1890s Landscape Paintings

James Paterson Signed and dated 1895 On the reverse signed James Paterson 176 Bath Street, Glasgow Killniess, Moniaive, Scotland on the reverse Canvas Size: 21 x 26" (52 x 66cm) Ou...

Charles Lewis Fussell (American, 1840–1909) Children Playing on a Boat Oil on canvas, 11 x 16 3/4 inches Framed: 19 x 25 inches (approx.) Signed at lower left: “C.L. Fussell” Charle...

Signed, dedicated and dated oil on panel landscape by American Impressionist painter Conrad Wise Chapman. The work depicts a lakeside view of the sun rising above the mountains in th...

"L’étranglement du Verdon à son entrée dans le lac de Sainte-Croix" – Provence, France "The narrowing of the Verdon as it enters Lac de Sainte-Croix” Oil on canvas, signed at the bot...

Maritime paintings of the late 19th Century often give great insight into the massive transition which happened in shipbuilding in that period: the end of the sailing ships as mercha...

This is classic Norton Bush and one of our few Americans who traveled to South and Central America at this date to do these exotic scenes. He employed a Hudson River School techniqu...

Joseph THORS A very attractive piece by Joseph Thors who was one of the most sought after artists of the Victorian period. Perfect for any mantlepiece it has many of the most desira...

H.East was a painter in oils of landscapes and rural scenes, who was active at the turn of the 19th to 20th century. He did not exhibit his work in the normal exhibition galleries bu...

Impressive early European impressionist cityscape painting. Framed. Oil on board. Image size, 11H by 8L.

R.Ellis English late 19th-century landscape of a Watermill by a Stream and a bridge. Original frame oils on card Signed and dated on the reverse and lower right. Ellis was a la...

ADAM-LAURENS Suzanne Adrienne, aka Nanny (1861-1915) Venice, Lagoon with gondolier Oil on canvas signed lower left Frame gilded with leaf canvas size: 55 X 42 cm Frame size: 64 X 77 cm French painter born in Crest (Drôme ) February 20, 1861 Died in 1915 Landscape...

Jean Baptiste Duffaud French, 1853-1927 St. Tropez Oil on canvas 13 by 21 ¾ in. W/frame 24 by 32 ¾ in. Signed lower left Jean-Baptiste Duffaud studied at the Ecole des Beaux-Arts in Marseilles under the direction of Dominique Antoine Magaud (1817-1899). Wishing to complete his artistic training, he went to Paris and received the teaching of Jean-Léon Gérôme. He exhibited at the Salon from 1875 to 1892, obtaining several honorable mentions. He was awarded the prestigious Marie Bashkirtseff...

Arthur George Collins American, b.1866 Biskra Algeria Oil on canvas Signed and dated Biskra, 1893 26 ½ by 32 ½ in. W/frame 32 ½ by 38 ½ in. Arthur studied at the Julien Academy, P...

Paul Lecomte (1842-1920) Landscape with a bridge Oil on cardboard panel 25 x 33 cm Framed : 33 x 41 cm This painting by Paul Lecomte is not signed but it has a very good provenance...

ENRIQUE ATALAYA Spanish, 1851 - 1913 BELEM´S TOWER, LISBON signed "ATALAYA" (lower right) oil on wood panel 6-1/4 x 8-1/8 inches (15.8 x 20.5 cm.) fram...

Antique American important and historic drawing by John Avery, Ink on paper. Provenance from Kennedy Gallery. Framed. Measuring 19 by 23 inches overall and 12 by 15.5 drawing alone. ...

MARIANO ALONSO PÉREZ Spanish, 1857 - 1930 COURTSHIP signed "Alonso Pérez" (lower left) oil on canvas 23 x 12-1/8 inches (58 x 30.7 cm.) framed: 28...

The 1903 painting by Henri Louis Ottmann (1877-1927) which is in the Musée d'Orsay depicts vast train station with all its dynamism. Our painting, created three years earlier, shows ...

A stunning sky and cloud study by Gaston Prunier. Originally from Le Havre, the sea port where the Seine empties into the English Channel, Prunier was c...

SPANISH SCHOOL, 19th CENTURY ARTIST UNKNOWN oil on canvas 10-1/2 x 7-5/8 inches (26.5 x 19.3 cm.) framed: 15-1/2 x 12-1/2 inches (39 x 31.5 cm.) PROVENANCE Spanish Collector, Madrid...

"Le Paysage Avec Une Eglise" by Louis Abel-Truchet is an original oil on canvas and measures 24x32 inches. The impressionistic landscape has a white church standing behind purple and...

