Fabric Landscape Paintings

Beautifully detailed mid-century coastal landscape of Pillar Point Fishing Dock near Half Moon Bay, California by William Winthrop Ward (American, 1901-1985). Signed lower left: "W. Winthrop Ward." Displayed in a new gilt-toned frame. Linen size: 20"H x 24"W. Born in Walsall near London, England on June 12, 1901, William Winthrop Ward immigrated to Boston in 1916 and spent much of his youth boating off the coast of Massachusetts. After a stint with the U.S. Marines, he came to California in 1927. While a member of the Coast Guard, he began painting while tending the Point Lobos lighthouse on the coast at San Francisco. His work came to the attention of local artist Heliodor Hammarstrom, who tended the windmills in Golden Gate Park. Hammarstrom gave him encouragement and introduced Ward to George Demont Otis...

There Is A Light That Never Goes Out By Lucy Moore [2023] There Is A Light That Never Goes Out- An Original semi-abstract painting by Lucy Moore I really like the contrast of the mo...

Arvid Frederick Nyholm (Swedish-American, 1866-1937) Signed: A Nyholm (Lower, Right and Lower, Left) " Mother and Child in a Landscape ", circa 1910-1920 Oil on Canvas 25" x 30"...

Gold Splatter. Not just a decorative painting although it works on that level - it has real depth and layers. The gold moves around with the light and the gold spray has created circ...

Tobias & The Angel Flemish Baroque Old Master, circa 1600 circle of Paul Brill (Flemish 1554-1626) oil painting on canvas, 43.5 x 59.25 inches condition: very good, restored and read...

"Salinas Valley Farm" - Fauvist Landscape in Oil on Artist's Board Bright and saturated landscape by Will H. Light (American, 1926-2004). The viewer stands at the edge of a farm, lo...

This painting features hues of pink, purple, blue and green. Scotty Peek sees his work as a visual conflict of interest, creating representational landscape paintings from observati...

Waiting in Ceuta, acrylic on canvas, 100cm x 80cm Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

A whimsical oil painting depicting a Cafe scene with figures in Venice during spring by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in ...

IN GIRUM IMUS 2024 Paris, France This painting has a weathered, almost ancient quality, created on dyed antique Belgian linen with acrylic paint. The linen’s rich brown surface appe...

Signed figures in landscape oil on board by Australian-American impressionist painter Richard Hayley Lever. The work depicts brightly coloured sailing boats in the harbour of St Ives...

Symbolic and surreal landscape with three women in a mystical garden setting walking toward a plaque "The dream and the dreamer are one" by Marguerite Louis Blasingame (American; 1906-1947), circa 1940-45. Unique painting with dream-like quality with three blonde figures looking at a garden folly...

In this painting, I sought to capture the serenity and immensity of a snow-covered forest. Using oil paints, I layered textures and hues to recreate the quiet and chilly atmosphere. ...

My abstract paintings are often an expression of a feeling or an emotion and using the paint to describe on the canvas. This painting was in response to a walk around my garden seein...

Wolf Kahn 1927-2020 American A Spot of Grass Signed "W Kahn" (lower right) Oil on canvas A masterwork of modern American landscape painting, A Spot of Grass exemplifies Wolf Kahn...

Nicely painted mid century abstract cubist oil painting. Great color and composition. Framed. Signed.

Ernest Biddle (American, 1919-1970) Untitled Coastal Town, Likely New England, 20th century Oil on canvas 16 x 20 x 1/2 in. Signed lower left: Biddle The great grandson of the found...

Olive Harvest in Southern Italy on Cold Coastal Morning Italian Riviera Olive Harvesters are bundled up against the cold and dust on a harvest morning, somewhere on the southern It...

Arthur Clifton Goodwin Boston Square Signed lower left Oil on canvas 30 x 36 inches A painter especially known for street and waterfront scenes of Boston, Arthur Clifton Goodwin di...

The painting is signed on the back. The whole artistic output of Robert Bubel centres around subjective emotions and arousing emotion in the beholder. The source of inspiration- tha...

