Early 20th Century Landscape Paintings

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed initials oil painting on thick paper, stuck on board unframed. Size: painting: 13...

Summer Morning View Of Edinburgh Castle, dated 1923 Robert Kirkland Jamieson (1881-1950) Large 1923 Summer morning view of Edinburgh Castle by Robert Jamieson. Excellent quality an...

Robertson K. Mygatt (American, 1862-1919) Trees by a Small Pond Oil on panel, 5 1/8 x 6 3/4 inches Framed: 9 1/2 x 11 1/2 inches (approx.) The landscape painter and etcher Robertson...

A gorgeous light-filled and highly detailed antique watercolor painting by English American artist Harold B. Warren. Harold Broadfield Warren was a landscape painter, illustrator, a...

Work on canvas Molded frame in plaster and gilded wood 65.5 x 91.5 x 7 cm

Paul-Emile Perboyre French, (1851-1929) The Surrender Oil on canvas, signed & dated 1916 Image size: 20.5 inches x 25 inches Size including frame: 26.25 inches x 30.75 inches A well...

Signed lower right, 'F. Coburn' for Frank Coburn (American, 1862-1938); additionally titled, verso, 'Henry, Ill., June, 1918' and titled, 'The Old Mill'. Framed dimensions: 30 x 1.75...

A Polder Landscape Delfgaauw Gerard Monster 1882 – 1947 The Hague Dutch Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Ima...

French Countryside Landscape by Edmond Quinton (French 1892-1969) *see notes below oil painting on board/ panel, unframed size: 7.75 x 9.5 inches condition: overall good and sound, s...

Olive Brack San Antonio River (1890-1957) San Antonio, TX Image Size: 12 x 18 Frame Size: 15.5 x 21.5 Medium: Oil Dated 1912 "Lilly Pads" Biography Olive ...

Gordon Coutts (1868-1937) Scottland & California Artist Image Size: 30 x 40 Frame Size: 45 x 50 Medium: Oil Circa 1920s "Scouting" Indian Biography Gordon Coutts (1868-1937) Born...

Luminous 1900 landscape of lake with mountains in background and stunning Aurora Borealis; a canoe rests on the shoreline by R. Briston (American, 20th Century). Signed lower left co...

Hilding Werner (1880-1944) Sweden 

Barns Buildings at Ruds Säteri, 1900

 watercolor on paper
unframed 21.5 x 31 cm (8.46 x 12.2 inches)
 framed 22 x 40 cm (8.66 x 15.75 inches)
 ...

Original oil on artist board painting by the Russian/American artist Ben Benn. Signed lower right and signed titled and dated in pencil verso. 1929. Overall in custom contemporary ...

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Work on canvas Gray and gold wooden frame 71.5 x 91.5 x 4.5 cm

Signed figures in cityscape oil on board circa 1920 by Russian-born post impressionist painter Elie Anatole Pavil. The work depicts citygoers in Boulogne. Two elegantly dressed ladie...

Italian painter (early 20th century) - Trieste, view of Miramare Castle with the Italian flag. 35.5 x 50 cm without frame, 42.5 x 56.5 cm with frame. Antique oil painting on canvas...

Jan Schaeffer(1923-2018) "Ships in Port" Original Oil Painting c.1930s This fine original oil on canvas is signed in the lower left corner. Though undat...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 13 x 19.5 in...

Olof Thunman Moonlit Night Signed Olaf Thunman lower right Oil on canvas laid on board 10 5/8 x 10 5/8 inches Provenance: Shepherd Gallery, New York Private Collection, New York Est...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed. Size: painting: 12 x 19.5 inc...

Ellie Anatole Pavil (Ukraine 1873-1911) signed oil painting on board, framed framed: 8.25 x 10.5 board : 7 x 9 inches provenance: private collection, France condition: overall very ...

