Paint Landscape Paintings

Artist/School: 19th Century English School Title: Three Dogs In Open Landscape Medium: oil on canvas, framed (behind glass hence the reflection). Framed...

This is an original vintage oil painting on canvas depicting Sailing Ship in the stormy sea. Presented in a nice wood frame. Frame has some scuffs and scratches. Painting overall is...

Michelle Condrat's (US based) oil painting "Evening Magic" depicts some trees showing the fall colors of yellow and oranges. This painting is unframed, but ready to hang. "The most...

Landscape water/ground Oil on cotton canvas 110x180cm the painting is shipped ready to hang the cotton canvas stretched on a handmade wooden frame...

The painting is sold on a stretcher. The painting depicts nature in the golden evening time - when the sun gently touches the earth with its warmth. The rays pass through the treeto...

Barbara Mauldin Fredericksburg Artist Size: 9 x 12 Frame: 13 x 16 Medium: Oil "Can't Make Up My Mind" Blooming Prickly Pear Cactus Barbara and her husband Chuck moved to Fredericksburg in 2005 after living many years in Louisiana, where she taught art at Baton Rouge Lutheran School. Soon after moving home to Texas, she began painting seriously. She has studied with Ian Roberts, Kevin Macpherson, Jill Carver, Lori Putnam, and (of course!) Chuck Mauldin. Barbara’s work has been accepted in several art events, such as the Women Artists of the West National Show, Contemporary Masters Invitational Art Show in Fredericksburg, the Mountain Oyster Club Art Show, the Plein Air Artists Colorado National Juried Art Exhibition, The Museum of Western Art (Kerrville, TX) “The Party” Art Exhibition and Sale, and others. Her paintings are characterized by color. “I like to emphasize the color that I see, as a creative and emotional response to the landscape.” She works with a limited palette, using a small number of pigments to mix colors, which results in beautiful color harmony. Barbara has focused her attention on the Texas landscape, especially on prickly pear cactus. Cactus is fun to paint. It has a multitude of interesting colors, which are an expression of the harshness of the environment and the amount of direct sun. In spring the colors are lighter and more mellow, and the flowers of late spring are a vibrant yellow and rose, sometimes orange. She enjoys plein air work, accepting the challenges of color, design, and the environment (critters and weather). Texas abounds with variety and inspiration; there is always another painting just around the corner! Her interest in art had always been a part of the fabric of her life. She works mainly in oil, and she also dabbles in pastels, watercolor, church banner...

Walpi Hopi Village, Arizona First Mesa Landscape by Marion Kavanaugh Wachtel. Significant southwestern painting of Hopi at Walpi Mesa in Arizona...

The Village Houses French Impressionist artist, early 20th century signed and dated (19)06 oil on on canvas, framed in original period frame framed: 25 x 31 inches canvas : 18 x 24 i...

"Green Door With Wisteria" is an exceptional oil painted on location in Provence by Maria Bertran. This Contemporary Impressionist painting captures a timeless scene in the South of ...

This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...

Work : Original Oil Painting, Unique Work. Handmade artwork. Ready to Hang. Medium : Oil and Acrylic painting on Canvas. Artist : Deniz Bayav Subject : Fin de décembre (Title / FR) ...

Signed lower left. Image dimensions: 51cm x 61cm / 20 inches x 22 inches Framed dimensions: 64cm x 74cm / 25 inches x 29 inches Painted whilst Munnings was living in Cornwall, 'Dece...

'Longing' 48 x 48 inches, professionally framed in soft white wood, 49 x 49 inches from Swedish-American visual artist Charlotte Bernstrom’s paintings are inspired by the Earth and i...