Green Forest View by Gilbert Pelissier (French born 1924) signed and dated 79' on verso oil painting on canvas, unframed canvas size: 24 x 20 inches condition: overall very good, a ...

Mathias Alten (German/American 1871-1938) Signed: M. Alten (Lower, Left) " Summer Fields ", circa 1914 Oil on Canvas Laid on Board 10" x 14" Housed in a 2" Carved Newcomb Mackl...

Landscape Oil on Canvas Original Art Ready to Hang 65x50 cm 2023 ...My painting tells of the relationship between man, nature and time, the landscape, the sign and the trace, thr...

A tranquil mountain lake scene with vivid light, colour and natural beauty, by 20th Century Artist, William Yeaman. Art measures 30 x 20 inches Frame...

"This evening I went out to paint when it was already very dark," said Daria Molostnova about this painting. "I had a special lamp with me, and for the first time, I was able to capt...

Penny Whent (American, born 1949) "Apple Grove" 2022 Acrylic Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Framed: 13" x 13" x 2" "Apple Grove" by Penny...

"Moonrise Over Ram Island" is an Impressionist oil on linen painting by Viktor Butko. It depicts the moon rising over water of Ram Island. There is a boat sailing through the water w...

Beautiful 1930's California seascape of the rocky Monterey coast, with numerous smooth stones on the water's edge depicted in great detail, by San Jose,...

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Signed. Excellent ready to hang condition.

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

The Avenue of Trees French Expressionist School, signed front and back Dated 1974 oil on canvas, framed framed: 37 x 44 inches canvas: 32 x 39 inches private collection, France the p...

PaperLandscape Mixed-media painting on Cotton Canvas One of a kind artwork Size: 90 x 110 x 2 cm (unframed) Ready to hang Signed certificate of authenticity Style: Abstract Marili...

