Early 20th Century Landscape Paintings

Work on canvas Plaster and gilded wood frame 68.5 x 80 x 4 cm

The Highland Glen by F. E. Jamieson (British 1895-1950), signed with artists pseudonym oil on canvas, framed framed: 26 x 36 inches canvas: 20 x 30 inches provenance: private collect...

A wonderful 1930's French impressionist oil on board depicting a gentleman taking a stroll past a vegetable stall, probably in Provence. The work is very atmospheric and superbly p...

Alfred Henry Maurer has been called the First American Modern because of his role in bringing modern methods of working to the United States

Jim's of Lambertville Fine Art Gallery is proud to present this piece by Clarence Raymond Johnson (1894 - 1981). Clarence Johnson was an important New Hope School Impressionist painter who was active from 1917 until 1935. Born in Ohio, Johnson began his studies at the Columbus Art School. He then came to the Pennsylvania Academy of the Fine Arts where he studied under Daniel Garber, Emil Carlsen, and Cecilia Beaux...

George W. Drew 1875-1968. Excellent example of his work, housed in a period Louie XIV style frame measuring 20.5 x 24.5in. Painted in early to mid 20th century.

Rolf Stoll (American, 1892-1978) Spanish Seaside Village (Cadaques Catalonia) Oil on canvas Signed lower right 28 x 38 inches Exhibited: The 11th Annual May Show, Cleveland Museum of Art, 1929 Rolf Stoll, a painter of figure subjects, landscapes and floral still lifes, was an important member of the Cleveland art scene during the second quarter of the century. He was also an influential teacher, as well as one of Ohio’s foremost portrait painters. Rolf Stoll was born in Heidelberg, Germany, in 1892. As a boy, he attended a military academy, during which time he developed an interest in art. He received his early formal training at the Academy of Fine Arts in Karlsruhe and at the Academy of Fine Arts in Stuttgart. He emigrated to the United States in 1912, settling in New York City. A decade later, after studying at the school of the National Academy of Design and supporting himself by working as a commercial artist, Stoll decided to leave New York. Upon the recommendation of Warren Pryor, one of his teachers, he decided to move to Cleveland, Ohio. After arriving in Cleveland, Rolf Stoll continued to work as a commercial artist. However, in 1926, he joined the faculty of the Cleveland School of Art, where he taught drawing. Two years later Stoll was appointed head of the school’s portrait painting department. A talented portraitist, Stoll’s sitters included industrialists, community leaders and many prominent members of Cleveland and Ohio society, as well as over twenty faculty members from Case Western Reserve University. Stoll also gave portrait classes at the John Huntington Polytechnic Institute from 1926 to 1953. In his male portraits especially, he was admired for his ability to convey the dignity of his sitter’s professional position without sacrificing individuality. As noted by one contemporary reviewer, Stoll was a “master of rich color, a searching student of human types, a forceful portrayer of all that the face reveals of the mind and the soul.” In addition to his activity as a portraitist, Rolf Stoll painted figure subjects and floral still lifes. He was also known for his views of the Ohio countryside and Canada. Stoll also painted views of Spain and depictions of Spanish peasants, inspired by an extended trip to that country (1926), during which time he was entertained by the famous Spanish portrait painter, Ignacio Zuloaga. Moving easily between oil and watercolor, Stoll worked in an direct realist style, combining his characteristic firm draftsmanship with the use of simplified forms and decorative color. Rolph Stoll was a member of the Cleveland Society of Artists, the Cleveland Print Club...

Antique oil painting by Louis LeJeune. North German landscape. Oil on canvas. Dimensions without frame. Including certificate of authenticity. Louis Ignaz Paul Lejeune (born Februa...

Winter Evening Sundown oil/canvas 18 x 24 image unframed, 23.25 x 29.25 framed. This image is inspired by the view outback of my home and studio. I have enjoyed seeing the seasons c...

Alfred de Breanski was an English painter best known for his soaring landscape paintings of the Irish and Welsh countrysides. His panoramic vistas of...

Artist/ School: French School, early 20th century, signed Title: French harbour scene, with many figures around the fishing boats bringing in the catch. Medium: oil painting on bo...

Crop Meadow English School, early 1900's original watercolor painting on artists paper, unframed overall paper size: 8 x 11.25 inches From a large private collection of English wat...