'Harvest Time' with Croft and Haystacks Impressionist oil on canvas painting is by popular Scottish artist Joseph Morris Henderson, RSA (1863-1936) known for Landscapes and Seascapes. Henderson exhibited in the London Royal Academy, the Royal Scottish Academy, Glasgow Institute of Fine Art, and in galleries across the UK. This painting is especially bright, of golden fields and haystacks, and impressionist figures by a rural white croft house...

Martha Walter Market Scene, North Africa Signed lower right Watercolor on paper 9 x 9 inches Martha Walter was best known as a painter of colorful beach scenes and landscapes. Infl...

Jim’s of Lambertville is proud to offer this artwork by: Robert Spencer (1879 - 1931) One of the rarest and most important artists among the New Hope School, Robert Spencer was bo...

Artist/ School: F. E. Jamieson British, signed verso Title: The Ancient Castle in the Scottish Highlands Medium: Oil on canvas, framed Size: framed: 22.5 x 30.5 inches canvas : 16...

Artist/ School: F. E. Jamieson (British 1895-1950), signed Title: Scottish Highland loch scene at the close of day, beautifully moody and atmospheric. Medium: signed oil painting o...

This lovely historically interesting British marine oil painting is by Newcastle artist Joseph Henry Kirsop. Painted in 1914, the location of the painting is the port of Newcastle up...

Lombard Landscape is a modern artork realized by Gigi Comolli in 1928. Mixed colored oil on canvas. Includes frame: 110 x 127.5 cm Hand signed and date...

An impressionistic portrayal of the village of Haut-de-Cagnes on the French Riviera, painted in vibrant colors. Oil on panel, signed and dated "F Berg 22", later frame. A tergo inscr...

Work on cardboard Golden wooden frame 54 x 45 x 4.5 cm

Haug Christian Soleur, Norway 1862 – 1953 Munich, Germany Norwegian Painter Deer in a Winter Landscape Signature: Signed bottom right and placed Mu...

This dynamic seascape by Charles Ernest Butler captures the rugged cliffs of Penolver Head on the Lizard Peninsula, where land meets the vast, glistening ocean. The bold, expressive ...

Artist/ School: Suzanne Crochet (French c. 1930) French Impressionist artist Title: The Harvest Field Medium: oil on board, unframed and double sided image board: 9.5 x 13 inches ...

This colorful impressionist street scene possibly heading toward Pigeon Cove in Rockport was painted by well-known Dutch / American artist Anthony Thieme (188...

This enchanting watercolor, measuring a mere 4.5 x 8 cm, offers a glimpse into the beauty of a serene autumn landscape overlooking Lake Möckeln, nestled between the municipalities of Degerfors and Karlskoga in the province of Värmland, Sweden. In this picturesque scene, the horizon reveals the serene outline of the distant shoreline, adorned with several small islands. The tranquil waters mirror the reflection of the trees on the land, creating a harmonious and captivating play of colors. In the foreground, a solitary birch tree stands tall, adding depth and perspective to this miniature watercolor. The level of precision achieved within this tiny format is truly remarkable, showcasing Fanny Hjelm...

This work by Lucien Adrion is a wonderful representation of his impressionistic works depicting the "Pont De La Concorde" bridge across the Seine in Paris with the Eiffel tower in the distance. Using a bright palette of colors, Adrion executes this piece with much attention to detail with figures and cars over the bridge and a man leaning against the edge overlooking the bright water and reflections. There is a boat lower right and we can feel the warmth of the sun contrasted with the cool breeze of the water. The figures are wonderfully executed by the artist in a very whimsical way that leaves us with an essence of fun and enjoyment from that sunny day at the Seine. As this tourist destination was a favorite of the artist to find inspiration and highly attractive subjects and compositions to represent. The piece is signed by the artist lower right and titled on verso, it comes housed in a French giltwood frame with hanging wire on verso ready to be displayed. Art measures 20 x 29 inches Frame measures 25.5 x 34.5 inches Lucien Adrion was born May 25, 1889 in Strasbourg, France. He was a French Post-Impressionist painter, draftsman, and printmaker known for his depictions of the French countryside and beaches, as well as Parisian life including landscape, still life, figure, and landmarks paintings. He began his initial studies in Strasbourg as a technical draughtsman. In 1907, at the age of 18, he left his hometown Strasbourg and traveled to Paris, where he found employment in a large drafting company to work as a fashion illustrator. Adrion changed his mind upon arrival and rather than working for a large company, he decided to peruse his artistic career by traveling to London, Munich, and Frankfurt. As the World War broke out he had to go to Berlin, where he studied as an engraver with Hermann Struck, who was also the teacher of Marc Chagall. He remained in Berlin until the war ended and after the demobilization, Lucien would study engraving under Franz Ritter von Struck...

