19th Century Figurative Paintings

A charismatic continental scene depicting two female figures in Medieval dress. The artist shows a mother and daughter in a dramatic exchange which appears to be the result of the mo...

Tending the Nets, Marseille French modernist artist, signed and dated 1966 oil painting on board, framed framed: 23.5 x 30 inches board: 21 x 29 inches Provenance: private collection...

Portrait of a Young Lady wearing pink and a Turban headpiece by Henri-Charles Daudin (1864-1917, French) signed oil on wood panel, unframed board: 14 x 10.5 inches provenance: privat...

**Technical Sheet** **Title:** "Street of the Old Quarter" **Author:** British School, 19th Century **Date:** 1892 **Technique:** Oil on canvas **Dimensions:** 14.17 x 10.63 inc...

Signed and dated oil on canvas by French impressionist painter Charles Theophile Angrand. This wonderful and good-sized piece depicts an artist painting "en plain air" in a beautiful...

RAMÓN CASAS Spanish, 1866 - 1932 CORRIDA signed "R. Casas" (lower left) oil on canvas 15 x 18-1/8 inches (38 x 46 cm.) framed: 23-1/4 x 26 inches (59 x 66 cm.) PROVENANCE The artist...

In "Moment of Reflections," Olatunbosun transports the audience into a world of contemplation and self-discovery. The centerpiece of the artwork is a young man seated in a casual, relaxed manner. His pose conveys a sense of tranquility as if he has found solace in the moments of quiet contemplation. The attention to detail in the artwork is striking, with intricate brushwork bringing out the textures of the subject's clothing and the surrounding environment. The setting of the artwork is deliberately minimalistic, allowing the viewer to focus entirely on the young man's expression and demeanor. The background is a subtle blend of soft colors, suggesting an ethereal space where thoughts roam freely. This simplicity further accentuates the theme of reflection, as the absence of distractions allows viewers to immerse themselves in their own thoughts while contemplating the emotions conveyed by the subject. Olatunbosun's "Moment of Reflections" is a remarkable piece that resonates deeply with viewers from all walks of life. The young man's expression exudes a sense of inner peace, prompting viewers to ponder their own life experiences and contemplate the paths they have taken. This introspective quality of the artwork creates an intimate connection between the audience and the subject, allowing for a deeply personal and emotional experience. The painting's title, "Moment of Reflections," is deliberately chosen to reinforce the idea of taking a moment for self-exploration and soul-searching. In the hustle and bustle of modern life, we often overlook the importance of pausing and reflecting on our journey. Olatunbosun's artwork serves as a gentle reminder to find time for introspection and to appreciate the beauty in moments of quietude. What makes "Moment of Reflections" even more extraordinary is its ability to transcend cultural boundaries. The emotions depicted in the artwork are universal, touching the core of human experiences. Whether the viewer is from the artist's homeland or halfway across the world, the profound message remains relevant – we all share moments of contemplation and self-discovery in our lives. In conclusion, Samson Olatunbosun's "Moment of Reflections" is a timeless masterpiece that captures the human spirit with its simplicity and emotional depth. Through his brilliant artistic skill, Olatunbosun creates an atmosphere of introspection, inviting viewers to engage in their own moments of contemplation and self-discovery. This extraordinary artwork serves as a poignant reminder of the power of art to connect us all through our shared humanity and emotions. As we gaze upon the young man seated in a relaxed manner, we are reminded to embrace the beauty of silence, to reflect on our past, and to seek meaning in the present – a truly profound and impactful journey offered by the artistic genius of Samson Olatunbosun. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Samson Olatubosun...

OIL PAINTING OLD MASTER ARTHUR MEADOWS (1843 - 1907) FINE 19th CENTURY BRITISH Original Antique Large late 19th/early 20th Century British OLD MASTER OIL PAINTING Romantic Sea Scene...

Artist/ School: Thomas Bromley Blacklock (Scottish, 1862-1903), signed and inscribed. The son of the English teacher at Kirkcudbright Academy...

This atmospheric seascape depicts a tranquil coastal scene in Dorset, England with crab boats anchored in calm waters beneath an overcast sky. The composition is anchored by dramatic...