Léon Joubert (1870-1920) was a pupil of Léon Germain Pelouse ans Fernand Cormon. He exposed at the Salon des artistes français very often from 1876. he was a landscape painter, most...

Original oil paint on wood panel painting by the well known American artist, George Thompson Hobbs. Signed lower left and dated 1899. Condition is good. The painting is housed in i...

'Travellers in the Desert,' A large Orientalist painting by C. J. Theriat American, Late 19th Century Canvas: 80cm x 126cm x 2cm Frame: 95cm x 141cm x 5.5cm Executed in oil on canvas in a giltwood frame, signed, inscribed and dated lower left 'C. J. Theriat Biskra. (18)95,' this excellent Orientalist painting shows a desert scene with two figures, one riding a mule, in the Algerian Desert at Biskra. It was made by the American artist Charles James Theriat...

Oil on canvas, signed lower left but illisible.

English Country Landscape - Watercolor on Paper Watercolor painting depicting an American country landscape by Oliver Louis Tweddle (English, B-1860). Four fishermen stand upon a br...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocat...

American 19th Century Sea Scape oil painting.

Signed, verso, on attached fragment, 'L. Verite' for Lucien Henri Alphonse Verite (French, 1866-1926) and painted circa 1890. Verite studied at the École des Beaux-Arts in Paris bef...

This enchanting Swedish painting, dated circa 1890, is believed to depict the tranquil waters of Långälven in Värmland, a testament to Ohlson's prowess in capturing the essence of the Swedish countryside. The scene is a gentle narrative, where we witness a family moment frozen in time. Parents stand by their daughter on a wooden dock, poised to embark on a journey across the reflective waters. The young girl, dressed in period attire, appears eager and curious, a universal symbol of youth's anticipation for adventure. Her parents, dressed in the fashion of the late 19th century, exude a sense of calm and assurance. Ohlson's brushwork brings the scene to life with a delicate interplay of light and shadow, mirroring the cloud-speckled sky on the lake's surface. The background is dotted with other vessels, suggesting the shared pleasure of the day's end on the water. Oscar Ohlson (1847–1912), born in Linneryd, Småland, and later settling in Borås, was a multifaceted artist who, after pursuing law, found his true calling in the arts. A student of Alfred Wahlberg...

This captivating English Victorian 19th-century landscape by Henry Manders masterfully captures the timeless beauty and industrious spirit of rural life during the harvest season. Ma...

LEGNAIOLI SUL TEVERE - RIVER SCENE WITH FIGURE GATHERING REEDS Oil on canvas: 30 1/2 x 38 1/2 in., 36 x 44 1/2 in. (framed) Framed; lower right signed and dated: H. Corrodi, 1892

Antique American impressionist watercolor painting. Framed. Measuring 16.5 by 18.5 inches overall and 13 by 15 painting alone.

Philip Wilson Steer: 1860-1942. Very well listed British painter with auction results over a million dollars. He was described by other artists and critics of the time as the greates...

Early 20th Century English Autumn river landscape with a Norman Church. Abraham Hulk Junior was born in the Netherlands in 1851 to renowned Dutch ...

Work on canvas

Paul Lecomte (1842-1920) Mother and daughter at a fountain Signed on the lower left Oil on canvas transfered on cardboard 25.5 x 34 cm In good condition In a modern frame : 44 x 52 ...

Illegible signature Work on canvas Black wooden frame 53.5 x 64.5 x 4 cm

Work on canvas Golden wooden frame 55 x 69.5 x 3.5 cm

This unsigned late 19th century painting portrays the property used by George Washington as his headquarters during the American Revolution. Known as the Isaac Potts House, it was bu...

Beautiful oil painting on board of a sunset Dorking in England by the British painter, Harold Sutton Palmer. Signed S. Palmer lower right. The painting is it’s original frame. Gold...

Jennie Brownscombe Color Sketch, Shakespeare Garden, c. 1890s Signed lower left Oil on board 7 1/8 x 9 1/4 inches The artist was born in a log cab...

Gaston Le Sargeant De MONNECOVE Oil on Canvas Picture Size : 18 x 24" (46 x 61cm) Outside Frame Size: 26 x 32" (66 x 81cm) A classic example of De Monnecove's work capturing French hunting art...

