet ( known for his military paintings...

Edmond YON (Montmartre 1841 – Paris 1897) Riverbank with birds Oil on canvas H. 79.5 cm; L. 130 cm Signed lower right and dated 1876 Original frame Exhibition: 1876, Salon des Artis...

After an initial training at the Toulouse School of Fine Arts, Jules-Arsène Garnier joined the Paris School of Fine Arts in 1867 in Jean-Léon Gérôme's studio. As an academic artist, ...

Signed impressionist landscape oil on panel circa 1872 by French painter Stanislas Victor Edouard Lepine. The piece depicts a view of La Maison Blanche in Bas Meudon, France. Signature: Signed lower right Dimensions: Framed: 13"x16" Unframed: 6"x9" Provenance: Galerie Bonnemaison, Paris. Their sale; Hôtel Drouot, Paris, 29 April 1896, lot 39. Galerie Durand-Ruel, Paris. Van Harwingen, Paris. E.J. van Wisselingh & Co., Amsterdam. H.J. Ten Cate, The Hague. Arnold Cohen, Paris. Arthur Tooth & Sons Ltd., London. MacConnal-Mason Gallery, London. Private collection, USA, by 1999. Anonymous sale; Christie's, New York East, 2 November 1999, lot 54. Literature: R. & M. Schmit, Stanislas Lépine 1835-1892, Catalogue Raisonné de l'oeuvre peint, Paris, 1993, p. 224, no. 565, illustrated. EXHIBITED Paris, Galerie Rosenberg, Lépine, 1906, no. 19. Stanislas Victor Édouard Lépine was the pupil of Corot in Paris between 1860 and 1875. His first paintings hardly attracted attention. He would perhaps have remained unknown for a long time if Count Armand Doria, struck by the feeling visible in his landscapes, had not taken him under his protection with Adolphe Félix Cals...

'The Bird Cage', Louis XV, Fêtes Galantes, Mme. de Pompadour, Rococo, Allegory 'Les Amours du Bocage' (The Bird Cage). Painted after the original work (1735) by Nicolas Lancret (Fre...

This late 19th-century French oil painting depicts the barque Limbe in choppy waters, with the silhouettes of two further ships beyond. It was probably produced at Le Havre, France, ...

Signature: Signed Lower Right Homeward Bound is a product of John George Brown’s 1877 and 1878 trips to Grand Manan Island, off the coast of Maine in t...

Signed and titled lower left

Signed and dated '1873' lower left

19th century British oil, Ship in a rough sea. The style of the painting is very similar to the work of Bernard Benedict Hemy a well known Briti...

Exhibited: Birmingham Royal Society of Artists, 1879 “Autumn Exhibition of the Birmingham Royal Society of Artists.” The London Times, 25 August 1879. T...

Paul Lecomte (1842-1920) La Ferme du Pré Oil on canvas signed on the lower right 38 x 55 cm Framed : 49 x 66.5 cm In good condition: a small repair visible on the reverse (see pictu...

This beautiful oil sketch, painted en plein air, was created by Swedish artist Olof Arborelius during his stay in Italy from the fall of 1870 until January 1872. The painting features a charming depiction of ancient Roman ruins—either a city wall or an aqueduct—surrounded by lush trees under the clear Italian sky. With loose brushstrokes and a soft, atmospheric touch, the artist captures the natural light and Mediterranean ambiance, demonstrating his profound understanding of plein air painting. Arborelius was heavily influenced by French artistic trends of the time, particularly in his color sensitivity and study of light and air. His time in Italy was critical for his artistic development, marking the height of his mastery in capturing the delicate interplay of light, color, and atmosphere. Several of Arborelius’ Italian oil studies, including similar small-format plein air works, were later exhibited at various prestigious exhibitions. These include the Svenska konstnärernas förening memorial exhibition in 1910, the Svensk-Franska Konstgalleriet in Stockholm in 1931, and a memorial exhibition at the Nationalmuseum in 1943. Viggo Loos praised Arborelius' Italian studies for their "sensitivity to color" and "intense exploration of light and atmosphere," highlighting these works as a high point in the artist's career. Loos emphasized how Arborelius skillfully captured the essence of the Mediterranean landscape, using vibrant tones and delicate brushwork to convey the interplay of light and air. Moreover, Folke Holmér, the curator of Arborelius’ 1943 memorial exhibition, described his Italian sketches as some of the most painterly pieces of his early production, worthy of comparison with the best works Swedish artists had produced in Italy. Among his notable works in major collections are three of his Italian oil studies held at the Nationalmuseum: View from Rome Towards the Arch of Septimius Severus...

