1890s Figurative Paintings

Beautifully painted sunset on the river with a single figure in a punt and cattle crossing by the American artist, George Riecke. Most likely a New Orlea...

Well painted late 19th century watercolor of the Duc De Chartres and Louis Philippe with their horses out Fox hunting. The piece is a fine quality watercolor, well framed in an Eng...

Stunning divisionist oil on panel circa 1895 by sought after French post impressionist painter Henri Martin. The work depicts a worker in a field re...

19th century English impressionist scene of the Barbizon forest, near Paris France, with a river, cows, and trees. Boyle was a pioneering 19th-century British artist inspired by E...

'His First Suit,' a large Victorian oil painting, signed 'Fred Morgan' English, c.1899 Frame: Height 109cm, width 133cm, depth 8cm Canvas: Height 92cm, width 116cm, depth 2.5cm Executed in oil-on-canvas, and mounted in a carved giltwood frame, this beautiful English painting, titled 'His first suit,' is by the late Victorian artist Frederick Morgan, an artist working in a similar style to that of the more well known Arthur John Elsley...

Outstanding English Impressionist landscape with figures strolling under trees with the sea beyond. Joseph Vickers de Ville was a son of the farmers Joseph and Mary Deville. He was...

Jean-Jules-Antoine Lecomte du Nouÿ (1842-1923) A shoulder and back study, oil study oil on canvas 34 x 19.5 cm In good condition, a few small inpainti...

Victorian 19th century Moonlight landscape with river, fishermen and a watermill. J.Barclay was the pseudonym for the illustrator Horace Hammond who lived in Birmingham. Most of his...

A beautiful and charming oil on panel circa 1890 by French realist painter Paul Druard. The work is a depiction of farm life. A mother is seated on the grass with a daughter seated t...

Oil Painting Pair by Alessandro Sani "Flirtation" 1856 - 1927. Italian painter of domestic and historical scenes and professor of Art. Based in Flore...

Beautiful signed and dated divisionist oil on canvas portrait by sought after French post impressionist painter Henri Martin. The depicts a side view the artist's wife who is wearing...

KARL KAUFMANN Austrian, 1843 - 1901 VIEW OF VENICE OF THE DOGE'S PALACE, VENICE signed & dated "K. Kaufmann 1894" (lower right) oil on canvas 38-3/4 x 56-1/8 inches (98 x 142 cm.) fr...

Artist: Henry John Yeend King (English, 1855-1924) Title: "Fetching Water by the River" *Signed by King lower left Circa: 1890 Medium: Original Oil Painting on Canvas Framing: Frame...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

Early 20th Century English Autumn river landscape with a Norman Church. Abraham Hulk Junior was born in the Netherlands in 1851 to renowned Dutch ...

Outstanding English Victorian 19th century Harvest landscape. Thomas Simon Dingle was the son of Thomas Dingle (1818-1904), known as a London landscape painter, but who, according t...

Jean-Jules-Antoine Lecomte du Nouÿ (1842-1923) An oriental street oil on canvas 11.5 x 14 cm no signature In good condition, canvas without stretcher,...

Henri EVENEPOEL (1872-1899) Familly in a Square, c. 1895 Oil on Canvas Signed bottom left On canvas 51 x 37 cm (c. 20 x 15 in) In a golden wood frame 68 x 54 cm (c. 27 x 21 in) Rar...

Signed, lower right: Fantin Provenance: Gustave Tempelaere (1840–1904), Paris; possibly by descent to his son: Julien Tempelaere (1876–1961) and with F. & J. Tempelaere, Paris, prob...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 VENETIAN CANAL signed & located "A. Reyna, Venezia" (lower left) oil on canvas 11-1/2 x 19-3/4 inche...

Soren Emil Carlsen (1848 - 1932) A Man in His Garden, 1893 Oil on canvas 28 3/4 x 35 1/2 inches Signed and dated lower right Provenance: The artist [1848-1932] Macbeth Gallery, New ...

This is an oil sketch for the famous painting "Gustavus II Adolphus before the Battle of Lützen" today in the Göteborgs Konstmuseum's collection. There is something special with an ...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of t...