Highly detailed landscape with a house and car by Edward K. Williams (American, 1870-1950). A large house sits atop a hill, looking down over a road that runs along the river. Three people are driving a car from the 1930s along the road. The scene is rendered with great detail - both the house and the car are very accurate. There is an ornate border around the piece that was not finished, including instructions for framing and matting. Signed "E K Williams" on verso, with an address. Presented in a giltwood frame with a new off-white mat. Frame size: 15.75"H x 12.75"W Image size: 7.75"H x 6.5"W Landscape painter, Edward K. Williams was born 1870 in Greensburg, Pennsylvania. Williams studied at the Art Institute of Chicago with Freer, Vanderpoel, Fursman, and Krehbiel. He exhibited there as well from 1903-1929 (including many winter scenes). He also exhibited at the Hoosier Salon, New York Watercolor Club, Herron Art Institute, American Watercolor Society, Brown County Art...

Antique impressionsit oil painting of a cityscape. Oil on canvas, circa 1925. Signed. Displayed in a period frame. Image, 18"L x 22"H.

Antique American impressionist seascape signed oil painting. Oil on canvas. Signed. Framed. Image size, 14L x 11H.

Beautiful lanscape painting by American artist, James Floyd Clymer (1893-1982). Newfoundland, ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin. SHIPS ROLLED. James Floyd Clymer ( 1893-1982 ) known for his Regionalist style of land, sea and cityscapes, created paintings with an emphasis on color and form. His works possess a clear and simple style, easily understood by the masses. Born in Perkasie Pennsylvania, 20 miles north of Philadelphia, Clymer was the youngest of seven children. Losing his mother during childbirth, he was raised by his eldest sister. He attended Drexel University in Philadelphia, studying Art and Architecture and worked as an Architect in the years following World War I. During this time, Clymer met the artist Gwenyth Waugh, daughter of the renowned marine painter, Frederick Judd Waugh. His thrust then changed from Architect to Artist. Together, the couple travelled to destinations such as Spain and Newfoundland, where they gave birth to their only daughter. In the early 1920's, Clymer and family settled in Provincetown, MA and quickly became associated with notable artists such as Helen Sawyer...

Marcel COSSON (1878-1956) Madame Cosson dans son Jardin Oil on canvas Size : 60,4 x 73,4 cm Signed lower left Painting in perfect condition Without frame Sold with invoice and certif...

Vibrant Sea English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 7.75 x 11 inches From a large private collection of English wate...

Amazing early 1900s impressionist beach scene of Good Harbor Beach in Massachusetts. Very finely pained with great color and lots of detail and figures. Located on verso. Nicely f...

Landscape with Trees is an original modern artwork realized by the Italian painter Alberto Zardo in the first decades of the XX Century. Original oil on cardboard. Hand-signed by ...

Jim's of Lambertville Fine Art Gallery is proud to present this piece by John Fulton Folinsbee (1892 - 1972). One of the finest painters to embark upon the New Hope Art Colony, John...

Signed lower right 'Cheriane' for Cheri-Anne Charles Fargue, (French, born 1900), and dated, verso, 1927. Provenance: Theophile Briant Gallery, Paris, from old label verso. Frame a...

Te Kaha, Bay Of Plenty, New Zealand, early 20th Century by Ernest William BUCKMASTER (1897-1968) Large early 20th Century view of Te Kaha, New Zealand, oil on canvas by Ernest Buck...