This superb 17th century Dutch Golden Age oil painting has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. Painted circa 1640 it is an Italianate wooded river landscape with drovers and their herd crossing a river with a watchtower beyond. Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. It has Begeyn's characteristic brightly lit cattle and grouping of figures, similar to a comparable painting in the Lichtenstein Princely Collections. The brushwork and details are superb. One can see the influence of his teacher Nicholaes Berchem (1620-1683) and the typical golden glow of the Golden Age painters. This is a stunning 17th century Golden Age oil painting and an excellent example of Begeyn's work. Provenance: With Koetser Gallery, Zurich. Private Collection (Rhine region). Anon. sale, Dorotheum, Vienna, 22 June 2010, lot 357, as by Jacob de Heusch (€18,600). Anon. sale, Christie's South Kensington,18 November 2015, lot 432, as 'Follower of Nicolaes Berchem'; where purchased by the present owner. Note: Begeyn was one of the many 17th-century Dutch and Flemish painters to embrace the Italianate style, populating their decidedly non-Dutch, mountainous landscapes with rustic travellers and picturesque ruins bathed in warm, Mediterranean light. He is thought to have studied under Nicolaes Berchem (1620-1683), a pioneer of this genre of landscape painting, and travelled extensively to Italy, London and later to Germany in 1688, where he lived out his days as court painter to Frederick III, Elector of Brandenburg (later Frederick I, King of Prussia). The present work was previously thought to be the work of Jacob de Heusch (1656-1701), but has been more recently reattributed to Abraham Begeyn by Dr Marijke C. de Kinkelder formerly of the RKD - Netherlands Institute for Art History. A comparable scene, which also includes Begeyn's characteristic brightly lit cattle and a similar figure group, was sold at Christie's Amsterdam, 18 November 2015, lot 110. Another can be found in the Liechtenstein Princely Collections (no.GE 290). Condition. Oil on canvas, image size 21 inches by 18 inches and in good condition. Frame. Housed in a beautiful gilt frame, 28 inches by 25 inches and in good condition. Abraham Begeyn (c. 1637 Leiden - 11 June 1697 Berlin), was a Dutch Golden Age painter. Begeyn was born in Leiden. Though perhaps known mostly for his Italianate landscapes and cattle in the manner of Nicolaes Pietersz Berchem, Begyn was a highly skilled painter active in many genres, who travelled widely. According to the RKD, Begeyn's earliest known work is from 1653, though he was first accepted into the Guild of St. Luke in Leiden in 1655. He stopped paying dues in 1667, because he set off for a trip to Italy. He is registered in Rome and Naples from 1659–1660. In the rampjaar or disaster year, of 1672, he is registered in Amsterdam, and after that he lived in London, where he painted at Ham House, Surrey, together with Willem van de Velde the Younger (1633–1707) and Dirck van Bergen...

St. Tropez French, circa 1973 indistinctly signed oil on canvas, unframed Canvas : 21.5 x 26 inches Provenance: private collection, Nice, France Condition: very good condition Descr...

Frank Nelson Wilcox (American, 1887-1964) Cliffs at Paramé, France, c. 1926 Watercolor on paper Signed lower right 14 x 17.5 inches Frank Nelson Wilcox (October 3, 1887 – April 17...

Sunset by the River English School, late 19th century signed "T. Woods" signed oil on board, framed framed: 19 x 25 inches board: 18 x 24 inches Provenance: private collection, UK Co...

Title: Blooming Beautiful Blooming Beautiful Flower Color Investment Nature Floral Landscape Mother Earth A joyful gift for Mother's day - or to celebrate Mother Earth and our ...

Beatrix Sherman Hialeah Park Race Track, Florida, 1947 Signed lower right Oil on canvasboard 16 x 20 inches Beatrix Sherman (1894-1975), who changed her first name from Beatrice by...

Signed Adolfo Perez Frameless

The Close of Day Italian School, early 18th century oil on canvas, unframed canvas: 17 x 22.5 inches provenance: private collection, France condition: very good and sound condition

This is a beautiful and tranquil acrylic painting on canvas. At a first glimpse, the painting looks subtle, but multiple soft and fine nuances, forms, and textures appear when you near in. The painting evokes a feeling of Nordic minimalism. The painting is made by Danish artist Anette Holmberg...

A large pair of 18th century veduta capriccio scenes with temple ruins after Gennaro Greco from the circle of Pietro Cappelli. The paintings are presented in more modern carved gilt ...

Abstract Expressionism using Red, White & Black by Contemporary British Artist, Angela Wakefield. Art measures 12 x 10 inches Frame measure 18 x 16 inches Angela Wakefield has tw...

Signed and dated oil on canvas riverscape by French impressionist painter Charles-Victor Guilloux. The work depicts a moonlit view of the River Seine near Yvelines in the western par...

This abstract landscape painting by Danish artist Steffen Bue immerses the viewer into a new interpretation of color, form, and movement. With a zoomed-out perspective, Bue crafts a ...

The Close of Day Italian School, 17th century circle of Salvator Rosa (1615 - 1873) (ascribed to this artist on a frame plaque) oil on canvas, framed Framed: 20.5 x 25.5 inches Canva...

This series of paintings is inspired by the relationship between the artist and the Fontainebleau forest region. Here we're talking about the Episy marsh, a sensitive, protected natu...