H.East was a painter in oils of landscapes and rural scenes, who was active at the turn of the 19th to 20th century. He did not exhibit his work in the normal exhibition galleries bu...

Thomas Lucop 1834-1911 was a Hull painter and Master Mariner, friend and pupil of the Henry Redmore. He was a careful delineator of shipping and it’s act...

Sir Alfred East painted a series of moonlit landscapes that is reminiscent of the Barbizon school of painters, Corot, and some of the impressionists. This painting has two light sources. The moonlight and window light which is depicted by the artist in a deep yellow. Highlights from the window skim off the top of the shrubs. "East was one of the most acclaimed landscape painters of his time." Tate Gallery " His particular strength was in painting the effect of different lights on the landscape. " Fine Arts Museums San Francisco. Sir Alfred Edward East RA RBA (15 December 1844 – 28 September 1913) was an English painter. He studied in Paris with Bouguereau. In 1906 he was elected President of the Royal Society of British Artists. He was awarded a Knighthood in 1910 by King Edward VII. His portrait was painted by Philip de Laszlo...

19th century English oil of still life of fruit, pigeons, apples, pears grapes. Charles Thomas Bale was born in Soho, London in 1849, the son of Thomas Bale, a basket maker. His older brother Thomas Charles Bale (1831-1899) was an artist and picture restorer. He lived with his family in St James, Westminster and although little is known about his education, he would have undoubtedly received encouragement and drawing tuition from his brother. Bale started exhibiting in 1866 at the Institute of British Artists, Suffolk Street. He also exhibited at the Royal Academy in 1872, the same year he married Caroline Leathem. Together, they spent their married life in St Pancras. He specialized in still life paintings predominantly of fruit, but he frequently incorporated baskets, a homage to his family’s profession, as well as pottery, glass, and game. Bale’s work was influenced by the English still-life artists George Lance and William Duffield...

Pierre Carrier-Belleuse (1851-1932) Jeune femme ajustant son corset 1893 pastel on canvas 133.4 x 92.7 cm signed and dated 'Pierre Carrier-Belleuse 1893' (upper right) Price: £34,00...

Late 19th century figurative landscape watercolor painting of a fisherman in a small boat on a small pond in London, by H. Darnelli ( England, 19th C). Signed “H. Darrnelli” in the ...

Outstanding English 19th century still life of fruit, a German Stein with silver top in an interior. Charles Thomas Bale was born in Soho, London in 1849, the son of Thomas Bale, a basket maker. His older brother Thomas Charles Bale (1831-1899) was an artist and picture restorer. He lived with his family in St James, Westminster and although little is known about his education, he would have undoubtedly received encouragement and drawing tuition from his brother. Bale started exhibiting in 1866 at the Institute of British Artists, Suffolk Street. He also exhibited at the Royal Academy in 1872, the same year he married Caroline Leathem. Together, they spent their married life in St Pancras. He specialized in still life paintings predominantly of fruit, but he frequently incorporated baskets, a homage to his family’s profession, as well as pottery, glass, and game. Bale’s work was influenced by the English still-life artists George Lance and William Duffield...

Wonderful Austrian landscape with Church on a mountain . Hermann Reisz Austrian (1865-1920)Reisz was a well-regarded 19th century Austrian landscape...

RICARDO BRUGADA Y PANIZO Spanish, 1867 - 1919 LA HORA DEL TÉ signed & dated "Ricardo Brugada. 1897." (lower left) oil on canvas 22-1/8 x 31.5 inches (5...

Wonderful watercolor of early Avalon, Santa Catalina Island by Guy Bedford (American, 1866-1916), 1898. Signed, titled and dated lower left corner. Cond...

English 19th century River landscape farmers harvesting the hay in an English Summer. A stunning late 19th/early 20th-century oil painting by the highly collected English School lan...

Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 AN ELEGANT DANCE signed "E. L Garrido" (lower right) oil on mahogany wood panel 25-1/8 x 32 inches (63.5 x 81 cm.) framed: 31 x 38 inches (78.5 x 96 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente...