This superb Edwardian Impressionist oil painting by Scottish listed artist James Campbell Noble RSA. Painted circa 1910 the composition is a harbour scene with trees to the right, nu...

Stunning signed post impressionist oil on panel circa 1920 by French painter Emile Octave Denis Victor Guillonnet. The work depicts a summer garden filled with vibrant flowers in reds, pinks, yellows and whites, with green lawn and trees beyond. Signature: Signed lower left Dimensions: Framed: 28"x32" Unframed: 20"x24" Provenance: Private US collection Émile Guillonnet was a student of Lionel...

Nassau Blair Browne, a celebrated Dublin artist and Royal Hibernian Academy member, brings to life a serene yet striking portrayal of two hunters in a vast open landscape. This evoca...

Beautiful oil on canvas post impressionist painting by the French artist, Edmund Amedee Heuze. Signed lower right. Circa 1920. Condition of the painting is very good. No restorations. His paintings rarely come to the market. The painting is housed in a contemporary gold leaf gallery frame. Overall framed measurements are 24.25 by 28.75 inches. Provenance: Papillon Gallery (gallery label verso) Edmond Heuze 1883-1967 Edmond Heuzé was a painter, pastellist, watercolourist, and lithographer. His birth name was Amédée Le Trouvé. He was born in Paris, the son of a tailor and a seamstress. Heuzé wanted to be an artist from early childhood, and refused to follow his father into the tailoring profession. When he was 11, His parents moved to Montmartre, and it was there, in rue Cortot, that the thirteen-year-old Edmond Heuzé and his boyhood friend André Utter met Suzanne Valadon, whom Utter would later marry. Heuzé moved into an attic room in 8, rue Cortot, with another friend, the young Russian sculptor Laxine. For two years they studied under Valadon, until Laxine entered the atelier of Fernand Cormon at the Beaux-Arts; Laxine was soon to kill himself. Edmond Heuzé too studied under Cormon, but flounced out when Cormon made fun of his large nose. Discouraged, Heuzé took up a tailoring job at the department store La Samaritaine. But when his portrait of Suzanne Valadon was accepted by the 1902 Salon d'Automne, he resolved to devote himself to art. To support himself, Heuzé took a job as a dancer at the Moulin Rouge, where he danced with La Goulue. For two years he entered dance competitions across Europe under the name Williams. He also taught the painter Maurice Utrillo, who was the son of Suzanne Valadon. In 1908, Heuzé had his first solo exhibition, at the galerie Berthe Weill. The following year he went to Saint Petersburg, where he was the curator of the art collection of Grand Duke Nicolas. On the outbreak of WWI Edmond Heuzé returned to Paris to join up, but was only mobilized for a few months. In Paris he survived doing odd jobs in Les Halles. Continuing with his own art, Heuzé also acted as an intermediary between collectors and artists such as Picasso, Vlaminck, and Valadon. This led to Heuzé being appointed artistic director of the galerie Sagot in rue Lafitte. In 1920 Heuzé exhibited at Bernheim alongside Maurice Asselin, Emily Charmy, and Lucien Mainssieux...

The Village Lane British artist, early 20th century oil on board, framed framed: 7 x 8.5 inches board: 6 x 7.5 inches provenance: private collection, England condition: very good an...

Impressive early American impressionist California oil painting. Framed. Oil on board. Image size, 12H by 9L.

Signed oil on canvas laid on board landscape by American Impressionist painter Abram Molarsky. The work, painted in mostly pastel shades of green, blue and purple depicts a view of b...

Jean Marcel POUSSART Sedan (Ardennes), 1891 – 1972 Oil on canvas 19 x 25 cm (26.5 x 32.5 cm with the frame) Signed upper left "JM Poussart" Nice oval frame from the 19th century Exce...

Antique American modernist signed original oil painting. Oil on canvas, circa 1930. Signed illegibly. Image size 20L x 16H. Housed in a period giltwood frame.