This painting is part of our exhibition American Coast to Coast: Artists of the 1930s Subway Construction, c. 1928, oil on board, 19 x 15 ¾ inches, signed upper left, artist and title verso; exhibited: 1) 12th Annual Exhibition of the Society of Independent Artists, The Waldorf Astoria, New York NY, from March 9 to April 1, 1928, no. 864 (original price $250) (see Death Prevailing Theme of Artists in Weird Exhibits, The Gazette (Montreal, Quebec, Canada), March 8, 1928); 2) Boston Tercentenary Exhibition Fine Arts and Crafts Exhibition, Horticultural Hall, Boston MA, July, 1930, no. 108 (honorable mention - noted verso); 3) 38th Annual Exhibition of American Art, Cincinnati Art Museum, Cincinnati, OH, June, 1931 (see Alexander, Mary, The Week in Art Circles, The Cincinnati Enquirer, June 7, 1931); and 4) National Art Week Exhibition [Group Show], Montross Gallery, New York, New York, December, 1940 (see Devree, Howard, Brief Comment on Some Recently Opened Exhibitions in the Galleries, The New York Times, December 1, 1940) About the Painting Ernest Stock’s Subway Construction depicts the excavation of New York’s 8th Avenue line, which was the first completed section of the city-operated Independent Subway System (IND). The groundbreaking ceremony was in 1925, but the line did not open until 1932, placing Stock’s painting in the middle of the construction effort. The 8th Avenue line was primarily constructed using the “cut and cover” method in which the streets above the line were dug up, infrastructure was built from the surface level down, the resulting holes were filled, and the streets reconstructed. While many artists of the 1920s were fascinated with the upward thrust of New York’s exploding skyline as architects and developers sought to erect ever higher buildings, Stock turned his attention to the engineering marvels which were taking place below ground. In Subway Construction, Stock depicts workers removing the earth beneath the street and building scaffolding and other support structures to allow concrete to be poured. Light and shadow fall across the x-shaped grid pattern formed by the wooden beams and planks. It is no surprise that critics reviewing the painting commented on Stock’s use of an “interesting pattern” to form a painting that is “clever and well designed.” About the Artist Ernest Richard Stock was an award-winning painter, print maker, muralist, and commercial artist. He was born in Bristol, England and was educated at the prestigious Bristol Grammar School. During World War I, Stock joined the British Royal Air Flying Corps in Canada and served in France as a pilot where he was wounded. After the war, he immigrated to the United States and joined the firm of Mack, Jenny, and Tyler, where he further honed his architectural and decorative painting skills. During the 1920s, Stock often traveled back and forth between the US and Europe. He was twice married, including to the American author, Katherine Anne Porter. Starting in the mid-1920s, Stock began to exhibit his artwork professionally, including at London’s Beaux Arts Gallery, the Society of Independent Artists, the Salons of America, the Cincinnati Art Museum, the Whitney Studio and various locations in the Northeast. Critics often praised the strong design sensibility in Stock’s paintings. Stock was a commercial illustrator for a handful of published books and during World War II, he worked in the Stratford Connecticut...

René Samuel Béguin (1892–1947) was a Swiss painter celebrated for his urban, mountain, and lake landscapes. Born on August 26, 1892, in La Chaux-de-Fonds, Switzerland, he hailed from...

Signed lower right. A prominent landscape and marine painter, Jules Eugène Pages spent most of his career in France where he was a well-known Impressionist painter, but he mainta...

Leading them Home British School, early 20th century oil on board, unframed board: 7 x 10 inches provenance: private collection, UK condition: gilt rubbing to the edges from a forme...

The Highland Glen By Charles McKinley (antique British) signed oil painting on canvas, framed framed: 18.5 x 26 inches canvas: 16 x 24 inches provenance: private collection, Englan...

Jim’s of Lambertville is proud to offer this artwork by: Gershon Benjamin (1899 - 1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon ...

Louis Thysebaert 1879 - Sint-Niklaas - 1962 Belgian Painter ‘Landscape with Cows’ Signature: signed lower right ‘L.Thysebaert’
 Medium: oil on canvas
 Dimensions: Image size 95,5 c...

Beautiful original oil painting of two horses by Piero Tamo (Switzerland, 1899-1966). This is a painting done after the painting by Henry William Banks Davis...

Early 20th Century, French, oil on canvas of a romantic river scape with an ancient bridge. The work is dedicated, signed and dated bottom left, but we have not been able to decipher...

Artist/ School: F. E. Jamieson (British 1895-1950), signed with the artists pseudonym 'McGregor'. Title: Sunset in the Scottish Highlands Medium: signed oil painting on board, fra...

Marc Aldine - Antoine Bouvard (1870-1956): Bouvard was born in Paris in 1870. Beginning his studies as an architect, Bouvard changed paths, training at the Ecole des Beaux-Arts. Alt...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed oil painting on thick paper, stuck on board unframed dated 1944 Size: painting: 13...

Early 20th century Folk Art Impressionist oil on board view of a farmhouse. Initial signed but artist unknown and dated 1924 to the bottom right. Presented in a really beautiful peri...

Work on wood

Wilson Irvine French Landscape, circa 1908 Signed lower right Oil on canvas 29 x 36 inches A prolific Impressionist with a penchant for atmospheric scenes, Illinois native Wilson I...

