Horizontal Landscape Paintings

Primary Coral Forest Triptych is a beautiful original triptych that explores the energy of organic forms through repeated lines and gestures. Branch-like shapes weave across the pape...

A charming Parisian scene oil on canvas painting by the French artist, Johanne Schiefer. This painting is a wonderful example of his work from the prime of his career. Here you see figures walking the streets by the Porto st. Martin in Paris with an abundance of color and life. The magic is being felt with all the magnificent details, as Schiefer captures the architecture of Paris so beautifully; you can feel the energy of the day and the excitement. The piece is signed by the artist lower right and titled lower left and it comes housed in a wonderful wood carved antique frame with original name plate affixed bottom center and hanging wire on verso ready to be displayed. Art measures 20 x 24 inches Frame measures 28 x 32.5 inches Johannes Schiefer was born in 1896 in the Netherlands, and quickly gained notoriety for his landscapes, still life’s and portraits. Schiefer won the Prix de Rome at the age of 19 and studied at the Düsseldorf Academy in Germany, and then moved to Paris where he continued his studies in art at the Beaux Arts, and later at the Villa Medici in Rome. He traveled to paint across Europe, primarily France and Italy and also Latin America. When he married, he settled down in Nice France, and during the late thirties, he traveled and painted the coastline of the South of France, as well as Venice and the Adriatic. He remained in France until 1942, when he moved to New York with his family after the birth of their daughter, future actress Joanna Miles. Already an artist of stature when he arrived in New York, he settled with his family on Long Island, and for the next 30 years, Schiefer kept on painting and built a solid reputation as an important American artist. The Schiefers also had a son, Johannes Jr. After the war, Schiefer maintained a Paris studio and became a resident of Los Angeles for a time in the 1950s. For the next 30 years Schiefer kept on painting and during his career had numerous one man shows, having exhibitions at: Gallery Zak in Paris; Kunsthaus in Hamburg; Kunsthalle in Munich; Stiebel Galleries in Paris; O'Connor Gallery in Ontario; Museum of Modern Art, Wildenstein & Co, Carol Carstairs Gallery and Schoeneman Galleries in New York City; Esther Robles Gallery, County Museum and Vigoveno Galleries in Los Angeles; and the San Francisco Museum. Like Picasso, Schiefer never permitted himself to be “type-cast” in a single monotonous style. If there is anything that typifies his work, it is his versatility, his deft handling of subdued tones to create a unique brilliance of light and color that stamps every painting with his own individuality. In February 1964, Ethel Kennedy...

Oil on plywood realized by Sirio Pellegrini in 1970. Hand signed lower left. Signed and titled on rear. Includes a wooden frame 21.5x32.5 cm. Very good condition. Sirio Pellegrin...

Signed and titled oil on canvas circa 1990 by French painter Hugues Claude Pissarro. The piece depicts a woman in a red dress collecting apples in an orchard. Signature: Signed lowe...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 24 x 30 Frame Size: 34 x 39 Medium: Oil Applied by Palette Knife Dated 1981 "Houses on the Hills" , Catalonia, Spain Biog...

Immerse yourself in the atmosphere of silence and natural abundance with this expressive work, where a picturesque garden appears in bloom - with a riot of greenery, flowering plants...

John Thomas Serres (1759-1825) Fisherfolk unloading the days catch Oil on canvas Canvas Size - 17 x 25 in Framed Size - 22 x 30 in John Thomas Serres, a luminary in the realm of mar...

A Vibrant, Colorful Modern Watercolor, "Garden in a City Park" by Noted Chicago Artist, Rudolph T. Pen. Painted in the 1960s, most likely depicting a city garden in Europe, Mexico o...

Landscape Signed by Édouard Righetti (1924-2001) Inscribed Verso on back oil/gouache painting on artist paper, beautifully painted. very good condition size: 16 x inches x 20 inches...

"Montmartre" by Maurice Mazeilie (French) oil painting on card, unframed stamped verso painting: 5 x 6.5 inches A delightful original oil painting by the 20th century French Impres...

French Impressionist 'en plein air' original painting by Maurice Mazeilie (French) oil painting on thin board, unframed stamped verso painting: 6.25 x 8.75 inches A delightful orig...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Admiring the View (most likely the English Lake District) by George Willis Pryce (British, 1866-1949) *see notes below signed oil on canvas, framed framed: 13.5 x 17.5 inches canvas ...

