Boat Landscape Paintings

This painting was created from various photos my wife Loretta and I took while canoeing in Algonquin Park. I enjoy the change of the seasons and bringing these compositions to life. ...

Baloy, Varrio Barrett, Subic Bay 15x20 in., unframed (we frame it upon customer request). Signed lower left. His artwork has been published in two books “colors and Words: From Armenian and Beyond” and “Past Does Not yet Melt here”, the latter was the result of a journey to the result of a journey to the top of Mount Ararat...

Antonio Martino's work is a prominent example of the long tradition of realistic painting and instruction in Philadelphia. Painted towards the end of his long career, Before the Rega...

"Near Tamerton Devon" by William Pitt. William Pitt 1818-1900 was a fine midlands landscape painter of local scenes and south west views. A regular exhibitor at London and Birmingham...

Signed lower right: Antonio P. Martino Provenance Private collection, Pennsylvania Antonio Martino's career is marked by numerous awards and accolades. By seventeen he was exhibiting publicly, and in his early twenties he had won honorable mentions from the Art Club of Philadelphia as well as the Philadelphia Sketch Club. In 1925 when he had two paintings accepted at Pennsylvania Academy of the Fine Arts' Annual Exhibition, his teacher Albert Adolphe...

Additional $150 for framing. Frances Ashforth’s spare paintings, drawings and waterbase monotypes reflect the geography and geology of intersecting habitats that she has visited and...

A painting of boats docked in a harbor. Loose brushstrokes in the lower lefthand corner indicate ripples in shallow water, shades of green and teal. The water becomes a deeper richer...

Timothy Mulligan's "Tahquitz Canyon Waterfall" is a breathtaking acrylic on canvas painting that captures the exquisite beauty of the Tahquitz Canyon waterfall. Mulligan's signature ...

Oil Painting by Edoardo Federico de Martino C.V.O "An Italian Coastal View" Sorrento Maritime painter had been an officer in the Italian Navy. come to London, selling to Queen Victor...

Painting beach with water bikes LES PEDALOS. By Carole Grandgirard, title and signature on the back of the canvas. Oil on canvas. Contemporary, France 2024. Carole Grandgirard is ...

Vladimir Ilibayev(1952). Painter Born in Ventspils, Latvia in 1952. Education Studied 2 years in Moscow State University, the Faculty of Philosophy. Graduated from St. Peterburg ...

The Great Fog and Other London Pictures, Gipe uses photos and stills from period newsreels to create a series on the subject of London’s toxic “Pea-Soupers...

Signed and dated lower right: F.M Lamb 1905 Provenance Private collection, Massachusetts Born in Middleboro, Massachusetts, Lamb, at age 17, attended the Massachusetts Normal Art S...

Marla Korr Biography American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy E...

Contemporary Twentieth Century Marine Oil Painting of Dutch Barges Racing. Skilled and Award Winning Artist Frits Goosen is himself a keen Sailor and often to be found in the Summer ...

Signed lower right & dated 1879. Antonio Jacobsen’s painting of the Thingvalla (a shipping line between Scandinavia and the United States) is a masterclass in maritime artistry, showcasing his signature crisp brushwork and dynamic composition. Jacobsen’s strokes are precise yet expressive, capturing the texture of the ship’s hull and the shimmering movement of the water. The fine detailing in the rigging and smokestack demonstrates his meticulous approach. • The Thingvalla appears to surge forward, cutting through the waves with a palpable sense of momentum. The artist’s use of diagonal lines and the tilt of the vessel enhances the illusion of motion. Jacobsen’s ability to balance realism with artistic flair ensures that the Thingvalla feels alive, as if caught mid-voyage. Bio: Antonio Jacobsen, America's folk art hero recognized for his unsurpassed contributions to America's maritime history, recorded domestic and international ships as they passed through the age of sail to steam. He was a prolific painter and throughout his life painted an estimated 6000 paintings. Jacobsen was born in Copenhagen, Denmark, on 2 November 1850, where, for generations his family had been violin makers. His father encouraged him to practice a similar craft. At an early age he enrolled at the Royal Academy of Design in Copenhagen, however, reversed family fortunes forced him to withdraw. At the age 18 it was compulsory for him to join the Danish military forces, but he decided instead, to sail for America. He left his family behind and arrived in New York in the early 1870's. Like many other immigrants, he went to New York City's Battery Park looking for work. He passed his days sketching the ships that sailed in and out of the harbor. Not before long a representative from Marvin Safe Company noticed his drawings and offered him a job decorating safes. His ability as an artist was further recognized as he began to receive commissions from sea captains and ship owners and eventually Steamship companies, to record their entire fleet. The Old Dominion Line, The Fall River Line and The White Star Line are some of the steamship companies that commissioned him to paint portraits of all the ship in their respective fleets. In addition, the Clyde Line, the Black Ball Line...

