Jean Helleu

French Semi Abstract Expressionist Color Field Impasto Oil Painting Jean Helleu

c.1950's

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary The Valley Oil on canvas Hand signed lower left and again to stretcher and verso 16 x 20 inches. frame dimensions: 22 1/4 x 26 inches, wood frame Provenance: The Estate of the artist Ralph Della Volpe TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. SOLO SHOWS: Hotchkiss Library, Sharon, Conn Millbrook Library, Millbrook,NY Gregory James Gallery...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Oil on canvas Hand signed lower right Artist Signed, Abstract Oil on Canvas. Figure in the distance. Approx: 30" x 27 1/2" framed, 26 1/2" x 23 1/2" canvas. TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. He was included in the show Abstraction: 1950-1970 at Taylor Graham, Greenwich CT. A survey of post-war abstract art movements including Abstract Expressionism, Color Field, Hard Edge, Minimalism and Op-Art. Adolph Gottlieb, André Cottavoz, Carl Robert Holty, Cleve Gray, Friedel Dzubas, Ilya Bolotowsky, James Hiroshi Suzuki, Norman Bluhm, Ralph Della-Volpe, Theodore Appleby...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Sunset Sail Oil on canvas Hand signed lower right and verso 22 x 20 inches Provenance: The Estate of the artist Ralph Della Volpe TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. SOLO SHOWS: Hotchkiss Library, Sharon, Conn Millbrook Library, Millbrook,NY Gregory James Gallery...

A beautiful, luminous landscape, cityscape painting. I believe this is oil paint. It might be acrylic. 17 X 13 with frame 16 x 12 sight. Juan Guzman-Mald...

Abstract landscape, oil painting This is hand signed lower right dated 1947 There is also a hand written inscription in french lower left. Moussia Toulman ( 1903-1997), Artist and poet, was born in Uman Ukraine (famed as the tomb site of Chassidic Rebbe Nachman of Breslov) and came to Israel (British mandate Palestine) when she was 19 years old. Just a few months after her arrival she married, settled in Metula however, she didn’t forgo her ambition to study art. In 1923 she enrolled to study at the Bezalel Art Institute in Jerusalem and completed her studies there in 1926. Like Ziona Tagar, who preceded her a few years earlier, Moussia Toulmann chose to become an artist-woman in the full significance of the term. She wasn’t satisfied with the local studies framework that was available and chose to continue her studies in Paris, France which at that time was considered the art capital. From 1929 onwards Musia lived in Paris, studied art and joined the ‘Independent Salon’ society. She made contacts with artists and writers and exhibited during the 1930’s in a number of select group exhibitions. In 1936 Tolman visited Israel and forged bonds with artists she studied with at Betzalel, among them Aharon Avni, Gliksberg and Avigdor Stematsky. She exhibited at the Tel Aviv Museum of Art in 1936 in a group exhibition with Aharon Avni, Arie Aroch, Yosef Zaritsky, Mordechai Levanon, Eliyahu Sigad, Chaya Schwartz, and Yehezkel Streichman. She painted landscapes and portraits and presented one of the works she painted in Paris to the Tel Aviv museum. It was a portrait of the poet and art critic Gustave Kahn who had died the same year. Moussia returned to Paris and exhibited a one-man show just before the outbreak of the Second World War. During the war all the works she exhibited in this exhibition were lost without a trace and Moussia Toulman herself wandered around France moving from one hiding place to another. After the war, in 1946 Moussia Toulman continued painting but was reluctant to exhibit her works. She became a well-known public figure and volunteered for aid programmes for Holocaust survivors, especially orphans. Later on she founded together with Mane Katz, Jacques Atlan and other artists the ‘Art’ organization with the object of developing cultural ties with Israel and to aid Israeli artists during their stay in Paris. In addition to painting Moussia Toulman wrote poetry, published articles and was involved in art criticism. She was included in the rare publication of 'Association des artistes, peintres et sculpteurs juifs de France' in French and Yiddish. The School of Paris Jewish artists included Edmond Kayser, Abram Krol, Meyer Lazar, David Lan-Bar, Jacques Lipchitz, Jacques Loutchansky, Lubitch, Rene Mendes-France, Adolphe Milich, Lea Nikel, Jules Pascin, David Peretz, Camille Pissarro, Nathan Rapoport, Moussia Toulman, Roger Worms...