Large and historically significant post-impressionist painting by Albert André. Exhibition: Exposition Post et Néo-Impressionniste, Durand-Ruel Gallery, Paris, 10–31 March 1899, n...

Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, also known as Cossacks of Saporog, Are Drafting a Manifesto. Late 19...

Edward Henry Holder British, (1847-1922) The Port of Cannes Oil on canvas, signed & dated (18)95 Image size: 14 inches x 39.75 inches Size including frame: 21.5 inches x 47.25 inche...

19th century French scene of Lovers walking in a Garden, in 17th century costume original frame Wonderful 19th century classical Genre scene, painted with great skill and delicasicy . The artist has captured the meetiung of the two lovers...

Artist/ School: Anglo/ American School, early 19th century. Title: Full length portrait of a seated young gentleman wearing a dark suit, cream waistc...

After Bartolome Esteban Murillo (Spanish, 1618-1682), "The Little Fruitseller", Oil on Canvas, 19th century, apparently unsigned, depicting young girl and boy counting money over var...

Paul Gervais was one of the most highly regarded painters of the female form in the late 19th Century but this is one of his most famous images as it was used in the advertising camp...

Jean Béraud 1849-1935 French Les Grands Boulevards (Café Américain) Signed "Jean Béraud" (lower left) Oil on panel Jean Béraud’s Les Grands Boulevards (Café Américain) exquisitel...

Very Large Oil Painting English Chichester Cross Market Scene Henry Charles Bryant English, Late 19th Century Canvas: Height 88cm, width 128cm Frame: Height 104cm, width 144cm, depth 7cm This stunning oil painting is by Henry Charles Bryant, a renowned English artist celebrated for his vivid portrayals of rural markets and farmyard life. Active mainly in London during the latter half of the 19th century, Bryant frequently exhibited at prestigious institutions such as the Royal Academy, the British Institution, and the Royal Society of British Artists. The artwork captures a lively market day set near the iconic Chichester Cross, a notable example of Gothic architecture in the historic city of Chichester. The canvas teems with activity, as Bryant skilfully depicts a variety of figures - vendors, buyers, and onlookers - all immersed in their daily routines. A rich array of fresh produce fills the scene, with baskets overflowing with fruits, vegetables, and vibrant floral bouquets. Chickens are contained within wicker and metal cages, where a spirited negotiation unfolds amid an attentive crowd. Central to the composition, a striking pair of peacocks flaunts their shimmering green feathers, drawing admiration from market visitors. Nearby, a young woman’s delicate arrangement of flowers adds both grace and vitality to the scene. Bryant’s expert handling of colour brings focus to the foreground, especially highlighting the white ducks and the intricate textures of the animals and goods. His use of a rich and varied palette, combined with meticulous attention to detail, creates an almost trompe-l’oeil effect that invites viewers to step into the bustling marketplace. In the background, the Gothic splendour of the Chichester Cross stands prominently, with its arches revealing glimpses of the town beyond. A row of buildings to the left further conveys the sense of a thriving market hub, while patches of leafy greenery and trees contrast beautifully with the overcast sky. Encased in an ornate giltwood frame featuring a title plaque inscribed ‘Henry C. Bryant / 1812–1881 / Chichester Cross’, the painting is signed in the lower left corner by the artist. A retailer’s label is affixed to the reverse. Full of life and detail, this remarkable market scene exemplifies Bryant’s artistic skill and charm, making it a prized acquisition for collectors of 19th century British art.

Maker: Addison Thomas Millar (1850 - 1913) Origin: American Date: 19th century Medium: Oil on board Dimension: 8 in x 10 in (image); 11 1/2 in x 13 1/2 in (frame)

‘Vigilance, Loyalty, and Devotion’ by Arthur Wardle R.B.C. R.I. (1864-1949). Academy Fine Paintings is fully conversant with the latest US Government import duties and the legal exe...

Italian Romantic painter (19th century) - Lady and Musketeer. 40.5 x 40.5 cm without frame, 42 x 42 cm with frame. Oil on canvas, in wooden frame (not signed). Condition report: L...

