Drawing Landscape Paintings

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Badri Narayan - House - 5 x 5 inches ( unframed size) Ink on paper Inclusive of shipment in ready to hang form. Style : The artist’s paintings are narrative, and titles like ‘Queen ...

With graphite. Dated to the lower right-hand corner. Presented in a white wooden frame. On canvas board.

Prakash Karmakar – Landscape – 36 x 57 inches (unframed size) Acrylic on Canvas Signed lower right in Bengali Inclusive of shipment in roll form. Karmakar is best know...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

Indra Dugar - Untitled - 10.5 x 8 inches (unframed size) 16 x 18.5 inches ( framed size ) This is a two sided work, Recto & Verso. Ink on paper. Inclusive of shipment in framed fo...

2306C – Myron Discobolus [2023] original ink on paper Image size: H:41.5 cm x W:29.5 cm Complete Size of Unframed Work: H:41.5 cm x W:29.5 cm x D:0.1cm Sold Unframed Please note...

"Giant At Sea" is an Asian Inspired Painting with a colorful Samurai and sailing boats in the ocean, with lots of white waves. The piece is created using ink, egg-tempera, and a gold...

St, Louis River Mural Study American Scene Social Realism Mid 20th Century WPA Jo Cain (1904-2003) The Drama of the St. Louis Great River 23 1/4 x 25 ½ inches Gouache on board c. 19...

To see our other Modern British Art, including others by Hennes, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you...

Tuileries Garden. Paris. 2010. Watercolor on paper, 38x50 cm Ingrida Irbe (1969) Born 15th of June 1969 in Riga Education: 1980. – 1987. J. Rozental...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper, unframed size: 10.5 x 21 inches condition: very good and ready to be enjoyed provenance...

French Landscape by Bernard Labbe (French mid 20th century) original pencil drawing on artist paper, unframed size: 8 x 9.5 inches condition: very good and ready to be enjoyed prove...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed stamped verso size: 10.75 x 9 inches condition: very good and ready to be e...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed stamped verso size: 9.5 x 12.5inches condition: very good and ready to be e...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 7 x 11 inches condition: very good and ready to be enjoyed. proven...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and ready to be enjoyed. p...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and ready to be enjoyed. p...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour on artist paper, unframed size: 8.25 x 11.75 inches condition: very good and ready to be enjoyed. p...

French Landscape by Bernard Labbe (French mid 20th century) original watercolour/ gouache on artist paper, unframed size: 15.75 x 21.5inches condition: very good and ready to be enjo...

Painting Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Anastasia Vasilyeva - Mountains 005 (2020) Abstract landscape, painting in black, grey, white colors. Artwork represents Alps in winter, covered with snow and mist above it. Paintin...

Anastasia Vasilyeva - Mountains 004 (2020) Abstract landscape, painting in black, grey, white colors. Artwork represents Alps in winter, covered with snow and mist above it. Paintin...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

To see our other Modern British Art, including others by Hennes, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you...

Garth Bayley Heads Down Original Equine Painting Watercolour Paint on paper Image size: H 25cm x W 32 cm x D 0.1 cm Sold Unframed Please note that in situ...

Alicia Rothman received her MFA in printmaking and drawing from Indiana University, Bloomington and graduated from Music & Art High School in NYC. Rothman has taught drawing at NYU S...

Immerse yourself in the tranquil beauty of "Lavender Study," a captivating oil on paper artwork by the talented Sarah Robertson. This piece masterfully captures the essence of lavend...

Over a hundred years ago, my grandfather registered as a homesteader with the Department of the Interior Land Office in Buffalo, Wyoming. Building a cabin on a remote 640 acre plat,...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

See bright snow on the West Mountain from the Summer Palace.

Signature: Signed lower Right

Storms Arriving in Red Feather

Twisted Ponderosa

Mini Ludgate Hill Morning [2021] original Acrylic on Canvas Image size: H:30 cm x W:25 cm Complete Size of Unframed Work: H:30 cm x W:25 cm x D:4cm Sold Unframed Please note tha...

From the train to the Himalayas 1963., p/crayons, pencil, 20x27 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latv...

Robin Cole's (US based) "Traces V" is an original, handmade encaustic and charcoal painting that depicts a grey monochrome pattern of leaves layered densely together. Nature and tho...

Winter 1967, paper/watercolor, 31x46.5 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School ...

"India I" Figurative Oil Painting 16" x 21" inch by Mohamed Abla Mohamed Abla was born in Mansoura (North of Egypt) in 1953. There he spent his childhood and finished school. In 19...