A fine late 19th century watercolour depicting fishermen bringing in the days catch on the Anglesea Coast by James Aitken. The artist specialised in coastal scenes around the British Isles and is very well regarded. Signed lower right. This is one of a pair that we currently have available - the other depicting the Mull of Galloway in Scotland. Artist: James Aitken (British, active 1880-1935) Title: On the Anglesea Coast Medium: Watercolour on paper laid on card Size: 15 x 21.5 in (38 x 55 cm) unframed Condition: Very good original condition Provenance: Private collection, Kent James Aitken was born at Newburgh in Fifeshire, Scotland, in 1853/54. He is known to have been active as an artist from 1880 and exhibited at the Royal Academy from 1894-1918. He painted mainly maritime scenes in England and Scotland, and also made several visits to the continent, to paint in France, Italy and Switzerland. From 1894 he visited the Isle of Man, and liked it so much that he moved there permanently with his family in 1911. They took up residence in Port St. Mary. James Aitken exhibited works at the Royal Academy, the Royal Institute, the Royal Watercolour Society and the Royal Cambrian Society as well as in the provinces. He was a member of the Liverpool Academy of Arts. Today, he has works in the Warrington Museum, Walker Art Gallery, Liverpool and the Merseyside Maritime Museum. James Aitken was the father of John Ernest...

Beautiful oil painting on board of a sunset in Epsom, England by the British painter, Harold Sutton Palmer. Signed S. Palmer lower right. The painting is it’s original frame. Gold painted over original gilding. Overall framed measurements are 14 by 20 inches. Condition is very good. Epsom is a market town in Surrey, England, 13.7 miles (22.0 km) southwest of London, between Ashtead and Ewell. The town straddles chalk downland (Epsom Downs...

Francis Dodd R.A. 1874-1949, was an English landscape and portrait painter, draughtsman and etcher. He attended the Glasgow School of Art and travelled throughout Europe, France, Ita...

The shaded terrace. Oil on canvas. Artwork sizes :15.5"x20" Signed lower right, Ohannes Alhazian (1881-1958) France, Armenian. Ohanness Alhazian...

SIDNEY PIKE, 1858 - 1923 London landscape painter and one of the first Christmas card illustrators. Settled in Hastings and represented in many south coast Museums. Signed and dated...

An antique American folk art painting in its original period frame. Featuring a man walking his dogs in the woods with a stunning s...

This small and finely painted piece depicts the sidewheel steamer J.M.A. underway carrying passengers along the Hudson River. With flags snapping in the wind and whitecaps on the riv...

Illegible signature Work on canvas Black wooden frame 53.5 x 64.5 x 4 cm

Eugène CLARY (1856-1929) Le port de la Rochelle Huile sur toile Dimensions : 45 x 81 cm Signé en bas à droite En très bon état de conservation. Cadre ancien avec traces d'usure Offer...

R.Ellis English late 19th century landscape of a Watermill by a Stream Original frame oils on card Signed and dated on the reverse and lower right. Ellis was a landscape painte...

Imperial Forums and Coliseum on the background is an artwork realized in 1899. Mixed colored oil painting on canvas. Titled and date on the lower margin. Unreadable monogram. Good...

