Impressionist Interior Paintings

French Interior Table signed by Y. Blanchon, French 1950's Impressionist oil on board, unframed painting: 13 x 16.5 inches provenance: from a large private collection of this artist...

Kathleen Keifer's original artworks represent one of the most significant expressions of New California Realism. Keifer brings a fresh perspective to her colorful scenes of everyday ...

"The Pink Peony" was meditatively painted on a frosty winter day when the artist was dreaming about warm summer days, and the soul wanted tenderness and warmth. The artwork is painte...

Pink Rose signed by Y. Blanchon, French 1950's Impressionist watercolour on board, unframed painting: 7 x 8 inches provenance: from a large private collection of this artists work i...

In this whirlwind of color and form, I've harnessed acrylics, oils, and pastels to weave a cosmos of emotion and thought. My strokes dance between abstract and symbolic realms, captu...

This picture is for those who dream of the sea, turn their faces to the wind, and watch sailing ships running along the waves. This painting is a part of my series "Sense of Sea" T...

In this painting, I've harmonized acrylics and oils to breathe life into a harmonious blend of realism and impressionism. The soulful gaze of the horse, caught in a moment of intros...

In crafting this piece, I drew upon the vibrant energy of nature, channeling the raw emotions and the essence of impressionism and expressionism. Utilizing acrylics and oils, I creat...

Still Life of Roses in a Bowl French School, circa 1960's signed, 'G. Pernet' oil painting on canvas, framed canvas: 18 x 32 inches framed: 23.5 x 37.5 inches provenance: private col...

Still Life of Fruit (apples, watermelon, oranges, banana) by Maria Tort Xirau (Catalan, 1924-2018) signed lower corner dated 1993 oil painting on canvas, framed canvas: 18.5 x 24 in...

Kings Somborne by Deidre Henty-Creer (British 1918-2012) signed lower corner oil painting on board, unframed Medium sized impressionist oil painting, measuring W24 x H19.5 inches. Exquisite detailed oil painting of a busy English country village. Each part of this delightful painting has it's own story to tell, from what the local shop has in the window, to the children playing in the stream. A very traditional country look with thatched cottages, and fox gloves...

“Pink Dreams” is an original oil painting on canvas, radiating brightness and airiness. The motif with the little dancers conveys a festive mood through vibrant shades of pink, blue,...

Fish by Georges Bordonave (French contemporary) signed oil painting on board, unframed board: 13 x 16 inches condition: very good provenance: from a large private collection of this ...

In this painting, I've passionately blended acrylic and oil to capture a serene harbor at the cusp of fall. The essence of expressionism and impressionism dance...

In creating this piece, I dove into the essence of tranquility, merging the vivacity of abstract expressionism with the subtle nuances of impressionism. The acrylic and oil mediums i...

In this piece, I've poured my heart into capturing the serene dialogue between sky and sea. The merging of acrylic and oil mediums allowed me to texture emotions, where expressionism...

Sea. Light 100. Seascape: Calm ocean, water, ocean, reflections of light on the water, small waves, clear sky create an atmosphere of relaxation and romance. Made in the style of rea...

Wonderfully vibrant floral still life of petunias in bowl with brass candle stick by Jennie Thatcher Crawford (American, 1890 - 1958), circa 1930. Signed lower left corner. Condition: good; missing paint professionally repaired and inpainted. Unframed. Image size: 24.25"H x 30"W. Born in St Louis, MO on Jan. 25, 1890. Crawford studied at the St Louis School of Fine Arts from 1907-20. Moved to Los Angeles, California 1921. She was active as a lecturer and demonstrator until 1958. Her specialty was floral still lifes. Jennie Crawford, a painter of floral still lifes, was born in St. Louis, Missouri and studied at the ST. Louis School of Fine Arts from 1907 to 1920. She moved to Los Angeles, California in 1921, becoming a Resident of El Monte in 1931. She was a member of Women Painters of the West and exhibited at Palos Verdes Art...

"Keeping it Clean" by Clyde Steadman (United States) is a handmade interior painting that is unframed, but ready to hang.

Evening autumn river landscape is always full of mystery, colorful leafs, dark shades - unusual and lively interior decor, the combinations of dark-blue colours are modern and stylis...

Delton Demarest's "Saint Ignatius Loyola Basking in Light," completed in 2024, is an oil on panel artwork measuring 6 x 3.25 x 0.25 inches, created on location en plein air. This ori...

Cubist Modernist Still Life of Fruit in an Interior by Marguerite Lacroux (French/ Swiss 1898-1972) signed oil on canvas board, unframed painting: 18 x 24 inches provenance: private...

The sunny winter painting is filled only with positive energy and emotions.A beautiful play of sunlight and purple shadows create the magical atmosphere of winter. The picture is au...

In creating this piece, I dove into the essence of tranquility, merging the vivacity of abstract expressionism with the subtle nuances of impressionism. The acrylic and oil mediums i...

Lovely 1950's British oil painting capturing these soft, pastel shades of color, flowers in a vase. The painting dates to 1957 and is by the British artist, S. F. Jennieson (signed a...

Mountains are not just an impressive sight; they are also a test of your patience and your readiness to overcome the challenges of the climb to reach your goal. The journey will not ...

