Drawing Landscape Paintings

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Aude AZAÏS "The Shadow of Their Desire" - Terrace in Marqueyssac Pastel on paper (framed under glass) H. 65 cm; W. 50 cm Signed lower left - 2023 It was after seeing a small reprodu...

Title: French Watercolor of Les Baux-de-Provence with Ruins and Cliffside Path by Robert Lepine (French, 1929 - 2017) Signed: Yes Medium: Watercolor painting on artists paper Size: 1...

Canal Scene Signed watercolour painting on artist paper painting: 10.75 x 8 inches provenance: private collection, England condition: very good and sound condition

Jaguar Motor Racing Sylvia Smith (British 20th century). signed and dated Jul. 65' oil on canvas, framed framed: 28.5 x 34.5 inches canvas: 24 x 30 inches provenance: private collec...

Drawing of a Decorative Interior Scene Josine Vignon (French 1922-2022) ink painting on artist paper artist paper: 14 x 10 inches good condition Provenance: from the artists estate, France Josine Vignon (1922-2022) was a French artist living on the Rue Beautreillis in the Marais district of Paris. She painted with a beautiful style, largely influenced by the Impressionist and Post Impressionist techniques, but adding her own distinctive style and technique to each painting. Vignon''s works carry tremendous energy and enthusiasm, often painted with very thick impasto oil creating a rich and diverse texture, as well as painting with a tremendous palette range of vibrant and joyful colours. She captured her home city of Paris, as well as Provence and the beauty of the surrounding countryside. We consider her one of the most talented and significant ''undiscovered'' artists of her time. Description: This striking ink drawing captures an eclectic mid-century interior, featuring intricate patterns and bold textures that evoke a sense of dynamism and style. Central to the composition is a sculptural table held aloft by two stylized human figures, topped with a decorative pitcher. Surrounding the centerpiece are textured furnishings, including leopard-print fabrics, striped curtains...

Hane paints a dreamy nocturne - a fusion of earthy and celestial bodies with circling birds around a central vertical axis. Created on assignment for De Beers' highly published A Diamond is Forever" campaign. "A love by the stars was important. Until the right man of the wrong sign put his star on my finger. And I entered his house with my love. The artist created the painting to be the night ... so it appears a little dark in natural light. Best viewed with a top and key light to bring out the colors. For example if you bring the painting outside on a bright day.. the colors will pop. If you view inside of a dark hallway.. it will look sombre with less detail. Again, it's a nocturne. Hane painted the covers of the Collier-Macmillan editions of C.S. Lewis's Chronicles of Narnia books, as well as such Simon & Schuster publications as Carlos Castaneda's The Teachings of Don Juan and A Separate Reality. In 1963, Hane was hired to do a full-page illustration for Esquire magazine; he moved to New York in 1965. He married Elaine Miller...

On the River Huguette Ginet-Lasnier (French 1927-2020) signed and inscribed verso in a wooden frame oil painting on canvas framed: 29 x 37 inches All the paintings we have for sale b...

This painting is part of the Slow Down series, which began in 2021 and remains ongoing. It features a serene landscape with a palm tree, gentle waves, and a crescent moon. At the top...

This is my best work that I have done in 30 years of my work. I am a dreamer, a futurologist. This work tells us what awaits us in the future. How the human body mutates and will ada...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. "Con...

Title: Mid Century French Original Ink Drawing - Urban View through Olive Trees Artist: Josine Vignon (French 1922-2022) Medium: Ink on paper Size: 25.5 (height) x 19.75 (width) ...

Title: Historic Miniature Watercolor of Bootham Bar and York Minster in York by Jack Grunwell, 20th century British artist Medium: Watercolor on thin card, unframed Measurements: 3....

Medium: Watercolour on paper, unframed Size: 14 inches (height) x 10 inches (width) Signed: Yes Condition: Sound condition, with some minor signs of foxing visible Provenance: Privat...

1993 Oil on canvas. Signed « Bernard Buffet » upper right and dated « 1993 » upper left. Dedicated « For Bernard and Dominique. Affectionately » on the reverse. Countersigned « Berna...

"Bridge Scene" by Camille Meriot (French 1887-1975) watercolour on unframed paper paper: 6.5 x 8.75 inches Fine original French Impressionist painting...

Anastasia Vasilyeva - Mountains 008 (2020) Abstract landscape, painting in black, grey, white colors. Artwork represents Alps in winter, covered with snow and mist above it. Paintin...

