Joy Rannard

Mid Century English Impressionist Oil Busy City River Scene Boats and Buildings

c. 1960's

Artist/ School: signed and dated 1950 Title: The Dancing Horse Medium: oil on linen board, unframed size: 18 x 14.5 inches Provenance: private collection, France Condition: The...

Artist/ School: M.Marchand, signed French 1950’s Title: Souks in Tunisia Medium: oil on board Size: 6.5 x 8.5 inches Provenance: private collection, France Condition: The paint...

by Sylvain Grateyrolle (French b. 1849) oil on board, framed inscribed verso size: 8.5 x 6.5 inches board: 7.5 x 5.5 inches private collection, France The painting is in overall ver...

Artist/ School: French Impressionist, signed lower corner, late 20th century Title: The Poppy Field Medium: oil painting on canvas, unframed and...

Artist/ School: French School, mid 20th century, signed lower corner Title: The Sleepy Fishing Town, south of France Medium: oil on canvas, framed (orig...

"Landscape" by Maurice Mazeilie (French) oil painting on artist paper, unframed stamped verso painting: 5 x 7 inches A delightful original oil painting by the 20th century French I...

"Houses And River" Signed A. Huntington (English School) Oil on canvas Measures: Canvas - 60x110 cm (Gilt Wood Frame - 76x126 cm) Private collection. Framed

This delightful turn of the century (early 20th century) oil on canvas painting represents an Italian landscape with one of the most famous squares in the world: Piazza San Marco in ...

Everyday fishermen life is captured in this wonderful Italian impressionist late 19th century oil painting on thin board titled fishermen ashore. We love the neutral and natural colo...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, (winner of the Gold Medal Exhibition in Monaco, 1869) with frame 160 x 83 cm. Pio Joris attended the Istituto ...

Pio Joris (Rome, 1843-1922). The Via Flaminia, a Sunday morning," 1869, with frame 160 x 83 cm. Signed P. Joris, Pio Joris attended the Istituto di Belle Arti in Rome and in 1861 he enrolled at the Accademia di San Luca, where he remained for just a year. On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861 he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico Morelli and Filippo Palizzi during a trip to Capri, Sorrento and Naples in 1866. In Rome, he kept company with Mariano Fortuny, whose painting, with its pleasant, captivating luministic effects, made a very strong impression on Joris. That was how he developed his own very personal artistic language, which went on to bring him remarkable commercial success on an international scale, helped by his collaboration with Paris art dealer...

PAUL FORDYCE MAITLAND (1863-1909) Shop Front, Cheyne Walk, Chelsea Signed l.r.: Maitland; bears inscription and date on a label on the reverse: No. 71 Cheyne Walk/ (unfinished pain...