Mid-20th Century Landscape Paintings

Edward Avedisian ( 1936-2007 ) 15 X 8.5 Oil paint on wood panel This is not signed on front. It bears his name verso. Provenance: Hudson, N.Y. estate of noted Art Collector Albert B...

Gorgeous and vibrant landscape of California Sierra's babbling brook during autumn by California artist Edith P. May (American, 20th-C), c. 1959. Signed lower right corner. Presented...

Impressive early American modernist seascape oil painting. Framed. Oil on canvas. Image size, 14H by 22L.

Charming mid century landscape with Cecil Brunner roses, larkspur and foxglove titled "The Friendly Gate" by Lillian Mae Grooms Huebner (American, 1892-1976), circa 1950. Condition: ...

Signed lower left. Born in Rockport, Massachusetts, impressionist painter William Stevens lived and worked in the area for many years. In the later part of his life, he moved to Co...

Paul Ayshford Methuen, 4th Baron Methuen of Corsham (1886 -1974) Corsham Court Oil on board Signed and dated 1957 9×11 inches A view of Corsham Court, Methuen's own house - where he invited the Bath School of Art after their premises were bombed during the war. Painter, zoologist and landowner, he was the first child of Field Marshal Paul Sandford Methuen, 3rd Baron. After Eton and reading Engineering and Zoology at New College, Oxford, he worked in the Transvaal Museum in Pretoria collecting and describing southern African species. He served with the Royal Wiltshire Yeomanry in both the First and Second World Wars, moving to the Procurement and Fine Art branch...

William Henry Innes (1905-1999) Innes first exhibited his work during the Second World War while he was in the Royal Air Force. He showed extensively at the Royal Academy, New Engla...

Jim’s of Lambertville is proud to offer this artwork by: Walter Emerson Baum (1884 - 1956) Born in Sellersville, Pennsylvania, Walter Baum was one of the only members of the New Ho...

The River Landscape by Andre Rodet (French, dated 1946) signed and dated 1946 oil on board, framed framed: 16.5 x 21.5 inches board: 13 x 18 inches Provenance: private collection, F...

Work on cardboard Golden wooden frame 32 x 40.5 x 3 cm This work of art depicts a forest scene of remarkable and serene beauty. The painting captures the majesty of a coniferous for...

Vintage American modernist surreal landscape oil painting. Oil on canvas, circa 1940. Signed. Unframed. Image size, 28"L x 20"H.

Signed and dated oil on panel landscape by sought after French post impressionist painter Jacques Martin-Ferrieres. This beautiful piece depicts a view of Auribeau-sur-Siagne, is a c...

Autumn landscape. Oil on cardboard, 39x50 cm is a landscape painter and a student of Vilhelms Purvitis. Vilhelms Purvitis one of the founders of the Latvian National School of Paint...

A charming oil study depicting mountain landscape. The artist shows several quaint farmhouse dotted about scene under looming mountains. Signed and dated to the lower left. Presented...

Nancy Bailey. English ( b.1913 - d.2012 ). Working Boats, Porthleven, Cornwall, 1973. Oil On Canvas. Signed Lower Right. Image size 18.9 inches x 34.8 inches ( 48cm x 88.5cm ). Fram...

Artist: Stanley Sobossek, American (1918 - 1996) Title: City Street Year: circa 1965 Medium: Oil on Canvas, Signed Size: 43 x 34 inches [109 x 86 cm]

Oil on canvas painting on artist board by the American artist, Jean Leason Hitch. Signed lower right. Condition: good; no restorations. The painting is housed in a massive gold reproduction frame 24 by 22 inches. Jean Leasin Hitch began her artistic career in Melbourne, Australia, under the tutelage of her father, Percy Leason, a professional painter, well-known cartoonist and illustrator. After coming to the United States in 1943, she was appointed curator of art at the Staten Island Institute of Arts and Sciences, New York. While at the museum, she also began her restoration career and restored paintings from the museum's collection and other notable historic collections. Jean Leason Hitch was an active member in the Allied Artists of America, American Artist Professional League, Hudson Valley Art Association, served as vice president for the Catharine Lorillard Wolfe Art Club in New York, and in 1953, was listed in "Who's Who in American Art." Her work merited numerous awards; including the Kathleen Grumbacher Award, Council of American Artists Society Award, Anna Hyatt Huntington...