Contemporary Traditional Marine Oil painting of Racing Dutch Barges A small gem by Frits Goosen who is himself a keen Sailor. Often to be found in the Summer months sailing the Dutc...

Philippe Tanneur (Marseille, 1795 - 1878) Marina in storm Oil on canvas, 54 x 68 cm Framed, 63 x 77 cm Signed lower right and dated 1866 The son of an artilleryman, Philippe Tan...

Up for sale is a wonderful Jean Marzelle (1916-2005) French Post Impressionist harbor scene with boats, wonderful Cubist look with Fauvist sky Marzelle is an important French artis...

Artist Commentary: The small lobster fishing village of Blue Rocks on the Gulf of Maine in Nova Scotia. About the artist: Richard Levine, born in Newark, NJ, is a painter and photographer whose professional career has spanned more than 30 years in the graphic arts working for prominent design firms and corporate clients. He studied oil painting for four years with artists Alan Turner and Andrew Lattimore and photography with Gary Winogrand...

Oil Painting by William Pitt "The Severn above the Lowerloud Tewksbury" 1818 - 1900 A Midlands Landscape painter of local views and south-west scenes and regular exhibitor in London ...

Orsolic Dalessio depicts the port of a Moroccan town from the point of view of a man on the beach, leaning against a boat. He looks over the light blu...

Oil on Unstretched Canvas 30 x 24 in, Signed by Artist Good Condition

“Master Ship” watercolor on paper by American artist Josiah Thomas Tubby (1875- 1958). In “Soloman” hand-carved and gilded frame.

TRANQUIL MOORINGS Size: 43 x 73 cm (including frame) Oil on canvas An evocative mid-century coastal landscape painting that captures a serene harbour scene featuring three moored fi...

"Red Sails in the Moonlight" is an original oil painting created by Thomas Buchs. Artwork Size: 18" x 18" Frame Size: 22 1/8" x 22 1/8" Artist Stat...

Original Oil by Chicago artist J. Jeffrey Grant (1883-1960). A typical and beautifully executed subject by the artist. The work is in excellent conditi...

Ebb Tide on the Devon Coast by David James British fl. 1881 - 1892 Oil on canvas Canvas size: 24 x 36 inches Framed size: 30 x 42.25 inches Signed lower right

Oil Painting by John Ernest Foster "Whitby Quay" 1877 - 1968 Born in Hull but settled in Suffolk at Dedham. Member of the Ipswich Art club and exhibited a...

Signed verso Born in Chicago in 1986, Adam Umbach currently lives and works in Brooklyn, New York. Inspired from an early age by the Modern Masters collection at the Art Institute o...

Contemporary Twentieth Century Landscape Oil Painting of a Fisherman on Lake. Small Impressionist Oil Painting in a traditional Dutch...

Flying Sailors of St Ives Dyptich Part 2 by Ellie Hesse Available as a pair: £5,990 Ellie Hesse was born in New York in 1972 and then spent most of her childhood in the Yorkshire D...

Boats on the beach, seascape. artist signed lower left, 25"W x 12.5"H; frame: 31"W x 18.5"H x 1"D. Contemporary Post-impressionist style oil on canvas painting depicting a serene co...

American, b. 1950 Marla Korr attended Brooklyn College, earning both a B.A. and a M.F.A. There she studied with Philip Pearlstein, Lennart Anderson and Jimmy Ernst. She has also s...

"Norway" is an impressionist painting, oil on canvas by Maestro Olga Kashshay . About the artwork: TECHNIQUE: oil painting STYLE: Contemporary Edition : Unique, signed Weight: App...