"The Harbour Mouth" by F. E. Jamieson (British 1895-1950) signed lower corner with the artists pseudonym 'Phil Hips' oil painting on canvas, unframed canvas: 16 x 24 inches Fine quality antique oil painting by the much admired and celebrated British artist F. E. Jamieson (1895-1950). The painting is signed by Jamieson to the lower corner with one of his pseudonym's "Phil Hips". The painting captures this rarer subject for the artist, depicting the mouth of a coastal inlet harbour entrance. F. E. Jamieson (1895-1950) We are extremely fortunate to have been handling the works of the enigmatic British artist, F. E. Jamieson since the year we began art dealing, 1989. Over this time, coupled with our love of the Scottish landscape, we have bought and sold many hundreds of his paintings, in all their various guises and subjects and are considered by many to be a leading authority on the artist and his work. We are also in the early stages of publishing the Catalogue Raisonne for this artist, of which this painting will be featured. Mr. Jamieson was largely a painter of Scottish landscapes and loch scenes. Born in 1895, Jamieson lived on the south coast of England and was contracted to a large department store to supply them with his paintings. He was an ambitious man and keen to sell more works than through just one shop. In order to do this, he started to sign his works with pseudonyms other than his own name, in order that he could sell his work to a wider audience. It worked and it is considered that Jamieson at least 15 different pseudonym names on his paintings. In addition to selling through furniture shops, Jamieson would travel door to door offering his paintings to housewives and private buyers. In our years of researching the artist, we heard one story related to us by an old customer who remembers that Jamieson started selling door...

A masterful oil painting depicting a view of the British Country Side with figures flying kites on a spectacular day. A rich landscape depicting a typi...

Work on paper Golden wood frame with glass window 21 x 28.5 x 1.5 cm

"Pitlochry" by F. E. Jamieson (British 1895-1950) signed, lower corner with pseudonym "W. Richards" titled verso to canvas oil painting on canvas, unframed canvas: 16 x 24 inches ...

This artwork "Landscape" c.1900 is a oil painting on canvas attributed to American impressionist artist Richard De Treville, 1864-1929. It is unsigned as many paintings done by this ...

ANTONIO REYNA MANESCAU Spanish, 1859 - 1937 SAINT MARKS SQUARE signed & located "A. Reyna, Venezia" (lower right) oil on canvas 15-1/2 x 21-3/8 ...

Urban view with sunset Technique: oil, acrylic, ink on wood frame 40x40cm / 15,7x15,7inch ⏩》R E A D Y -- T O -- H A N G《⏪ 🟢 → Original signed work. Certificate of authenticity i...

Artist/ School: William Langley, British 19th/ 20th century, signed Title: Sunset over the English Landscape Medium: oil on canvas (the board showing in the photos is purely a prot...

The Riverside Town French Impressionist, early 1900's oil on beveled wood panel, framed panel: 9 x 14 inches Provenance: private collection, France Condition: very good condition D...

Edward Matthew Elliott. English ( b.1869 - d.1955 ). St Ives Harbor At Low Tide. Cornwall. Oil On Board. Signed Lower Left. Image size 11.4 inches x 17.3 inches ( 29cm x 44cm ). Fra...

A charming and beautiful rural landscape in oil on canvas by the French painter M. Juliany, signed in the lower right corner, French School . In the foreground, a winding path is...

A masterful oil painting depicting a view of a coastal view with a Mother and Child seated by the flowers in the grass with a camisole umbrella. This piece is an excellent example of...