Large gilt framed abstract modernist landscape of Jerusalem. Framed it measures 33.25 X 41.25 inches. Canvas measures 28 x 36 inches. Bold Blue sky. Avraham Binder was born in 1906 in Vilnius (or Vilna), now part of Lithuania. He began painting at an early age and completed the prescribed studies in painting at the academy of arts in his native city. Upon graduation, at the commencement exhibition of works submitted by the graduates, he was awarded a prize in recognition of his talents. Artistic talent had deep roots in the Binder family. Avraham's father and grandfather were both artistically inclined, as was his sister Zila Binder and daughter Yael. In fact, he came from a long line of master artistic bookbinders, hence the family surname. The Binder family emigrated to Palestine in 1920. There, his father established a bookbinding workshop in Tel-Aviv while Avraham pursued painting. Binder has not identified with any particular modern school nor narrow artistic doctrine. He struggles to verbally explain his personal conception. Instead, he derives inspiration from emotions, resulting in a great variety of artistic treatments. Particularly memorable are his urban landscapes with their predominance of blues and aquamarines, composed of a profusion of squares and rectangles, crowding one another and covering nearly the entire canvas. The angular shapes are interspersed with radiant dots of red, gold and yellow, like the lights of the big city. Those squares and rectangles reflect, perhaps, impressions of a childhood spent among books which were scattered about the home and workshop of his father, the bookbinder. These shapes, no doubt, had their influence upon the artist whose first youthful impressions were – books. Traces of these shapes are discernible in Binder’s work to this day, in the angularity of splashes of color which, no longer crowded together, are now well separated to create an airy spaciousness. Not only the splashes of color – the inventing space, too – creates figurative effects in the artist’s treatment. Avraham Binder is not a “cerebral” painter. Neither identified with any particular modern school, nor preaching any narrow artistic doctrine, he is an emotional artist: his inspiration, derived from the heart, leads him on to the most varied range of treatments in his artistic work. In vain might one try to persuade him to define his personal conception of painting. He is not one to indulge in verbal explanation. But his sheer artistic skill, his virtuosity with the paint brush, did impel him to experiment widely with the artistic techniques of the modern age. And his exceptional talent stood him in good stead in all this experimentation. Binders large-scale urban landscapes are not mere constructs to represent our present-day architecture with its pervasive angularity. Made up as they are of color, Binder’s unique color composition qualifies these canvases to be ranked among the foremost artistic works in Israeli painting. They are uniquely Binder, very different from what we see in the work of his contemporaries. Here and there, Binder also introduces the human element into these paintings. He lives and breathes the atmosphere of his surroundings, deeply experiencing the sea and the shore of Tel-Aviv that confront him day after day, and which he has transferred to his canvases, as metaphors in paint, throughout the life. More recently, he has created a new series of shore-and-seascapes, in tones ranging from brown to blue. ochre, violet and pale yellow – marvelous views of the sea and of figures enlivening its shore. In yet another series, featuring nearly the same range of hues, he lets us view, through his eyes, the Carmel Market in Tel-Aviv, or the city’s coffee houses with their crowds of people, heads bunched together as if in search of human closeness, with the windows looking in upon them. He has also done large paintings of Jerusalem – not the Jerusalem of gloom and holiness, but a Jerusalem in contrast to the flat topography of Tel-Aviv; it is this different topography which here provides the challenge for him as a painter. And the colors – the colors are bright, full of light, an inner illumination which seems to emanate from the artist himself, rather than from the sun beating down from above. So many great artists have built their life’s work upon watercolors. Binder’s watercolors are in no way inferior in their artistic worth to many of those, what with their spontaneity, their translucent quality, their color combinations, and the artist’s ability to say so much with an economy of brush strokes. We have here a painter who, until the end of his life, was still in his full creative powers, and who continued to add to his impressive storehouse of artistic works. Hundreds of his paintings grace the homes of collectors in Israel and throughout the world, or hang in his private collection; they include Israel landscapes and, most importantly, cityscapes; an exquisite series of wild flowers; many portrait paintings; experimental wood sculptures; murals painted on wood panels; reliefs…, etc. All these are testimony to an artist who refuses to rest on his laurels, who forever reaches out to try his hand at new challenges, strikes out in novel directions, discovers innovative techniques, and experiments in all the dimensions of the plastic arts. On the Israel Museum website they have listed an exhibition of his Artists in Israel for the Defense, Tel Aviv Museum of Art, Helena Rubinstein Pavilion, Tel Aviv 1967 Artists: Avraham Binder, Motke Blum, (Mordechai) Samuel Bak, Yosl Bergner, Nahum Gilboa, Jean David, Marcel Janco, Lea Nikel, Jacob Pins, Esther Peretz Arad, Dani Karavan, Reuven Rubin, Zvi Raphaely, Yossi Stern...

This large landscape oil painting by John Traynor captures a scene in New England. Cows are visible in front of a long picket fence, with a red barn and house behind the fence and lush green trees on either side and along the hills in the horizon. Fluffy, almost abstracted clouds sit above the hills, with a patch of blue skies shining through toward the top of the image. The painting is 48" x 72", and 58" x 82" framed. It is professionally framed in a classic, antiqued, gold leaf frame. It is signed by the artist in the bottom right-hand corner of the canvas, and is wired and ready to hang. John C. Traynor's painting style is reminiscent of some 19th century painters and the Dutch Masters. He uses his knowledge of light and color to create a certain mood in each of his works. The creation of atmosphere is an important element in Traynor's paintings. Painting outdoors, on location, is a prime source of inspiration and ideas for his landscapes. John travels extensively, painting the landscapes around him. John was born in 1961 and spent his early years in Chester and Mendham, New Jersey. His art studies began at Delbarton School in Morristown, New Jersey, and from there he furthered his education at Paier College of Art in New Haven, Connecticut. He studied figure painting at the Art Students League of New York, as a merit scholar, with Frank Mason. Traynor continued his studies in Vermont with Mr. Mason on landscape painting, drawing with Carroll N. Jones Jr. of Stowe, Vermont and sculpture with Brother Jerome Cox...

20th Century New York Cityscape W/ Figures & Flags by Sebastian Oil on canvas Dimensions 20" wide x 24" high The frame measures 22.75" wide x 26.75" high Signed in the lower left...