Afternoon Street Scene - Mid Century Figurative Landscape by Rudolf Jacobi A mid century small town afternoon street scene with small figures by Rudolph...

Guiseppe Capineri (1923-1994) Ponte Veccchio, 1959 Ink on paper, image measures 11.25 x 15.5 inches. Framed measurement: 14.25 x 18.5 inches. Signed and dated in red ink lower rig...

Johann Berthelsen (Danish/ American 1883 - 1972) View From Artist's Porch; Including his Two Sons, New Milford, Connecticut', Circa 1947/48. Oil on canvas. Signed lower right. P...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

Nathan Hoffman Brighton Beach, July 31, 1946 Signed, dated, and estate stamped on the reverse Oil on artist's board 10 x 13 1/2 inches Provenance: Esta...

Work on wood Molded frame in plaster and gilded wood 48 x 68 x 6.5 cm

Initialed lower right, 'K.W.' for Katherine Westphal (American, 1919-2018) and painted circa 1965; additionally bearing label, verso, inscribed with artist's name and titled 'Venice'. Framed Dimensions: 33.25 x 2 x 29 Inches A large, Post-Impressionist oil showing a view of the Basilica of Santa Maria della Salute on the Punte della Dogana with half-a-dozen gondolas rocking on the gentle swell of the Guidecca. A vibrant modernist vedute by this well-listed California woman artist who shows the iconic Baroque church as if suspended in golden light, both reflecting the sunset and, itself, reflected in the shimmering waters. Born in Los Angeles, Katherine Westphal first attended Los Angeles City College and, subsequently, the University of California at Berkeley where she studied painting and art history and received both her Bachelor and Master of Arts degrees. In 1943, she was awarded the Phelan Travelling Scholarship which funded her travel to Mexico where she visited the studios of both David Siquieros and Diego Rivera, an experience that confirmed her lifelong preference for Modernist principles in her work. Over the course of a long and multi-faceted career, Westphal exhibited widely and with success and was the recipient of numerous prizes, medals and juried awards. In addition to her career as a fine artist, Westphal wrote extensively on art theory and also became a beloved teacher at the University of California, Davis, becoming a tenured faculty member in 1968, a full professor in 1975. She retired in 1979 as Professor Emeritus. Katherine Westphal’s work is held in the permanent collections of prominent American museums including the Smithsonian Museum...

Impressive early American fauvist landscape oil painting. Framed. Oil on canvas. Image size, 25H by 30L.

Georgina Klitgaard Desert Signed lower right Oil on canvas 18 x 30 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists to members...

Nikolai Timkov (1912-1993) Russian artist. Oil on board dated 1968 in a gold-leaf frame. Titled and signed twice on the verso. Titled: The Kremlin. Measures: 13 ½ x 20. Frame size: 2...

Antique American modernist surreal oil painting. Oil on canvas. Framed. No signature found.

UNION SQUARE Depression Era Oil Painting WPA Realism American Scene Realism NYC Jo Cain (1904 – 2003) "Union Square" 24 x 36 inches Oil on canvas, c.1940s S...

Autumn Trees, Mid Century Fall Landscape with Orange & Earthtones Lovely late 1960's vintage landscape oil painting of an autumnal scene by Cal...