Emile Albert Gruppe (American, 1896-1978) Post Impressionist Titled Verso: “Hauling The Nets” Oil on canvas Canvas: 25 x 30 inches (63.5 x 76.2 cm) Framed Dimensions 31 X 36 Inches S...

Painting, oil on canvas, measuring 55 x 35 cm without frame and 66 x 46 cm with a non-coeval frame, initialled at lower left in an unreadable manner, of the Flemish school. The main...

Butko paints the natural, sprawling light of early, mid, and late day. In this composition–his largest of 2023—Butko takes on early summer's mid-day light in Northeastern U.S. The cl...

Oil painting by Godwin Bennett “A Street in Salcombe, Devon”. Godwin Bennett 1888-1950. Brighton born painter and Art dealer, later moved to Croydon pai...

Bright sunny blues, greens, and colorful water reflections fill "Mallorca Fishing Boats", an exceptional oil painted on location on the island of Mallorca in by Maria Bertran, t...

In this sunset harbor scene, everything is enveloped in calm. The last rays of the sun bathe a fishing building, while the moored boats play with light a...

Oil on Canvas. Dutch school of the late 19th century. In the lower left corner is unidentified signature and the date '80. On the frame metal plate marked "Ashelard Holland 1880." T...

The recognizable Nelson White umbrellas bask in the sun in this plein air beach scene. Framed Dimensions: 21 x 31.25 inches Artist Bio: Nelson H. W...

American, b. 1942 John Charles Terelak is recognized as one of America's finest living impressionists. Born in Boston, Massachusetts, he received formal art instruction at the Vespe...

I live in the sea city often walk near the sea. I come to the workshop and under the inspirations of the walk. Splash feelings on canvas. This is a great investment in contemporary a...

Audra Weaser (b. 1967) is best known for her large-scale abstract paintings which represent the changing effects of light in the natural world - from ripples on water to shafts glimp...

Ernest Fiene (1894 - 1965) Low Tide at Noon, Wellfleet, Massachusetts Oil on canvas 26 x 36 inches Signed lower right Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in Paris from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. He was the subject of the first monograph for the Younger Artists Series in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene's paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene's paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene's paintings. Also in 1928 Fiene became affiliated with Edith Halpert's Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled "Changing Old New York," in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene's oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art's exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene's Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art's exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene's landscape paintings attracted numerous commissions as part of the American Scene movement. From 1935-36 Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Clement Drew grew up in Kingston, Massachusetts, a coastal New England town. Early on he settled into a career as a marine painter. He augmented his income by working in a number of ...

Bright sunny blues, greens, and colorful water reflections fill "Cala Figuera" an exceptional oil painted on location on the island of Mallorca in by Maria Bertran, this Contempo...

This composition, signed “EMIG,” displays a marine scene seen as if through an overhanging window. A suspension bridge and sleek sailboats dominate the work. The artist combines lat ...