This impressionistic plein air painting captures the serene charm of Werdenberg, a picturesque Swiss town, bathed in the soft light of spring. The lush green hills, rustic houses, an...

Broadway (?), 1952, oil on Masonite, signed and dated lower left, 15 x 18 inches, inscription verso may say "Broadway", presented in its original frame Jean Dominique van Caulaert w...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His co...

A stunning oil painting depicting figures in a garden picking flowers executed in the 20th Century. Duteurtre was known for his charming intimate figurative scenes portraying life in Europe. He was active, picking up subjects from the markets, beaches, parks, restaurants, and home life. This painting comes housed in a stunning carved giltwood frame. Signed lower left. Art measures 20 x 24 inches Frame Measures 26 x 30 inches Pierre Eugene Duteurtre...

HILLSIDE HOUSES Size: 66.5 x 82 cm (including frame) Oil on canvas A mid-century modernist painting presents a vibrant yet soothing interpretation of houses by a hillside, depicted ...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2024 Style: Contemporary Art, Title: Trees in Abstract, Size: 36.5"...

French Expressionist oil on canvas of a river and mountain landscape by Gisele Grant-Gapail. The painting is initialled bottom right, signed and dated to the back of the canvas and t...

Free Study - The Pond, 2021 acrylic on cardboard 119 H x 79 W cm 46 27/32 H x 31 7/64 W cm The series of painted cardboards by Alexandru Rădvan is about our moments of 'respiro' ab...

Highly detailed mid century landscape depicting a glorious autumn scene, of a tranquil stream running through a forest full of tress with golden fall foliage, by Harriet Yule (Americ...

This fine mid-19th-century oil painting by British artist Thomas Sidney Cooper RA (1803-1902) depicts two cows and a sheep in a landscape. Cooper was a distinguished painter of the n...

Oil on canvas. Framed. Signed.

In this piece, the artist depicts his subject in a whimsical and impressionistic way, capturing the Cafés of the busy streets from the 20th Century with much life. In the distance we...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Vintage 20th Century Painting of Lush Green Ireland Village by Irish Artist, Liam Reilly Art measures 24 x 18 inches Frame measures 28 x 22 inches This stunning painting captures t...

Artist: Vahe Yeremyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2025 Style: Impressionism, Title: South Bay Size: 30" x 44" x 0.8'' ...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

Original Oil Southern California Landscape C. 1930s -- The Eucalyptus Grove Vibrant, painterly Southern California landscape of iconic Eucalyptus trees by Andrew Boardo Lund (1877 ...

"Clouds over Coecles Harbor" is an Impressionist oil on linen painting by Viktor Butko. It depicts the Shelter Island setting with boats in the water, a cloudy blue sky, and a green ...

Golden sunlight filters through the swaying birch leaves, casting flickering shadows on the emerald grass. The slender white trunks glow in the summer warmth, while a light breeze ca...

Mediterranean Villa with Flowers - Seascape in Oil on Canvas Bold landscape overlooking the sea by J. Davison (20th Century). The viewer stands on the balcony of a Mediterranean hou...

Cagnes sur Mer by Josine Vignon (French 1922-2022) signed and inscribed verso dated 1960 oil painting on canvas, unframed canvas: 18 x 13 inches Colors: Grey colors, green, beige, ...

Well painted American Impressionist landscape signed Everet. The artist was a Chinese/American painter who lived and worked in Hackensack, New Jersey. I met the artist on many occasions in the late 1990s when I lived in New York and he was a very talented and pleasant chap. I asked him to paint different commissions for a client who wanted a certain color or subject and he was always able to amaze me with what he could produce. I have many paintings by him in my own collection. This is an oil on canvas. The piece was in a private collection towards the late 1990s and has been recently re-framed and revarnished. The artist worked for an Art Gallery called Art...

NYC EL American Scene Social Realism Mid 20th Century Modern WPA Era Figurative Cecil Bell (1906 – 1970) Street Life Under the EL 22 x 30 inches Oil on canvas, c. 1930s Signed upper...