Signed lower right "J. Purvit", presumably by Latvian artist Vilhelms Purvitis (1872 - 1945), but we do not claim. The tranquil, unfrozen river flowing on the outskirts of the village, situated on a hill in a picturesque location, whimsically reflects the houses and trees along the shore, adding an extra charm to the scene. The autumn leaves, not yet completely fallen, show bright colors peeking out from under a light blanket of snow covering the trees. In the distance, the mountain ranges add depth and dimension to the scene, while the green trees against the changing backdrop highlight the smooth transition of seasons. The winter sky with its cold hues and the fiery sunset casting beautiful pink shades across the all scene set the mood and create a captivating atmosphere. This painting once again reminds us of the beauty of nature that surrounds us... if only we find the time to pause and appreciate it. Antique oil painting on canvas, signed, unframed. Size app.: 50 x 69.5 cm (roughly 19.7 x 27.4 in). Overall in very good ready to hang condition with just minimal wear. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 2 kg is going to measure 4 kg packed for shipment. Vilhelms Purvitis, landscape painter and educator who founded the Latvian Academy of Art and was its rector from 1919 to 1934. In 1890 Purvītis started studies at the Imperial Academy of Arts in Saint Petersburg, Russia from 1890 to 1897, primarily under Arkhip Kuindzhi...

Delve into the serene beauty of a French countryside landscape through the artist Didier's watercolor masterpiece. This original piece, steeped in the impressionist style, captures t...

Lawrence Rothbort Belt Parkway, circa 1950 Oil on canvas 48 x 48 inches Lawrence Rothbort was born March 1920 in Brooklyn, New York. He was a model from infancy for his father, Amer...

Landscape painting with working man by renowned Danish artist Joergen Boberg (1940-2009) is 11,8in (H) x 11,8 (B) / 30cm (H) x 30cm (B). Signed 'B' and dated '57' in upper left corn...

Ivan Fedorovitch Choultsé 1874-1939 Russian "Soleil sur la Neige", 1933 Oil on canvas Signed and dated lower right Canvas: 21 1/4" high x 24 3/4" wide Frame : 31 1/2" high x 35 3...

Hawaiian Symbolism Flowering Tree and Acolytes Symbolism Landscape Symbolic landscape with four figures worshiping flowering tree by Marguerite Louis Blasingame (American; 1906-1947)...

Antique American impressionist pastel painting. Pastel on paper. Framed. Signed.

Appropriately called the "Mosaic" period for important historical artist Carl Holty, this is a super example! His color use during this time frame was lively as he always used sky b...

This artwork titled "The Marina Sausalito" c.1950 is an oil painting on canvas by noted California artist Clifford Holmes 1876-1963. It is signed at the lower left corner by the arti...

Minimalist mid-century modern landscape of three autumnal trees by M. Lehtio (American, 20th century). Signed "M. Lehtio" and dated "48." Presented in a wood frame and non-glare glas...

This is a colorful oil painting by listed American artist Maurice Van Felix. It portrays a boat landing or lift along a harbor location. It must be Florida as there is a line of palm...

Oil on artist board mounted on wood panel. Tschacbasov sunset sets the trees ablaze in this beautiful painting done in the late 1950's while two small figures in the lower right side...

Gorgeous California seascape in uncommonly bright colors, depth and textures. Unsigned. Displayed in rustic wood frame. Image, 20"H x 24"L,. Framed size: 23"H x 28"W.

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Antique American modernist landscape painting by Marion D Freeman Wakeman (1891 - 1953). Oil on canvas. Framed. Signed. Image size, 26H x 20L

Finely painted bright and brilliant cubist winter landscape. Framed nicely and signed lower right. Excellent mid century example.

This original 1940s grayscale watercolor by Charles Ragland Bunnell captures a semi-abstracted view of the Golden Cycle Mill in Colorado Springs, Colorado. Rendered in subtle blacks and grays, this striking WPA-era landscape melds industrial subject matter with a modernist aesthetic. The piece exemplifies mid-20th-century American regionalism, blending expressive abstraction with historical significance. The painting measures 8 1/8 x 9 5/8 inches (sight size) and is showcased in a custom black frame measuring 18 x 19 ½ x 1 ⅜ inches, making it an elegant addition to any collection of American art or industrial landscapes. The Golden Cycle Mining and Reduction Company was a vital part of Colorado’s early 20th-century mining boom, located in what is now Old Colorado City. Bunnell’s work documents this industrial heritage through a modernist lens, offering a unique narrative of regional development. About the Artist: Charles Ragland Bunnell (1897–1968) was a key figure in Colorado’s art scene and a pioneer of American Modernism and abstraction. Trained at Broadmoor Art Academy, he combined American Scene painting with abstract forms. Bunnell contributed to New Deal art...