Crayon on paper. Signed lower left.

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

Fountain view. Tuileries garden. Paris. 2010. Watercolor on paper, 30x40 cm Summer day at Tuileries garden. People sitting around fountain Ingrida Irbe (...

Pont des Arts. 2010. Watercolor on paper, 40x50 cm View on the bridge at Paris. Artwork In gray and light yellow colors Ingrida Irbe (1969) Born 15th of June 1969 in Riga Educat...

Bray has explored a smaller, more demure 8.5 x 11 inch format for two of these casein on panel paintings. When coupled with his rich palette and tightly hatched bed of brushstrokes, ...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

The artist tells a whole action-packed story in one picture. A handsome young soldier shoots his pistol at a passing bomb-dropping airplane. The close call splashes water on him and his two sexy girl...

A Surreal Soiree 2024 Graphite and synthetic polymer on canvas 120 x 100 cm / 27.3 x 39.5 inches in artist frame Signed, dated and annotated on verso Caption: A Surreal Soiree - At ...

Textural work by collaborative artists Asya Dodina and Slava Polishchuk is created with Japanese paper and acrylic paint on canvas. Image of moody winter landscape with road and tre...

Textural work by collaborative artists Asya Dodina and Slava Polishchuk created with Japanese paper and acrylic paint on canvas.

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Provenance Estate of the artist David Bunim Perls Gallery, NY Private Collection, USA Literature This work will be inclued in the forthcoming supplement to the catalogue raisonne in...

Blanchard Canyon, Tujunga, CA 22x30 in. Very colorful California, Canyon view on watercolor paper. Signed by artist lower right. It is unframed and we can frame it upon our customer...

Discover the captivating beauty of "Olive Trees in the Lavender," an exquisite oil on paper masterpiece by renowned artist Sarah Robertson. This stunning artwork transports you to a ...

Italian Scene, Pen and Ink with Wash Painting by Reginald Brill, 1950s circa Additional information: Medium: Pen and ink with wash 33 x 48.3 cm 13 x 19 in Reginald " Reggie" Brill was a versastile 20th century artist and teacher. Brill was born in London in 1902 and spent his early childhood there and in Yorkshire. By the time of the First World War, at the age of 13, he was living in lodgings in London, working in a City office and attending St Martins School of Art in the evenings. Considering his lack of education, winning a scholarship to The Slade (now part of University College London) in 1921 where he studied under Henry Tonks for three years, was a huge achievement. On leaving The Slade he found patronage in Lincolnshire, but by the time of the General Strike (1926) he had returned to London and was working on Lansbury's Labour Weekly. He married Rosalie, also an artist, and in 1927 won the Prix de Rome in Decorative Painting. Following two years at The British School in Rome, Brill went to teach at Blackheath School of Art. During 1930 he spent three months painting in Egypt and it was there that he met Col. T G Gayer-Anderson, one of the twin brothers who were to bequeath The Little Hall in Lavenham as a hostel for art students. It was there that Brill retired to act as warden, thus continuing his nurturing of art students until his death in 1972. Brill took up his appointment at The School of Art, Kingston upon Thames in January 1934. It was situated in the Technical Institute (Kingston Hall Road) and Brill found it bohemian and disorganised. He proceeded to inject enthusiasm, order and discipline. Within 5 years of his appointment a purpose-built School of Art was opened in Knights Park. It remained open throughout the war and by 1945 there was a waiting list for places. Under the skilled and totally dedicated direction of Brill, Kingston School of Art became established with national reputation for excellence. In 1961 Sir Charles Wheeler opened the new building at Knights Park. Costing £100,000, this more than doubled the size of the Art School. Brill, was a well-known figure in Kingston. His eloquence made him popular as a guest speaker and his promotion of Art and Design stretched well beyond the doors of Knights Park. Apart from establishing two of the main buildings which makeup what is now known as the Faculty of Design, one of the most visible local contributions he made was the setting up of a topographical collection of paintings depicting Kingston, which has since become known as The Brill Collection at Kingston Museum. Brill gained huge respect and admiration from the hundreds of pupils who studied at Kingston during his 30-year leadership. He published two books, Modern Painting 1946 and Art as a Career 1962, both bearing a strong educational angle. He regularly exhibited along with leading artists of his era at The Royal Academy, both his paintings and his acutely observed drawings. All the while he was a prolific artist, although reading his diaries, intensely self-critical. His perfectionism, acute powers of observation and relentless research can be seen in his drawings, which via the media and methods he explored throughout his life reflect mid 20th century British Art at its most typical. His major series of work, known as 'The Martyrdom of Man', was carried on in parallel to his career as a teacher. These paintings reflect his care for fellow man and depict people at work, e.g., The Operation, The Jury, Linemen, Waiting Room and Rest, which recently sold at Sotheby’s and was specially restored for The Brill Retrospective. His smaller works also play with the theme of everyday events and communication amongst people, such as The Bull Ring and Market Place paintings. Brill's name is associated particularly with human figure compositions, but he also worked on landscapes, portraits and details of plants, animals, interiors etc. As one would expect he moved from one media to another, and his unusual hand painted and cut paper mosaics...