Title: Mid Century French Drawing Hillside Landscape with Trees and Distant Houses Artist: Josine Vignon (French 1922-2022) Medium: Pen and Oil Pastel on artist paper Size: 19.75 (height) x 25.25 (width) Signed: Yes Condition: Good Provenance: All the paintings we have by this artist have come from the artist's estate Description: This intricate pen drawing presents a captivating view of a hillside, with rolling terrain dotted with trees and small houses in the distance. The rich textures of the landscape are brought to life through Vignon’s use of fine, detailed line work. The foreground is framed by large, twisting tree...

Herzogin Cecilie, 1902 by Louis Letouche (French 1924-2015) oil painting on linen canvas, stretched over board framed Framed size: 15 x 21.75 inches Superb oil painting by the well listed French marine artist Louis Letouche (1924-2015). The painting portrays the early 20th Century ship titled: Herzogin Cecilie, 1902. Herzogin Cecilie was built in 1902 by Rickmers Schiffbau AG in Bremerhaven. She was yard number 122 and was launched on 22 April 1902. Completion was on 7 June that year. She was 334 feet 8 inches (102.01 m) long, with a breadth of 46 feet 3 inches (14.10 m) and a draught of 24 feet 2 inches (7.37 m). Herzogin Cecilie was built for Norddeutscher Lloyd Bremen. Unlike other contemporary German merchant sailing ships, the black Flying-P-Liners or the green ships of Rickmers, she was painted in white. She was one of the fastest windjammers ever built: she logged 21 knots at Skagen. The tall ships of the time remained competitive against the steamers only on the longer trade routes: the Chilean nitrate trade, carrying salpeter from Chile to Europe, and the Australian wheat trade, carrying grain from Australia to Europe. Both routes required rounding Cape Horn routinely, and were not well suited for steamers, as coal was in short supply there. Herzogin Cecilie was one of the fastest merchant sailing ships of her time, on a par with the Flying-P-Liners. The trip around Cape Horn from Portland (Oregon) to The Lizard (England) was done in 1903 in only 106 days. At the outbreak of World War I, she was interned by Chile, returning to Germany in 1920, only to be given to France as reparation, and subsequently sold to Gustaf Erikson (24 October 1872 – 15 August 1947) of Finland for £4250. She was homeported at Mariehamn.[2] As the freight rates for salpeter had dropped after the war, Gustaf Erikson sent her to bring grain from Australia. In so-called grain races, several tall ships tried to arrive first in Europe, to sell their cargo for a higher price, as told, for example, in The Great Tea Race of 1866 or The Last Grain Race. Typically, ships were loaded in the Spencer Gulf area, Port Victoria, South Australia or Wallaroo, South Australia, and travelled to Europe, with ports on the British Isles like Queenstown, Ireland or Falmouth, Cornwall being considered as the finish. After "winning" four times prior to 1921, she again won the grain race four times in eleven trips from 1926 to 1936. In 1927, when Herzogin Cecilie covered Port Lincoln (South Australia) –Falmouth, London and won a race against the Swedish ship Beatrice. Alan Villiers was on board, which would result in his book Falmouth for Orders, and later a trip aboard the barque Parma. Wreck of the Herzogin Cecilie in south Devon. With Sven Erikson as her Captain and Elis Karlsson her First Mate, the ship left Port Lincoln in South Australia on 21 January 1935, with a cargo of wheat, and after taking a more southerly route than usual, reached Falmouth for Orders on 18 May making her passage of 86 days the second fastest ever. Herzogin Cecilie was making for Ipswich in dense fog, when, on 25 April 1936, she grounded on Ham Stone Rock and drifted onto the cliffs of Bolt Head on the south Devon coast. After parts of the cargo were unloaded, she was floating again, only to be towed in June 1936 to Starhole (Starehole) Bay at the mouth of the nearby Kingsbridge Estuary near Salcombe, and beached there.On 18 January 1939, the ship capsized and sank. The remains of the ship sit at a depth of 7 metres at 50°12.82′N 3°47.02′W. The timber and brass portholes from the chart room...

Tree Study by Regine David (female French artist, 1910-2018) pencil painting on thick card inscribed verso painting: 9 x 10 inches condition: This painting is in excellent condition....

Medieval Stone Ruins with Archway by Regine David (female French artist, 1910-2018) charcoal painting on artist paper, stuck on card inscribed verso painting: 12.5 x 16 inches condit...

French Village Scene signed by Regine David (female French artist, 1910-2018) watercolor painting on artist paper, unframed panting: 13 x 16.5 inches condition: This painting is in e...

French Landscape signed by Bernard Labbe (French mid 20th century) original biro pen drawing on artist paper size: 20 x 25.5 inches condition: very good and ready to be enjoyed prov...