In this vibrant blend of acrylic and oil, I sought to capture the raw spirit of the natural world. With each stroke, I infused realism with a touch of impressionism, allowing the tex...

'Forest around the pond' Size 15 x 23 inches (38 x 57 cm). Original watercolor painting - painted on watercolor paper (Winsor & Newton). Need a decorative frame. On the front side ...

by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on artist paper, unframed measures: 15.75 high by 10.25 inches wide condition: overall...

Jasmine and Blue, 60 x 60 cm, oil on canvas, 2022 There was a lovely visual echo between this cobalt blue scarf , which I used as a table cloth and the star shaped flowers of the j...

Mid 20th Century French Impressionist Portrait of a Young Girl French School, Mid 20th century Oil painting on canvas, unframed ...

"(Sold with white frame! But if the frame is not needed, I will send it without a frame!) This vibrant artwork is a symphony on canvas, where each stroke sings with the passion of ex...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "Maria's Childhood" from the "PERICHORESIS SERIES...

Pharaoh by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back watercolour painting on artist paper, unframed measures: 11.5 high by 7 inches wide conditio...

"As the artist, I poured my soul into this creation, blending acrylic and oil to bring to life a dance of shadow and substance. I fused expressionism with impressionism, adding orien...

An impressionistic seascape with boats is created in technique impasto in blue colours, the contemporary Venetian landscape is a wonderful and stylish wall decor for your interior. Venice is one of the most interesting and unusual cities of the world. Beautiful architecture, canals, gondolas create the amazing atmosphere of the old Italian city. The painting is 100% hand painted using high quality oil paints on canvas. The picture is author's and original. It's signed on the front and back. The edges of the artwork are painted. Ready to hang. Materials used: oil on canvas, supported wooden frame. Dimensions: 13,77x17,71 inches Packaging: I pack the paintings in special paper, then I wrap them with bubble wrap, and finally I cover artworks with strong wooden sheets. Nikolay Dmitriev...

In my vibrant work, I've layered acrylic and oil to capture the raw emotion and fleeting beauty of nature's blooms. It's an expression of joyous energy and the delicate dance of ligh...

Still Life Interior by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on board, unframed measures: 24 high by 15 inches wide condition: ...

Interior Scene by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back oil painting on canvas, unframed measures: 18 high by 13 inches wide condition: overa...

Still Life of Fish by Georges Bordonave (French contemporary) oil painting on canvas, unframed canvas: 19.75 x 16.75 inches condition: very good provenance: from a large private col...

Still Life of Flowers Nude Lady Model French School, circa 1970's oil painting on thin card, unframed size: 24 x 17 inches condition: overall very good, a very few light markings t...

About the flowers. Flowers. Bringing joy. Flowers. Love. Beauty. Breath of freshness. They caress the gaze. Arouse the senses. Glade of flowers. Grass. Sun. Noon. The smell of warm g...

ABOUT THE ARTWORK In “MY DEAR PRINCESS,” I delve into the realm of naive archetypal imagery, creating a sanctuary from the aggressive modern world. This piece offers an opportunity ...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "In 'White Cat' from my 'Madeleine' series, I del...

The painting with roses is a beautiful still life for any home. Roses are gentle flowers, that's why Nikolay always try to capture their lightness and airiness. The painting is one o...

Roses and vase by Bonnie Beach Ryan (American, 1901-1940). In 1933, Bonnie Beach Ryan held her first solo show of flower and still life paintings at the Dana Bartlett...

Signed figures in interior oil on panel by French impressionist painter Jean-Francois Raffaelli. The piece depicts two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Brame & Lorenceau have confirmed the authenticity of this work and it will be included in the digital catalogue raisonne of the painter which is under preparation A certificate of authenticity fromBrame & Lorenceau accompanies this painting Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

In this painting, I've blended acrylics, oils, and pastels, embodying the spirit of expressionism and impressionism. The vivid hues and dynamic strokes capture lively boats, stirring...

An impressionistic autumn painting with water is very warm and sunny, the artwork looks great in the interior will delight You and Your loved ones. Autumn is one of favorite seasons ...

"Summer Morning" is a painting that depicts a sunrise over a picturesque rural landscape. The first rays of the sun penetrate through the trees and touch the fresh greenery, creating...

Rainbow is one of the most beautiful natural phenomenon. The rainbow is a symbol of hope, peace, happiness, goodness. Glowing rainbow and a light-lit floral meadow create a stunning ...

"The painting is an unique artwork by Nikolay Dmitriev. It contains different difficult emotions and feelings. The blooming lilac garden and the Moon shining through the tree branche...

This vibrant canvas is a dance of colors, where I poured my emotions into every brushstroke. The fervent reds and soothing whites collide and mingle in an expressionist celebration, ...

NOT STRETCHED. You'll receive it rolled, in a tube. Ready for stretching. I recommend stretching your painting in a local custom framing shop or gallery. It will be the most affordab...

On the wings of hope we fly We may walk on land But in our dreams, we fly. Ride or die, Tomorrow will be fine. Age or gauge, Still, we keep hope alive. We may sell our hopes Tomorrow...