"Cancans au Moulin Rouge" is a Naïve style painting by the French artist Maestro Bouchon. Through her art, she has a very sharp and unique style of bright and colorful expression. ...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

Italian Landscape, Pen Painting by Reginald Brill, 1950 circa Additional information: Medium: Ink 20 x 34 cm 7 7/8 x 13 3/8 in Reginald " Reggie" Brill was a versastile 20th century artist and teacher. Brill was born in London in 1902 and spent his early childhood there and in Yorkshire. By the time of the First World War, at the age of 13, he was living in lodgings in London, working in a City office and attending St Martins School of Art in the evenings. Considering his lack of education, winning a scholarship to The Slade (now part of University College London) in 1921 where he studied under Henry Tonks for three years, was a huge achievement. On leaving The Slade he found patronage in Lincolnshire, but by the time of the General Strike (1926) he had returned to London and was working on Lansbury's Labour Weekly. He married Rosalie, also an artist, and in 1927 won the Prix de Rome in Decorative Painting. Following two years at The British School in Rome, Brill went to teach at Blackheath School of Art. During 1930 he spent three months painting in Egypt and it was there that he met Col. T G Gayer-Anderson, one of the twin brothers who were to bequeath The Little Hall in Lavenham as a hostel for art students. It was there that Brill retired to act as warden, thus continuing his nurturing of art students until his death in 1972. Brill took up his appointment at The School of Art, Kingston upon Thames in January 1934. It was situated in the Technical Institute (Kingston Hall Road) and Brill found it bohemian and disorganised. He proceeded to inject enthusiasm, order and discipline. Within 5 years of his appointment a purpose-built School of Art was opened in Knights Park. It remained open throughout the war and by 1945 there was a waiting list for places. Under the skilled and totally dedicated direction of Brill, Kingston School of Art became established with national reputation for excellence. In 1961 Sir Charles Wheeler opened the new building at Knights Park. Costing £100,000, this more than doubled the size of the Art School. Brill, was a well-known figure in Kingston. His eloquence made him popular as a guest speaker and his promotion of Art and Design stretched well beyond the doors of Knights Park. Apart from establishing two of the main buildings which makeup what is now known as the Faculty of Design, one of the most visible local contributions he made was the setting up of a topographical collection of paintings depicting Kingston, which has since become known as The Brill Collection at Kingston Museum. Brill gained huge respect and admiration from the hundreds of pupils who studied at Kingston during his 30-year leadership. He published two books, Modern Painting 1946 and Art as a Career 1962, both bearing a strong educational angle. He regularly exhibited along with leading artists of his era at The Royal Academy, both his paintings and his acutely observed drawings. All the while he was a prolific artist, although reading his diaries, intensely self-critical. His perfectionism, acute powers of observation and relentless research can be seen in his drawings, which via the media and methods he explored throughout his life reflect mid 20th century British Art at its most typical. His major series of work, known as 'The Martyrdom of Man', was carried on in parallel to his career as a teacher. These paintings reflect his care for fellow man and depict people at work, e.g., The Operation, The Jury, Linemen, Waiting Room and Rest, which recently sold at Sotheby’s and was specially restored for The Brill Retrospective. His smaller works also play with the theme of everyday events and communication amongst people, such as The Bull Ring and Market Place paintings. Brill's name is associated particularly with human figure compositions, but he also worked on landscapes, portraits and details of plants, animals, interiors etc. As one would expect he moved from one media to another, and his unusual hand painted and cut paper mosaics...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

Discover Sarah Robertson's contemporary masterpiece, "Eiffel Tower," a vibrant painting on paper that reimagines the iconic Parisian landmark with a unique artistic flair. This moder...