Hand signed by the artist lower left. Realized a year after Sartorio’s journey to Paris with Michetti, it is a beautiful, early example of the sepulchral and pre-raphaelite style wh...

Landscape, sunset, romance Giovanni Colmo (Torino, 13 maggio 1867 – Torino, 24 aprile 1947) Framed cm. 30 x 31 no frame cm. 11 x 14

Gorgeous late 19th Century Russian landscape with stream in the shade by Nikolai Aleksandrovich Sergeev (Nikolai Alexandrovich Sergeyev ...

GRACIANO MENDILAHARZU Argentinian, 1857 - 1894 "REFLECTION" signed "Mendilaharzu" (lower left) oil on canvas 18-1/4 X 15 inches (46 X 38 cm.) framed: 27-1/4 X 23-3/4 inches (69 X 60...

English 19th century set of four oils on card, two horse racing scenes, and two-point to point scenes all in extensive landscapes. Edward Algernon Stuart Douglas...

Date: 1898 Medium: Ink and Gouache on Paper Affixed to Board Dimensions: 16.50" x 12.00" Signature: Signed Lower Left Carter's Monthly, March 1898, cover illustration. Decades lat...

Arthur George Collins American, b.1866 Biskra Algeria Oil on canvas Signed and dated Biskra, 1893 26 ½ by 32 ½ in. W/frame 32 ½ by 38 ½ in. Arthur studied at the Julien Academy, P...

Italian, ca. 19th century Odalisque Signed illegible Oil on canvas 51 in. x 21 3/4 inches Framed: 61 1/2 x 32 1/4 inches

Medium: Oil on Panel Signature: Signed "H. Pyle" Lower Right and Inscribed Indistinctly On the Reverse "At the same time he extended toward King Louis the ...

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 COURTSHIP signed "Alonso Pérez" (lower left) oil on canvas 23 x 12-1/8 inches (58 x 30.7 cm.) framed: 28...

Medium: Oil on Canvas Signature: Signed and Dated Lower Right

This painting “Afternoon Tea”' shows the influence of Auguste Renoir, with whom Abel Faivre had been close friends since about 1893. Oil on can...

ANTONIO RIVAS Spanish, 1845-1911 The Favorite Odalisque Signed 'A. Rivas; Rema' Oil on panel 9 1/2 x 15 1/4 inches Framed: 14 1/2 x 20 inches

AMEDEO SIMONETTI Italian, 1874-1922 Writing a Letter Signed ‘Amedeo Simonetti’ Oil on canvas 30 x 20 inches

In the frame which is blue velvet 17 7/8" x 23 3/4" and the glass measures approx 9.5" x 13.5" from an estate where the the parents of the collector bought this in China perhaps 100 ...

Antique American Impressionist painting by Hugh Ditzler (1871-1949) dated 1893. Painting is an original oil on canvas depicting the 1893 Columbian Exposit...

Wonderful turn of the century oil portrait of old civil war soldier circa 1900, by an unknown artist. Soldier is depicted wearing the Medal of Honor...

SPANISH SCHOOL, 19th CENTURY ARTIST UNKNOWN oil on canvas 10-1/2 x 7-5/8 inches (26.5 x 19.3 cm.) framed: 15-1/2 x 12-1/2 inches (39 x 31.5 cm.) PROVENANCE Spanish Collector, Madrid...

Colonial Philadelphia is one of Schoonover's earliest, if not his earliest major painting. Done very much in the style of his mentor and instruct...

ULPIANO CHECA Spanish, 1860 - 1916 VENICE CANAL signed & located "U. Checa" Venezia (lower left) Also dedicated: "A Marguerite Pinédo affectueusement" ...

ANTONIO RIVAS Spanish, 1845-1911 Sultan’s Concubine Signed 'A. Rivas' Oil on canvas 10 x 15 1/2 inches Framed: 15 1/2 x 20 3/4 inches

Artist: Wilfrid Constant Beauquesne, French (1840 - 1913) Title: Men Fraternizing with the Ladies Year: c. 1890 Medium: Oil on Canvas, signed l.l. Size: 21.5 x 26 in. (54.61 x 66.04 ...