This painting of a classic nude at a pool, "Hilda at the Pool," is both a portrait and a landscape. Leon Kroll rejected Modernism to triumph in the beauty of Classicism. During his l...

Paysage par l'artiste Theodore Schempp (1904-1988) qui était marchand d'art a New York de Nicolas de Staël, Georges Braque et Giacometti. Il résidait dans le sud de la France. Dimens...

Still life. 1964. Oil on cardboard, 61x78 cm

Antique English modernist landscape oil painting by Phillip Castle (Born 1943). Oil on canvas. Framed. Signed verso.

A beautiful watercolor painting of a blue house surrounded by pine trees by Lillie Esther (Hillman) Heebner, a Watsonville, Monterey Bay area, California watercolor artist. Unsigned, but acquired with a collection of her work. Please note the Needle Thread work to the paper. Lillie (Lil) E. Heebner was guided through life by her creativity. Even at 92, she never felt old, and often said so. She met every situation in life—including death—with ingenuity. Although born in Richmond, Lillie lived in Watsonville all her life. Her father, Frederick H. Hillman, grew up on a strawberry ranch in Pajaro, graduated from Watsonville High School in 1916, and served in France during World War I. He later worked for Martinelli's Apple Cider plant and became foreman. Lillie's mother, Esther C. Hobson, moved as an infant from Bakersfield to Santa Cruz...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Clifford...

Beautiful mid-century landscape of sycamore trees along a stream in front of a distant mountain range by Alice Egge (American, 1931 - 2000), c.1960s. A t...

Artist: Charles Cobelle, French (1902 - 1994) Title: Before the Race Year: ca. 1960 Medium: Oil on Canvas, Signed l.r. Size: 24 x 30 inches Frame: 32 x 38 inches

Jean Helleu (French, 1894-1985) A painter, watercolorist and designer born in Paris, France. The son of Paul-César Helleu. (a French oil painter, pastel artist, drypoint etcher, and designer, best known for his numerous portraits of beautiful society women of the Belle Époque. He conceived the ceiling mural of night sky constellations for Grand Central Terminal in New York City. He studied with Jean-Leon Gerome and was friends with John Singer Sargent, James McNeill Whistler, and Claude Monet.) Jean shared with his father a love of the sea and sailing. He studied at the Ecole des Beaux-Arts and the Grande Chaumière. (Kurt Seligmann, Yolande Ardissone, Balthus, Jacques Bouyssou, Gabriel Dauchot, Étienne Hajdu, Jean Helleu, Claude Lazar...

Nathan Hoffman Manhattan from the Rooftops, July 1, 1947 Signed, dated and estate stamped on the reverse Oil on board 15 3/4 x 20 inches Born in Russia...

Beautiful tonalist landscape of California foothills and country road. Signed and dated "CKP" and "'69" lower right corner. Presented in rustic wood frame with eggshell mat under nonglare glass. Image size: 18.25"H x 13.25"W. Framed size: 23.5"H x 18"W. California Tonalism was art movement that existed in California from circa 1890 to 1920. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

Forest View of a Village in Normandy by David Harris (American, 20th c.) A fine original oil painting of Normandy, France by an American artist. The painting is on canvas and measu...

Irina Roudakoff Belotelkin (Russian / American, 1913-2009) Stunning Country Chaparral Zone Landscape Oil Painting C.1960s Brilliant original oil painting by listed Russian / Americ...