Life in Nature Canvas measures 31.5 X 39.5 (I believe this is oil it might also be acrylic.) Hand signed recto and signed and titled verso. Calman Shemi, sculptor and painter, was born in Argentina in 1939. A graduate of the School of Sculpture and Ceramics in Mendoza, he studied under the Italian-Argentinean sculptor Libero Badii whom he credits with putting him on the right path. “He taught me principals, not only related to sculpture, but human and philosophic principals. Shemi also carefully studied the work of such masters as Picasso, Caravaggio, Frank Stella and Matisse. “From each one of these great artists I learned something from observing them,” he says. In 1961, at the age of 20, Shemi immigrated to Israel and joined Kibbutz Carmia of which he was a member for twenty years. There he worked in agriculture and also as a sculptor working with wood and clay. Several of his large-scale fiberglass and polyester projects are situated in public buildings. He was a student of German-Israeli sculptor Rudi Lehmann, a pioneer of the artistic movement known as “Canaanism.” Canaanite art was an effort to create a direct relationship with the land, bypassing historic Jewish connotations—hence the land’s primordial name is used. Canaanite works, with an emphasis on the inter-action of simple shapes, bear a deliberate resemblance to the sculpture and ritual art of early civilizations of the Middle East prior to Judaism, always with an eye to the fusion of man and the land itself. Though sculpture dominated his early years as an artist, in the mid ’70s Shemi developed the idea of the “soft painting” medium. Beginning with a color drawing done to scale, Shemi layers onto the drawing irregularly shaped pieces of variously textured and colored fabrics. Using a threadless 9,000-needle sewing machine, the fabrics are meshed to one another and to the background, resulting in vibrant carpet tapestry compositions infused with exuberant color and explosive movement. These are neither aubusson nor pile but more of a felt wall hanging...

This interesting Mid Century Modern abstract pointillist cityscape oil on canvas painting is by Le Boreux (France, 20th Century). It depicts a colorful and vibrant brutalist cityscap...

Colorful landscape painting "Water Images IV" by artist H.M. Saffer II is a 40x30 oil on canvas. Painted in the style of pointillism, a series of tiny painted brushstrokes, this oil landscape features a pond in the golden light of day with the reflection of trees stretching across the surface of the light blue speckled water. About the artist: Born July 18, 1942 in Philadelphia, Pennsylvania, H.M. Saffer II launched his career by exhibiting his art at a public art show at the tender age of six. Upon graduation from Temple University in 1965, he traveled to Paris, France to enroll in graduate economics courses. Concurrently, HM's path took a different twist, as he soon leveraged his musical talent performing with notable French stars Hugues Aufray, Jacques Brel, Charles Aznavour, and many others. He was later hired by Barclay Records as a producer, and had several hit records in 1968 and 1969. During this period, he was also the chef / owner of two restaurants in Paris, and later a third located in Ibiza, Spain. Remarkably, as engaged as he was, HM never stopped painting and exhibiting his works. Several of his shows - sponsored by his restaurants and music associates - "sold out" and were favorably written up by the press. Before returning to the United States in 1970, he completed selected studies at L'Ecole Des Beaux Arts and exhibited in Paris and Brussels, Belgium. HM continued on with his music career in the United States at Warner Brothers Productions where he co-wrote the international hit song, "Look What They Done To My Song, Ma", recorded by Ray Charles, Melanie and other performers. While at Warner he painted a forty foot mural in their Madison Ave., NY headquarters and exhibited his works in the firm's lobby. In 1972 HM was hired by the dynamic songwriter/producer Bob Crewe...

Colorful landscape painting on canvas "Water Dance IV" 30x24 by artist H.M. Saffer II. Painted in the style of pointillism, a series of tiny painted brushstrokes , this oil landscape depicts a tree blossoming white flowers, reflected off a body of purple and blue waters. About the artist: Born July 18, 1942 in Philadelphia, Pennsylvania, H.M. Saffer II launched his career by exhibiting his art at a public art show at the tender age of six. Upon graduation from Temple University in 1965, he traveled to Paris, France to enroll in graduate economics courses. Concurrently, HM's path took a different twist, as he soon leveraged his musical talent performing with notable French stars...

Nordfeldt's misty and moody monochromatic modernist landscape is reminiscent of Marsden Hartley. Signed lower right. The plaque reads B.J.O Nordfeldt "Moon in Mist - The painting l...

Moody blue night with rain and wind rendered in a post-impressionist style somewhat like that of Albert Marquet

Mid-Century Modern abstracted landscape of autumn trees lining a red brick pathway by Charles Fuhrman (American, 1940-1995), c.1960s. Signed "Fuhrman" lower left. Unframed. Image, 36...