A modernist coastal/dock scene by Edward Christiana. This painting is hand-signed "Edward Chrstiana '52" lower right. Exhibited: 1946 Munson-Williams-Proctor Institute; 9th Annual Exhibition 2004 Jameson Gallery, Portland, Maine; Edward Christiana (1912-1992) More about this artist: Edward Christiana was born in White Plains, New York in 1912. After high school the artist enrolled at Pratt Institute in Brooklyn, New York, graduating in 1933. After returning to the Mohawk Valley and obtaining work he enrolled in the School of Related Arts and Sciences at Munson-Williams-Proctor Arts Institute. In 1940, noted WPA artist William Palmer came to MWPAI to establish the School of Art, forerunner of the current Pratt at MWPAI. Mr.Christiana became involved with the School almost immediately and studied from 1941 until 1943 under Mr. Palmer, at which point he became an instructor himself and remained in this capacity until 1982. It was apparent at a very early stage in the development of Ed Christiana as an artist that he had a tremendous facility in the difficult medium of watercolor. By 1945, he had exhibited with the American Watercolor Society and did so again in 1947, 1949, and 1950. Mr. Christiana was even awarded the coveted William Church Osborne Purchase Prize in 1949 and 1950. He had his first one-man show at the Munson-Williams-Proctor Arts Institute in 1946, and would be so honored twice more; in 1954, and culminating with a major retrospective in 1989. By 1949 he was elected to the American Watercolor Society. He was represented in a group show at the Kraushaar Galleries in New York in 1951 and in another major one-man show at the Albany Institute of History and Art in 1956 where he received a purchase prize in oil. Strangely, after all of his early success in watercolor, he abandoned the medium in the early 50's to concentrate on oil painting. For over two decades he painted primarily in oil ranging from cubist inspired studies to his Marsden Hartley-inspired paintings of Mount Katahdin in the 1970's. By the mid 70's he had returned to watercolor. He was once quoted as saying "those who are familiar with my old paintings will be aware, I am sure, that in fact, they were not so far removed from watercolor, my technique in oils deriving positively from the aqueous medium." In the 1970's his watercolor style changed from the more wet and spontaneous style of the 40's to a dryer, slightly more controlled style, where the artist would often paint on dry paper, without wetting it prior to the application of paint. In the early 80's he returned to a wetter style, even more spontaneous than his method in the 40's. This culminated in his abstract work of the late 80's inspired partly by John Marin. Also, like Marin, Christiana painted representational work alongside very abstract work during the same period. Fellow artist Easton Pribble once said of Ed Christiana "If there were to be an honorary title -Painter Laureate- of the Mohawk Valley, Edward Christiana would certainly be the prime qualifier for that distinction." Christiana is known for his landscape views of the Mohawk Valley, her wild natural beauty as well as the architectural beauty of her towns and cities. He has also painted extensively in the Adirondacks as well as New Hampshire, Vermont, and especially Maine, which can almost be considered the artist's second home. He loved to paint the pastures, valleys, rivers, and waterfalls of the area as well as children playing on the grounds of his beloved Munson-Williams-Proctor Arts Institute and the neighborhoods surrounding it in Utica, New York. Edward Christiana painted almost right until his death in 1992. He was and still is a beloved man. No one I have talked to has had an unkind word to say about Ed Christiana, either as a teacher, artist, or friend. He was a prolific artist and was known to hand paint Christmas and Birthday cards...

"Shelter Island Evening" is a blue and green oil painting of a Northeastern American harbor. Kelly Carmody’s work has been widely exhibited and collected. One of her major figurati...

American, b. 1949 In his more than three decades as an artist, Nicholas Berger (b. 1949) has created an outstanding body of work that continues to evolve and excite viewers. Best known for his industrial, waterfront scenes of New York between 1930-1970, Berger effortlessly captures a period when the technology and landscape of the city was rapidly changing. Although he paints scenes of a bygone era, Berger draws inspiration from the waterfronts near his home in New York’s Hudson River Highlands as well as historical sources in museums. Berger holds BFA and MFA degrees from Alfred University. Earlier in his career, the artist painted representational landscapes rendered in watercolor, a medium in which he achieved great success, sharing a sellout two-person show in Tokyo with Andrew Wyeth. In the mid-2000s, Berger transitioned to his signature industrial scenes of the city, employing oil on panel in a painterly manner influenced by the Hudson River and Brandywine schools...

Oil on Canvas 29 x 25.25 in, Unframed Signed by Artist Good Condition-the piece shows signs of wear due to age and handling/the paint has minor cracks along the edges (this may not ...

Erwin Carl Wilhelm Günther (Hamburg, 1864 - Düsseldorf, 1927) Steamship and sailboats on the sea Oil on canvas, 65 x 100 cm Signed and dated "(19)15" in lower left corner The pai...

For the last 10 years Travis Walker has made landscape paintings about Jackson Hole, a place that never ceases to inspire him to pick up his brushes. He works on location, capturing ...

Italian School, Harbor Scene, Oil on Canvas, 18th century, unsigned, wood frame. Image: 25.25" H x 30" W; frame: 29" H x 33.5" W.

Title: "Valdemossa Port" Artist: Bartolome Sastre Medium: Oil paint on canvas Size: 45.5" x 45.5"

Lights in the Gulf of Naples is an original oil on canvas realized by the italian painter Adriano Bernetti da Vila. The magic of a full moon in the Gulf of Naples, the reflections i...

William Edward Webb British, (1862-1903) Penzance Harbour Oil on canvas, signed Image size: 29 inches x 45.5 inches Size including frame: 38 inches x 54.5 inches A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...