ANTONIETTA BRANDEIS Czechoslovakian, 1848 - 1926 FLORENCE´S BRIDGE signed "ABrandeis" lower right oil on canvas 10-3/5 x 14-4/5 inches (27 x 37.5 cm.) unframed PROVENANCE Private Collection, Barcelona Antonietta Brandeis (also known as Antonie Brandeisová) (1848–1926), was a Czech-born Italian landscape, genre and portrait painter, as well as a painter of religious subjects for altarpieces. She was born on January 13, 1848, in Miskovice (near Kutná Hora) in Bohemia, Austria-Hungary.[2] The first bibliographical indication of Antonietta Brandeis dates from her teens, when she is mentioned as a pupil of the Czech artist Karel Javůrek of Prague.[3] After the death of Brandeis' father, her mother, Giuseppina Dravhozvall, married the Venetian Giovanni Nobile Scaramella; shortly afterward the family apparently moved to Venice. In the 1867 registry of the Venetian Academy of Fine Arts, Brandeis is listed as being enrolled as an art student. At this time, Brandeis would have been nineteen, and one of the first females to receive academic instruction in the fine arts in Italy. In fact, the Ministry granted women the legal right to instruction in the fine arts only in 1875, by which time Brandeis had finished her education at the Academy. Brandeis’s professors at the Venetian Academy of Fine Arts include Michelangelo Grigoletti and Napoleone Nani for life drawing, Domenico Bresolin for landscape, Pompeo Marino Molmenti for painting and Federico Moja for perspective. Already during her first years of study there is evidence of Brandeis' skill-in her first year she is awarded prizes and honors in Perspective and Life Drawing. Brandeis’ continuing excellence and diligence in her artistic studies during the five years she spends at the Academy is attested to in the lists of prize-winning students of the Academy “Elenco alunni premiati Accademia Venezia in Atti della Reale Accademia di Belle Arti in Venezia degli anni 1866-1872”.[4] It includes numerous mentions of prizes and high honours won by Brandeis in Art History, Perspective, Life Drawing, Landscape and Anatomical Drawing, Drawing of Sculpture, and “Class of Folds”. It is in Venice at the Academy that Brandeis perfected her skills as a meticulous landscape and cityscape painter, with intricate and luminous details in the tradition of the eighteenth-century “vedutisti”. In 1870, while still a student at the Academy, she participated in her first exhibition; that of the Società Veneta Promotrice di Belle Arti with the oil painting Cascina della Madonna di Monte Varese. She is documented as having exhibited eight paintings during the years 1872 to 1876 with the Società Veneta Promotrice di Belle Arti, both landscapes and genre scenes. In the exhibit of 1875 her landscape Palazzo, Marin Falier is sold to M. Hall of London for 320 lire, a first indication of the success Brandeis will achieve with foreign collectors of her work (particularly the English and German visitors to Italy on the Grand Tour circuit). During these same years, she showed two paintings in the Florentine exhibit Promotrice Fiorentina. The first painting, entitled “Gondola” is a subject which she repeats in new variations throughout her career with great success. The second, perhaps a genre painting, is entitled “Buon dì !” The two paintings remained unsold and were presented at the same exhibition the following year, together with two more genre scene paintings. In 1876 and 1877 she exhibited three landscapes of Venice at the Promotrice Veneta, which sold to foreign collectors. In November 1877 Brandeis showed the large painting Palazzo Cavalli a Venezia at the exhibition of the Hungarian Fine Arts Society in Budapest. In both Florence and Budapest, Brandeis showed her work under the name “Antonio Brandeis”. The biographer De Gubernatis offers the following explanation for the change of name: “her first pictures received praise and criticism; she took the criticism, but when she was praised as a woman she was annoyed, and therefore exhibited under the name Antonio Brandeis.” During the years 1878 to 1893 Brandeis painted and exhibited numerous works, primarily scenes of Venice, and although she resided chiefly in that city she also traveled and painted in Verona, Bologna, Florence, and Rome. As well as in Venice and Florence, she exhibited in Turin, Milan, and Rome. In 1880 she was present at the International Exposition of Melbourne with three paintings: Palazzo Cavalli, A Balcony in Venice and The Buranella- native of Burano Island near Venice. Brandeis was a prolific painter, and often replicated her most popular subjects with only slight variations. She was represented in Venice at the photographer Naya’s studios in Piazza San Marco and in Campo San Maurizio and in Florence she collaborated with the picture dealer Giovanni Masini. During this period of intense activity painting landscapes en plein air and genre scenes, Brandeis also is documented in De Gubernatis as a painter of religious altarpieces. Several of these altarpieces can be found on the Island of Korcula in Croatia. Two are visible in the parish church of Smokvici and of in the church of St. Vitus in Blato. In the sacristy of the Cathedral of Korcula is a Madonna with Christ Child painted by Brandeis. For the same church she also painted a copy of the central panel of Giovanni Bellini’s triptych from the Venetian Church of Santa Maria dei Frari Gloriosa (1488). In 1899, for the main altar of the chapel of St. Luke in the Korcula town cemetery, Brandeis painted a St. Luke, which shows the sparkling colors and free impasto typical of her plein air oil paintings. On October 27th 1897 at the age of 49, Brandeis married the Venetian Antonio Zamboni, a knight and officer of the Italian Crown and knight of the Order of SS. Maurizio and Lazzaro. The couple continued to reside in Venice and Brandeis continued to show at Italian exhibitions in Venice, Florence, and Rome although more sporadically and with fewer works than before. Although she participated in the International Exposition of Watercolourists in Rome in 1906 with a “Study” and in the Società Promotrice delle Belle Arti in Florence in 1907 and 1908 with two oil paintings, De Gubernatis quotes Brandeis as saying in 1906, that even though she resides in Venice “I am a foreigner, and for some time I have not taken part in Italian Exhibitions, sending all my paintings to London.[3] Antonio Zamboni died 11...

Notturno Magico Atmosfera magica Ernst Liebermann (1869 – 1960) è stato un pittore, grafico e illustratore tedesco. Nel 1893 vinse la medaglia d'oro ("den grossen Schulpreis") del...

Very beautiful old artwork of the end of the 18th century ,after Jean Baptiste Oudry " Loup pris au piege ", an example of which is exhibited at th...

A Pair of Oils on Canvas, Arthur Trevor Haddon R.B.A. "East Gate, Warwick" and "Leicester Hospital and West Gate, Warwick" dated 1894 Arthur Trevor Haddon R.B.A. 1864 - 1941. Painte...