Portrait of a Country Lady Dutch Impressionist, late 19th century oil on wood - looks like a cigar box lid? framed framed: 11 x 8.5 inches board: 8...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

Bavella pass, Corsica, France - by Jean Thomas (1923-2019) Oil on paper laid on board, signed lower left 50 x 65 x 2,5 cm, 1980 Framed with a natural oak floating frame (55 x 70 x 3....

Magnificent work by Pietro Gabrini, very striking due to its size and luminosity. Signed and dates P. Gabrini 78. Very good condition. All of our works are covered by our own guaran...

A portrait of two young girls by the Royal Portraitist Chen Yanning. Both the artist as well as the sitters of this magnificent portrait are from racial...

This is a wonderful outstanding quality scene of an English cottage garden scene. The quality of the piece is amazing with a real understanding of how to make a very desirable painting. Charles James Lewis, was baptized at St Giles, Camberwell, London on 6 October 1830, son of Charles Thomas Lewis, a clerk at the bank of England, and his wife Sarah Hyde née Bennett (1805-1872), who married at Tottenham, London on 11 June 1825. In 1851, a 20-year-old student in painting, living at 17 Nelson Square, Camberwell with his 52-year-old married father Charles and a 64-year-old 'unmarried' Sarah Lewis. Charles married at Camberwell in 1854, Mary Ann Matilda Hammond Shetton, and in 1871, a 50-year-old landscape artist, living at 2 Cheyne Walk...

" The amateur " French watercolor on paper by Bernard Louis Borione Signed to lower left Title: L'amateur Dimensions watercolor : 38 cm x 50 cm Dimensions frame: 62 cm x 75 cm Artis...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" ...

A very pretty late 19th-century English marine scene of fishing boats beached after being out to sea and bringing in their catch for the day. This was a subject that was very popul...

19th Century oil on canvas portrait of a cavalier. The painting is signed or annotated top right. There is a supplier's trade stamp to the back of the canvas. A wonderful jewel of a...

Hans Zatzka (Austrian, 1859-1945) a very fine and charming oil on canvas ""Young Ladies Collecting Spring Flowers", depicting three young maidens picking flowers by a lake. The three...

Jean Adolphe Boucé (1818 - 1875) - Deer Hunting. 33.5 x 43 cm unframed, 38.5 x 48 cm with frame. Oil on paper mounted on canvas, in a contemporary 19th-century frame. - Signed and...

Wonderful turn of the century oil portrait of old civil war soldier circa 1900, by an unknown artist. Soldier is depicted wearing the Medal of Honor...

Bernard GAILLOT (Versailles 1780 – Paris, 1847) Portraits of two sisters Pair of oil on canvas H. 92 cm; L. 73 cm One signed Student of David, he presented his first works at the Sa...

Alphonse de NEUVILLE Saint-Omer, 1835 - Paris, 1885 Oil on wood panel 14.5 x 24 cm Signed lower right Alphonse de Neuville painted french soldier...

The Winding River Valley by George Mulready Freezor (British, 1865-1962) signed oil on canvas, framed framed: 32 x 38 inches canvas: 29 x 33 in...

This tender scene by German artist Georg Buchner captures a quiet, intimate moment: a young girl carefully watering a potted plant on a windowsill. The warm light gently illuminates ...

The Madonna in Pensive Thought English 19th Century, Pre-Raphaelite artist Oil painting on board, framed Framed: 15 x 10.5 inches Board: 13 x 9 inches Condition: The painting is in o...

Coach and Four Horses By Philip Henry Rideout, British 1960-1920 Signed oil painting on board, framed framed: 7.5 x 12 inches board: 6 x 10 inches provenance: private collection, Eng...

Beautiful and interesting watercolor painting on paper attributed to the great Neapolitan artist Domenico Morelli. It depicts one of his favorite subjects, namely an oriental woman c...

Large Antique Austrian Oil Painting Italian Market Street Scene Unterberger Austrian, Late 19th Century Canvas: Height 92cm, width 130cm Frame...

This charming mid-19th-century oil painting depicts a river landscape with a thatched cottage, boatmen, and windmill. It’s reminiscent of works by English artist Edward Williams (178...

A most attractive painting with an extensive view towards a church tower, just as a rain shower is approaching. The picture includes a charming little figure group of a mother holdin...