Work on canvas Golden wooden frame 66 x 78 x 4 cm

Charles Henry Miller (American, 1842-1922) Untitled, c. Late 1800s-Early 1900s Oil on board 9 x 12 in. Framed: 14 5/8 x 17 3/4 in. Signed lower right: C.H. Miller Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier. After the 1874 death of his father, Jacob Miller, who was a wealthy architect and builder, Miller received a large inheritance that allowed him to paint as an independent artist for the remainder of his long life. He worked seriously and exhibited regularly, including at international exhibitions. The majority of his oil paintings depict Long Island subjects, especially those in and around Queens Village. Fed up with the development of the eastern part of Queens (present-day Nassau County), he began to spend part of his summers in East Marion, Long Island, c. 1910. Here he spent his time sketching and painting the surrounding areas. In 1885 he published The Philosophy of Art in America, using the pseudonym Carl De Muldor (he was descended from the De Muldor family). His work was recognized: in 1873, he was elected an associate of the National Academy of Design and an academician in 1875. He served as president of the New York Art Club in 1879 and of the American Committee at the Munich International Exposition in 1883. Legacy and honors • In 1910 Miller founded the Queens Borough Allied Arts & Crafts Society. • A New York City public school, Queens P.S. 33, was once named for him. • 1878, gold medal awarded by the Massachusetts Charitable Association • 1885, gold medal at the World's Exposition in New Orleans. Following is a list, which includes many of his known exhibitions: • National Academy of Design, New York, NY, 1860-61, 1865-67, 1870-1921 • Brooklyn Art Association, Brooklyn, NY, 1872-84, 1891-92 • Artist's Fund Society, New York, NY, 1874 (exhibition & sale), 1886 (exhibition & sale) • Century Association, New York, NY, (1874-1917) • Philadelphia Centennial Exhibition, Philadelphia, PA, 1876 (prize) • Society of American Artists, New York, NY, (1878-1882) • Massachusetts Charitable Mechanic Association, Boston, MA, 1878 (prize) • Paris International Exposition, Paris, France, 1878, 1889 • American Water Color Society Exhibition, New York, NY, 1879 • Pennsylvania Academy of Fine Arts, Philadelphia , PA, 1879-99 • Boston Art Club, Boston, MA, 1880-1907 (prize) • Union League Club, New York, NY, 1880 • Lotos Club, New York, NY, 1880, 1896, 1899-1900, 1906 • Salons of Paris, Paris, France, 1882 • International Exhibition, Munich, Germany, 1883 (president & exhibitor) • New Orleans Exposition, New Orleans, LA, 1885 (prize) • Art Institute of Chicago, Chicago, IL, 1888-89, 1891, 1894-98, 1904 • Fifth Avenue Art Gallery, New York, NY, 1889 (exhibition & sale) • World's Columbian Exposition, Chicago, IL, 1892 • Frederick A. Chapman Gallery, New York, NY, 1898 (solo) • Miller Studio...

This antique Italian oil painting features a vibrant sunlit mountain landscape rendered in warm golden tones and dramatic purples. Painted in an impressionist style, the composition ...

Abel Warshawsky, American (1883-1962) Harbor Scene Oil on Canvas Signed lower right 13 x 16.25 canvas 17 x 20 inches framed Early 20th Century Harbor Scene Seascape/Landscape Pain...

This pastoral landscape painting depicts a mother and her two daughters collecting flowers at the river's edge. The foreground frames the expansive countryside vista, rendered in war...

A charming early 20th century oil painting of a quiet northern town square by the artist Robert T. Mumford (1895-1939). The study has a sketchy quality and is perhaps a preparatory d...

A delightful early 20th-century oil by the artist Robert Benard (1908-1996) depicting the Quai de Bourbon in Paris, France. The artist has used soft impressionist brushstrokes and a ...

A striking landscape painting depicting a serene vista from Mount Edgecombe with rolling hills and a distant body of water rendered in tones of blue, green, and soft brown. The compo...

An expressive and painterly work that captures the first light of day. Illegibly signed to the lower right, possibly 'S. Johnson'. Titled and dated to the reverse. Presented in an or...

This tranquil early 20th-century riverside scene features lush vegetation, rolling hills, and a dramatic sky filled with billowing clouds that create a sense of movement and atmosphe...

A scenic landscape painting by the artist Francis E. Jamieson (1895-1950), depicting rain clouds over Loch Katrine in the Scottish Highlands. Signed to the lower right. Well presente...

William Miller Frazer renders this Scottish castle ruin in vibrant colour and broad impressionistic brush strokes. Signed and dated to the lower right. Inscribed with the title, date...

A delightful landscape study, attributed to Philip Hugh Padwick ROI RBA (1876–1958), capturing a serene summer country scene with a solitary cow resting in the shade of a tall tree. ...

An atmospheric twentieth-century oil painting by the artist Sydney Yates Johnson. A lone figure walks towards the viewer against an expansive mountain backdrop. Signed and dated to t...

Jamieson captures this evening landscape scene in meticulous detail. The gloaming light dances across the water's glassy surface; a horse and cart are led towards the village nestled...

A beautifully atmospheric scene depicting a small cottage nestled in the highland mountains on the verge of a lake. The artist captures the scene bathed in early morning light, casti...

This pastoral landscape painting depicts a serene Dutch countryside scene centred around a traditional windmill positioned along a tranquil waterway, with modest rural buildings nest...

A delightful landscape by the artist Francis E. Jamieson (1895-1950), depicting the morning light over the Talyllyn Lake, North Wales. Signed 'Chas Maurille', a pseudonym used by Fra...

This pastoral scene depicts rural cottages alongside a country road that recedes into the distance, all bathed in the warm, golden light of evening. Signed and dated to the lower lef...

Breton Fisherfolk on the Shore French School, early 1900's signed with initials HB oil on canvas, unframed canvas: 15.5 x 20 inches provenance: private collection, France condition: ...

Original Painting of Sweden Norway Fjord Landscape by Danish Landscape Artist. Art measures 27 x 23 inches Frame measures 33 x 29 inches An oil pain...