NYC Cityscape American Scene WPA Modern Realism Mid 20th Century Architectural Ernest Fiene (1894-1965) Cityscape 36 x 30 inches Oil on canvas Signed and dated 1930. lower right Provenance Estate of the artist. ACA Galleries, New York Exhibited New York, Frank Rehn Gallery, Changing Old New York, 1931. New York, ACA Galleries, Ernest Fiene: Art of the City, 1925-1955, May 2-23, 1981, n.p., no. 5. BIO Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings...

Pair of Rococo-Inspired Paintings watercolor on artist paper, stuck on blue paper painting: 12.75 x 10 inches provenance: private collection condition: very good and sound condition

Jesus at the House of Mary & Martha Italian artist, 1600's oil on canvas, unframed Canvas: 32.5 x 56.5 inches Provenance: Private collection, England Condition: for a work of such mo...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Patio Still Life with Flowers, Plants and Pots) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches ...

Betsy Podlach (American, born 1964) "Hudson River" 2021 Oil Paint, Canvas, Stretcher Bars The artist signed the back of the painting. Betsy Podlach’s "Hudson River" is an expressive...

GEOMETRIC PATHWAY Size: 64 x 81 cm (including frame) Oil on canvas A bold and striking mid-century abstract landscape composition, painted in oil onto canvas and dated 1958. The pa...

Painting of Figures & Boats on Truro Harbour with Cathedral by British Artist, Michael Kerris (1934-2024) Art measures 47 x 20 inches Frame measures 53 x 25 inches Kerris, could n...

Title: French Impressionist Oil Painting of a Les Environs de Saint-Lunaire, Near Dinar By Fanch Lel (French b. 1930) Size: 4.5 x 6.25 inches (height x width) Signed: Yes Oil paintin...

Flowers in the Window Sill French impressionist artist, mid 20th century oil on on canvas, unframed canvas : 22 x 18 inches Provenance: private collection, France Condition: very goo...

Ann Wyeth McCoy (1915 - 2005) Afternoon Sun Watercolor on paper Sheet 24 x 18 inches Signed lower left Provenance: Somerville Manning Gallery Private ...

#5-3305a French Fauvist Style Landscape, on board signed by Thiollier set in a light-blue wood frame.Image size 10.5 H x 13.50 w

Ocean with Crescent Moon - The painting was created in 2024 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 ye...

Antique American impressionist landscape oil painting. Oil on canvas. Signed. Framed. Measuring 27 by 31 inches overall and 21.5 by 26 painting alone.

A beautiful oil on canvas painting by the French artist, Jack Prudnik. Prudnik was an American painter known for his colorful cityscapes depicting the tim...

Work on wood sold with frame Total size with frame 80x62 cm Paul Chevallier is a French artist from the 19th to 20th century

20th Century New York Cityscape W/ Figures & Flags by Sebastian Oil on canvas Dimensions 20" wide x 24" high The frame measures 22.75" wide x 26.75" high Signed in the lower left...

The Wave is a seascape study oil painting on panel by Chesterfield NJ artist Michael Budden framed in original frame.. Image is 9 x 12 framed, 15.38 x 18....

Winter Sunset with Snow - Pink, Orange & Purple Sky in the English Countryside by British Landscape Artist, Stephen Hawkins (1964-) Art measures 12 x 10 inches Frame measures 16 x...

Carriages at Ischia is a beautiful original oil painting on panel, realized in 1956 by the artist Luigi de Angelis (1883-1966). Signed and dated on the lower margin. Includes a bea...

Spring landscape, green, 19th century Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive...

"Shore Birds" by Gerald Purdy, oil on panel, 11 1/2 X 14 inches (framed size: 17 X 21 1/2 inches), $2,800. "I chose narrative art from the menu and have ...

Winter Cottage signed by Fanch Lel (French b. 1930) Size: 9 x 11 inches Oil painting on cardboard, unframed Condition: The painting is in good condition, with minor signs of aging. P...

Title: French Impressionist Oil Painting of Coastal Scene with Pier and Red Boat By Fanch Lel (French b. 1930) Size: 6.75 x 9.25 inches (height x width) Signed: Yes Oil painting on b...

This beautiful figurative painting by Jeroen Allart is part of his minimalist landscape painting he did in his home country the Netherlands. A farm stands before you on the horizon....

An incredibly captivating image of a leopard basking on a rock by a river. Not only is this a very striking study of a magnificent feline but there is also a narrative here with a py...