"Sunbathing Lady" by Maurice Mazeilie (French) watercolour painting on paper, unframed double sided painting: 4.25 x 6.75 inches A delightful original oil painting by the 20th cent...

Watercolor paper Brown wooden frame with plexiglass 85,5 x 65,7 x 2 cm

"Honfleur" by Camille Meriot (French 1887-1975) signed and dated 64' crayon drawing on paper paper : 4.75 x 6.5 inches Fine original French Impressionist painting by the well lis...

Title: "Mid Century French Original Ink Drawing of Névoisins (Eure et Loire) Rural Village Landscape" Artist: Josine Vignon (French 1922-2022) Medium: Ink on artist paper Size: 13...

Title: "Mid Century French Original Ink Drawing of a Rural Landscape with Hay Wagon" Artist: Josine Vignon (French 1922-2022) Medium: Ink on artist paper Size: 19.75 (height) x 25...

Urban Silence Among the Rooftops of Paris. Circa1920-1930. Dimensions: 100 x 81 cm • Period: 1920-1930 • French School Oil on canvas. In good original condition.       This ...

"Tudor House in Winter Landscape" by Roy Merrington (British, contemporary) Signed, Oil painting on canvas, unframed painting size: 16 x 21.75inches Lovely depiction of this traditional English landscape and a fine view of a Tudor period...

This work depicts a summer hedgerow crowded with blossom – the palest of pink flowers of wild roses, often called dog roses. Their prettiness is matched by their delicate fragrance –...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

This piece titled "Peek A Boo" is an original piece by Branche Coverdale and is made from acrylic gouache on Stonehenge rag paper. This piece measure...

'The Olive Tree Behind the Stone Wall', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a...

Renoir's Garden, Cannes Sur Mer Josine Vignon (French 1922-2022) ...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour with biro on artist paper, unframed stamped verso size: 10 x 8.5 inches condition: very good and read...

Artist: Charles Cobelle, French (1902 - 1994) Title: Eiffel Tower with Three French Flags Year: circa 1959 Medium: Acrylic on paper, Signed lower right Size: 24 x 32 in. (60.96 x 81....

Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of Fine Arts, Master of Art - Diploma in painting and lithography and obtained a scholar...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper size: 19.5 x 11 inches condition: very good and ready to be enjoyed provenance: the ...

French Landscape by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 15 x 17 inches provenance: artists estate, France condition: very good and sound c...

Charles Burchfield depicts a snowy hillside striated by the shadows of bare trees in his watercolor painting, “Winter Sun.”

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Walter Inglis Anderson (1903-1965) is considered one of the pre-eminent artists of the 20th c. American south. Anderson’s artistic vision paire...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Botanical imagery layered with shapes in mauve, sapphire, yellow and green form a playful narrative in this acrylic painting by Fiona Ackerman. The painting is part of a series inspired by the narratives and botanical drawings of women...

Work on paper Light brown wooden frame with glass pane 70 x 94 x 1,5 cm

This creation explores the delicate interplay of light and shadow using acrylic, creating textures that pulsate with life. This mixture approaches expressionism and semi-abstract f...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

"Gnarly" is a stunning, elegant painting depicting a mystic olive tree in the center, surrounded by a rich golden background. Artist Anastasia Gklava is an expert at applying gold le...

Provenance: Family of the artist, studio sale. *Period Frame option available. Price: 550 euros including shipping. Price : 300 euros without frame / incl shipping Free US CONTI...

One of the Stations of the Cross by Jean La Forgue (French 1901-1975) *see notes below oil painting on canvas, housed in original metal frame overall dimensions: 17 x 17 inches prov...

Provenance: Family of the artist, studio sale. Signed in pencil lower right. Born in Paris, the French painter Paul Lecomte, Paul Emile Lecomte's uncle, learned painting in the stud...

Anastasia Vasilyeva - Mountains 007 (2020) Abstract landscape, painting in black, grey, white colors. Artwork represents Alps in winter, covered with snow and mist above it. Paintin...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

"Blue Skies" by Maurice Mazeilie (French) watercolour painting on paper, unframed stamped verso painting: 5.5 x 7.5 inches A delightful original oil painting by the 20th century Fr...

Signed lower right, 'Vanessa Stafford' (American, born 1954) and dated 1982. Vanessa Stafford received her Bachelor of Science in Graphic Design from San Jose State University. She ...

Belgium. Brussels - A Market Lottery Seller by Leonard Machin Rowe (1880-1968) signed, dated and inscribed front lower left corner, inscribed and signed to the back watercolour paint...