Late 19th Century - Early 20th Century Stunning Monterey coastal seascape painting w/crashing waves by mystery artist Oil on Canvas Canvas: 16" W x 10" H Frame: 21.75" W x 15.75" H

Lavender Fields by Max Toutain (1935-2006) oil painting on canvas, unframed canvas : 18 x 22 inches Provenance: all the paintings we have by this artist have come from the artists es...

Naples - Ettore Ferrante - Italia 2006 - Oil on canvas cm.30x80. Frame available on request from our workshop. Ettore Ferrante is a refined and excellent view painter of the past. ...

Beautifully detailed mid-century coastal landscape of Pillar Point Fishing Dock near Half Moon Bay, California by William Winthrop Ward (American, 1901-1985). Signed lower left: "W. Winthrop Ward." Displayed in a new gilt-toned frame. Linen size: 20"H x 24"W. Born in Walsall near London, England on June 12, 1901, William Winthrop Ward immigrated to Boston in 1916 and spent much of his youth boating off the coast of Massachusetts. After a stint with the U.S. Marines, he came to California in 1927. While a member of the Coast Guard, he began painting while tending the Point Lobos lighthouse on the coast at San Francisco. His work came to the attention of local artist Heliodor Hammarstrom, who tended the windmills in Golden Gate Park. Hammarstrom gave him encouragement and introduced Ward to George Demont Otis...

Leon Hatot (French 1883-1953) French Impressionist oil painting on thick paper, unframed. painting: 13 x 19.75 inches. very good and ready to be enjoyed. all the paintings we have f...

Lionel Dalhouise Robertson Edwards (1878-1966) Three mares, Myrobella, Mombasa and Joyce at the National Stud, Sandley Stud, Dorset Signed lower right Oil on canvas Painting size 30 ...

ARTIST: Francis William Helps RBA (1890-1972) British TITLE: “Kensington Gardens London" SIGNED: lower left MEDIUM: oil on board SIZE: 47cm x 40cm inc. frame CONDITION: very good DE...

Arvid Frederick Nyholm (Swedish-American, 1866-1937) Signed: A Nyholm (Lower, Right and Lower, Left) " Mother and Child in a Landscape ", circa 1910-1920 Oil on Canvas 25" x 30"...

Tobias & The Angel Flemish Baroque Old Master, circa 1600 circle of Paul Brill (Flemish 1554-1626) oil painting on canvas, 43.5 x 59.25 inches condition: very good, restored and read...

Artist/ School: French School, mid 20th century, follower of Henri Matisse Title: The Pink House. Medium: oil on board, framed Framed: 22.5 x 25.5 inches Painting: 15 x 18 inches...

"Salinas Valley Farm" - Fauvist Landscape in Oil on Artist's Board Bright and saturated landscape by Will H. Light (American, 1926-2004). The viewer stands at the edge of a farm, lo...

A whimsical oil painting depicting a Cafe scene with figures in Venice during spring by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in ...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed dated 1949 Size: painting: 12...

Antique landscape post impressionist oil painting on board in its original frame signed by the artist in the bottom right, Jean Colin (1881-1961). An authentic/original oil on board...

Judd Mercer's (US based) "Little Red Boat" (2023) is an original handmade oil painting depicting a small boat floating in a lake surrounded by trees. Artist bio/statement Judd Merc...

Signed figures in landscape oil on board by Australian-American impressionist painter Richard Hayley Lever. The work depicts brightly coloured sailing boats in the harbour of St Ives...

Title: Historic Miniature Watercolor of St John the Baptist Church Chipping Sodbury by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measureme...

Architectural Study of a Grand Stone Archway by Maurice Mazeilie (French, 1924-2021) watercolor painting on artist paper, unframed unsigned stamped verso Beautifully composed work wh...

This is a colorful mountainous view in what is likely Northern Italy. Angiola Meucci captured a dramatic sunrise or sunset to play off the verdant green mountain side in the foreground. The fencing and the pathway lead one through this breathtaking landscape that undoubtedly offers stunning views...

Jacob Dhein's "Chicago Rain" a 2023 original oil on panel, stands at 17.7 x 23.6 inches. This piece highlights Dhein's ability to capture reflection, diffusion, and a beautiful impre...

5207 Oversized Modernist Oil painting on rapped canvas of a desert landscape Signed Robert Yaumola Edges are painted no need for frame

Warm day. Ocean - Serene Seascape Painting for Interior Decor Description: Transform your space with the peaceful beauty of “Warm Day. Ocean”, a stunning hand-painted landscape that...