Portrait of a Nun French School, 19th century oil on canvas, simple wooden slip frame framed: 27.5 x 20 inches canvas: 27 x 19.75 inches provenance: private collection, Champagne reg...

Georges HYON (Paris 1840 – Saint Germain en Laye 1913) Cavalry review of the 2nd Lancers regiment Oil on canvas H. 115 cm; W. 146.5 cm Signed lower left A student of Portalis, Georg...

A very fine and Large Italian 18th-19th century oval-shaped oil on canvas titled "The Triumph of Venice" After the original work by Paolo Veronese (Venice, 1528-1588). The original of this painting hangs in the Palazzo Ducale, Venice. The 'Ricci' coloration suggests a late 17th-early 18th century date. In 1715 Charles de la Fosse advised Ricci to paint only "Veroneses and no more Riccis", Venice, circa 1800. Measures: Height: 45 1/4 inches (115 cm). Width: 29 inches (73.7 cm). Frame height: 58 1/4 inches (147.9 cm). Frame width: 43 1/4 inches (109.9 cm). Frame depth: 5 1/4 (13.3 cm). Provenance: Royal Academy of Scotland. Paolo Veronese (Born 1528, Verona, Republic of Venice - died April 9, 1588, Venice) was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at...

Ora Coltman (American, 1858-1940) House in Hudson, OH Oil on canvas Signed lower left 22 x 26 inches 27.5 x 31.5 inches, framed 21 Aurora Street is locally known as the Isham-Beebe ...

Henry William Pickersgill, attributed to (London 1782 – London 1875) Portrait of Captain Samuel Wright Oil on canvas H. 92 cm; L. 73 cm Circa 1810/1815 Provenance: – Brother of the ...

The Scottish Landscape By J.Green (19th Century) oil on canvas, framed framed: 14 x 24 inches canvas : 12 x 18 inches provenance: private collection, England ...

The Harvest Workers English School, 19th century indistinctly inscribed lower front corner oil painting on canvas, framed framed: 10 x 8.5 inches canvas: 8.75 x 7 inches Provenance: ...

Antonio Balestra (1666–1740) – "Samson & Delilah" Artist: Antonio Balestra (1666–1740) Title: "Samson & Delilah" Medium: Oil on canvas Framed Dimensions: 147 x 165 cm Canvas Dime...

The Hand Kisser is an artwork realized by an unknown Painter of Center Italy. Oil on Canvas, Early 19th Century. Copy of an earlier painting, probably...

Signed and dated figures in seascape oil on panel by Belgian impressionist painter Alfred Emile Leopold Stevens. The work depicts an elega...

Attributed to Emmanuel Costa (French, 1833-1921) Untitled, c. Late 19th century Oil on wood panel 9 1/2 x 13 1/4 in. Framed: 14 x 18 x 1 1/4 in. Signed lower right: Costa Emmanuel B...

Signed figures in a landscape oil on canvas circa 1870 by French impressionist painter Victor Alfred Paul Vignon. The work depicts a woman carrying a basket with a young child beside her walking along a snowy path in a Fontainebleau Forest. This early work by Vignon was painted whilst he was under the tutelage of Camille Corot in the period between 1869 and 1870 . The work shows a mother and child in the forest at Fontainebleau in winter. Many painters in Vignon's circle such as Monet, Renoir, Sisley and Bazille visited this area to paint in the late 1860's and the early 1870's. Signature: Signed lower left Dimensions: Framed: 23"x25.5" Unframed: 13.5"x16" Provenance: Galerie Commeter - Hamburg c. 1920 French exhibition customs stamps verso His mother has been incorrectly identified as the writer Claude Vignon...

Beautiful oil painting on canvas depicting the Roman Forum, in particular the Temple of Jupiter Stator. An important example of Grand Tour painting, this wonderful painting evocati...

French school circa 1870 Holy Family under an oak, after Raphaël, on gold background Oil on canvas H. 92 cm; W. 60 cm This aesthetic curiosity takes up the very famous composition b...

Alexis Pierre MILON (Rouen, 1784 - After 1858) View of one of the aisles of the apse of Saint-Germain-des-Prés Oil on canvas Signed and dated lower left 50.5 x 34.5 cm 1838 Exhibi...