1870s Figurative Paintings

Frans SCHWARTZ (Copenhagen, 1850 – Valby, 1917) Profile of a Young Girl Mixed media (pastel and oil?) on paper mounted on canvas H. 33 cm; W. 30 cm Monogrammed upper left Frans Schw...

After an initial training at the Toulouse School of Fine Arts, Jules-Arsène Garnier joined the Paris School of Fine Arts in 1867 in Jean-Léon Gérôme's studio. As an academic artist, ...

This beautiful oil on canvas painting of a Swiss Landscape is circa 1870 and is by the artist Eduard Boehm (1830 - 1890). Austrian landscape pain...

19th century British oil, Ship in a rough sea. The style of the painting is very similar to the work of Bernard Benedict Hemy a well known Briti...

François Bonvin (1817 - 1887) Interior scene - Woman and child 1871 Signed, dated and located lower right (London) Oil on canvas 48,2 x 33,2 cm (63 x 48 cm with frame)

Signature: Signed Lower Right Homeward Bound is a product of John George Brown’s 1877 and 1878 trips to Grand Manan Island, off the coast of Maine in t...

John Brandon Smith, John Brandon Smith is an English landscape artist of some renown. He concentrated on the waterways of England, Scotland and Wales. He was particularly interested in the effects of cascading water. This led to his being given the moniker 'Waterfall Smith'. He was fascinated by the spectacle of rivers in spate. Many of his paintings concentrated on the rivers Conway, Llugwy and Lledr in North Wales but he also painted the rivers of England and Scotland. Some of his more celebrated works show The Swallow Falls and Aysgarth Falls in North Yorkshire. He used many shades of green and blue on his small, jewel-like canvases. He would occasionally introduce the figure of a fisherman to provide perspective. His themes are characteristic of the Renaissance of the European Romantic Movement. He exhibited twenty-two works at The Royal Academy between 1860 and 1874. He also exhibited at Suffolk Street. This is a very rare large example of the painters work. It is framed in an Antique English frame

One of a kind Chinese painted mirror, or mirror with reverse painting, originally from the Qing Dynasty, around the end of the 19th century. It depicts various traditional scenes fo...

Still Life is a superb original oil painting on panel, realized around 1870 by the British artist Edward Ladell (1821-1886), the best known English still-life artist. The artwork r...

Original Miniature 19th Century Austrian Pastoral Figurative Oil Painting on Wood Painted in the manner of late Romanticism, this charming miniature pastoral landscape by Edmund Fri...

This beautiful oil sketch, painted en plein air, was created by Swedish artist Olof Arborelius during his stay in Italy from the fall of 1870 until January 1872. The painting features a charming depiction of ancient Roman ruins—either a city wall or an aqueduct—surrounded by lush trees under the clear Italian sky. With loose brushstrokes and a soft, atmospheric touch, the artist captures the natural light and Mediterranean ambiance, demonstrating his profound understanding of plein air painting. Arborelius was heavily influenced by French artistic trends of the time, particularly in his color sensitivity and study of light and air. His time in Italy was critical for his artistic development, marking the height of his mastery in capturing the delicate interplay of light, color, and atmosphere. Several of Arborelius’ Italian oil studies, including similar small-format plein air works, were later exhibited at various prestigious exhibitions. These include the Svenska konstnärernas förening memorial exhibition in 1910, the Svensk-Franska Konstgalleriet in Stockholm in 1931, and a memorial exhibition at the Nationalmuseum in 1943. Viggo Loos praised Arborelius' Italian studies for their "sensitivity to color" and "intense exploration of light and atmosphere," highlighting these works as a high point in the artist's career. Loos emphasized how Arborelius skillfully captured the essence of the Mediterranean landscape, using vibrant tones and delicate brushwork to convey the interplay of light and air. Moreover, Folke Holmér, the curator of Arborelius’ 1943 memorial exhibition, described his Italian sketches as some of the most painterly pieces of his early production, worthy of comparison with the best works Swedish artists had produced in Italy. Among his notable works in major collections are three of his Italian oil studies held at the Nationalmuseum: View from Rome Towards the Arch of Septimius Severus...

Stunning oil on canvas, scene of two young courting lovers in an extensive landscape. A French painter from the middle to late 19th century. Dastugue was a portrait and genre painter...

Enoch Wood Perry, Jr. (1831 - 1915) A Quiet Afternoon, 1876 Oil on canvas 15 1/4 x 21 inches Signed and dated lower right Born in 1831 in Boston, Enoch Wood Perry, Jr, is internati...

George Henry Smillie Cathedral Rocks, Yosemite Valley, 1871 Signed and inscribed board verso "Cathedral Rocks-Morning-Yo-semite Valley Aug. 71 Geo. H. Smillie", also inscribed "Yo-se...

Here for your consideration is a vibrant portrait of a pair of Bavarian flower girls in traditional dress. The painting is unlined and has recently been cleaned. Circa 1875. The pain...

[China Export Water-colours on Pith Paper] A Set of Twelve Processions. China, ca. 1870]. Water-colour and gouache studies on pith paper, framed by blue silk ribbon, all mounted. ...

A pair of Victorian English oils on canvas, North Wales river landscape scenes. Walter Williams (1835-1906) was an English landscape painter who was active in the late 19th century....

After the Cercle of Narcisse Díaz ilisible signature .Oil on canvas Diaz de la Peña, born on August 20, 1807 in Bordeaux and died November 18, 1876 in Menton, is a French painter....

Wonderful small-scale mid 19th Century European landscape with gypsy figures and caravan by Pal Paul Bohm (Hungarian, 1839-1906), circa 1870. Signed lower right with "Munchen" locati...

Oil on wooden panel painting of horse riding French cavaliers in battle. Signed lower left. Not dated. Original period gilded frame in fine condition. Painting has been recently professionally cleaned. Painting and frame circa 1875. Overall framed measurements are 16 by 14 inches. Condition of the painting is very good. Provenance: Saint Petersburg, Florida estate. Charles Michel Guilbert D'anelle was a pupil of Horace Vernet ( known for his military paintings...

After the Cercle of Narcisse Díaz ilisible signature Diaz de la Peña, born on August 20, 1807 in Bordeaux and died November 18, 1876 in Menton, is a French painter. From 1837, he...

After the Cercle of Narcisse Díaz ilisible signature Diaz de la Peña, born on August 20, 1807 in Bordeaux and died November 18, 1876 in Menton, is a F...

Work on canvas

Exhibited: Birmingham Royal Society of Artists, 1879 “Autumn Exhibition of the Birmingham Royal Society of Artists.” The London Times, 25 August 1879. T...

Exhibited: Salon, Société des Artistes Français, Paris, 1879 (no. 647)

Oil on canvas, signed and dated '1879' bottom right Image size: 38 x 59 1/2 inches (96.5 x 151 cm) Ornate Orientalist style gilt frame Carl Werner Carl Friedrich Heinrich Werner wa...

Clement Nye Swift "Breton Chores" 1870 Oil on Canvas Signed and Dated Lower Right Canvas Size: approx 27 x18 inches Framed Size: approx 34 x 35 inches Provenance: Private Midwes...

Auguste Toulmouche (1829-1890) "A Lovely Reflection" 1874 Oil on Panel Signed and Dated Lower Left Site Size: approx 17 x 14 inches Framed SIze: approx. 27.5 x 24 inches Provenan...