Symbolic and surreal landscape with three women in a mystical garden setting walking toward a plaque "The dream and the dreamer are one" by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Unique painting with dream-like quality with three blonde figures looking at a garden folly...

In this painting, I sought to capture the serenity and immensity of a snow-covered forest. Using oil paints, I layered textures and hues to recreate the quiet and chilly atmosphere. ...

Wolf Kahn 1927-2020 American A Spot of Grass Signed "W Kahn" (lower right) Oil on canvas A masterwork of modern American landscape painting, A Spot of Grass exemplifies Wolf Kahn...

Title: French Coastal Oil Painting of Moored Boats and Walled Seaside Town in Pastels By Fanch Lel Size: 13 x 16.25 inches (height x width) Oil painting on board, unframed Condition:...

City View English School, circa 1960's signed lower left oil painting on board, unframed 12 x 16 inches Condition report: very good, slight bend and crease to lower right corner.

"Farm Fields" by Camille Meriot (French 1887-1975) watercolour on unframed paper paper: 6 x 9.25 inches Fine original French Impressionist painting by the well listed and popular Fr...

Ernest Biddle (American, 1919-1970) Untitled Coastal Town, Likely New England, 20th century Oil on canvas 16 x 20 x 1/2 in. Signed lower left: Biddle The great grandson of the found...

Arthur Clifton Goodwin Boston Square Signed lower left Oil on canvas 30 x 36 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin di...

Olive Harvest in Southern Italy on Cold Coastal Morning Italian Riviera Olive Harvesters are bundled up against the cold and dust on a harvest morning, somewhere on the southern It...

Mathias Alten (German/American 1871-1938) Signed: M. Alten (Lower, Left) " Summer Fields ", circa 1914 Oil on Canvas Laid on Board 10" x 14" Housed in a 2" Carved Newcomb Mackl...

A tranquil mountain lake scene with vivid light, colour and natural beauty, by 20th Century Artist, William Yeaman. Art measures 30 x 20 inches Frame...

"This evening I went out to paint when it was already very dark," said Daria Molostnova about this painting. "I had a special lamp with me, and for the first time, I was able to capt...

"Moonrise Over Ram Island" is an Impressionist oil on linen painting by Viktor Butko. It depicts the moon rising over water of Ram Island. There is a boat sailing through the water w...

Beautiful 1930's California seascape of the rocky Monterey coast, with numerous smooth stones on the water's edge depicted in great detail, by San Jose,...

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Signed. Excellent ready to hang condition.

The Avenue of Trees French Expressionist School, signed front and back Dated 1974 oil on canvas, framed framed: 37 x 44 inches canvas: 32 x 39 inches private collection, France the p...

Christopher Clark's "Honfleur Street" is an original, handmade oil & acrylic painting that depicts an abstracted cityscape bustling with people and the sun brightly reflecting off of...

Title: French Coastal Oil Painting of Lighthouse Cottages Rocky Shore and Stormy Sky By Fanch Lel Signed: Yes Size: 15 x 18.25 inches (height x ...

This pastoral landscape painting depicts a rustic farmstead nestled among trees, with weathered buildings featuring reddish-brown roofs set against rolling countryside. The artist em...

Vibrant Sea English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 7.75 x 11 inches From a large private collection of English wate...

Claude Sauthier was born in Geneva, Switzerland, in 1929 and passed away in the same city in 2016. He studied at the Geneva School of Decorative Arts and initially worked as a graphi...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

This large landscape oil painting by John Traynor captures a scene in New England. Cows are visible in front of a long picket fence, with a red barn and house behind the fence and lush green trees on either side and along the hills in the horizon. Fluffy, almost abstracted clouds sit above the hills, with a patch of blue skies shining through toward the top of the image. The painting is 48" x 72", and 58" x 82" framed. It is professionally framed in a classic, antiqued, gold leaf frame. It is signed by the artist in the bottom right-hand corner of the canvas, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

Landscape signed by Geza Somerset-Paddon (British 20th century) dated 02' oil painting on board, unframed size: 8 x 10 inches inscribed verso condition: overall very good provenanc...

Giner Bueno (1935-2000) Painter from Alicante, son of the painter Luis Giner Valls. He studied at the School of Arts and Crafts of Valencia and finished his studies in Paris, where...