Original Miniature 19th Century Austrian Pastoral Figurative Oil Painting on Wood Painted in the manner of late Romanticism, this charming miniature pastoral landscape by Edmund Fri...

Stunning oil on canvas, scene of two young courting lovers in an extensive landscape. A French painter from the middle to late 19th century. Dastugue was a portrait and genre painter...

Still Life is a superb original oil painting on panel, realized around 1870 by the British artist Edward Ladell (1821-1886), the best known English still-life artist. The artwork r...

A pair of Victorian English oils on canvas, North Wales river landscape scenes. Walter Williams (1835-1906) was an English landscape painter who was active in the late 19th century....

In this exquisite painting by Victor Ravet, we are transported to an elegant interior setting reminiscent of the grandeur of high-class homes. The focal point is a woman adorned in a shimmering pink gown, radiating grace and sophistication. Bathed in gentle light, her dress catches the glimmer, accentuating her beauty. She holds a treat for a dog in her hand, enticing the furry companion who stands on its hind legs in eager anticipation. The canine's eyes fixated on the delicious morsel, capturing a moment of playful interaction between the woman and her loyal companion. The scene takes on a narrative quality as the young woman's other hand delicately lifts a curtain, hinting at another room beyond. This subtle gesture adds depth to the composition, suggesting a world of hidden secrets and intriguing possibilities within the opulent surroundings. Victor Ravet took inspiration from the Dutch Golden Age painters of the 17th century, such as Vermeer, Jacob Ochtervelt, and Gerrit Dou. This homage to their style and subject matter pays tribute to the timeless allure of domestic scenes, capturing a slice of life in a bygone era. With meticulous attention to detail, Ravet masterfully recreates the textures and fabrics, immersing the viewer in the sumptuousness of the period. The soft play...

After the Cercle of Narcisse Díaz ilisible signature .Oil on canvas Diaz de la Peña, born on August 20, 1807 in Bordeaux and died November 18, 1876 in Menton, is a French painter....

After the Cercle of Narcisse Díaz ilisible signature Diaz de la Peña, born on August 20, 1807 in Bordeaux and died November 18, 1876 in Menton, is a French painter. From 1837, he...

Here for your consideration is a vibrant portrait of a pair of Bavarian flower girls in traditional dress. The painting is unlined and has recently been cleaned. Circa 1875. The pain...

[China Export Water-colours on Pith Paper] A Set of Twelve Processions. China, ca. 1870]. Water-colour and gouache studies on pith paper, framed by blue silk ribbon, all mounted. ...

Charles Montlevault (1835-1897) Walkers along a cliff Signed lower left Oil on canvas 35 x 27 cm in good condition In a vintage frame : 57.5 x 50 cm unfortunately damaged with impor...

Work on canvas

Enoch Wood Perry, Jr. (1831 - 1915) A Quiet Afternoon, 1876 Oil on canvas 15 1/4 x 21 inches Signed and dated lower right Born in 1831 in Boston, Enoch Wood Perry, Jr, is internati...

After the Cercle of Narcisse Díaz ilisible signature Diaz de la Peña, born on August 20, 1807 in Bordeaux and died November 18, 1876 in Menton, is a F...

Oil on canvas, signed and dated '1879' bottom right Image size: 38 x 59 1/2 inches (96.5 x 151 cm) Ornate Orientalist style gilt frame Carl Werner Carl Friedrich Heinrich Werner wa...

Clement Nye Swift "Breton Chores" 1870 Oil on Canvas Signed and Dated Lower Right Canvas Size: approx 27 x18 inches Framed Size: approx 34 x 35 inches Provenance: Private Midwes...

Auguste Toulmouche (1829-1890) "A Lovely Reflection" 1874 Oil on Panel Signed and Dated Lower Left Site Size: approx 17 x 14 inches Framed SIze: approx. 27.5 x 24 inches Provenan...